TRANSFORMATION: A Women Who Submit Anthology

Join Women Who Submit in celebrating the publication of our third anthology, TRANSFORMATION! Thanks to the work of Managing Editors, Ryane Granados and Noriko Nakada, Advising Editor, Tisha Marie Reichle-Aguilera, eight Genre Editors, Lorinda Toledo, Erin Anadkat, Flint, Laura Sturza, Luivette Resto, Hazel Kight Witham, Aruni Wijesinghe, Lucy Rodriguez-Hanley, and publisher Nikia Chaney and Jamii Publishing, our third anthology features poetry, fiction, creative nonfiction, and drama from 42 women and nonbinary writers from around the world.

“Given these perilous times of great global and local humanitarian
failures, cruel objectives cemented by morally repugnant mindsets,
and given the history of violence which has proven all too
predictable, I know my words may appear hugely insufficient in
protecting the most vulnerable, may prove never to be enough to
diminish the sorrow and suffering of others, and yet as a writer,
I continue to write.”

Inspired by these words by Helena Maria Viramontes, shared at her AWP 2020 keynote address, Women Who Submit’s third anthology, TRANSFORMATION, centers work that speaks to the ways writers and other artists can promote change in the world.

To order a copy, visit our partner and bookseller, Libromobile.

TRANSFORMATION BOOK RELEASE PARTY WITH WEHO ARTS

Saturday April 13, 2024, 2pm-5pm

Plummer Park: 7377 Santa Monica Blvd, West Hollywood, CA 90046, at the Great Hall patio

Readings by liz gonzález, Erika Ayón, Lisa Cheby, Sandy Yang, Aruni Wijesinghe, and Monona Wali

Hosted by Angela Franklin

Music by DJ Langosta

And now with a welcome from special guest, WeHo Poet Laureate, Jen Cheng.

The party will include snacks, book cake, and expo of LA literary orgs and booksellers.

This is a free event and open to all!

Intersect: Stories Told and Untold in the City of Angels

By Sara Chisolm

Los Angeles residents have always been stereotyped as Hollywood physically fit with a green juice in hand while driving down Rodeo Drive. I do occasionally enjoy a green juice but I don’t make a habit out of frequenting tourists’ traps. I pass the Disney concert hall while on my way to Chinatown, East L.A., Little Tokyo, or mid-city. Away from the glitz of Tinseltown, the heart beat of the city exists. Some Angelenos leave to seek more affordable pastures while others linger in the only place that they will ever call home. Some come from areas torn by war or in search of the American dream. This is a place where dreams are made and broken. Perhaps that is why I write and listen to stories about Angelenos. We thrive in a paradigm of contradictions.  

I always remember to pack a pair of shades, water, sunscreen, notepad and pen while canvassing Los Angeles on the public transportation. They’ve extended the train lines, which suits me just fine.  I can lumber around Sawtelle taking in the savory aroma of bone broth, dip out and be in Mariachi Plaza to hear a serenade while the glare of the afternoon sun beams down on all of those poor souls stuck on one of the freeways, which resemble parking lots during rush hours. I watch people as they walk down the street, bus tables in restaurants, attend to their children, or sit at the local coffee shop typing away on their computers while sipping on their coffee. I usually choose to write at home but the city and its inhabitants inspire me to step away from my desk and home library. 

I yearn for the smell of incense, buttery Salvadoran quesadillas, jasmine, and marinated meats. I can smell all of these things from the crowded streets when I walk down just the right one. I sometimes wonder about the people that I encounter in those brief moments. What is their life like? What do we have in common? What are our differences? 

In a place as diverse as Los Angeles, differences are easy to pick out, but it’s the similarities that can make people bond and feel empathy for others. Stories can be a powerful bridge to understanding one another. On occasion, I find myself imagining that the woman in front of the temple with the incense sticks is praying for forgiveness. The man in front of me at the panadoria is buying breakfast for his family. The basketball players whose movements blow the scent of fresh jasmine onto the street might be worried about their upcoming finals. The cook in the taco truck is wondering how he’s going to make ends meet this month. I don’t know their stories, but I know that we are alike in some ways, and that thought alone makes me take out my notepad.

