Writing on a Budget: Freedom to Write

By Lisbeth Coiman

Freedom
To dissent
to speak for those
Without a voice
Caged tortured
Bargaining chips
Of bipartisan and geopolitics
Games

Freedom
To stand up tall
A palm tree
Bending to the strong
Santa Ana winds
Resisting
Racism intolerance bigotry

Freedom
To raise my voice
Through the bars
Of my own prison
syllabi lesson plans
meetings and PDs
paying for the luxury
of writing while living in LA
eyes heavy on keyboard
adding pectin to this substance
a thick jam
Made of Priuses and Ferraris
Seasoned with jacaranda flowers
Slowing my pace
Through the traps
Abundant in this jungle
Mired in cyberspace’s
Slush of algorithms.

To speak for those
who can’t dissent
I must earn my own
Freedom


The following publications are seeking work by emerging writers:

1. JuxtaProse
Word limit: 5 to 7000 words
Genre: Fiction
Deadline: Sept. 30, 2019
Submission Fee: $13-18
Submission Guidelines

2. Chronically Lit
Word limit: ?
Genre: Fiction, non-fiction, poetry, reviews
Deadline: First day of each month
Submission Fees: first 100 submissions free. Then tip jar.
Submission Guidelines

3. Orca. Cover Letter Contest
Word limit: Under 300 words
Genre: flash fiction, flash non-fiction
Deadline: Aug. 31, 2019
Submission Fees: $5
Price: 1st. $200, 2nd. $75, 3rd. $50
Submission Guidelines


Writer Lisbeth Coiman from the shoulders up, standing in front of a flower bush
Lisbeh Coiman is an emerging bilingual writer wandering standing at the intersection between immigration and mental health. Her work has been published in Entropy, Nailed, Rabid Oak, Hipmama and other online magazines, and several anthologies. Her self-published memoir, I Asked the Blue Heron, (2017) explores issues of child abuse, immigration, and mental health. She lives in Los Angeles, and teaches at Harbor Occupational Center.

A WWS Publication Roundup for July

A laptop computer with an article titled "Submissions Made Simple" on the screen and a stack of literary journals sits on top of the laptop base, titles facing out

July has been one of the most prolific months for WWS writers with a long list of publications. Congrats to all!

Congratulations to Carla Sameth whose memoir, One Day on the Gold Line, was released this July! Check out this interview of Carla in LitFest Pasadena!

From “I Bow to the Lessor Teacher” by Thea Pueschel at Medium:

I’ve noticed a tendency in life at studios and online of this idea that some teachers are more worthy of students, of classes or calling themselves a teacher. This little box has been around since I can remember. We’ve all heard the dismissive tone “oh, that’s not yoga” or “they’re not a real teacher.”

From “A Quarrel with the Village of My Birth” by Helena Lipstadt at Porter House Review:

which is not a village but
a shivering capital
of Europe, may she rot and be
reborn with heart. Even her
birthday song is martial. Even
her avenues are lined with
pikes. 

From Jacquelyn Stolos‘ “Wide-Shot” at Bodega:

There’s been something going on with the cat’s left eye for about a week now, this cloudy gray ooze leaking out of her tear duct. I’ve been swabbing it away with a cotton ball, once in the morning before I leave for work and once in the evening when I get home. She doesn’t let Owen do it. We’ve been trying to hold off on another trip to the vet. Poor thing is already on five daily medications, and at some point you’ve just got to consider quality of life.

From Noriko Nakada‘s “Threatened Abortion” at SFWP:

I didn’t realize I was pregnant until we were moving out of the duplex and into our new condo. After a long day of hauling boxes, I collapsed on the new hardwood floors and tried to understand my exhaustion. It was a new kind of tired—like I couldn’t get up off the floor—and I tried to remember the last time I had my period. That was when I asked my partner to pick up a test. It was New Year’s Eve. The test came up positive.

From Lituo Huang‘s “Lemonade” at Bethlehem Writers Roundtable:

Lanie looked over the table at her little sister. Cherie was having a fit, ripping her pink sundress, stomping her bare feet on the grass, pulling her frizzy braid. “I hate chocolate cake!”

From Deirdre Hennings‘ “Making Her Night” at Pulse:

In Central Park twilight,
we drop our holiday mood
like a heavy sweater in the heat
when that call sends us reeling
as leukemia sucks us
into its bell jar, rings
    our ears, jangles
          minds, reverberates 
              into bone.

