SUBMIT 1: 13TH ANNUAL SUBMISSION DRIVE

Saturday, September 19, 2026 Women Who Submit (WWS) hosts our 13th annual SUBMIT 1 Submission Drive. This marks the one day a year we encourage women and nonbinary writers across the globe to submit to tier one journals as one community. 

As an act of solidarity, SUBMIT 1 dares to connect marginalized writers to top tier editors and publishers, widening the spectrum of voices reaching audiences and influencing arts and culture across the world. And you can be a part of the movement!

This year, thanks to a grant from WeHo Arts and the City of West Hollywood, WWS-LA and WWS-West LA are collaborating on an in-person meet up at Fan Girl Cafe from 10am-1pm and an online meetup (time TBD). Register to join!

Flyer with kelly green background and purple and white font advertising SUBMIT 1 in person and online meetups. In the left corner is a illustration of three women two with their fists up and one cheering.

HOW TO PARTICIPATE:

1. Before September 19th, study this list of “Top Ranked Journals of 2026” with current open calls to find a good fit for your work. BE SURE TO READ AND FOLLOW THE GUIDELINES. 

2. On September 19th, submit your writing to at least one tier one magazine from wherever you are in the world at any time of day.

3. Join one of the following SUBMIT 1 Meetups to submit as a community: 

***BE SURE TO CHECK TIME ZONES***

WWS-Los Angeles & WWS-West LA
Saturday, September 19, 2026, 10am-1pm Pacific
Fan Girl Cafe
8157 Santa Monica Blvd Ste A, West Hollywood, CA 90046
Hosted by Xochitl-Julisa Bermejo and Nicole Evans
Register: https://www.zeffy.com/en-US/ticketing/submit-1-submission-drive

WWS-Los Angeles & WWS-West LA
Saturday, September 19, 2026, 10am-2pm Pacific / 1pm-5pm Eastern
On Google Meet
Hosted by Jasmine Vallejo-Love
Contact: wwswla2527@gmail.com
Register: https://www.zeffy.com/en-US/ticketing/submit-1-submission-drive

WWS-Austin, Texas
Saturday, September 19, 2026, 10am-1pm Central
Central Market at 4001 N. Lamar
Upstairs in the café (elevator accessible)
Instagram: @womenwhosubmitatx
Contact: ramona.reeves@gmail.com

WWS-New England
Saturday, September 19, 2026, 10am-12pm Eastern
Virtual
Instagram: @womenwhosubmitnewengland
Contact: vlherman@gmail.com

***For more meetups in your area, check back over the month, or check in with your Chapter Lead.

4. Tag @WomenWhoSubmit on Facebook or Instagram and use the hashtag #SUBMIT1, to share when you’ve submitted, so we can celebrate with you! 

5. After submitting, log your submissions with THIS FORM to help WWS track how many submissions were sent out as a community.

6. Consider donating to WWS to support more women and nonbinary writers submitting their work for publication.

HOW TO PREPARE A SUBMISSION:

READ AND FOLLOW THE GUIDELINES: It may sound obvious, but editors can receive thousands of submissions a year. If you don’t follow their guidelines, they won’t bother with reading your work and automatically reject it. Don’t make it easy for them!

READ A SAMPLE OF THE JOURNAL: All journals ask that submitters read the journal before submitting. You don’t have to read the whole journal or even more than one, but do read a few sample pieces in the genre you’re submitting in to see how your work may fit in.

PERSONALIZE YOUR COVER LETTER: Address your letter to the genre editor by name and be sure to include a sentence that details something you like about the journal, a previously published piece, or how you see your work fitting in. This will show you’ve read ahead of time and you’re choosing them specifically. For more on cover letters, check out this article from Adroit Journal.

CHOOSE A PIECE YOU LOVE: If you want your writing to stand out to readers and editors, make sure it’s a piece of writing you’re excited to share or something you feel must be shared. You can’t expect others to love something you’re only lukewarm about.

GIVE IT TO A READER: Before submitting, see if you can exchange pages with a friend for notes and then revise it to the best of your ability. No writing will ever be perfect, but a second set of eyes can do wonders. Finally, make sure to read it aloud to catch any errors before hitting send.

SUBMISSION RESOURCES:

Thanks to a grant from WeHo Arts, WWS recently hosted the “Pitching in a Fishbowl” workshop with Jade Chang. Jade shared many tips and tools for crafting a compelling pitch. This workshop is best for creative nonfiction writers pitching stories to magazines.

