Writing on a Budget: a Nation in its Infancy

By Lisbeth Coiman

My mother used to warn about the perils of a leap year. “Este año es bisiesto. Cualquier cosa puede pasar,” her voice dropped to a lower tone for added drama.

Maybe because of that warning, I have taken this stoically, promised myself not to complain about the new circumstances. I can’t stop a pandemic with whining.

I don’t want to think too much about the future either. I can have an earthquake kit ready at my door, and practice drop-cover-hold drills twice a year, but I can’t sleep with an opened eye waiting for the next big one. Although not as frequently as earthquakes and hurricane or those darn Oklahoma tornadoes, economic recessions and pandemics come and go. There is always a chance one or several will hit us in our lifetime. This is not a why-me situation.

Nothing is secure anyway. The idea of 50 plus years marriages, 40 plus years careers under the same employer, a house where you raise your children, your grandchildren visit, and becomes an estate sale when you die belongs to another generation. That generation, by the way, created the form of life we enjoy/or not, but it’s ours now. They are most at risk of dying in this pandemic, gasping for air, alone in a hospital, and placed in a zipped back and thrown in a refrigerated truck. Whether we appreciate their patriarchy, capitalist, conservative values or not, we are inheriting the country they helped shaped. At least we owe them the right to a dignified death surrounded by beloved ones.  So I do my part, me quedo en casa, help flatten the curve, don’t infect somebody’s beloved grandma.

Many of us will have to rebuild. But if you think about this as a hurricane that hit the entire world at the same time, first you have to deal with the aftermath before you think of rebuilding. I think of Moore, OK, a town that has a talent for attracting devastating tornadoes, eight in 21 years.

We haven’t reached the aftermath yet. We are still in the eye of the storm. Social Media will let me know that NY is under control. That will be my indicator. And so far, that’s not what I am hearing. What I am hearing is this country’s inability to deal with uncertainty or to follow instructions– two basic adult skills –because we are a young nation, still in infancy, throwing tantrums to have a haircut because we want the lollipop.

Maybe some people are right. It’s easy for me to talk because I am privileged. I don’t have children to raise. So far I’ve kept my job. So far things are ok for me, and will never compared to their suffering: a single mother with a cashier job and no insurance, or a Venezuelan without electricity or water or food, in a pandemic, with a dictator. I try helping those within my reach. I feel bad, but not guilty. What they see in me today is the product of a profound transformation, of years of individual growth, battling my own demons alone. Even if they saw me at birth, they still don’t know all of my stories.

That leads me to another take away. I don’t have the right to call privilege on anyone because I don’t know their complete story arc,  the size and weight of their cross. Even that Karen in yoga pants we all love to hate is carrying a cross – a stillborn, trauma she swallows with loaded margaritas, a stage four cancer she carries with stoicism.

In the meantime, I carry on with discipline: strict exercise routine, healthy food, enough sleep, and steady work for hours without interruption, advancing the goals I set for myself. Those goals do not depend on the economy or the pandemic, but on my focus and personal energy. It is a good time to do everything you want to do or do nothing at all. Just give yourself permission to live the way you feel life at this moment.

Call me selfish, but I have enjoyed every minute of owning my time. I have even gifted the joy in my face to neighbors passing by my window. “Es un año bisiesto. Cualquier cosa puede pasar.” And I decided to take a leap.

Writer Lisbeth Coiman from the shoulders up, standing in front of a flower bush
Lisbeth Coiman is an emerging, bilingual writer wandering the immigration path from Venezuela to Canada to the US. She has performed any available job from maid to college administrator, and adult teacher. Her work has been published in Hip Mama, the Literary Kitchen, YAY LA, Nailed Magazine, Entropy, and RabidOak. She was also featured in the Listen to Your Mother Show in 2015. In her self-published memoir, I Asked the Blue Heron (Nov 2017), Coiman celebrates female friendship while exploring issues of child abuse, mental disorder, and her own journey as an immigrant. She currently lives in Los Angeles, where she teaches and dances salsa.

