February 2023 Publication Roundup

This year, February flew by so quickly that I only just realized it ended. Our amazing Women Who Submit members, however, have been working hard, as always, and their efforts have paid off with more amazing publications.

The WWS members included in this post published their work during the month of February. I’ve included an excerpt from published pieces (if available) or a blurb (if available) if the publication is a book, along with a link (if available) to where the pieces can be purchased and/or read in their entirety.

Please join me in celebrating our members who published in February!

Continue reading “February 2023 Publication Roundup”

Intersect: 5 Common Questions and Answers at WWS Submission Parties

By Rebecca Gomez Farrell

At the end of 2022, I stepped down from leading the long-running Bay Area chapter of Women Who Submit (WWS). Over the five years that I organized the chapter, I noticed that the same questions came up time and time again. Our answers to those questions illustrate what makes WWS submission parties so encouraging and productive. The positive reinforcement they provide turns the drudgery of the submission process into inspiration.

When we meet, our members ring a call bell whenever they hit “send” on a submission and everyone bursts into cheers. Doing so fulfills an important purpose by providing an easy way to inject excitement into the room. You might even call it Pavlovian: endorphins surge once the bell rings, bringing affirmation with them and a smile on all the faces as we celebrate the person who submitted a manuscript or query, or fellowship application. Everyone else is energized to earn their turn to ring the bell by submitting again. It’s so simple, yet such a beautiful way to support each other.

Like ringing the bell, WWS members encourage each other through useful and uplifting answers to those common questions that crop up at each submission party. Through reframing the submission process as part of a writer’s work, rather than something to dread, each click of a “submit” button becomes something that validates, rather than dulls, our creative dreams.

Here are the common questions and answers I’ve encountered at Bay Area chapter submission parties over the years.

1. My short story doesn’t quite fit this magazine’s guidelines. I shouldn’t send it, right?

Yes, you should! It’s one thing to submit a novel-length work to a submission call for 5,000 words (don’t do that), but if a market lists a flash fiction limit of 1,500 words and you’re at 1,610? Send that manuscript. Or maybe an anthology’s theme is surrealism, and your piece feels closer to abstract and you’re not sure it qualifies. The worst an editor can do is reject it, and the best? Well, you may just make it into one of your top markets! All because you had a slightly different understanding of those styles than the editor did. It’s their job to decide what submissions fit their call, and it’s your job to give them your piece to consider.  

2. Does anyone know what markets might take a funny novella about cello-playing vampires?

Many of our Bay Area chapter members are seasoned writers and quite willing to share their experiences with newer ones. They also dabble in multiple forms, from speculative fiction to personal essays to haiku memoirs. Part of the value of our submission parties is learning that we are each other’s greatest resources! Nearly every time this question is asked, another writer in attendance will have a suggestion. And it’s almost assured that another member will then also submit something to that market they just learned about. Everybody benefits from asking questions and taking the leap.

3. I can’t take another rejection. How do you deal?

By celebrating them! Or at least contextualizing them. Inspired by another member’s suggestion, I offered fifty-rejections stamp cards to our members, redeemable for a free beverage on me once those cards were filled. That’s a fun, tangible motivation, but the real one is this: rolling with rejection is part of a writer’s work, or at least the work of a writer who wants to be published.

Creative pursuits are emotional minefields, for sure, but if you’ve decided you want your masterpiece to appear in the pages of an esteemed publication? You have to keep sending it out. Making the publication happen is a numbers game. If the piece hasn’t been accepted yet, then you haven’t pulled the right number yet. What’s that number? The right editor reads your piece for the right publication on the right day when they are in the right mood. All that has to come together for an acceptance to come in, and none of it is controllable. So control what you can: the quality of your writing and placing it in that editor’s hands in the first place by submitting a rejected manuscript out yet again.

If you think of rejection as part of a writer’s work, it becomes routine, just another task to be managed. Another rejection? Another opportunity to send that manuscript out into the world. Then…Ding! Ding! Ding! Ring that bell! You’re doing the work of a writer. And you totally deserve that extra scoop of double-chip mint, too.