 I sometimes jot down a few notes and ask a few questions here and there. Occasionally, the answers yield more questions that will go without a response. I try to understand people who may have vast differences from me by researching certain topics related to their experiences. 

Spending hours in a library conducting research on history, culture, and language is helpful to my writing. I‘d be a liar if I didn’t admit that the mildew smell of used books is a comfort for me. Going to a library is like coming home.  My research doesn’t address all of the questions that I have from talking to people. There are times when emotions and the past guide reactions. Feelings can be difficult to explain or even comprehend. Who knows why one motorist will roll down their window and cuss at another person for cutting them off on the freeway while another one won’t even bother. Emotions about situations are a reflection of the past.

I’ve drawn the conclusion that to live here, one has to admit how much and how very little they know about the city’s residents. Although the differences between us can be numerous, we can always offer empathy. I listen with compassion and gain an insight that I would never have acquired had I not spoken to my fellow Angelenos. These life lessons help me in my day-to-day tasks as well as in my writing. 

I ran into someone carrying a power tool on the bus. His eyes lit up when he saw the name of the school that I work for emblazoned across my chest in huge white letters on a fire hydrant red t-shirt. He asked if I was a teacher and what subject I taught. When I told him I work with small children, he told me stories about his daughters that ended with him instructing me on how to use a power drill. I sometimes think of him when I write stories about families. That twinkle in his eyes reflects the same starry gaze that I have when I reminisce about my own little “knuckleheads.” Our astronomically different lifestyles bear resemblance as we connect over children and unfinished projects in my apartment. I learn a fair amount about myself while talking to others. Their experiences guide me. 

The most prolific life lessons that I have had through stories comes from the families that I work with as a preschool teacher. I used to work for non-profit organizations in areas that experienced frequent gang activity, poverty, and violent crime. The parents told me stories about being refugees, being harassed by cops, not having enough resources for their children. I had to take notes as I devised a way to best help with their children’s needs. 

We are people of color, dark skinned and historically marginalized. I saw a bit of myself reflected in their appearance. We shared the same spaces. I visited the same grocery stores, restaurants, and walked down the same streets. In those instances, ​​I become a part of a community story. We would vibe about the store clerk who always picked their nose when they thought  that no one is looking. Complain about the higher prices at our favorite heladeria. 

I grew up in an all-American suburban town in the San Gabriel valley. Just another pissed off teen in A.P. English writing poetry and journaling. My parents were able to provide a decent living for me and my little brother. While growing up, I didn’t have the same barriers to resources as my students’ families. Learning about life experiences that differ from mine expands my understanding and awareness of the human condition. This fact makes their stories resonate with me. I don’t focus on writing stories that reflect life experiences that are solely my own. A good book makes the reader relate to the characters in some way. A great book will make you emotionally invested in the characters. I am a speculative fiction writer. My aim is to intrigue readers by creating relatable characters in imaginative moments that no one on this good green earth has experienced. 

My favorite books growing up were fairy tales or what I would dub as “whimsical flights of fantasy.” My writing reflects my earlier reading choices, but with a sprinkle of darkness and culture. My plot lines used to rack up body counts as if I was playing a video game. I’ve slightly amended my ways and began to focus more on relationships between characters without the climactic death scenes. Some life situations are just as stressful as being torn limb from limb by zombies. Maybe I’ve changed. Motherhood has become a prominent theme in my stories. Exploring folklore from around the world has taken root in my fiction. Fairy tales where Angelenos reside in conflict. Not every story has to have a happy ending, but it always has to end. 

The stories that my past students’ families told me were also full of hope. In a city brimming with dreams, hope is contagious. There’s always a chance for a better tomorrow. At the end of the year, the center that I used to work for hosts a pre-kindergarten graduation. Folks filled up the auditorium while clutching balloons, bouquets, and stuffed animals. Some people have to stand because there aren’t enough chairs. The children perform a few songs, dawn graduation caps, and eat over frosted pieces of white sheet cake. The families shifted together. The metal folding chairs were scattered against the wall to make room for the adults’ latest gossip. An older cousin just graduated high school or college. A father just opened his own small business. A mother is expecting a new addition to the family. We share sorrow and rejoice in triumphs. 

