WWS at AWP Los Angeles

WWS @ AWP GUIDE

It’s almost time! LA will play host to the iconic writer’s conference, AWP from March 26 – 29th, 2025. So many panels, readings, and off-site gatherings, it’s a lot for a group not especially known as extroverts. I’m looking at you, fellow writers. But don’t worry, we’ve got you covered.

We’ve put together a list to help you connect with other members of Women Who Submit. It’s a way for you to support old friends and to make new friends. There are a ton of events featuring members. Check them out below. From book signings to readings to moderating, WWS will be representing at AWP.

Here are a few tips to help you get the most out of the conference.

First, we know you want to do all the things. So many sights to be seen, but remember you can’t do it all and to give yourself grace. Plan the events you want to attend and be sure to schedule some downtime in between. If you need to chill out, rooms 506 and 507 in the convention center are designated quiet spaces. Hit up room 511C if you need low lighting.

Second, stay hydrated, bring snacks, and for the love of all things holy, wear comfortable shoes. Bonus points, dress in layers because you never know what the air conditioning temps will be like. The days will be long, so pack a phone charger.

Third, have fun and be inspired! So inspired, maybe, that you will be ready to meet up on Sunday, March 30 for a WWS Submit All party (see below).

Anywho, enjoy and hope to see you at the conference!

By Sibylla Nash, Inaugural Kit Reed Travel Fund Recipient

WEDNESDAY, MARCH 26, 2025

6:00 pm 

READING: Tia Chucha Poetry Reading, Resistance & Revival

Location: LA Plaza de Cultura y Artes, 501 N Main St., Los Angeles, CA 90012

Description: Join us for an unforgettable evening of powerful words and vibrant voices, a celebration of Los Angeles-based Latine poets who carry the legacy of resilience, identity, and cultural renaissance. This event brings together poets from the city that inspires them with resistance, justice, and action.

Poets: Xochitl-Julisa Bermejo, Luivette Resto, Matt Sedillo, Jose Hernandez Diaz, William Archila, Angelina Sáenz, Melinda Palacio, Vickie Vértiz, Antonieta Villamil, Luis J. Rodriguez, Hosts: Rey M. Rodríguez and Jorge H. Rodríguez

Free

6:45 pm – 8:00 pm

READING: Love + Community: an AWP offsite reading with donations for LA fire relief

Location: Location: 1642, 1642 West Temple Street Los Angeles, CA 90026

Description: Seven literary luminaries perform their creative nonfiction work, at this benefit reading for LA fire relief. Audience donations on the night will go towards six local authors from the literary organization Women Who Submit, who lost their homes in the recent fires.

Speakers: Vanessa Angélica Villarreal (Magical Realism), Annie Liontas (Sex With a Brain Injury), Shze-Hui Tjoa (The Story Game), Grace Loh Prasad (The Translator’s Daughter), Jackson Bliss (Dream Pop Origami), and Minelle Mahtani (May It Have a Happy Ending). Hosted by Katie Lee Ellison, organizer of the Nonfiction for No Reason Series.

THURSDAY, MARCH 27, 2025

9:00 am – 10:00 am

SIGNING: BREAKING PATTERN & STORIES ALL OUR OWN

Location: Inlandia Booth T1018, Los Angeles Convention Center

Description: Tisha Marie Reichle-Aguilera will be signing her books Stories All Our Own and Breaking Pattern.

9:00 am – 10:15 am

PANEL: Disrupting the Composition Classroom: Strategies from BIPOC Creatives

Location: Room 408B, Level Two, Los Angeles Convention Center

Description: How can creative writers bring their expertise to the composition classroom? This panel will discuss how women of color/genderqueer creative writers challenge “traditional” white supremacist frameworks in college-level composition courses.

Panelists:  Moderator: Cynthia Guardado  Presenter: Bridgette Bianca Presenter: Arielle Jones  Presenter: Michelle Brittan Rosado  Presenter: Simona Supekar

10 am – 11 am

BOOK SIGNING & READING: Diosa Xochiquetzalcóatl

Location: Booth T3358 Círculo de poetas and Writers Booth, Los Angeles Convention Center

Description: Conversaciones con los difuntos / Conversations with the Dead is Diosa Xochiquetzacóatl’s 5th poetry collection, her first fully bilingual book, and first collection to be published and artisanally handcrafted in Mexico by Editorial Desierto Mayor.

10:35 am – 11:50 am

PANEL: Rewriting LA: Literature from the Modern Working Class

Location: Room 408A, Level Two, Los Angeles Convention Center

Description: This multigenre, intergenerational panel focuses on a working-class literary Los Angeles that makes the glint possible, tasking us to rewrite our city’s imaginings or get written out. Through fiction, poetry, screenwriting, and nonfiction, these writers craft a diverse, gritty, tangled city, capturing the complex interchanges of Los Angeles’s cultural and social history.

Panelists:  Moderator: Vickie Vertiz  Presenter: Steve Gutierrez  Presenter: Joelle Mendoza  Presenter: Jenise Miller  Presenter: Tanzila Ahmed

12:10 pm – 1:25 pm

PANEL: Combining Community & Mentorship to Help Build a Screenwriting Career

Location: Room 402AB, Level Two, Los Angeles Convention Center

Description: This panel will discuss how emerging TV writers and screenwriters can establish a community of writers, producers, development executives, managers, and agents who can support and mentor them throughout their careers.