FINANCIAL SUPPORT:

If you are a WWS member, either locally in Los Angeles or with a WWS Chapter, you are invited to apply for financial support through the Ashaki M. Jackson No Barriers Regrant. WWS members can request between $20 – $100 to be used toward their submission fees for SUBMIT 1 and other submission goals during the month of September. Applications are due September 16th.

To request an application form, email admin@womenwhosubmitlit.org.

WWS HISTORY: 

Inspired by the 2009 VIDA Count from VIDA, Women in Literary Arts, which published quantitative evidence illustrating the dearth of women’s voices in top tier publications, Women Who Submit was founded in 2011 to empower women writers to submit work for publication and help change those numbers. In September 2014, a group of writers gathered at Hermosillo Bar in Highland Park, CA for a day of beers, cheers, and literary submissions. It was the first time we called on our WWS community to submit to tier-one literary journals en masse as a nod to the original VIDA Count. SUBMIT 1 continues today as an annual event and call to action for equity and wider representation in publishing with submission drives hosted at public places across Los Angeles. From 2020-2023, we moved our annual gathering to the @WomenWhoSubmit Instagram, but we’re excited to continue the tradition of gathering in public places to share our work and our joy as one community.

Eight women with laptops sit on either side of a long table, smiling at the camera
1st Annual Submission Drive – September, 2014

July 2026 Publication Roundup

The Women Who Submit members included in this post published their work in amazing places during July of 2026. Two of our committed members heard about their publication opportunity through WWS programming and/or another member.

I’ve included an excerpt from published pieces (if available), along with a link (if available) to where the pieces can be purchased and/or read in their entirety. Please take some time to celebrate yourself and your wonderful accomplishments. Thank you and happy submitting!

Congratulations to Michelle Smith for her publication of the poem “Impression” in LA Arts News’ July 2026 Poet’s Place edition (excerpt available below).

Floundering from the “fix”
He lay supine on
the MacArthur Park grass
Glossy eyed staring into space
God’s sky and oxygen
reeled in a human school of fish
Fed him a second chance meal
called Narcan
Bald head body lean from head to toe
Coughed in oxygen mouthed imaginary
bubble gulps of fresh air
Inhale, exhale

Kudos to Angélica M. Yañez whose poem “Filth Eaters” was featured in Anger is a Gift: An Anthology of Resistance and Response Poems to the 2024 Election, produced by Flowersong Press.

Huge shoutout to Karen Yin whose picture book Nice to Eat You was recently released with Orchard Books.

Congratulations to Norma Mendoza-Denton whose academic article “Improvising through Glitches, Clams, and Deterritorialization in Virtual Reality Games” was published in Signs & Society.

Gaming in virtual reality (VR)Footnote4 represents a unique intersection of embodied experience, digital interaction, and improvisational agency. In these environments, players move through virtual spaces as avatars, creating new dynamics in how we understand embodiment, disembodiment, subjectivity, and intersubjectivity. This article examines the theoretical implications of VR gaming as a site for embodied interaction by drawing on Deleuze and Guattari’s concept of the Body without Organs (BwO) (Deleuze and Guattari Reference Deleuze and Guattari 1987), on Goodwin’s analyses of cooperation and multimodal interaction (2008, 2011), and on Duranti’s theorization of clams in improvisation (Duranti and Burrell Reference Duranti, Burrell, Mantovaglio and Zucchermaglio 2005).

Kudos to Elizabeth Galoozis whose poem “The Longest Monday” appeared in the latest issue of The Louisville Review.

Shoutout to Heather Pegas whose fiction piece “for the birds” was featured in The Bookends Review.

In an old country, long ago, a girl is poor. Awkward, pubescent, alone. And likely bound for the convent, her family lacking means. But first to make sure it will do, a test. The girl must wash for the sisters, and what little she earns will help her family. As she works one day in the hot bright light, she is joined by an old nun. No, up close, she is still of middle age. The girl’s friends have always laughed at this lady—her flighty air, her whiskers. Her pointy beak of a nose! But as the girl works alongside the nun, discolored linens in the mangle, they discuss this girl’s sorry faith, all her doubts, her rage. The nun makes the girl’s questions clear, and they plan to talk more. It is a surprise to the girl, this catechism. On this day, she thinks she sees God.

*Feature image credit to Margaret Gallagher*