A WWS Publication Roundup for August

A laptop computer with an article titled "Submissions Made Simple" on the screen and a stack of literary journals sits on top of the laptop base, titles facing out

The summer has come to an end but that hasn’t stopped Women Who Submit writers from getting their words into the world! Congrats to everyone who had work published in August.

From Xochitl-Julisa Bermejo‘s “Ghost Interview with a Soldier in the Peach Orchard” at Rivard Report:

Gettysburg National Military Park

In your final moments, whom did you think of?
Was this someone waiting for you to return? 
I worry I will never find that someone waiting

behind a thick front door of a home we made together. 

From Désirée Zamorano‘s “Memento Mori: On Angel Luis Colón’s ‘Hell Chose Me‘” at Los Angeles Review of Books:

Set in contemporary Bronx, moving between the past and the present, it’s a tense and intriguing thrill ride. Sure, we’ve met mordant, conflicted assassins before, like Lawrence Block’s Keller, Barry Eisler’s John Rain, or Bill Hader’s Barry. In Colón’s hands, Walsh hits familiar notes, but in a key all his own…

From Kate Maruyama‘s “Traces” at Magnolia Review:

Seven months after we lost our father to cancer, we were meeting again, Roger, Janey and I, to sort through the arrangements for our mother’s funeral. Who loses both of their parents so close together? Who loses both of their parents so young? I thought they’d at least be around to see a grandkid or two.

From an interview with Carla Sameth about her debut memoir One Day on the Gold Line at Points:

I think that writing as a family member of those struggling with drug and alcohol addiction (both my wife and son are in recovery) provides a unique perspective. I write a lot about the process I went through understanding addiction as a disease, and looking at my own shit (including addictive behavior) and how I interacted with my son who struggled with alcohol and drug addiction in his teens.

Read an excerpt of Carla‘s memoir at Angels Flight Literary West!

From Danielle Mitchell‘s “Not Wolf” at Poets Reading the News:

Not red, not Mexican, not lowland.
                      No bonnet, no white-tailed, bighorn.

Forget black foot, leave the beach
                      the brow-antlered, San Joaquin, San

Miguel, no woodland, no salt marsh.

From “Visit to Makon” by Bo Hwang at wildness:

After a winter of droughts, my childhood friend—my only kind of sweetheart—moves back to Makon. The city we grew up in; the city we all left. She’s there now, in a house with twelve women, only one her age, a high school teacher from another island, the rest are medical students.

“Seven balconies,” she boasts. “You can see the hospital.”

From Liz Harmer‘s “Right to Grapple” at the Malahat Review:

Let me give you an idea of the sorts of discussions we get into here. On the first Sunday afternoon, just after the little blue VW bug scraped out of here on the gravel road with my mom inside it, I managed to get into an argument about rocks. I was standing near this old tetherball post with my three sacks—my backpack, my rolled-up sleeping bag, and my garbage bag full of clothes—waiting for one of the H______s to escort me to my cabin and halfheartedly hitting the ball. Blam. Blam. Blam in one direction, blam in the other. Then this guy whose real name I cannot reveal comes up to me. 

From Cori Bratby-Rudd‘s “Puppyelectric” at Nailed:

I want Indian food, urgently, intensely, the cream of the tikka masala, the flaked fluffed naan, and so I order it because I remember desperation and I refuse to feel it again. I don’t just order it, I order it delivered and I feel something like royalty, for wanting something and then for having it. Strange to want and then get, as though desires can actually happen for someone like me.

From Li Yun Alvarado‘s “Poe Park” at Aster(ix) Journal:

From this cottage,
where he heard
his young cousin
bride, Virginia

Congratulations to Tanya Ko Hong whose poem, “The Crying Game” was published at Birds Fall Silent in the Mechanical Sea!

Congratulations to Amanda L. Andrei whose script, Waiting for a Birthday, was published in The First Five Years Anthology from Thinking in Full Color!

Strategies for Submitting to Tier One Journals

Eight women with laptops sit on either side of a long table, smiling at the camera

by Xochitl-Julisa Bermejo

The 6th Annual WWS Submission Blitz on Saturday, September 14th is when we call on women and nonbinary writers across the country (and world) to submit to tier one journals en masse as an annual call to action for gender parity in literary publishing. Though we find it important to support and empower each writer in finding her/their own submission and publication goals, sending work to whichever publications, contests, workshops, residencies, and the like are fitting to the individual, we ask our communities to join us in submitting to top tier journals on this one day of the year in honor of WWS’s history and mission and our shared fight for equitable representation, pay, and career opportunities.

In 2009, Vida, Women in Literary Arts counted how many women were published in tier one journals in comparison to how many men. The numbers of the first Vida Count showed unequivocal evidence of a great gender disparity in these publications. When the organization began asking the editors of these journals why the numbers were so, the most common answer from editors was that women don’t submit as often or resubmit as aggressively as men. 

In 2011, Women Who Submit was created in response to this conversation. WWS cofounder, Alyss Dixson, who worked with Vida at the time, had the idea to create a submission party–a co-working space for women to share resources, journals, and food, and to submit in real time–to help skew the numbers. 

