Intersect: Stories Told and Untold in the City of Angels

By Sara Chisolm

Los Angeles residents have always been stereotyped as Hollywood physically fit with a green juice in hand while driving down Rodeo Drive. I do occasionally enjoy a green juice but I don’t make a habit out of frequenting tourists’ traps. I pass the Disney concert hall while on my way to Chinatown, East L.A., Little Tokyo, or mid-city. Away from the glitz of Tinseltown, the heart beat of the city exists. Some Angelenos leave to seek more affordable pastures while others linger in the only place that they will ever call home. Some come from areas torn by war or in search of the American dream. This is a place where dreams are made and broken. Perhaps that is why I write and listen to stories about Angelenos. We thrive in a paradigm of contradictions.  

I always remember to pack a pair of shades, water, sunscreen, notepad and pen while canvassing Los Angeles on the public transportation. They’ve extended the train lines, which suits me just fine.  I can lumber around Sawtelle taking in the savory aroma of bone broth, dip out and be in Mariachi Plaza to hear a serenade while the glare of the afternoon sun beams down on all of those poor souls stuck on one of the freeways, which resemble parking lots during rush hours. I watch people as they walk down the street, bus tables in restaurants, attend to their children, or sit at the local coffee shop typing away on their computers while sipping on their coffee. I usually choose to write at home but the city and its inhabitants inspire me to step away from my desk and home library. 

I yearn for the smell of incense, buttery Salvadoran quesadillas, jasmine, and marinated meats. I can smell all of these things from the crowded streets when I walk down just the right one. I sometimes wonder about the people that I encounter in those brief moments. What is their life like? What do we have in common? What are our differences? 

In a place as diverse as Los Angeles, differences are easy to pick out, but it’s the similarities that can make people bond and feel empathy for others. Stories can be a powerful bridge to understanding one another. On occasion, I find myself imagining that the woman in front of the temple with the incense sticks is praying for forgiveness. The man in front of me at the panadoria is buying breakfast for his family. The basketball players whose movements blow the scent of fresh jasmine onto the street might be worried about their upcoming finals. The cook in the taco truck is wondering how he’s going to make ends meet this month. I don’t know their stories, but I know that we are alike in some ways, and that thought alone makes me take out my notepad.

 I sometimes jot down a few notes and ask a few questions here and there. Occasionally, the answers yield more questions that will go without a response. I try to understand people who may have vast differences from me by researching certain topics related to their experiences. 

Spending hours in a library conducting research on history, culture, and language is helpful to my writing. I‘d be a liar if I didn’t admit that the mildew smell of used books is a comfort for me. Going to a library is like coming home.  My research doesn’t address all of the questions that I have from talking to people. There are times when emotions and the past guide reactions. Feelings can be difficult to explain or even comprehend. Who knows why one motorist will roll down their window and cuss at another person for cutting them off on the freeway while another one won’t even bother. Emotions about situations are a reflection of the past.

I’ve drawn the conclusion that to live here, one has to admit how much and how very little they know about the city’s residents. Although the differences between us can be numerous, we can always offer empathy. I listen with compassion and gain an insight that I would never have acquired had I not spoken to my fellow Angelenos. These life lessons help me in my day-to-day tasks as well as in my writing. 

I ran into someone carrying a power tool on the bus. His eyes lit up when he saw the name of the school that I work for emblazoned across my chest in huge white letters on a fire hydrant red t-shirt. He asked if I was a teacher and what subject I taught. When I told him I work with small children, he told me stories about his daughters that ended with him instructing me on how to use a power drill. I sometimes think of him when I write stories about families. That twinkle in his eyes reflects the same starry gaze that I have when I reminisce about my own little “knuckleheads.” Our astronomically different lifestyles bear resemblance as we connect over children and unfinished projects in my apartment. I learn a fair amount about myself while talking to others. Their experiences guide me. 

The most prolific life lessons that I have had through stories comes from the families that I work with as a preschool teacher. I used to work for non-profit organizations in areas that experienced frequent gang activity, poverty, and violent crime. The parents told me stories about being refugees, being harassed by cops, not having enough resources for their children. I had to take notes as I devised a way to best help with their children’s needs. 