Writing on a Budget: Meditation in Times of COVID19

By Lisbeth Coiman

All I have to offer you today are my solitary confinement meditations.

Let’s weave the collective thread of our sorrows in a cloak to protect us from all evil.

Unless you are a widowed-mother of four in a war torn country, stop calling out privilege.

Let’s inundate the web with poetry and art. No need to advance bad news. Devastation will hit us in the face when we come out of our dens.

Give generously and accept with humility.

Share wisdom, not resentment.

I rather go with a broken than with a frozen heart.

Love yourself as if you are loving the entire humanity.

With the blinds open, gift your neighbors the joy in your face. It may be the last time they amuse themselves.

Allow solitude to transform you into a wondrous human.

Resourcefulness equals acceptance equals survival.

two wash clothes hanging from a toilet paper dispenser

Think of what will carry you through this transformation but no longer be useful at the end of the crisis. It’ll be the metaphor of what you shed in this journey.

Accept the prayers offered to you. It might be all they have to give, and it might as well be your last meal.

If you might die of a suffocating disease, why are you strangling yourself? Practice breathing.

You don’t know if tomorrow you’ll be hooked to a ventilator, morphine dripping into your transition, unable to whisper, “te amo.” Call those who need to hear it now.

When deep in the trenches, even the toughest soldiers cry.


Writer Lisbeth Coiman from the shoulders up, standing in front of a flower bushLisbeth Coiman is an emerging, bilingual writer wandering the immigration path from Venezuela to Canada to the US. She has performed any available job from maid to college administrator, and adult teacher. Her work has been published in Hip Mama, the Literary Kitchen, YAY LA, Nailed Magazine, Entropy, and RabidOak. She was also featured in the Listen to Your Mother Show in 2015. In her self-published memoir, I Asked the Blue Heron (Nov 2017), Coiman celebrates female friendship while exploring issues of child abuse, mental disorder, and her own journey as an immigrant. She currently lives in Los Angeles, where she teaches and dances salsa.

Writing on a Budget: Risk Management for a Sabbatical Year

By Lisbeth Coiman

I have been thinking about an unpaid sabbatical to complete a couple of writing projects. I consider risk management is essential when thinking about leaving a fairly good job to pursue an artistic goal. As an emerging writer, I should meet the following benchmarks before taking a sabbatical year.

Continue reading “Writing on a Budget: Risk Management for a Sabbatical Year”

Writing on a Budget: Happy 2020

By Lisbeth Coiman

May your 2020 be filled with regular celebrations of small accomplishments towards an overall goal.

Tree next to shrine in a forest in China
Year of planting

As a person who suffers from a mental disability, I often speak in public about how I live a regular life while coping with the challenges of my condition. The audience often expects me to speak about dreams for the future. Instead, I say that I don’t dream anymore because I am actually pursuing my goals.

During the last decade, I have approached every new year with an overall theme to guide my planning for the year. This practice has helped me make life changing decisions. It hasn’t prevented me from some unexpected turns on the road, but it has served as a light in times of difficulty.

My approach has been to set an overall theme for each year and goals around that theme. When the theme was “survival,” my goal was to complete requirement to find a reliable job, find an affordable place to live, and well, there is no other way to put it, to not kill myself. There was a year of “reinvention,” and a last year of  “presence.”

When I think of my goals I write achievable, specific, and measurable objectives, in which the different aspects of my life are interconnected. For instance, achieving a financial or professional goal may open time and space to reach a creative goal. I also set a timeline for milestones, so I give myself a sense of urgency. Finally, I post this yearly plan where I HAVE TO SEE it every day, reminding myself that I have to work daily to accomplish what I want.

In the few days before to return to work, I will prepare my vision board with those specific goals and activities I want to achieve by the end of 2020.

I invite you to do the same. Think of an overall theme with all the aspects of your life you want to improve. Set specific goals, and a time line to achieve them. And then keep the focus while going through 2020 like a woman on a mission, achieving one small step at the time.