Panelists: Moderator: Colette Sartor  Presenter: Eirene Donohue  Presenter: Winnie Kemp  Presenter: Lisanne Sartor  Presenter: Patrick Tobin

12:10 pm – 1:25 pm

PANEL: Getting Out of Our Own Way”: Cultivating a Sustainable Writing Practice

Location: Room 515A, Los Angeles Convention Center, Level Two

Description: How can writers cultivate a sustainable creative practice while paying the bills, growing a career, and accounting for domestic responsibilities? Award-winning authors with multiple books and diverse lived experiences discuss their ongoing journeys to do so—while also taking into consideration the roles of culture and institutions—as well as their best advice for tending to the mental, physical, and spiritual aspects of the writing life.

Panelists: Presenter: Amanda Churchill  Moderator: Lorinda Toledo  Presenter: Karen Connelly  Presenter: Janet Fitch  Presenter: Reyna Grande

11:00 am – 12:30 pm

BOOK SIGNING: West of the Santa Ana and Other Sacred Places by Diosa Xochiquetzalcóatl

Location:  Riot of Roses Booth 1235

12:30 pm – 1:30 pm

BOOK SIGNING: An Accidental Pilgrim, a memoir in prose and verse by Maria Caponi

Location: Booth 319, Atmosphere Press, Los Angeles Convention Center

1:30 pm – 3:30 pm

READING: Círculo de poetas and Writers Reading

Location: Beyond Baroque  Literary Arts Center, 681 Venice Blvd., Venice, CA 90291

Description: Diosa Xochiquetzalcóatl along with other Círculo members, will be reading from their work during this event.

Free

1:45 pm – 3:00 pm

POETRY READING: Celebrating the Golden State: A Reading by Poets Laureate from California

Location: Concourse Hall 153 ABC, Level One, Convention Center

Description: What do a queer undocumented immigrant, a former packinghouse worker, an organizer around issues of extrajudicial killings of Black people, a Korean adoptee, and a lawyer by training have in common? They are all poets laureate from various parts of California. These poets celebrate California but also challenge positions of power and privilege. The laureates will discuss their roles, read from their books, and engage in a Q&A with the audience.

Speakers:  Moderator: Lee Herrick  Presenter: Tongo Eisen-Martin  Presenter: Yosimar Reyes  Presenter: Joseph Rios  Presenter: Lynne Thompson

3:20 pm – 4:35 pm

PANEL: Remembering What Is Vanishing: Poets on Ecology, History & Race

Location: Room 408A, Level Two, Los Angeles Convention Center

Description: This panel explores aspects of erasure, evanescence, and loss, as in the erasure of one’s identity and subjectivity through racial and historical lenses, as in the extinction of 150 species in an average day, and how poets can “knock on silence,” in the words of Chinese poet Lu Ji, so as to give voice to those rubbed out by ideology, history, and time, to reach across the void instead of staring into it and becoming monsters.

Panelists: Moderator: Tony Barnstone  Presenter: Angie Estes  Presenter: Mark Irwin  Presenter: Douglas Manuel  Presenter: Lynne Thompson

5:00 pm – 7:00 pm

READING: Storyknife AWP Reading & Gathering

Location: First Draft DTLA, 1230 S Olive St., DTLA

Description: Storyknife will hold an AWP Offsite reading and gathering at First Draft in Los Angeles.

Speakers: Rowena Alegria, Jasmin An, and more StoryKnife alumnae.

Free

5:30 pm – 7:30 pm

READING: Mouthfeel Press AWP Offsite Reading

Location: The Treehouse at Freehand Hotel, 416 W 8th St, Los Angeles, CA 90014

Description: Come and meet our amazing authors and enjoy a relaxing evening with us. This reading is curated with Green Writers Press.

Speakers: Xochitl-Julisa Bermejo, Anthony Huerta Velasuez, Chim Sher Ting, Reverie Koniecki, Jen Yanez-Alaniz

6:00 pm

30ñera: 30 Years of the Macondo Writers Workshop

Location: LA Plaza de Cultura y Artes, 501 N Main St, Los Angeles 90012

Description: Come celebrate the launch of our 30ñera: Thirty Years of the Macondo Writers Workshop in Los Angeles! The night will be filled with poetry, stories, and the spirit of Macondo, accompanied by light refreshments and snacks. Bring your friends and celebrate with us as we honor 30 years of the workshop LA style!
Speakers: Monica Palacios, Pat Alderete, Camilo Loaiza Bonilla, Ofelia Montelongo, Lori Anaya, Amelia Montes, Jonathan Ayala, Melissa Hidalgo, Natalia Treviño, Denise Tolan, René Colato Lainez, Lesley Téllez, Mona Alvarado Frazier, Adela Najarro, Sebha Sanwar, Karina Muñiz-Pagán, Jennifer Nguyen, Alex Espinoza


6:00 pm – 8:00 pm
FUNDRAISER:
The Offing’s 10th Birthday and LA Fire Recovery Fundraiser
Location: The Institute of Contemporary Art (ICA-LA), 1717 East 7th Street Los Angeles, CA 90021
Description:
Come celebrate a decade of creativity, community, and culture. Join us for birthday cake, a toast, and the release of The Offing’s anniversary anthology! We will donate all proceeds from our $5 ticket sales to rebuilding the Palisades Public Library and repopulating books burned in Pasadena Unified School District libraries.
Cost $5 – $20

7:00

Celebrate 10 Years of Expo at AWP!