We are people of color, dark skinned and historically marginalized. I saw a bit of myself reflected in their appearance. We shared the same spaces. I visited the same grocery stores, restaurants, and walked down the same streets. In those instances, ​​I become a part of a community story. We would vibe about the store clerk who always picked their nose when they thought  that no one is looking. Complain about the higher prices at our favorite heladeria. 

I grew up in an all-American suburban town in the San Gabriel valley. Just another pissed off teen in A.P. English writing poetry and journaling. My parents were able to provide a decent living for me and my little brother. While growing up, I didn’t have the same barriers to resources as my students’ families. Learning about life experiences that differ from mine expands my understanding and awareness of the human condition. This fact makes their stories resonate with me. I don’t focus on writing stories that reflect life experiences that are solely my own. A good book makes the reader relate to the characters in some way. A great book will make you emotionally invested in the characters. I am a speculative fiction writer. My aim is to intrigue readers by creating relatable characters in imaginative moments that no one on this good green earth has experienced. 

My favorite books growing up were fairy tales or what I would dub as “whimsical flights of fantasy.” My writing reflects my earlier reading choices, but with a sprinkle of darkness and culture. My plot lines used to rack up body counts as if I was playing a video game. I’ve slightly amended my ways and began to focus more on relationships between characters without the climactic death scenes. Some life situations are just as stressful as being torn limb from limb by zombies. Maybe I’ve changed. Motherhood has become a prominent theme in my stories. Exploring folklore from around the world has taken root in my fiction. Fairy tales where Angelenos reside in conflict. Not every story has to have a happy ending, but it always has to end. 

The stories that my past students’ families told me were also full of hope. In a city brimming with dreams, hope is contagious. There’s always a chance for a better tomorrow. At the end of the year, the center that I used to work for hosts a pre-kindergarten graduation. Folks filled up the auditorium while clutching balloons, bouquets, and stuffed animals. Some people have to stand because there aren’t enough chairs. The children perform a few songs, dawn graduation caps, and eat over frosted pieces of white sheet cake. The families shifted together. The metal folding chairs were scattered against the wall to make room for the adults’ latest gossip. An older cousin just graduated high school or college. A father just opened his own small business. A mother is expecting a new addition to the family. We share sorrow and rejoice in triumphs. 

The last graduation that I attended at the center was a type of farewell ceremony for me as well. By the end of the week, I’d be starting at a new center. The preschool that I was starting at had raised beds for gardening, several fenced in play yards, and a beautiful interconnecting bike path. Outdoor play would be very different from the scenes of police brutality reenacted by my past students. When I told the families that I was close with that I was switching schools and that the new school would serve wealthy families, they rolled their eyes or gave me menacing looks. They were pissed off that I could leave them to serve families that had their pick of great teachers. I politely sympathized and took their outrage and disgust as a complement to my care of their children and teaching abilities. 

Everyone faces challenges in life, although the challenges of the new families that I would be serving might be different, they were still plagued with their own obstacles in life. I couldn’t help but question my decision to leave the center for a more privileged population though. The choice to leave the center was not made light-heartedly. I wanted to stay because I had fostered relationships with the families, but ultimately my desire for new challenges and experiences had won out. 

I occasionally run into my old students and people in the community that I once served. Our paths intersect when I stop by my favorite restaurants or bakeries in the area. We embrace, talk, and laugh about the old times. Tears come to the corners of our eyes while remnants of our bond bring back once forgotten feelings. Sometimes when I say goodbye, I can feel their resentments in their hugs or handshakes. Other times, I feel their affection and sorrow. As Angelenos, we bring meaning to each other’s lives in our everyday encounters. Stories told and untold about our differences and similarities. Tall tales that seem like legends among the temples, taco trucks, coffee shops, skyscrapers, and congested freeways. 

In a city as crowded and spread out as L.A. you can marvel in her diversity. Draw strength from it. The promise of a better future draws people from different walks of life to this city. No matter what, there is always a tomorrow and another story to write.  

Sara Chisolm is a speculative fiction writer based in the Los Angeles area. Her urban fantasy short stories “Serenade of the Gangsta,” “The Fortune of the Three and the Kabuki Mask,” and “We Found Love as the Undead,” were featured in the second and third volumes of the Made in L.A. fiction anthology series. Sara has co-edited for the third, fourth, and fifth books for the annual Made In L.A. anthology. 