4. Is it okay if I don’t submit anything and just work on this poem?

Absolutely. Yes, WWS submission parties run on peer pressure to submit our pieces. When eyes light up, applause breaks out, and another member gets their deserved praise, it’s infectious! But sometimes, you don’t have the emotional reserves to keep hitting those “send” buttons. Sometimes, you need to refill your well first, and allowing yourself to do that is also the work of a writer. Sometimes you just want to bask in the presence of other women taking those leaps and use it as motivation to get that poem into shape. Even if you’re not taking part in the submission process right now, you’re taking part in the creation of that supportive atmosphere at the party. Maybe next time will be the one when you hit the send button and finally ring that bell.

5. Yes, you did it! You submitted! Now, where will I read that essay once your acceptance comes in?

I admit it, I’m the one asking this question whenever someone rings the bell. Sure, we need to harden our exteriors to deal with all the noes that writers accrue. But it’s okay to let ourselves dream of yesses, too. Ringing that bell generates happy feelings, and so does allowing ourselves that glimmer of possibility, welcoming the potential that this time this piece is going to win the numbers game. I’ve seen it happen for so many chapter members over the years, with a lengthy list of credits to their names. I’ve had at least twenty publications of pieces I’ve sent out during a submission party. If we control what we can—the quality of our writing and our willingness to risk acceptance—sometimes the magic comes together in just the right way and our number is pulled.

Making the choice to step down from the Bay Area WWS chapter was hard. But I’ve been neglecting a different part of the work of a writer in recent years: the writing itself. With the pandemic and a new day job, and the life changes that came with both, I stopped prioritizing writing new fiction. So I need to reclaim that writing time first before I’ll have submissions to send out again.

I know that when those new pieces are ready, my local chapter of Women Who Submit will be too, ready to welcome me back and cheer me on as I ring that bell.

Rebecca Gomez Farrell’s Wings Rising epic fantasy duology, Wings Unseen and Wings Unfurled, is published by Meerkat Press. Her short works have appeared over 30 times in magazines, websites, and anthologies such as Beneath Ceaseless Skies, It Calls From the Sky, PULP Literature, and A Quiet Afternoon 1 & 2. WebsiteRebeccaGomezFarrell.com. Social Media: @theGourmez. 

Intersect: Meet Me Where We Intersect

“Who’s got next?” Noriko Nakada asked in her last post as the blog managing editor. The week after I read it, I ran into her at a party. With a glimmer in her eye, she asked me, “You thinking about applying?”

“Kind of,” I said with my shoulders up to my ears telegraphing doubt.

” You should.”

I have written several times for the WWS blog series. Each experience was gentle, kind, and nurturing. The idea of holding space for other writers’ work, accepting submissions, soliciting voices I admire, and running a series close to my heart were too tempting to forgo.

So I applied. And…

I got next, but to be honest, I am more of an artist than a jock, but I will gladly take the court from the talented and compassionate Noriko Nakada and turn it into a found object sculpture of a new series called Intersect. Let’s see where we meet.

Perhaps we have already met, online through the WWS Open Mic (I hosted from April 2020-February 2023), or other areas I stepped in to support or take part in WWS programming, or you may not know me at all. If that is the case, I’m Thea. Like many members, I was financially and emotionally impacted by the pandemic. The WWS weekly online meetings in 2020 assisted me in becoming more resilient and adventurous in writing, submitting, and putting myself out there.

WWS also provided me with community and a culture of support. Something I desperately needed when the shutdown impacted me professionally, and I had to adapt and change. The business I spent over a decade building was not sustainable. Since I joined WWS in 2019, I saw my writing practice flourish and my publication numbers increase exponentially. With my newly found confidence in writing, I applied and accepted a contract to write ESL readers (the first time I was paid for my fiction). After writing 20, I realized the company, and I were not a good fit. I then went back to technical writing to supplement my lost income from my business and, of course, continued my literary writing to feed my soul.

Thanks to the WWS community, I have been able to access resources and knowledge bases that I never knew existed. Including scholarships, financial support, and other opportunities. As someone who wrote solitary for most of their adult life, I felt blocked from many opportunities. Primarily, because of lack of access, connections, and information. I didn’t have resources for letters of recommendation for residencies or fellowships. I wasn’t familiar with how to apply for personal grants. The list goes on. In my short time with WWS I learned much, and I am excited and honored to be named the WWS Blog Managing Editor for a paying market and help provide further information, context, and experience through your words to our members and the literary community at large.