Location: Truly LA, 216 S. Alameda St., Los Angeles, CA 90012

Description: Exposition Review is turning 10! You are officially invited to Expo’s in-person, off-site, literary citizenship extravaganza. Let’s party, seltzer-style!

Free

7:00pm

Poetry at the Gate of Memory

Location: Japanese American National Museum, 100 North Central Avenue

Los Angeles, CA 90012

Description: Join poets Brynn Saito and traci kato-kiriyama for a reading celebrating the forthcoming April 2025 release of The Gate of Memory: Poems by Descendants of Nikkei Wartime Incarceration. Edited by Saito and Brandon Shimoda, this poetry anthology explores the afterlife of the historical yet enduring injustice of World War II–era prisons and camps. Featured readers include David Mura, Heather Nagami, Mia Ayumi Malhotra, James Fujinami Moore, and others, with a special tribute to poet, educator, and activist Amy Uyematsu and Claire Kageyama-Ramakrishnan.

Free

FRIDAY, MARCH 28, 2025

9:00 am – 10:15 am

PANEL: Beauty of the Unwanted: Exploring the New Literary Terrain of California

Location: Room 404AB, Level Two, Los Angeles Convention Center

Description: This panel represents distinct literary voices of several contemporary essayists from California who are drawn to re-envisioning “the spirit of a place” in ways that challenge and fulfill the literary imagination.

Panelists: Presenter: Ruth Nolan  Moderator: Carribean Fragoza  Presenter: Melissa Hidalgo  Presenter: Jenise Miller

10:35 am – 11:50 am

PANEL: Can I Write That? At the Crossroads of Social Change & Conscious Language

Location: Room 503, Level Two, Los Angeles Convention Center

Description: This session investigates how we can adopt inclusive, socially responsible approaches to creative projects. Presenters steeped in how writing inspires change will explore creative freedom and cultural sensitivity.

Panelists: Moderator: Stephanie Lenox  Presenter: Kavita Das  Presenter: Sonya Huber  Presenter: Paisley Rekdal  Presenter: Karen Yin

10:35 am – 11:50 am

PANEL: A Desert Full of Color: Creating & Supporting BIPOC Spaces in LA

Location: Room 411, Los Angeles Convention Center, Level Two

Description: Can a handful of established institutions serve the communities of a sprawling desert properly? Should BIPOC talent and labor be used to fight for access to PWI, or are we better served by creating and building our own spaces? Four writers, publishers, teachers, and community builders from the Los Angeles area discuss who benefits from inclusion into historically white spaces and whose work gets co-opted and ultimately wasted when BIPOC communities don’t build their own institutions.

Panelists: Hiram Sims, Peter Woods, Romeo Guzman, Sarah-Rafael Garcia, traci kato-kiriyama, moderated by Chiwan Choi

1:00 pm – 2:00 pm

SIGNING: BREAKING PATTERN & STORIES ALL OUR OWN

Location: Inlandia Booth T1018, Los Angeles Convention Center

Description: Tisha Marie Reichle-Aguyilera will be signing her books Stories All Our Own and Breaking Pattern.

1:45 pm – 3:00 pm

PANEL: Alchemizing Belonging Outside of Academia: Writers Creating Careers Without MFAs

Location: Concourse Hall 152, Level One, Los Angeles Convention Center

Description: This panel features cross-genre authors of color as they examine how to navigate the publishing industry on their own terms while alchemizing a code of belonging.

Panelists: Moderator: Camille Hernandez  Presenter: Elontra Hall  Presenter: Camari Hawkins  Presenter: Heidi Lepe

1:45 pm – 3:00 pm

PANEL: Making the Cut: What Judging Story Collection Contests Taught Us

Location: Room 404AB, Los Angeles Convention Center, Level Two

Description: The panel—which includes editors, reviewers, professors, and scholars—offers insight and advice for those working on or trying to publish story collections; trend observations; and thoughts on how and why reading for the contest altered their own work.