Intersect: How My Summer Vacation Became My Somatic Awakening

“As long as you keep secrets and suppress information,

you are fundamentally at war with yourself…

The critical issue is allowing yourself to know what you know.

That takes an enormous amount of courage.”

~Bessel van der Kolk, M.D

My body began spasming and shaking. Sweat beading up everywhere. Panic, panic, panic attack attacking me. Breathe. Aimee Takaya (my friend, yoga instructor, and Hanna Somatic Educator) kept her hands on my shoulders, letting me know I was safe. I was not being attacked. I was being held. A terrifying feeling after running away from love for 8.5 years. The only person who had held me during that time was a friend who also pushed me away. It left me in a state of unrest—terrified of being loved. Hypervigilant. (Or maybe I just needed someone to be the one to push me.) Possibly searched for the one. (Maybe I found exactly who I wanted.) Now I wasn’t just trying to escape pain and loss, I was ready to leave my skin behind.

But let’s rewind a bit. I moved to the mountains to heal. My friend Aimee and I met at a local coffee shop for hot cocoa and avocado brownies, to discuss future somatic plans. Then a blizzard hit. I spent weeks shoveling for extra cash and plotting my escape to the Valley—to teach and read at the Association of Writers & Writing Program event, in Washington. After the blizzard, I picked up extra sub jobs and drove five to six hours through Pearblossom and Angeles Forest highways—three days a week—to teach art. I was determined to work myself out of financial stress, due to what the mountain folks proclaimed a Snowmageddon. Sometimes on my way home, I stopped to take photos and went on a few hikes in Devil’s Punchbowl and the Antelope Valley Poppy Reserve. I made stops in desert shops and got crafted candies and soda. It wasn’t all apocalyptical. It was heaven too. I watched the sunrise and set—on my drives to and from home. I chased rainbows. I stopped to play in the rivers. I didn’t watch my tears tumble on the rocks. I made wishes and set intentions. As the school term ended and summer warmed the mountain, I tottered into bed—barely able to pull the covers over my body. 

Aside from the occasional hobble to the toilet to throw up—I could barely walk. Hives pushed their way to the surface of my skin, covering my face. I thought all the shoveling from the Crestline blizzard and four hours of driving a day caught up to me, but it was all of my trauma screaming at me through flashbacks. It was psychosomatic. My body felt like it was eating itself—like I was being devoured by fear. My ribs clung to my lungs, pressing down on my heart. My muscles squeezed and shivered as my legs kicked furiously—not nervously. I wasn’t sure if I had had a seizure or not.

My therapist said that Eye Movement Desensitization (EMDR) has caused seizures, in rare cases, but I had been doing EMDR on and off for three years now. Plus, my therapist uses the hand held mechanism that uses vibrations instead of the eye movements. She also felt that since the seizures stopped that she would trust that I was okay. (This was only a concern because I had a skull fracture with a concussion at the age of one, which may have resulted in a Traumatic Brain Injury. And experienced fainting from dissociation, since I was 13. I also had seizures due to psychotropic treatments in the past.) I realized that my trauma was causing my symptoms and had done years of research on plant medicines, which brought me to the conclusion that now was the time to use all of my resources. I did guided plant medicine and the daily vomiting and convulsions stopped. My cat, Mama Berry, did her best to heal me with her mighty purrs, and I finally had a couple of hours of somewhat restful sleep. And even though Mama Berry has powerful purrs, I finally called Aimee and told her I was ready to start my somatic education.

Although somatic bodywork and therapies are just now becoming a new craze, the practice has been around since the 1970s. The Novato Institute for Somatic Research and Training, which was founded in 1975 by Thomas Hanna and Eleanor Criswell Hanna, Ed.D., describes their commitment to providing somatic theory, research, and practice to aid others in “reawakening the mind’s control of movement, flexibility, and health” online through their Somatics Educational Resources page, where you can find books, magazines, and CDs. I had first heard about somatics in massage school in 2003, from my massage teacher, Marlene Schwartz. Marlene even had a business called Soma Therapy—I worked there for a little over a year. This form of somatic therapy fascinated me. But, my medical plan didn’t cover it. I wondered how I could find this practice or even afford treatment. Now, over  20 years later, I still couldn’t afford treatment. Aimee and I came up with a plan, and I got a loan from school. I made a huge leap and committed myself to 10 weeks of somatic bodywork, while doing 10 weeks of EMDR, a form of somatic psychotherapy that has been around since the 1980s and is now covered by many medical plans. I mapped out a plan with all of my healing tools. I had my Native American flute, cello, art, poetry, my yoga and massage education, and 11 weeks off of work and plant medicine.