The Road to Joy and Advocacy

February 8th, 2023 I found myself in one of the many places that WWS, and the literary and arts communities intersect. Cody Sisco invited me to read in person along with WWS board member Luivette Resto, WWS members Lisbeth Coiman, Hazel Knight Wittman, Carla Sameth, Flint, Traci Kato-Kiriyama and eleven other writers and poets at the WeHo Reads: Mindful Journeys Toward Better Futures event. It was held at the West Hollywood Public Library and included a tour of a photo exhibition led by West Hollywood Arts Coordinator Mike Che. WeHo Reads is a literary series presented by the City of West Hollywood, produced by Bookswell and supported by UCLA Extension Writers’ Program with media partnerships with Bookshop.org, Book Soup and Los Angeles Review of Books. Find out more about WeHo Reads here and how it intersects to resilience, justice, legacy, motherhood and more.

Photo by Noriko Nakada

The Beginning

Women Who Submit was born through the lens of intersectionality in the literary landscape with a vision to bring parity to women and nonbinary writers in publishing who experienced rejection, limited access to opportunities, limited representation, bias, and barriers due to gender, race, ethnicity, sexual orientation, or disability. The goal of the organization is to submit as much as much possible as a community to gain parity and visibility. Find out more about the beginnings of WWS here.

The Intersection

Let’s sculpt something beautiful together in my year as blog managing editor. In this series, I invite you to submit work regarding where we intersect. I’m looking for articles/essays about (but I am open to other topics as well):

  • Where identity or community overlap in the literary landscape
  • The merger of creative communities
  • Barriers or removal of them regarding access and opportunity
  • Difficulties or adaptations of being a creative in the sandwich generation
  • Experiences and/or applying for residencies, retreats, grants, or scholarships
  • Rejecting the scarcity model in publishing
  • Experience in shared leadership and mentorship
  • What inclusion and accessibility look like to you
  • Resilience as a human with lived experience
  • Your role as a literary citizen or community activist and how it intersects

On top of personal essays and articles, I am also looking for book reviews of marginalized and underrepresented voices.

The Facts
I look forward to reading your words and serving as a resource to this amazing community. Intersect will publish bi-monthly on the first and third Monday of the month. Familiarize yourself with the WWS Core Values prior to submitting, only work that adheres to them will be accepted.

Thea Pueschel is a nonbinary, neurodivergent, emerging writer and artist, the managing blog editor for Women Who Submit, a facilitator for Shut Up & Write, a California Arts Council Panelist 2022, and a Dorland Arts Colony Resident. Thea’s first solo mixed media exhibition “44: not dead, just invisible” ran at The Center of Orange from September 2021-December 2021.  Thea has been published in Short Edítion, and Perhappened, among others.

Breathe and Push: Who’s Got Next?

By Noriko Nakada

It was December in 2016. In the warmth and light of Avenue 50 Studios in Highland Park, I attended my first, in-person Women Who Submit workshop. Our presenter, Sara Novik, attended via video conference to speak with us about writing and activism post-election. On that cold LA morning in those waning days of the Obama presidency, I hoped the nightmare of a Trump presidency wouldn’t materialize, that the election had been a bad dream from which I might startle awake. But as I listened to Sara and the work she engaged in as a refugee and deaf writer, I resisted closing my eyes and falling asleep to the reality of our country’s future. I galvanized myself for the fight ahead.

Next in blue block letters and outlined in green.

After Sara’s presentation, I participated in a WWS orientation, and then I got started submitting. All around that room, women were writing, sharing stories, submitting work and cheering one another on in the process. We were setting goals and pushing back against a world that was poised to work ever harder against us. As a new WWS member, I set goals for my creative work and this organization helped me submit that work for publication. Since then, I have averaged over 50 submissions a year. I have prioritized my creative work by applying for and attending writing residencies, and I’ve leaned into literary citizenship with this community.

A couple of years later, I volunteered to start a column for the WWS blog, and Breathe and Push was born. Inspired by Civil Rights attorney Valarie Kaur’s words: “What if this darkness is not the darkness of the tomb, but the darkness of the womb? What if our America is not dead, but a country that is waiting to be born? What if the story of America is one long labor? […] Because if we don’t push we will die, and if we don’t push our nation will die. So tonight we will breathe, tomorrow, we will labor.”