With many barriers to consider when submitting to tier one journals, the following five steps are shared with your success in mind. And remember, the act of sending your work into the world is its own success.

STEP ONE: PREPARE A PIECE TO SUBMIT

FAQ: How do I know what to send? 

One of the first workshops WWS hosted was in early 2016 on contest strategies with Tammy De La Torre. Her strategy is to choose work that is an absolute favorite, work that you as the writer want to see in the world. Contests and tier one journals are similar in that they are highly competitive. Sometimes you may write a new piece and choose to submit it to a couple of journals as a way of throwing it against the wall to see what sticks. When submitting to tier one, it’s best to pick pieces that have been tested and fine-tuned. If not that, then pieces that are personally urgent or essential.  

FAQ: How do I know when it’s ready?

For most writers, it’s normal to find elements to tweak or fix even after publication. A piece may never be “perfect,” but it’s your job as a writer to send your best work. You can do this through revisions and by utilizing friends and colleagues for first and second read throughs. It’s not always easy to find someone with time or interest to read your work, so invite another writer to do an exchange. This way you’re both benefitting as well as building bonds with a peer. In general, avoid sending work before having another set of eyes on it. 

STEP TWO: SELECT A JOURNAL

FAQ: How do I know where to send? 

For this project, WWS encourages women and nonbinary writers to submit to tier one journals in honor of the VIDA Count and the creation of the first Submission Party in 2011. A tier one journal typically has large distribution and readership, many awards, and pays its readers. Check out the Clifford Garstang blog for annual lists of tier one journals in fiction, nonfiction, and poetry.

Below is a list top tier journals with current open submissions curated by Tisha Marie Reichle-Aguilera (find links and descriptions for each on our FB page):

Poetry

Kenyon Review

American Poetry Journal

Threepenny Review

New England Review

Southern Review

Gettysburg Review

Ploughshares

The Sun

One Story

Conjunctions

Paris Review

Ecotone

American Short Fiction

Georgia Review

Granta

New Letters

Agni

Almagundi

The Point

Fourth Genre

FAQ: What if I can’t buy all the magazines?

Every magazine will ask you to read past issues before submitting to ensure your work is a good fit. Reading the issue will also help with adding one specific detail about the journal in your cover letter. This is important for building communication and relationships with editors. But print journals are expensive, so pull resources with friends. Swap old copies. Share subscriptions. Or find past issues in libraries and in the creative writing departments on college campuses.

STEP THREE: WRITE A COVER LETTER

FAQ: What should I put in a cover letter? 

  1. Address the editor directly by finding specific editors’ names on the journal masthead. The easiest way to find the masthead is to Google “[journal name] masthead.” If you still can’t find the editor’s name, address the letter as “Dear [specific genre] editors.”
  2. Name the title of your piece or pieces
  3. Give one reason why you have chosen to send your work to this particular journal. This is where you can let the editor know you’ve done your homework by reading past issues. Make it short. Make it specific. 
  4. Write a short bio with your related credits. 

For an example, check out “Your Perfect Cover Letter” at the review review.

FAQ: What if I have no credits?

If you haven’t been published, it’s ok to say so. You can also include writing classes, workshops, or memberships, but don’t make up credits, and don’t fill space with cuties details. 

STEP FOUR: HIT SEND

FAQ: How important are guidelines?

The quickest way to be rejected is to not follow a journal’s guidelines. Thoroughly read the guidelines and be sure your submission is adhering to what the journal asks for. Every journal is different, so do one last check before you send. 

FAQ: Can I send the same work to multiple places?

If a journal does not specify otherwise, the answer is yes. Be sure to track (see step five) where you’re sending work because if a journal accepts a piece (YAY!), it’s your job to notify the other journals and withdraw. If a journal says they don’t take “simultaneous submissions” follow the guidelines and decide if you want to submit knowing they may not respond for a long stretch of time.

 FAQ: Who will help me celebrate when I hit send?

WWS will be submitting en masse to tier one journals on Saturday, September 14th from 12am-11:59pm. No matter where in the country (or world) you live, we encourage you to gather a few friends and have your own submission party. A typical WWS submission party will include shared copies of journals, wifi, computers, and plenty of snacks. And of course, don’t forget to audibly cheer anytime anyone hits send! 

If you are unable to gather with others, be sure to @womenwhosubmit on Twitter or Instagram, and we’ll send you plenty of claps and cheers from afar. 

If you’re in Los Angeles, you can meet us at The Faculty (707 N Heliotrope Dr, Los Angeles, California 90029) with your laptop on September 14th from 12:30pm-4pm. 

STEP FIVE: TRACK SUBMISSIONS

FAQ: What do I do after I “hit send”? 

Once you’ve celebrated, be sure to record the submission in your submission tracker. A tracker is a spreadsheet with columns for journal name, date submitted, title of piece submitted, etc. No two trackers are the same, but what’s most important is for you to know who has your work and for how long. This will help with building relationships with journals and self-advocating. 

FAQ: How long should I wait before sending a query?

Many journals will tell you how long to wait before checking in, and what they say should be followed. Some journals may respond within two months, but for many of the larger journals a reply can take 6-12 months. If a journal doesn’t specify, I typically wait six months before querying, but it’s not uncommon to wait two or three.