As a person who has spent 24 years in therapy and wrote research on traumatic responses, I knew I would need a team to help me assimilate all the information my body was trying to process. Francine Shapiro, PhD, describes EMDR in Getting Past Your Past: Take Control of Your Life with Self-Help Techniques from EMDR Therapy as a way of “targeting the unprocessed memories that contain the negative emotions, sensations and beliefs. By activating the brain’s information processing system.” She explains that “old memories can then be “digested.” Meaning what is useful is learned, what’s useless is discarded, and the memory is now stored in a way that is no longer damaging.” I was still processing stories that my family members casually told me about what they had done to me—as if they were cute, funny, and even endearing. How does a person process trauma when abusers try to normalize their abuse? All I could say is that’s not normal. Everything in my body told me it wasn’t okay, but I didn’t understand how to process what they said or what I remembered—until my body forced me to. 

Crawling and dragging my way towards healing has been a long journey. I have made choices in romantic partners that led to furthering my physical, emotional, and mental abuse, and I have learned from them. As Francine Shapiro explains, “The past affects the present even without our being aware of it.” I will not be ashamed by my decisions (conscious or unconscious) but acknowledge that those choices were made because of childhood conditioning and my desire to be loved by adult figures who could only love me in the way they knew how. Somatic bodywork didn’t feel like it would be enough to heal me from the past I was raised in and the paths I had chosen—I needed a team.

I teach youth empathy, introspection, and community building for trauma recovery. My ultimate goal is suicide prevention. I do this because I have been through enough and had years of education and self-discovery to share, but the journey doesn’t just end. I know I’m not just going to sprout wings and fly just because I want to. But as I recently told students I mentor in juvenile hall, we have to start with a dream.   

My dreams started with wishes to heal others, but my memories were gaslit and my nightmares were flashbacks. My body was ready to let go of things I wasn’t willing to admit to myself were real. My biggest struggle was believing my own memories because of gaslighting and brainwashing since I was a small child. I wet the bed and had night terrors until I left my parents’ house—pregnant and married—at 19. I entered an unhealthy marriage. Then separated by 26. I came out of the closet after a suicide attempt at 27. I wrote my past self letters, burnt them, and turned them into mulch. I told my massage clients that we don’t let go until we’re ready, but I didn’t know how much truth there was to that statement until I began to let go. My body was ready since the first time I passed out in the science lab, at 13. I was diagnosed with neuro-cardiogenic syncope by 22, which is now seen as a symptom of trauma. Only as a teen, doctors thought these fainting episodes were panic attacks. Recently, I have been told they are symptoms of my head trauma and dissociation. Now, I could barely rise up by noon. Aimee told me, “You look like you’re holding yourself up. And your body is leaning forward like you’re going into battle.

She was right. I was in battle. And I was holding myself up—like a marionette. It was hard to lift my feet. I kept tripping on myself. Instead of my brain and body acting as one–my body was my avatar. My mind wouldn’t allow me to let go, because I had to come to terms with the truth. Every time Aimee held a limb to aid me in movement—I spasmed—forced to face the truth. What was worse is that I really needed to be held, but I was repelled by touch and hypervigilant. We did breath work every time fear stopped me from moving forward. We moved to points just before pain shocked me, and often that meant tiny micro movements until I let go.

My friend Aimee held me with patience, understanding, and knowledge. She held me without judgment and allowed me to be present for myself without scrutiny. She is the first person I have ever known who was capable of holding space like that. To feel safe enough to show my ugliest parts. She created a sacred space in my living room and in a studio with her ability to witness. I am positive that location had less to do with my healing than the space within us both. I had finally found the inner space I had been searching for.