The last graduation that I attended at the center was a type of farewell ceremony for me as well. By the end of the week, I’d be starting at a new center. The preschool that I was starting at had raised beds for gardening, several fenced in play yards, and a beautiful interconnecting bike path. Outdoor play would be very different from the scenes of police brutality reenacted by my past students. When I told the families that I was close with that I was switching schools and that the new school would serve wealthy families, they rolled their eyes or gave me menacing looks. They were pissed off that I could leave them to serve families that had their pick of great teachers. I politely sympathized and took their outrage and disgust as a complement to my care of their children and teaching abilities. 

Everyone faces challenges in life, although the challenges of the new families that I would be serving might be different, they were still plagued with their own obstacles in life. I couldn’t help but question my decision to leave the center for a more privileged population though. The choice to leave the center was not made light-heartedly. I wanted to stay because I had fostered relationships with the families, but ultimately my desire for new challenges and experiences had won out. 

I occasionally run into my old students and people in the community that I once served. Our paths intersect when I stop by my favorite restaurants or bakeries in the area. We embrace, talk, and laugh about the old times. Tears come to the corners of our eyes while remnants of our bond bring back once forgotten feelings. Sometimes when I say goodbye, I can feel their resentments in their hugs or handshakes. Other times, I feel their affection and sorrow. As Angelenos, we bring meaning to each other’s lives in our everyday encounters. Stories told and untold about our differences and similarities. Tall tales that seem like legends among the temples, taco trucks, coffee shops, skyscrapers, and congested freeways. 

In a city as crowded and spread out as L.A. you can marvel in her diversity. Draw strength from it. The promise of a better future draws people from different walks of life to this city. No matter what, there is always a tomorrow and another story to write.  

Sara Chisolm is a speculative fiction writer based in the Los Angeles area. Her urban fantasy short stories “Serenade of the Gangsta,” “The Fortune of the Three and the Kabuki Mask,” and “We Found Love as the Undead,” were featured in the second and third volumes of the Made in L.A. fiction anthology series. Sara has co-edited for the third, fourth, and fifth books for the annual Made In L.A. anthology. 

Intersect: The Community of Submit 1

by Kate Maruyama

I’ve been a fan of Submit 1 since its first year when I hosted hour one and talked about strategies for submitting and dealing with rejections. As I spoke on Instagram Live, people chimed in with questions and announced when they had made a submission and we cheered as a group! It was early and I was just getting my coffee. I was thrilled by how I had just woken up and I was already in a virtual room full of supportive writers.  The Women Who Submit Community were at work that morning and throughout the day and I dipped in as other hosts shared their experiences, tips, and claps and cheers. The feeling that we were all working together toward a common goal made it a singular space.

Women Who Submit has been a huge part of my life. In the ten years since I joined, it has been a resource support, a place to keep me on task in submitting my work, and a place to ask any questions about writing, publishing, and even job opportunities. A lot of things that I’ve had published are because of attending submission parties and being cheered on as I pressed SEND. 

Last year Toni Ann Ann Johnson asked me to join the hour of Submit 1 she was hosting, along with our friend and colleague Nicole D. Sconiers. I’m always happy to learn more from Toni Ann, who leads really good discussions and is always a fabulous host. 

Flyer from the Submit 1, hour with Toni Ann Johnson, Kate Maruyama, and Nicole D. Sconiers.

What followed was a conversation about all the ways in which Toni Ann, Nicole, and I are intertwined with our work, mutual support, friendship, and careers. All three of us told stories about times we were so frustrated, we gave up. We were there for each other, coaxing each other back to work, to the submitting, to the myriad jobs that go into being a writer. It felt like it was the most “Women Who Submit moment ever” as we talked, comments rolled in from members who were submitting all over the country and we cheered them on. 