Panelists: Moderator: Lori Ostlund  Presenter: Jenny Shank  Presenter: Hasanthika Sirisena  Presenter: Michael Wang  Presenter: Toni Ann Johnson

1:45 pm – 3:00 pm

PANEL: The Ghosts That Haunt Us

Location: Room 502A, Level Two, Los Angeles Convention Center
Description: How can hauntings be used to illustrate larger human stories? How can our own personal hauntings create and inspire stories that will haunt readers? From cities haunted by displacement and erasure, to haunted battlefields, to family ghost stories, five writers discuss how hauntings, real and metaphorical, have inspired their poetry and fiction.
Panelists: Presenter: Xochitl Bermejo  Moderator: Kate Maruyama  Presenter: Latoya Jordan  Presenter: Tanzila Ahmed  Presenter: Chiwan Choi

2:00 pm – 3:00 pm

SIGNING: Andy Anderegg Signs PLUM

Location: Los Angeles Convention Center, Hub City Booth #730

5:30 pm – 7:00 pm

READING: House Party, a Tin House Prose Reading
Location: Other Books, Comics, and Zines, 2006 East Cesar E Chavez Avenue Los Angeles, CA 90033
Description:
Come hear nine authors from Tin House perform “lightning readings” in fiction and nonfiction! Author chats and a book-signing session available afterwards.
Speakers: Alisa Alering (Smothermoss), Myriam J.A. Chancy (Village Weavers), Talia Lakshmi Kolluri (What We Fed to the Manticore), Cleo Qian (LET’S GO LET’S GO LET’S GO), Shze-Hui Tjoa (The Story Game: A Memoir), Lena Valencia (Mystery Lights), Elissa Washuta (White Magic), Jane Wong (Meet Me Tonight in Atlantic City), and Ghassan Zeineddine (Dearborn)

7:00 pm – 8:30 pm

OPEN MIC: We Write, We Rise: An L.A. Community Open Mic

Location: Echo Park Writing Lab, 1714 W Sunset Blvd, Los Angeles, CA 90026

Description: This event welcomes all 826LA community members, Angelenos, and visiting writers to engage with us during this pivotal moment. Whether you want to perform or simply listen, all are welcome to be part of this gathering.

Free

7:00pm – 10pm

Host Publications Presents Poetics of Liberation: Reading & Community Gathering

Location: The Count’s Den1039 South Olive Street Los Angeles, CA 90015

Description: Poetics of Liberation is an intersectional feminist reading and community gathering celebrating radical and queer writers whose work inspires social transformation. Hosted at The Count’s Den—a stunning, vampiresque theater in the heart of Downtown Los Angeles.

Speakers: Amanda Johnston, heidi andrea restrepo rhodes, mónica teresa ortiz, m. mick powell, Lily Someson, Stephanie Niu, Cloud Delfina Cardona, Jae Nichelle, Tala Khanmalek, Ari Kelly, Em Palughi, and Anel I. Flores

8:00 pm – 10:00 pm

Unruly Bodies: A Community Reading

Location: Pieter Performance Space, 2701 North Broadway Los Angeles, CA 90031

Description: “All of us live in unruly bodies that we’re all trying to take care of as best we can.” —Roxane Gay Readers will share a story about their relationship with a body that refuses to act “as it should.” In a world that controls and punishes bodies that are queer, trans, disabled, mad, sick, fat, and/or racialized, how can we begin to celebrate our unruly bodies?

Speakers: Amanda Choo Quan, Arianne Ayu Alizio, Ashna Ali, Carolyn Collado, Fariha Roisin, Kai Cheng Thom, Lupita Limón Corrales, Margeaux Feldman, Raechel Anne Jolie, Tamar Bresge

Cost: $12.51 – $28.52

SATURDAY, MARCH 29, 2025

9:00am – 10:15am

Panel: Filipino Women Writing Nonfiction
Location: Room 511AB, Level Two, Los Angeles Convention Center

Description: What craft techniques, including storytelling styles from our own culture, can we utilize to write into and around truth(s)? How can nonfiction subvert or defy expectations imposed on us as women and nonbinary people in underrepresented communities? Filipino women and femme nonfiction writers discuss the complexities and nuances of sharing their experiences, while confronting the uncomfortable truths of a culture that hasn’t always looked favorably on the act of public disclosure.

Speakers: Jen Palmares Meadows, Anna Cabe, Melissa Chadburn, Laurel Flores Fantauzzo, and Anna Cabe

10:00 am – 11 am

SIGNING: BREAKING PATTERN & STORIES ALL OUR OWN

Location: WWS/Macondo: booth 1027

Description: Tisha Marie Reichle-Aguyilera will be signing her books Stories All Our Own and Breaking Pattern.

10:35 am – 11:50 am

Poetry Reading: The Defiance of Pink Poetry Books

Location: Room 405, Level Two, Los Angeles Convention Center

Description: Celebrating titles that feature the color pink on their covers, poets will read work that highlights the intersections of gender, sexuality, race, and identity, and discuss how pink came to be a prominent element of their book, and what the color means to them and their writing.

Speakers:  Presenter: Chen Chen  Moderator: Xochitl Bermejo  Presenter: Anatalia Vallez  Presenter: Zefyr Lisowski  Presenter: Cathy Linh Che

10:35 am – 11:50 am

Panel: Family Secrets: A Storyteller’s Bounty, or Curse?

Location: Room 403B, Level Two, Los Angeles Convention Center

Description: In this panel, five award-winning fiction and nonfiction authors and screenwriters discuss the perils and rewards of writing around family secrets.