Suddenly, I could pick up a cup again. Suddenly, I could sleep. Suddenly, I could sit. Suddenly, she could hold a limb without me jumping and shivering and sweating and crying. So I went to therapy and did EMDR and suddenly, I started to remember. Suddenly, I started writing poetry. Suddenly, I started to smile. Suddenly, my eyes followed. Suddenly, my face stopped scowling. Suddenly, I could walk again. Suddenly, I was me. Suddenly, I was a version of myself I had never got to know. I was awake for the first time.

I still have to keep up with my somatics and sometimes I regress a little, but only to wake up to more realizations about myself. It isn’t as hard to overcome mental, emotional, and physical hurdles as it once was. I think the biggest lesson was in learning that most of my pain was psychosomatic. That doesn’t mean it wasn’t real. Just the opposite. My injuries were very real, both physical and psychological trauma caused them. Trauma from physical and psychological abuse that caused rashes, hair loss, sprains, tendon damage, a skull fracture, endometriosis, depression, panic disorder, suicidal ideations, seizures, dissociation, etc. It was and is all real. I let go and once I was ready to believe—I never thought I would say this–it was easy.

Gina Duran is an artist, poet, and educator with a focus on marginalized youth. She is a Theatre Of Hearts/Youth First Artist-In-Residence, and founder of the IE Hope Collective; an outreach for marginalized youth. Her debut collection of poetry “…and so, the Wind was Born,” was published by FlowerSong Press. 

Intersect: The Community of Submit 1

by Kate Maruyama

I’ve been a fan of Submit 1 since its first year when I hosted hour one and talked about strategies for submitting and dealing with rejections. As I spoke on Instagram Live, people chimed in with questions and announced when they had made a submission and we cheered as a group! It was early and I was just getting my coffee. I was thrilled by how I had just woken up and I was already in a virtual room full of supportive writers.  The Women Who Submit Community were at work that morning and throughout the day and I dipped in as other hosts shared their experiences, tips, and claps and cheers. The feeling that we were all working together toward a common goal made it a singular space.

Women Who Submit has been a huge part of my life. In the ten years since I joined, it has been a resource support, a place to keep me on task in submitting my work, and a place to ask any questions about writing, publishing, and even job opportunities. A lot of things that I’ve had published are because of attending submission parties and being cheered on as I pressed SEND. 

Last year Toni Ann Ann Johnson asked me to join the hour of Submit 1 she was hosting, along with our friend and colleague Nicole D. Sconiers. I’m always happy to learn more from Toni Ann, who leads really good discussions and is always a fabulous host. 

Flyer from the Submit 1, hour with Toni Ann Johnson, Kate Maruyama, and Nicole D. Sconiers.

What followed was a conversation about all the ways in which Toni Ann, Nicole, and I are intertwined with our work, mutual support, friendship, and careers. All three of us told stories about times we were so frustrated, we gave up. We were there for each other, coaxing each other back to work, to the submitting, to the myriad jobs that go into being a writer. It felt like it was the most “Women Who Submit moment ever” as we talked, comments rolled in from members who were submitting all over the country and we cheered them on. 

 Toni Ann and Nicole are both my first readers. We have been exchanging work for years. We met each other in different ways. Toni Ann and Nicole shared Alma Luz Villanueva as a mentor. Nicole and I met as students in our MFA workshop where I was so excited by her speculative fiction story “Here Come the Janes” that I basically started hounding her for more stories. Later, she hired me to edit her first collection: Escape from Beckyville, Tales of Race Hair and Rage. I kept on her to write and submit after that because at that time, her speculative fiction, which she described as “A Black Woman’s Twilight Zone” was rare and needed. This was 2009 and predated Black Mirror as well as Get Out

Toni Ann’s fingerprints are all over my three novels that came after Harrowgate. She is not only my first reader, she’s the reason my upcoming book Alterations happened at all. She inspired the idea by asking why I didn’t write about old movies since I loved them so much,  and she provided thorough notes on two drafts of the book. When my agent had given up on that book, Toni Ann didn’t and prodded me to believe in my characters and my story and to submit the book independently to small presses. There’s a “you can definitely do this” stalwart belief Toni Ann has in all of her suggestions. Even at my weakest, darkest moments, she encourages me to find that belief again. When the book, after ten years of support from Toni Ann, finally sold, she was the person I called first. 