 Toni Ann and Nicole are both my first readers. We have been exchanging work for years. We met each other in different ways. Toni Ann and Nicole shared Alma Luz Villanueva as a mentor. Nicole and I met as students in our MFA workshop where I was so excited by her speculative fiction story “Here Come the Janes” that I basically started hounding her for more stories. Later, she hired me to edit her first collection: Escape from Beckyville, Tales of Race Hair and Rage. I kept on her to write and submit after that because at that time, her speculative fiction, which she described as “A Black Woman’s Twilight Zone” was rare and needed. This was 2009 and predated Black Mirror as well as Get Out

Toni Ann’s fingerprints are all over my three novels that came after Harrowgate. She is not only my first reader, she’s the reason my upcoming book Alterations happened at all. She inspired the idea by asking why I didn’t write about old movies since I loved them so much,  and she provided thorough notes on two drafts of the book. When my agent had given up on that book, Toni Ann didn’t and prodded me to believe in my characters and my story and to submit the book independently to small presses. There’s a “you can definitely do this” stalwart belief Toni Ann has in all of her suggestions. Even at my weakest, darkest moments, she encourages me to find that belief again. When the book, after ten years of support from Toni Ann, finally sold, she was the person I called first. 

You can read more about our mutual support in a conversation we had for The Coachella ReviewYou Can’t Do This Shit Alone.” Toni Ann and I have both found similar support in WWS where there is this idea that a rising tide raises all boats and we share resources, encourage each other, and think of ways that each writer in the group can improve, submit, and promote their own work. 

In an email exchange, Nicole said, “Toni Ann is not only supportive of my fiction writing but my screenwriting as well. She encouraged me to submit to the ScreenCraft script competition. I submitted my sci-fi thriller Spectacle to the 2022 ScreenCraft Sci-Fi & Fantasy competition and was named a finalist out of more than 3,000 submissions! She also provided coverage for my script Bless the Mic and shared the screenplay with a director who hired me for a writing project.”

Nicole has been a go-to for my genre short stories and for my literary novels. I know she won’t hold any punches and will be open and honest about anything I’m writing. She gave me notes on my new novella Safer (paired with Family Solstice in my new book Bleak Houses out now from Raw Dog Screaming Press) and is the queen of details. 

During our Submit 1 conversation Toni Ann had this to say, “Nicole helped me refine details and elements of (fact-checked) some of my fiction, which led me to clarify or emphasize the veracity of my details. She also made helpful (and humbling!) corrections to spelling/grammar/punctuation. We have also exchanged some of our screenwriting. I’ve read at least two of Nicole’s screenplays (which I loved!) and she’s read at least one of mine. Over the years, I’ve recommended Nicole as a writer and as a manuscript consultant to multiple friends and colleagues.” 

This was such a beautiful thing to recount for WWS members in our hour of Submit 1 with Toni Ann and, as we told these stories, more writers helped by this circle of friends tuned in, in the comments. We realized these stories tell the far reach of the WWS community. Some folks submitted their work while we were talking: it was peak Submit 1. 

During this magical hour on IG Live, I realized that without Toni Ann and Nicole, half of the wonderful things that have come my way wouldn’t have happened at all. 

All writers are out there alone, getting up our nerve to submit, but it is this kind of community, helping each other out with drafts, encouraging each other when we lose hope, and bolstering each other through tough times that makes WWS a profound group to belong to.

Toni Ann put it best when she wrote, “As you both know, this writing journey is not easy, there are good times, but when the hard times hit hard, they can be unspeakably dismal–at least for me–and I’ve been lifted in low times by each of you.”

Together we can do so much. Our upcoming Submit 1 slogan is “One community, one day, one submission at a time.” You can join our community virtually by tuning into Instagram Live on September 9 (@womenwhosubmit) or check in with this website to learn how to participate in person!   

Kate Maruyama is the author of Harrowgate (47North), Halloween Beyond: A Gentleman’s Suit (Crystal Lake Publishing)and Bleak Houses (RDS Press) and upcoming novels The Collective (Running Wild) and Alterations (Writ Large). Her short work appears in numerous journals and anthologies. She writes, teaches, cooks, and eats in Los Angeles.