Panelists:  Moderator: Aimee Liu  Presenter: David Francis  Presenter: Elle Johnson  Presenter: Toni Ann Johnson  Presenter: Colette Sartor

1:00 pm – 2:00 pm

BOOK SIGNING: An Accidental Pilgrim, a memoir in prose and verse by Maria Caponi

Location: Booth 319, Atmosphere Press, Los Angeles Convention Center

1:45 pm – 3:00 pm

PANEL: Out In Public: 5 LGBTQ+ Poets On Writing At One Of The Oldest Pride Parades

Location: Room 411, level 2, Los Angeles Convention Center

Description: These five poets representing LA’s diverse identities, including city poet laureates, examine queer community organizing through poetry. This combination discussion panel and reading will pair poems exploring poetry’s ability to hold space where trauma is prevalent and joy and delight are desperately needed.

Panelists: Moderator: Brian Sonia-Wallace  Presenter: Jireh Deng  Presenter: Jose Rios  Presenter: Carla Sameth  Presenter: Victor Yates

1:45 pm – 3:00 pm

PANEL: Strength in Numbers: Southern California Women & Femme Organizers in Action

Location: Room 515B, Level Two, Los Angeles Convention Center

Description: Our panelists will offer insights on literary activism, identity complexities, collaboration pitfalls, and best practices. We hope to acknowledge the work of women and femmes and ignite a new cohort of community leaders, hosts, teaching artists, and organizers.

Panelists:  Presenter: bridgette bianca  Presenter: Danielle Mitchell  Moderator: Kelsey Bryan-Zwick  Presenter: Natalie Graham  Presenter: Jessica Wilson

3:20 pm – 4:35 pm

PANEL: Dwelling in Possibility: How Libraries Can Help Your Writing Career

Location: Room 410, Level Two, LA Convention Center

Descriptions: This multigenre panel of writer-librarians will share their knowledge, strategies, and best practices for how writers can connect with libraries and librarians for research, community, workshops, and book promotions.

Panelists: Moderator: Elizabeth Galoozis  Presenter: Lisa Eve Cheby  Presenter: Cybele García Kohel  Presenter: Lauren Salerno

3:20 pm – 4:35 pm

PANEL: What You’ve Heard Isn’t True: Crafting New Salvadoran Myths & Futurities

Location: LA Convention Center, Room 405, Level Two

Description: Contemporary writers of the Salvadoran diaspora use the speculative—the imaginative—to parse through the urgent sociopolitical issues affecting the US and El Salvador. If much of El Salvador’s past was documented by outsiders, its future will be written by these speculative writers and their contemporaries.

Panelists: Presenter: Ruben Reyes Jr.  Moderator: Janel Pineda  Presenter: Gina María Balibrera  Presenter: Leticia Hernández-Linares  Presenter: Reyes Ramirez

3:20 pm – 4:35 pm

PANEL: Writing with/about Unruly Bodies

Location: LA Convention Center, Level 2, Room 515B

Description: What does it mean to write about and from an unruly body? In a world that controls and punishes bodies that are queer, trans, disabled, mad, sick, fat, and/or racialized, writing about our unruly bodies can be an act of resistance—but that act can come at a cost. How do we write about our unruly bodies in a way that supports our flourishing? Is such a practice possible, and if not, what is needed to make it so?

Panelists: Moderator: Margeaux Feldman  Presenter: Amanda Choo Quan  Presenter: Carolyn Collado  Presenter: Fariha Roisin  Presenter: Kai Cheng Thom

5:30 pm – 7:30 pm

READING: WAWOG-LA: New York War Crimes Reading and Discussion

Location: Espacio 1839, 1839 1st St, Los Angeles, CA 90033

Description: Join us for a community reading and discussion across all 15 issues of the New York War Crimes during Association of Writers & Writing Programs (AWP) week.

*Accessibility notes: Masks are required for this event. Masks will be provided for those without one at the event.

Limited metered street parking is available. Espacio is one block away from the A-line. (formerly Gold line) Mariachi Plaza metro station.

Free but (if you can) please bring cash for donations.

6:00 pm – 7:30 pm

SIGNING: Inlandia Books Road Show

Location: Beyond Baroque 681 Venice Blvd. Venice, CA 90291

Description: Close out your stay in L.A. with an event at the iconic Beyond Baroque with the Inlandia Books Road Show! Inlandia Books authors will share their work and you can meet and mingle and pick up signed copies of their books. Doors open at 5:30 pm and the event will begin promptly at 6 pm.

Speakers: Will Barnes, Elizabeth Cantwell, Lewis deSoto, Tiffany Elliott, Ellen Estilai, Elizabeth Galoozis, Stephanie Barbé Hammer, Jennifer MacKenzie, and Angelica Maria Barraza Tran. Emceed by Cati Porter.

Free

7:00 pm – 8:00 pm

READING: AWP offsite reading for LA fire relief: “Love + Community”

Location: Bar Franca, 438 Main Street Los Angeles, CA 90013

Description: A star-studded lineup of local poets read their life-giving work, in conjunction with the LA-based literary journal Exposition Review. Audience donations on the night will go towards 3 organizations aiding with fire relief: World Central Kitchen, Octavia’s Bookshelf, and the Tongva Nation Eaton Wildfire Recovery Fund. Author signings and chats afterwards.