You can read more about our mutual support in a conversation we had for The Coachella ReviewYou Can’t Do This Shit Alone.” Toni Ann and I have both found similar support in WWS where there is this idea that a rising tide raises all boats and we share resources, encourage each other, and think of ways that each writer in the group can improve, submit, and promote their own work. 

In an email exchange, Nicole said, “Toni Ann is not only supportive of my fiction writing but my screenwriting as well. She encouraged me to submit to the ScreenCraft script competition. I submitted my sci-fi thriller Spectacle to the 2022 ScreenCraft Sci-Fi & Fantasy competition and was named a finalist out of more than 3,000 submissions! She also provided coverage for my script Bless the Mic and shared the screenplay with a director who hired me for a writing project.”

Nicole has been a go-to for my genre short stories and for my literary novels. I know she won’t hold any punches and will be open and honest about anything I’m writing. She gave me notes on my new novella Safer (paired with Family Solstice in my new book Bleak Houses out now from Raw Dog Screaming Press) and is the queen of details. 

During our Submit 1 conversation Toni Ann had this to say, “Nicole helped me refine details and elements of (fact-checked) some of my fiction, which led me to clarify or emphasize the veracity of my details. She also made helpful (and humbling!) corrections to spelling/grammar/punctuation. We have also exchanged some of our screenwriting. I’ve read at least two of Nicole’s screenplays (which I loved!) and she’s read at least one of mine. Over the years, I’ve recommended Nicole as a writer and as a manuscript consultant to multiple friends and colleagues.” 

This was such a beautiful thing to recount for WWS members in our hour of Submit 1 with Toni Ann and, as we told these stories, more writers helped by this circle of friends tuned in, in the comments. We realized these stories tell the far reach of the WWS community. Some folks submitted their work while we were talking: it was peak Submit 1. 

During this magical hour on IG Live, I realized that without Toni Ann and Nicole, half of the wonderful things that have come my way wouldn’t have happened at all. 

All writers are out there alone, getting up our nerve to submit, but it is this kind of community, helping each other out with drafts, encouraging each other when we lose hope, and bolstering each other through tough times that makes WWS a profound group to belong to.

Toni Ann put it best when she wrote, “As you both know, this writing journey is not easy, there are good times, but when the hard times hit hard, they can be unspeakably dismal–at least for me–and I’ve been lifted in low times by each of you.”

Together we can do so much. Our upcoming Submit 1 slogan is “One community, one day, one submission at a time.” You can join our community virtually by tuning into Instagram Live on September 9 (@womenwhosubmit) or check in with this website to learn how to participate in person!   

Kate Maruyama is the author of Harrowgate (47North), Halloween Beyond: A Gentleman’s Suit (Crystal Lake Publishing)and Bleak Houses (RDS Press) and upcoming novels The Collective (Running Wild) and Alterations (Writ Large). Her short work appears in numerous journals and anthologies. She writes, teaches, cooks, and eats in Los Angeles.

SUBMIT 1: 10th Annual Submission Drive

SUBMIT 1 is the one day out of the year WWS encourages woman-identifying and non-binary writers across the globe to send one of their most beloved pieces of writing to tier-one journals as one community. This is an act of solidarity, not only with our writers, but with editors and publishers as well. SUBMIT 1 dares to connect the literary publishing community as a whole.

Promotions flyer for 2023 SUBMIT 1. Big green #1 foam hand in the middle surrounded by the tag line: one community, one day, one submission at a time.

September 2014 was the first time we called on our WWS community to submit to tier-one literary journals en masse. Inspired by the 2009 VIDA Count from VIDA, Women in Literary Arts, which published quantitative evidence of the dearth of women’s voices in top tier publications, this submission drive became our annual call to action for equity and wider representation in publishing. In 2014, a group of writers gathered at Hermosillo Bar in Highland Park, CA for a day of beers, cheers, and literary submissions. Since then, we’ve hosted an annual submission drive at public places across Los Angeles, but when the pandemic hit in 2020, we pushed to think of a creative solution to gathering, and the @WomenWhoSubmit Instagram Live programming was born.