And enjoy the ride.


Writer Lisbeth Coiman from the shoulders up, standing in front of a flower bush
Lisbeth Coiman is an emerging, bilingual writer wandering the immigration path from Venezuela to Canada to the US. She has performed any available job from maid to college administrator, and adult teacher. Her work has been published in Hip Mama, the Literary Kitchen, YAY LA, Nailed Magazine, Entropy, and RabidOak. She was also featured in the Listen to Your Mother Show in 2015. In her self-published memoir, I Asked the Blue Heron (Nov 2017), Coiman celebrates female friendship while exploring issues of child abuse, mental disorder, and her own journey as an immigrant.

Writing on a Budget: Gratitude at the End of the Decade

By Lisbeth Coiman

As the end of the decade approaches, and in the spirit of the past Thanksgiving, I express gratitude for the gifts I enjoy and the people who have helped me in the process of setting roots in Los Angeles. When I count my gifts, I claim sanity, employment, community, and dancing.

manual typewriter and iPad with stickers and pins

Since I have battled with suicide ideation throughout my adult life mostly through medication and therapy, I am grateful every day I find the strength and motivation to pursue my goals. Staying alive requires the help of a therapist who speaks my native language and has patiently held my hand when separating from the man I have loved with wild passion and madness felt like peeling the skin off of my body.

Los Angeles, this crazy city of traffic jams, evictions, and homelessness, gave me a job I cherish serving a population I respect and admire. As an adult ESL teacher I have the privilege to introduce new immigrants to the English language and to the US culture – with all its wonders and dark chapters. Aware that this job does not pay my bills entirely, I have also found the support of NAMI LAC to employ me as an In Our Own Voice presenter, a program that fights the stigma against those of us who suffer from mental disorders. When that was not enough to provide for myself and my family in my homeland, I have also been fortunate to rely on my native language to further supplement my income with private tutoring. My work week extends to 50-60 hours, and yes, it feels like too much. Yet I am grateful for Mondays. when I know there is another full week ahead to continue my growth as a self-sustained woman in her mid 50s.

In La La La land I have been audience and participant of extraordinary literary events. Most of the people I come across in those events, with their “hmms” after a line of poetry, or a suggestion to submit, or encouragement, have paved the way for my growth as a writer. The World Stage, La Palabra, Rapp Saloon, Roar Shack, Why There Are Words, LA Expressions, The Exhibition Park Regional Library, Other Books LA, Libro Mobile, and Drunken Masters, and all the amazing writers and hosts of this great community have nourished my artistic spirit.

The South Bay Writing Group, a small and eclectic ensemble of women writers who meet once a week in a coffee shop in Redondo Beach, have become my sisters in writing. I look forward to meeting them once a week, when we briefly catch up on our lives, and fiercely critique each other’s work. They have seen me through divorce and depression, as I have seen them through death of parents, parental worries, and lately through cancer. I love them dearly and cannot be grateful enough for their support.

No other community has had a more significant impact in my development as an writer in the last five years than Women Who Submit. I met them on my first week in LA in the summer of 2014 and have been involved with them ever since. Despite my limited participation in this organization, Women Who Submit has become a great resource to find potential publication for my writing. I am not only grateful, but also proud to know the extraordinary founders and the leadership team.

But what brings me joy is dancing. When I dance, I smile and in doing so my brain produces the endorphins I need to feel good. I have danced since I was a child, but never paid attention to style or form. LA Salsa dancing scene is glamorous and flamboyant, and it’s been hard to learn so much sophistication. But I have talented and patient instructors, who celebrate my life’s events even when I still cannot gather enough friends for a party. They offer me so much fun on the hours I steal from my many responsibilities.

With only a few weeks left to the end of the year, I just wish that one day not far into the future, I can shed some of my financial constraints and dedicate myself entirely to pursue a career as a writer. And when I do so, I will do it as a part of the South Bay Writing Group, Women Who Submit, and the LA writing community as a whole. Then I will dance of joy.