This metaphor helped me through several challenging years and this column helped many of us breathe out essays pushing against gun violence, family separation, and state-sponsored police violence. We reminded ourselves that in the midst of busy lives, our creative work could push the world toward justice.

When I joined WWS’s leadership team in 2019, I took on management of the blog and a year later, we moved almost exclusively to virtual spaces. Throughout the pandemic we navigated a shifting and uncertain world by continuing to write essays, poems, stories and books. These past few months, we were able to celebrate so many members’ hard work with in-person book launches and readings, while continuing to acknowledge both publications, and passes. I am thankful to WWS for continuing to clap and cheer along the way.

This space will continue to allow us to connect in our increasingly fragmented world, to press against the cracks and let the light come in through so much darkness. The words that I have had on repeat during much of the past few years have been those of Colson Whitehead from his acceptance speech during the 2016 National Book Awards ceremony: “be kind to everybody, make art, and fight the power.” My work with WWS has helped me do this. But in 2023 I will be stepping down as the Women Who Submit blog manager. This means we are looking for someone to help curate this space and embrace this opportunity. You will have lots of support and a quarterly stipend, so if you are tempted, considering, wondering if this might be for you, please send an email to womensubmit@gmail.com.

In pickup basketball, those waiting and watching the game from the sidelines let everyone know if they want to play the next game. It can be scary, but it’s court etiquette, and it works to call out, “I got next.” So, here I am asking: who’s got next?

a black and white headshot of Noriko Nakada

Noriko Nakada is a multi-racial Asian American who creates fiction, nonfiction, poetry, and art to capture the stories she has been told not to talk about. She is the author of the Through Eyes Like Mine memoir series. Excerpts, essays, and poetry have been published in Hippocampus, Catapult, Linden Ave, and elsewhere.

December Publication Roundup

The WWS members included in this post published their work in amazing places during the month of December. I’ve included an excerpt from published pieces (if available) or a blurb (if available) if the publication is a book, along with a link (if available) to where the pieces can be purchased and/or read in their entirety.

Please join me in celebrating our members who published in December!

Continue reading “December Publication Roundup”

November 2022 Publication Roundup

The WWS members included in this post published their work in amazing places during the month of November. I’ve included an excerpt from published pieces (if available) or a blurb (if available) if the publication is a book, along with a link (if available) to where the pieces can be purchased and/or read in their entirety.

Please join me in celebrating our members who published in November!

Continue reading “November 2022 Publication Roundup”

October 2022 Publication Roundup

The WWS members included in this post published their work in amazing places during the month of October. I’ve included an excerpt from published pieces (if available) or a blurb (if available) if the publication is a book, along with a link (if available) to where the pieces can be purchased and/or read in their entirety.

Please join me in celebrating our members who published in October!

Continue reading “October 2022 Publication Roundup”

September 2022 Publication Roundup

I spent September doing a residency at Ragdale in Illinois, where I was lucky to have a great cohort that included two wonderful WWS members, Lauren Eggert-Crowe and Siel Ju. Never have I been more grateful to enjoy such good company and to have such a big chunk of time to contemplate and to write.

Submitting, though, has escaped me, which makes me even more in awe of those of you who participated in WWS’s Submit 1 submission event on September 10th. Congratulations to all who participated and to those who have already heard from their publication venues of choice, whatever the response. Sending out our work into the world is an act of bravery deserving of recognition.

Meanwhile, the WWS members included in this post published their work in amazing places during the month of September. I’ve included an excerpt from published pieces (if available) or a blurb (if available) if the publication is a book, along with a link (if available) to where the pieces can be purchased and/or read in their entirety.

Please join me in celebrating our members who published in September!

Continue reading “September 2022 Publication Roundup”

July and August 2022 Publication Roundup

The last two months of summer have been filled with emergencies for me. So I’ve combined the July and August publication roundups. This way, I was able to fully focus on the wonderful accomplishments of the WWS members, who continue to persevere and publish in wonderful places.

I’ve included an excerpt from published pieces (if available) or a blurb if the publication is a book, and a link (if available) to where the pieces can be purchased and/or read in their entirety.

Please join me in celebrating our members who published in July and August!