Congratulations to Natalie Smith Parra whose essay “Eviction Blues,” Sakae Manning whose poem “Oakland” and Jenise Miller whose poem “Ode to the Mamas Who Make Language Beautiful” were all published in Dryland!

Congratulations to Sabrina Im who had 3 poems – “Love Letter for a Lotus,” Body Memory,” and “An August Musing” – published in Angel City Review!

Congratulations to Victoria Lynne McCoy whose poem “Dispatched from Home” was published in Tahoma Literary Review!

Congratulations to Gerda Govine Ituarte whose poem “Temple of Courage Chance Change” was featured in the Bahvna Mehta exhibit catalog!

And, finally, congratulations to Arielle Silver who launched Tidal Journal!

Breathe and Push: Stay Cool and Keep Writing

photograph of protest signs reading "End Family Separation" and "We should never separate kids from their families" along with paper cranes.

By Noriko Nakada

It’s summer again, and I’m doing my best to keep writing. I imagine we all are.

It’s summer again; three years since police killed Alton Sterling and Philando Castille. I was wrecked that summer, and had to do something, so I marched through the streets of Los Angeles with Black Lives Matter and learned to say their names. 

It’s summer again; two years since white nationalists marched in Charlottesville leaving me speechless, unsure of what to tell my young children, my nieces and nephews, and my students about people who hate them.

It’s summer again; a year since the faces of children separated from their families showed up on my feed, and the voices of children in cages transformed my dreams into night terrors.

This summer, my daughter and I stood at another protest of concentration camps for children separated at the border, and she looked up to me and asked, “They’re still doing it? They’re still keeping kids in cages?”

There have been rough news cycles during other seasons, but these past few summers have felt particularly tough. As we breathe in another heat wave in America, I urge you to keep pushing. Push your stories and voices of humanity into conversations crowded with hate and vitriol. Here are a few spaces where editors look to give voice to our times.

The Rising Phoenix Review published an issue Disarm: A Themed issue Responding to Mass Shootings in America. Regarding their publishing philosophy: “Our team is deeply committed to curating a diverse publication. We encourage writers from marginalized communities to submit to Rising Phoenix Review. Our team earnestly desires to breakdown barriers for writers and readers in marginalized communities.  We strive to make our platform a safe space for all. Our publication is open to all poets, regardless of race, age, gender, sexual orientation, nationality, or religious affiliation.”

The Santa Fe Writers Project Quarterly published an abortion ban protest issue this month and they are champions of “books, writing, and writers. With over 35 titles published since 2005, we’ve unflinchingly adapted to the changing world of publishing and we challenge the norms by embracing short stories, novellas, translations, reprints, and the avante garde. We maintain two exciting imprints – Alan Squire Publishing, specializing in boutique books and poetry, and 2040 Books, a press devoted to featuring ethnic authors and promoting diverse literature.”

Queen Mob’s Tea House published a special issue titled: “Where Are the Children” responding to the border crisis and treatment of refugee families. They are “an international online literary journal dedicated to writing, art, criticism—weird, serious, gorgeous, cross genre, spell conjuring, rant inducing work. We’re committed to creating an online platform that melds the social with the creative. A platform that speaks to your cravings, fantasies and heartbreaks; your daydreams from your lunch break; your good and bad choices; your contradictions; your process.”

Stay cool out there, writers, and keep submitting.

Noriko Nakada is the editor of the Breathe and Push column. She writes, blogs, tweets, and parents in Los Angeles. She is committed to writing thought-provoking creative non-fiction, fiction, and poetry.

Behind The Editor’s Desk: Brandi Wells

The Los Angeles area is rife with independent presses. One of those is Gold Line Press, housed in the University of Southern California. Both Gold Line and its sibling press, Ricochet Editions, are independent presses run by students and alumni of USC’s PhD Creative Writing Program. When WWS organizer Tisha Reichle-Aguilera became one of the Ricochet Editions editors, she suggested I reach out to Brandi Wells, Editor in Chief of Gold Line Editions.

Women Who Submit members should know that neither Gold Line nor Ricochet accept unsolicited submissions. But Gold Line is currently accepting submissions for their annual chapbook competition, and we encourage all of you who have chapbook length work to submit!  The deadline is August 1st.

Brandi Wells answered my questions over email.

Continue reading “Behind The Editor’s Desk: Brandi Wells”