Free

SUNDAY, MARCH 30, 2025

1:00 pm – 4:00 pm

SUBMISSION DRIVE: WWS SUBMIT ALL

Location: Figat7th Food Court, 925 W. 8th St. DTLA

Description: In celebration of the AWP Writers Conference being in Los Angeles, and with support from the California Arts Council, WWS is hosting an in-person submission drive. Join us with your computer, your list of journals and open calls gathered from the AWP Book Fair, and your drive to “hit send”!


WWS CERTIFIED AT THE 2025 AWP LOS ANGELES BOOK FAIR

In 2019, I walked into the book fair at AWP Portland and into complete overwhelm. The enormous convention space held presses big and large, writing programs both esteemed and unheard of and writers, agents, and publicists everywhere. The whole place was so big and white and male. I had no idea where I might feel welcome me, where my stories my find a home.

So, for those of you heading to AWP LA, here are 21 WWS vetted presses tabling at the book fair. They show an appreciation for diverse voices in their spaces by having at least 50% women and 50% POC on their mastheads. Check them out. Chat them up, and then, after AWP, submit your words.

By Noriko Nakada, WWS Board Member

1.     Abode Press – T848

2.     Chestnut Review – 1035

3.     Guernica – T352

4.     Host Publications – 628

5.     In-Na-Po – 904

6.     Inlandia Institute – T1018

7.     iō Literary Journal – T206

8.     June Road Press – T318

9.     Kaya Press at the Asian/American Book Fair – 637, 639, and 641

10.  Literary Namjooning – T905

11.  Macondo Writers Workshop – 1027

12.  Mizna – 355

13.  Mouthfeel Press – 635

14.  Obsidian: Literature & Arts in the African Diaspora – T366

15.  Santa Fe Writers Project – 563

16.  Spectrum Literary Journal – T1149

17.  Sundress Publications – T227

18.  VONA – 857

19.  Wayne State University Press – 529

20.  We Are Urban Haiku – 1049

21.  Yellow Arrow Publishing – T949

For more resources, be sure to visit Women Who Submit at Booth 1027!

Learning Your Audience: The Benefits of Submitting to Literary Journals, Grants, and Residencies (Even If You Don’t Get In!)

1950s cinema audience with 3D glasses

For this week’s “Closing the Gap” article, I’m bringing back an oldie but goodie from 2016 written by our web designer and co-organizer, Rachael Warecki. Since writing this article, Rachael has continued to receive publications and acceptances to residencies such as Ragdale Foundation and Wellstone Center. Most recently, she won the 2017 Tiferet Prize in fiction.  I hope her advice on finding your audience through submission inspires you to join us this Saturday at our WWS New Member Orientation and Workshop in the Los Angeles Arts District. We will be submitting to journals, contests, residencies and fellowships in real time. If you are not in the L.A. area, please consider submitting with us remotely from the comfort your home and be sure to notify us Twitter, Facebook or Instagram when you hit send, so we can cheer you on! 

– Xochitl-Julisa Bermejo, Closing the Gap Editor

Learning Your Audience: The Benefits of Submitting to Literary Journals, Grants, and Residencies (Even If You Don’t Get In!)

by Rachael Warecki

Two years ago, I decided I needed to focus my submission process. I’d received acceptances from some wonderful journals, but I’m ambitious as hell and I wanted to take my writing and submission goals to the next level. Around the same time, I also decided to apply for grants and residencies, so I started to target my submissions and applications more strategically.

As I’ve written previously, this approach has had some success, mostly in the form of personal rejections. But the editorial notes and feedback have given me more than just warm, fuzzy feelings of validation—they’ve given me a better sense of my most receptive audience. In the two years since I decided to submit more strategically, I’ve discovered that my writing seems to appeal mostly to editors and directors who are women. The judges and editors who’ve written me the warmest rejections have identified as women or represented women-centric organizations, or both.

Continue reading “Learning Your Audience: The Benefits of Submitting to Literary Journals, Grants, and Residencies (Even If You Don’t Get In!)”

Ten Kind Suggestions for Being a Literary Citizen

by Xochitl-Julisa Bermejo

1. Read

The most important way to contribute to a community of writers is to read their writing. Buy and read the books and journals of those around you, those you admire, those who you wish to work with, those you call friend or wish to call friend. Of course, we can’t buy every book, but if you can’t buy it, then borrow it from a friend or the library (And by the way, support your local libraries! They do important work for the community’s children and families). We are writers; it’s what we do; it’s what we work for. Show your appreciation for others by knowing their work.

2. Share

Beast Meridian, Vanessa Angélica Villareal's book of poems, sits on top of outstretched legs lounging on a couch

Use social media to share what you’ve been reading and help promote other writers’ work, readings, or events. I like to post photos of my current reads to Twitter and Instagram with #amreading and tag the author if I can. As someone whose first book debuted a year ago, I know it gives me all the warm, happy feels to see my book in a reader’s hands on social media, and I want to give that feeling back. Also, it helps promote their work and possibly gain them more readers and followers. I also like to share photos of events I’m at, especially if they are women, women of color, and writers of color centric events because we need to be archiving more. I think it’s important to capture these moments, and say, yes, these writers were here; their work is important; you should know these writers.