Continue reading “July and August 2022 Publication Roundup”

SUBMIT 1: 9th Annual WWS Submission Drive

SUBMIT 1 is the one day out of the year WWS encourages women and nonbinary writers across the globe to send one of their most beloved pieces of writing to one top tier journal as one community. This is an act of solidarity, not only with our writers, but with editors and publishers as well. SUBMIT 1 dares to connect the literary publishing community as a whole. 

Black event flyer with "Submit" in green. Green circle at the center with a purple "1" at its center.

In its 9th year, thanks to an Impact Project grant from the California Arts Council and the support of our fiscal sponsor, Avenue 50 Studio, WWS has expanded this event into the WWS Summer Series. This program includes the Summer Writers Workshop in July, the Submission conference in August, and Submit 1 in September. 

The submission drive was created in 2014 for WWS’s five-year anniversary and to honor Vida, Women in Literary Arts, and the Vida Count. It was the 2009 Vida Count that inspired the co-founding of Women Who Submit in 2011. While the event celebrates our history and the importance of gender equity in literary publishing, over the years, we’ve questioned if we were doing enough to help prepare our writers to send their work to the top journals of the nation and world. 

The WWS Summer Series is our answer to this question. In July, 36 writers were given the opportunity to participate in month-long workshops with our faculty, Melissa Chadburn (CNF), Muriel Leung (Poetry), and Colette Sartor (Fiction). In August, over 150 writers registered for the Submission Conference, a one-day, online event that featured 18 writing professionals sharing their best tips and strategies (For recordings of the 2022 panels with closed captions visit the WWS Youtube page.). So then, SUBMIT 1 is not only an act of solidarity, but an act of faith in our writers and the writing process. 

How to Participate:

1. Before September 10th, study THIS LIST of “Top Ranked Journals of 2022” with current open calls to find a good fit for your work. Links to guidelines are included. BE SURE TO READ AND FOLLOW THE GUIDELINES. 

2. On September 10th, submit one of your most beloved pieces of writing to at least one tier one magazine from wherever you are in the world at any time of day.

3. Notify us on Twitter or IG. Be sure to tag us @womenwhosubmit, so we can celebrate you with lots of claps, cheers, and funny gifs.

4. Hang with us on IG Live at @WomenWhoSubmit from 7am to 10pm PACIFIC for a full day special guests, support, and resources. Here is where you can ask WWS members for tips on submitting, get encouragement, or receive LIVE claps for when you hit send.

SUBMIT 1 IG Live Schedule (all times are PACIFIC):

7am-8am: Xochitl-Julisa Bermejo (@xochitljulisa), WWS Director 

8am-9am: Joy Notoma (@joywriteshermedicine), WWS-Europe Lead 

12pm-1pm: pm Suhasini Yeeda (@suhasiniwrites), WWS-LA Member 

2pm-3pm: Toni Ann Johnson (@treeladytoniann), WWS Board Member 

3pm-4pm: Desiree R. Kannel (@rwwrites), San Antonio Lead 

5pm-6pm: Lituo Huang (@thelmerfudd), WWS-LA Member 

6pm-7pm: Jessica Ceballos y Campbell (@alternativefield), WWS Board Member 

8pm-9pm: Lucy Rodriguez-Hanley (@lucyrodriguezhanley), WWS-Long Beach Lead 

9pm-10pm: Juanita E. Mantz Pelaez (@lifeofjem1), WWS-Inland Empire Member

5. After submitting, fill out THIS FORM to help us track how many submissions were sent out, which will help us in our continued mission towards gender parity and wider representation of marginalized voices in literary publishing.

Submission Drive Origins:

After the first VIDA Count was published in 2009 illustrating the dearth of women’s voices in tier one publications, members of VIDA, Women in Literary Arts, began asking the editors of these journals why they thought the numbers were unbalanced. The most common answer was women don’t submit as often as men. In response, Women Who Submit and the monthly submission party was created in 2011 to support women and nonbinary writers in submitting their work for publication in order to raise the number of such voices coming across editors’ desks.

Our annual submission drive is a call to writers to submit their well-crafted and cared for work en masse to tier-one literary journals that historically have shown gender disparities in their publications. It is a call to action. Our first WWS submission drive was in September 2014 at Hermosillo Bar in Highland Park, CA.