Eight women with laptops sit on either side of a long table, smiling at the camera
1st Annual Submission Drive – September, 2014

WWS is excited to announce that our 10th annual SUBMIT 1 will be hybrid! Join us on Instagram Live @WomenWhoSubmit for special one-hour hosts from 9am-9pm or in-person at Pocha LA in Highland Park from 2pm-5pm. You can find us on the back patio with live hosts Tisha Marie Reichle-Aguilera and Ryane Nicole Granados. We thank Pocha LA for hosting us!

How to Participate:

1. Before September 9th, study THIS LIST of “Top Ranked Journals of 2023” with current open calls to find a good fit for your work. Links to guidelines are included. BE SURE TO READ AND FOLLOW THE GUIDELINES. 

2. On September 9th, submit one of your most beloved pieces of writing to at least one tier one magazine from wherever you are in the world at any time of day.

3. Notify us on Twitter or IG. Be sure to tag us @womenwhosubmit, so we can celebrate you with lots of claps, cheers, and funny gifs.

4. Hang with us on IG Live at @WomenWhoSubmit from 9am to 9pm PACIFIC for a full day special guests, support, and resources. Here is where you can ask WWS members for tips on submitting, get encouragement, or receive LIVE claps for when you hit send.

SUBMIT 1 IG Live Schedule (all times are PACIFIC):

9am-10am: Xochitl-Julisa Bermejo (@xochitljulisa), WWS Director 

10am-11am: Joy Notoma (@joywriteshermedicine), WWS-Europe Chapter Lead 

11am-12pm: Carrie Finch, WWS-Bay Area Chapter Lead 

12pm-1pm: Lunch break!

1pm-2pm: Luivette Resto (@lulubell.96), Board Member, LIVE from Tia Chucha’s Centro Cultura (@tiachuchas)

2pm-3pm: Melissa Chadburn (@mchadburn), WWS Board Member

3pm-4pm: Kate Maruyama (@katemaruyama), Board Member interviewing WritLarge Projects (@writlargeprojects)

4pm-5pm: Cocktail hour with live check-ins from Pocha LA (@pocha_losangeles)

5pm-6pm: Dinner break!

6pm-7pm: Jane Muschenenetz & Karla Cordero (@karlaflaka13), WWS-San Diego Chapter Leads 

7pm-8pm: Lucy Rodriguez-Hanley (@lucyrodriguezhanley), WWS-Long Beach Chapter Lead & WWS Chapter Liaison

8pm-9pm: Traci Kato-Kiriyama (@traciakemi1) LIVE from Little Tokyo

5. After submitting, fill out THIS FORM to help us track how many submissions were sent out, which will help us in our continued mission towards gender parity and wider representation of marginalized voices in literary publishing.

How to Support:

If you don’t plan to submit with us, but would like to support our efforts, please consider making a donation at our Paypal account in the name of your favorite WWS member or underrepresented writer.

DONATE HERE!

SUBMIT 1 Budget:

Submit 1 Coordinator – $500

IG Coordinator – $500

IG Guest Speakers – $1,350 (9 people x $150)

La Pocha Live Hosts – $500 (2 people x $250)

Refreshments – $350

Stickers, signs, and materials – $300

Total – $3,500

July 2023 Publication Roundup

The WWS members included in this post published their work in amazing places during July 2023. I’ve included an excerpt from published pieces (if available) or a blurb (if available) if the publication is a book, along with a link (if available) to where the pieces can be purchased and/or read in their entirety.

Please join me in celebrating our members who published in July 2023!

Continue reading “July 2023 Publication Roundup”

June 2023 Publication Roundup

The WWS members included in this post published their work in amazing places during the month of June 2023. I’ve included an excerpt from published pieces (if available) or a blurb (if available) if the publication is a book, along with a link (if available) to where the pieces can be purchased and/or read in their entirety.

Please join me in celebrating our members who published in June 2023!

Continue reading “June 2023 Publication Roundup”

May 2023 Publication Roundup

The WWS members included in this post published their work in amazing places during the month of May 2023. I’ve included an excerpt from published pieces (if available) or a blurb (if available) if the publication is a book, along with a link (if available) to where the pieces can be purchased and/or read in their entirety.

Please join me in celebrating our members who published in May 2023!

Continue reading “May 2023 Publication Roundup”