Lisbeth Coiman is an emerging, bilingual writer wandering the immigration path from Venezuela to Canada to the US. She has performed any available job from maid to college administrator, and adult teacher. Her work has been published in Hip Mama, the Literary Kitchen, YAY LA, Nailed Magazine, Entropy, and RabidOak. She was also featured in the Listen to Your Mother Show in 2015. In her self-published memoir, I Asked the Blue Heron (Nov 2017), Coiman celebrates female friendship while exploring issues of child abuse, mental disorder, and her own journey as an immigrant.

Writing on a Budget: Compensating Circumstances Letter

By Lisbeth Coiman

There have been times in my life when I have gone through more than my heart could take. So much has happened to me. But I chose to brag about what saves me. In times of difficulties, I rely only on the moral support of friends and acquaintances who have expressed their encouragement to me. I take their words of wisdom, even a sympathetic smile, as the driving force to continue moving forward.

Continue reading “Writing on a Budget: Compensating Circumstances Letter”

Writing on a Budget: Freedom to Write

By Lisbeth Coiman

Freedom
To dissent
to speak for those
Without a voice
Caged tortured
Bargaining chips
Of bipartisan and geopolitics
Games

Freedom
To stand up tall
A palm tree
Bending to the strong
Santa Ana winds
Resisting
Racism intolerance bigotry

Freedom
To raise my voice
Through the bars
Of my own prison
syllabi lesson plans
meetings and PDs
paying for the luxury
of writing while living in LA
eyes heavy on keyboard
adding pectin to this substance
a thick jam
Made of Priuses and Ferraris
Seasoned with jacaranda flowers
Slowing my pace
Through the traps
Abundant in this jungle
Mired in cyberspace’s
Slush of algorithms.

To speak for those
who can’t dissent
I must earn my own
Freedom


The following publications are seeking work by emerging writers:

1. JuxtaProse
Word limit: 5 to 7000 words
Genre: Fiction
Deadline: Sept. 30, 2019
Submission Fee: $13-18
Submission Guidelines

2. Chronically Lit
Word limit: ?
Genre: Fiction, non-fiction, poetry, reviews
Deadline: First day of each month
Submission Fees: first 100 submissions free. Then tip jar.
Submission Guidelines

3. Orca. Cover Letter Contest
Word limit: Under 300 words
Genre: flash fiction, flash non-fiction
Deadline: Aug. 31, 2019
Submission Fees: $5
Price: 1st. $200, 2nd. $75, 3rd. $50
Submission Guidelines


Writer Lisbeth Coiman from the shoulders up, standing in front of a flower bush
Lisbeh Coiman is an emerging bilingual writer wandering standing at the intersection between immigration and mental health. Her work has been published in Entropy, Nailed, Rabid Oak, Hipmama and other online magazines, and several anthologies. Her self-published memoir, I Asked the Blue Heron, (2017) explores issues of child abuse, immigration, and mental health. She lives in Los Angeles, and teaches at Harbor Occupational Center.

Writing on a Budget: Salve for the Tax Season

By Lisbeth Coiman

Taxes looming in the background
Technical support calls drowned
the hours reserved for a scene.
The uncooperative screen
Shows Deductions 1099 Schedule C
A foreign language to me
 
Go for a walk at the beach
escape the whole number siege
 
Expenses multiply
While the gains dissatisfy
In the spread sheet display
Not-enough teaching hour downplay
The effort to create a breadwinner
Out of the tepid words of the beginner
 
Groceries offer distraction
An easy task without extraction
 
Paying the bills is not the issue
Change a flat tire without a fissure
Fight an intruder
I can do without sudor
Taxes, a whole new fiend
I never esteemed.
 
Lavender salve on my hands
To tackle IRS demands.