It costs nothing to share what you’re reading or the events you’re attending on social media, so why not give freely and widely? Continue reading “Ten Kind Suggestions for Being a Literary Citizen”

Highlight on WWS-Las Vegas: An Interview with Chapter Lead, Jocelyn Paige Kelly

Women Who Submit: How would you describe your city and your local literary community?

Jocelyn Paige Kelly: Vegas is becoming a vibrant literary community. We have very supportive local bookstores that showcase local authors: The Writer’s Block and Books or Books.

There are also lots of opportunities for poets. We have three paying markets for poets: Desert Companion, Downtown Zen magazine, and Helen: A Literary Magazine. There are numerous open mics, a local slam team (Battle Born, named after the state motto), and readings that go on throughout each month. A few local groups have also started to sponsor awards and contest for local poets as well. We also have our first Clark County Poet Laureate Bruce Isaacson who does a lot to support the local poetry scene.

Continue reading “Highlight on WWS-Las Vegas: An Interview with Chapter Lead, Jocelyn Paige Kelly”

The Art of Submitting to Writing Contests

by Tammy Delatorre

It was the first writing contest I had placed in. I was in the seventh grade. Our English teacher had forced us to write haikus and entered them—with a brief mention of this in class—into a statewide contest. On a field trip, we would find out the winners.

Cut to: We’re crowding into an auditorium, the good meal of a tuna sandwich and milk swimming in my belly. I was looking forward to a fun bus ride home, when a woman on stage announced I had won honorable mention for my haiku. Having heard my name, I looked around. People were waving me onstage. In a daze, I went up and accepted my ribbon.

For the most part, every writing contest I’ve placed in thereafter goes pretty much the same way. Bleary-eyed incredibility. I won. Are you sure?

Over the years, I have learned many lessons about entering writing contests, and chief among them is 1) you don’t have to believe you have the best submission out there to win. I know this from entering more than 100 contests and having placed more than 10 times, which brings me to another lesson: 1b) people who win contests typically submit a lot.

The next contest of note: I was a sophomore in college. There was a call to write an essay or poem about friendship. I was a poor student and needed the money. I had a best friend at the time (although I eventually lost her). She was my inspiration to write an embarrassingly bad poem that won $500. This brings me to another very important lesson: 2) the subject material should be extraordinarily important to the writer. I loved that best friend. I might have even been in love with her, the emotions so stirring it brought others to see the value in my piece.

One contest was local, sponsored by the Ventura County Writers Club. My short story placed third, won $120, and ran in the Ventura County Star. A writer I admired (Thaddeus Rutkowski) saw my story and asked to run it in the literary magazine, Many Mountains Moving, for which he served as editor. The lesson here: 3) size doesn’t matter; all types of contests can help in the advancement of a writing career. It was the first time I was called to read as a recognized author, not just part of a workshop or requirement for my MFA.

In another competition, River Styx Schlafly Beer Micro-Brew Micro-Fiction Contest, my piece, “Gifts from My Mother,” won a case of beer along with $1500. The story was less than 300 words. I’d been writing a lot of flash fiction and thinking, why am I wasting my time writing these short pieces? This brought me to another lesson, a variation on the size-doesn’t-matter theme: 4) short pieces have immense value. My roommate at the time loved beer; he drank the alcoholic portion of my winnings. I was happy to share.

I found out River Styx was hosting a reading in St. Louis, Missouri. I excitedly offered the editor to fly out from LA to participate. He said, but you’ll spend half your winnings to just come out here. I let him talk me out of it. In truth, I really wanted to go and had always regretted not doing it, so…  6) if you’re fortunate enough to win a contest, always find a way to perform a reading of your winning work—to honor the work, to celebrate your success, to tell the universe, Thank you! Thank you so much!

At that point in my writing, a friend of mine mentioned she’d met a great teacher who taught personal essay. I had no desire to write personal essay, but a couple other lessons that have helped in my overall development as a writer and eventually led to other contest successes were…  7) always be on the lookout for a good writing mentor, and 8) try not to limit the kind of writing you say you’re going to do, are willing to do, or are good or not good at… Try all kinds of writing. One type informs the other.

So I took the class. That personal essay mentor, Taffy Brodesser-Akner, told me a lot of things. Chief among them: 9) professional writers get paid to write, and in a side comment when reviewing one of my essays: 10) I think you’ve had an interesting life. For me, that was probably the most earth-shattering lesson of all. I didn’t know that people might find my life interesting. At the time, my life—full of family secrets—was something to hide, not publish.

I went home and searched my journals and notebooks. I’d been writing about my life all my life, so why not try to write something remarkably personal? I wrote “Out of the Swollen Sea,” which went on to be selected by author Cheryl Strayed as the winner of the 2015 Payton Prize and published on therumpus.net.

But when I first finished that essay, Taffy’s important words rang in my ears (see #9). If my mentor had inspired me to write a piece so personal, how could I let her down and submit it to venues that would pay me nil, nada, zilch? So I thought, how could I get paid for this piece? What did I think this piece was worth?

Those questions led me to a submission strategy and an experiment of sorts. If you’d like to learn about it, come to the February Submission Party hosted by Women Who Submit, Saturday, February 13 at the Libros Schmibros: Lending Library & Bookshop (1711 Mariachi Plaza de los Angele, Los Angeles, California 90033). I will be leading a discussion on successful strategies for submitting to writing contests and share my “Anatomy of a Submission.”


bb5bc3b5-4e1f-41a2-8c80-d8277c6407baTammy Delatorre is a writer living in Los Angeles. In previous lives, she’s worked for a Nobel-prize-winning biochemist; helped to build and race a solar car that won the World Solar Challenge in Australia; and danced the hula despite being teased of stiff hips. Her essay, “Out of the Swollen Sea,” was selected by Cheryl Strayed as the winner of the 2015 Payton Prize, and her most recent essay, “Diving Lessons,” won the 2015 Slippery Elm Prose Contest. More of her stories and essays can be found on her website: www.tammydelatorre.com.

Women Who Crawl: Laura Warrell on Reading at Lit Crawl L.A.

by Laura Warrell

Women Who Submit rocked this year’s Lit Crawl L.A., an annual street festival where thousands of book lovers hustle from one North Hollywood venue to the next to hear local authors read their work. As a new member of WWS, I was honored when group co-founder Xochitl-Julisa Bermejo invited me to read at the event this year, a feeling that deepened as I listened to the powerhouse line-up of women writers with whom I shared the stage. Lit Crawl gave me the opportunity to once again hear Lisa Cheby read from her chapbook, Love Lessons from Buffy the Vampire Slayer, including a poem nominated for a Pushcart prize. Iris De Anda’s delicate delivery of her poems only heightened their intensity, while Ashaki M. Jackson’s poems were as bracing as they were profound. The prose writers, Tisha Reichle and Vicki Vertiz, rounded out the line-up sharing poignant and compelling stories that captivated the audience. I read a brand-new essay–one I had never shared–but knew the safest place to make a debut was among friends of WWS.

In an effort to emulate WWS meetings, each reader began by listing the publications to which she had submitted her work and was immediately cheered on by the audience (at meetings, each member announces the moment she presses “send” and submits her work to literary journals and contests as everyone in the room applauds). Unlike WWS meetings, we cheered with plastic hand clappers, which made a normally subdued event feel more like a celebration. Though the reading took place on the patio of the Eclectic Restaurant, the noise from the busy dining room and street could not overpower the readers’ voices or the audience’s applause. Passersby stopped to listen, snap pictures and join an already packed house.

The Lit Crawl reading was one of the best of my writing life. At first, I was nervous to take part because my essay explored one of the most difficult moments in my failed marriage. Not only did I feel vulnerable sharing such a personal story, especially a painful one, but I also worried whether the new piece was “working.” The rousing applause after I finished reading was encouragement enough. But even more fantastic was the support I received from my fellow WWS members, like Tisha who beamed at me when I walked off the stage and said, “You killed it.”

Which brings me to what is most special about Women Who Submit: community. All writers need places where they can feel supported to take chances in their work and brave the challenges of an artistic life. But for women writers, who tend to be less assertive in building their careers, the support may be even more crucial. For that, WWS is priceless.


-1A recent transplant to Los Angeles from Boston, Laura Warrell has been published in Salon.com, Racialicious.com, The Writer and other publications. She spends most of her days hustling to one of three adjunct teaching positions to fill amazing young minds with literature and writing prompts. The other days, she thanks God for never having to endure another New England winter.

Claps and Cheers: Jessica Piazza and Poetry Has Value

by Xochitl-Julisa Bermejo

Does poetryvirginia-woolf have value? This is a question all poets have asked themselves in the dark of night when they think no one is listening. Shakespeare killed his poets or likened them to lunatics in his plays and Virginia Woolf wrote in A Room of One’s Own, “[The world] does not ask people to write poems and novels and histories; it does not need them. It does not care…Naturally, it will not pay for what it does not want,” so how do we move forward when seemingly no one values our work?

Poet Jessica Piazza, inspired by Dena Rash Guzman’s personal challenge to send her poetry to paying markets in 2015, began the Poetry Has Value project. Here Piazza explores questions about the value of poetry by writing about her experience in submitting to only paying markets, creating a spreadsheet and public resource of Poetry Journals that Pay (which includes submission fees, open reading periods, and average response times), and interviewing editors from these paying journals. Her interview series has most recently included interviews with Kelly Davio, poetry editor of Tahoma Literary Review and Barbara Westwood Diehl, senior founding editor of The Baltimore Review.

Over the last couple of years, I have been working on finding a publisher for my full-length manuscript, and more than once, I have had my guts ripped out from my body and slapped across a table when an editor told me, “We don’t publish poetry anymore. It doesn’t make money.” I questioned the point and value of my work, but thanks to Piazza I now have a place to go to quiet those dark fears.

Besides creating a remarkable resource, one of the best aspects of Piazza’s project is how earnest she is in her journey. As she says in the introduction to her interview with Tim Green, editor of Rattle, “writing these blog posts…has helped me explain more clearly and more precisely my own point of view…which, to be fair, is still developing and always growing.” It’s the exploration that I love, and that she is so open and honest with her findings, makes her worthy of much appreciation.