The following publications are seeking work by emerging writers:

1. Los Nietos Press
Word limit: 48-100 pages
Genre: Poetry and Short Stories
Submission Fee: $0
Submission Guidelines

2. Coffee House Press
Word limit: full length manuscripts / collections
Genre: literary novels, short fiction, poetry, essays, and creative non-fiction
Submission Fees: $0
Submission Guidelines

3. Rabid Oak
Word limit: Under 1,000 words
Genre: Poetry, flash fiction, flash non-fiction
Submission Fees: $0
Submission Guidelines


Writer Lisbeth Coiman from the shoulders up, standing in front of a flower bush

Writer Lisbeth Coiman from the shoulders up, standing in front of a flower bush

Writing on a Budget: Put on Your Oxygen Mask First

By Lisbeth Coiman

Most writers I know, including myself, are activists or behind-the-scenes supporters of several causes. When the political conjuncture we are living through in America threatens everybody’s sanity, writers struggle to focus before stepping up. Facing a myriad of social issues hurts these writers both emotionally and financially.

Vintage typewriter next to an iPad covered with pins and stickers from different social and political causes

      Creativity dilutes in the stream of  information/petitions/demonstrations, and the ordinary responsibilities of work. I can’t even come close to imagine what it is like to live through these times with children to take care of. The emotional load seems to grow by the minute. The writer feels like borrowing a “welder’s mask” to look at the blinding reality without hurting, without revealing tears.

      With the emotional burden of political activism comes the added weight of financial demands. Bills can pile up easily on top of donations and contributions. The line between urgency and necessary disappears in the mists of a stream of crisis. We wake up to news of mass shootings, racial violence, and sexual violations of immigrant minors in detention. At work, fundraisers and pot-lucks drain the bank account. Add to that a humanitarian crisis in a homeland and you wish going to sleep on the eighth day of the month and wake up on payday.

     When my budget became unbalanced, like a flight attendant, I told myself, “put on your own oxygen mask before helping others, even your family.” My livelihood depends on my mental health. Without money, I can’t write. Since writing is therapeutic for me, my sanity is at risk.

      That’s when I jumped at the opportunity to take a scholarship for a social consciousness poetry class online, Poetry for Survival taught by Xochitl Bermejo. Through this class, I’m learning that I can’t see the page through tears. By detaching myself emotionally from the issues dearest to me – Venezuela and immigration – I hope to bring my unique perspective of the devastating reality of which I’m both a witness and a subject.

      Perhaps  the only advise I have for my readers tonight is to take a social consciousness vacation before taking a stand. Disconnect, put the check book in a locked box and forget where you hide the key. Go for an extended walk by the beach. Only then, your voice will sound clear.

This month, the short list includes some free submission opportunities.

1.The Booklist – seeking reviewers of diverse backgrounds
The Booklist is part of the American Library Association.
Genre: All
Languages: English and Spanish
Application Fee: $0
Submission Guidelines

2. Green Linden Press
Genre: Poetry, interviews and reviews
Submission fee:       Up to $12.50
Deadline:                    March 20, 2019
Submission Guidelines

3. Catapult
Tiny Nightmares: An Anthology of Short Horror Fiction
Genre:                         Short Horror Fiction
Payment:                    $100
Submission fee:      0
Deadline:                    May 1, 2019
Word count:              Under 1200 words
Submission Guidelines

4. Ripples in Space: Flash Fiction for Weekly Podcast
Gener:                         Flash Fiction
Submission fee:     $6
Deadline:                   Open
Word count:             Max 1500 words
Submission Guidelines

5. Dusk and Shiver Magazine
Genre:                         Fiction, Poetry, Artwork
Submission fee:     $0
Deadline:                   April 13, 2019
Word count:    5,000 to 7,000 words (Fiction)
Submission Guidelines


Writer Lisbeth Coiman from the shoulders up, standing in front of a flower bush

Lisbeth Coiman is an emerging, bilingual writer wandering the immigration path from Venezuela to Canada to the US. She has performed any available job from maid to college administrator, and adult teacher. Her work has been published in Hip Mama, the Literary Kitchen, YAY LA, Nailed Magazine, Entropy, and RabidOak. She was also featured in the Listen to Your Mother Show in 2015. In her self-published memoir, I Asked the Blue Heron (Nov 2017), Coiman celebrates female friendship while exploring issues of child abuse, mental disorder, and her own journey as an immigrant.
She lives in Los Angeles, where she teaches at Harbor Occupational Center and speaks for NAMI about living with a mental disorder.

Writing on a Budget: Support Fellow Writers

By Lisbeth Coiman

For a cost-conscious person, I have little self-control when it comes to books. I browse bookstores inhaling the sweet aroma of the unread pages; then, I bring out my credit card at the counter to pay for two or three books. At literary readings, I listen to the writers carefully, and then choose one or two books to bring home with me. It’s my way to support fellow writers, but also a form of self-indulgence. As the cost of my rent increases, and the stack of unread books keeps piling up on my bedside table, I am aware that I need to do something about my book-buying habit.

Because it is that time of the year when we set goals and decide, mostly without success, to break old habits, I’ve resolved to find a solution to this conundrum: how to support emerging writers while minding my small writing budget. Observing my peers at readings and bookstores, I noted some writers using one of the following three strategies

1. Request and borrow books from the library.

My friend Shelly never buys books despite expressing a life long love for words and all things lit. I used to see her at readings, in the city where we met, her eyes closed to recreate in her mind the stories or poems she heard. She took time to chat with the writers, and then left without spending a cent.

“It’s not for you. We must support each other,” I told her once.

“I don’t have space, and I move frequently. Instead of buying, I request the book at the local library, then borrow it.”

“Clever and inexpensive,” I admitted.

2. Exchange books with fellow writers

At one particular reading, I observed another friend, Cruz, approach another writer and ask if she was interested in exchanging books. “What a creative notion,” I thought. Both women are well-known and respected in their own communities and were interested in reading each other’s work. They signed copies, promised to read, and presented their business cards. The whole experience lasted a few minutes, with pleasantries and all. And they saved at least $20

3. Look out for review requests

Mary never buys books either. She browses FB groups searching for review opportunities. Mary submits the reviews to magazines and journals. When she can not land a submission, she posts a shorter version of her review in Goodreads, and Amazon, helping the writer with the promoting efforts. Not a bad idea if the reader is also trying to build her own name.

Submission Calls
The new year is bursting with submission opportunities. These are only a few for writers on a budget.

1. Waxwing Magazine
Genre: Poetry, short fiction, literary essays, translation of poetry or prose, and art.
No payment
Submission Fee: 0
Deadline: May 1
Word count: up to five poems, 3 short-shorts, or micro-essays, up to three images
Submission Guidelines

2. Brain Mill Press: 2018 Driftless Unsolicited Novella Contest
Genre: Fiction
Prize: $250 and Publication
Submission fee: $0, but they appreciate $12 will give the writer a copy of the winning novella.
Deadline: 01/23/19
Word count: 20 to 45,000 novella or novella-length collection of short stories.
Submission Guidelines

3. City Lights Booksellers and Publishers
Genre: Memoir
Submission fee: $0
Word count: Sample of 10-20 pages, book proposal, outline and table of contents, letter with summary and resume.
Submission Guidelines


Writer Lisbeth Coiman from the shoulders up, standing in front of a flower bush

Writer Lisbeth Coiman from the shoulders up, standing in front of a flower bush

headshot of Lisbeth CoimanLisbeth Coiman is an author, poet, educator, cultural worker, and rezandera born in Venezuela. Coiman’s wanderlust spirit landed her to three countries—from her birthplace to Canada, and finally the USA, where she self-published her first book, I Asked the Blue Heron: A Memoir (2017). She dedicated her bilingual poetry collection, Uprising / Alzamiento, Finishing Line Press( Sept. 2021) to her homeland, Venezuela. An avid hiker, and teacher of English as a Second Language, Coiman lives in Los Angeles, CA.