STORYTELLING IN ACTION – Egg, Larva, Pupa, Imago

WHEW. It’s crazy times out there, amirite? 

Just when we were thinking it couldn’t be any worse (partisan here: remember the GW Bush years?) society, the economy, the planets, Nature, LIFE serve as reminders that, as Event Horizon, one of THE classic 90s horror films states, “Hell is only a word; The reality is much, much worse.” (If you enjoy a bit of rotfl gore, click through here for the clip. If not, definitely stay away!)

I’m being a bit glib, as I don’t really believe in Hell as such, and therefore have no post-mortem fear of it. But that aside, the hits just keep on coming.

Example: when I was dreaming about my future in an upstairs classroom of a building constructed in 1928 in pre-summer Pomona during the 1990s, it did not include a debilitating sciatica issue. Nor did I envision a future earning money via food and grocery delivery while I was racking up loans for grad school 10+ years ago. But here (the royal) We are. 

I’d also never conceived that I might *really* enjoy hiking or have an inclination to keep plants alive. Which I do, and have. 

Hiking was a thing that people with money or dads who lived at home did so I knew it wasn’t for me. It wasn’t until I was fired unceremoniously from a job I didn’t love last year that I discovered all the trails – specifically trails I *haven’t* seen posted on social media – near me. It was the first time I was able to “Yes, And…” being fired. I’d never been super active in my life because I hate competition and I don’t believe in “no pain, no gain.” The two are not correlative by any means. But once I’d been convinced that hiking was just walking in the woods and that I wouldn’t need to scale a mountain, I decided to try it out. 

And it was the beginning of me. The beginning of a new era/phase/stage of development. I’d reached middle age and had been so focused on how far I hadn’t gotten and on the idea that what I *had* learned hadn’t done much for me. Hiking was much more of a mental and spiritual journey than it was a physical one, and it was a huge physical journey. I have been in therapy for most of my life and there were things in hiking I learned about myself that I don’t know I could have learned through talk therapy alone. The skills I learned negotiating my way across a tiny stream that my friend jumped across all gazelle-like were the skills I used to negotiate my way to the bathroom when my sciatica pain was so bad I could barely move. 

Last year, I lost a job, then I lost mobility. I didn’t feel like I should have lost either. “I have a Master’s Degree – why don’t I have a job? Why can’t I keep a job?” And “I’m only 43, I should be able to move. I shouldn’t be in this much pain!” It really was a crazy amount of pain. Consistent pain for eight months which kept me literally grounded. 

The week after I was set free from that job, I started taking a medicinal plant workshop. I may not have been the best student, but showing up was what I could manage at the time. And I’m so grateful for the opportunity to learn those things while I was learning to hike. It was a hard shift away from the “outside” world with which I’ve had such a complicated relationship for as along as I’ve been in therapy/have been told I needed it. 

I learned to make some preventative medicines for allergies, an amazing salve for muscle and nerve pain, and what it means to *really* pay attention. It turns out that the huge tree outside my bedroom window that I’ve been staring at for 11.5 years is a Eucalyptus tree. Eucalyptus, among its many amazing uses, is great for respiratory issues. 

I have asthma, which is a chronic inflammatory issue based in the lungs. Some suggested causes are allergens and stress. I learned in my herbal medicine class that addiction and asthma are afflictions related to loneliness/abandonment. I also learned that the left lung is smaller than the right, as it has to share space with our heart. Sometimes when the heart is sick, it affects the lungs. I also learned that the lungs are the place in the body where we most hold onto grief. 

The U.S. culture is not one that honors grief much less death as a part of life. It has dissociated itself from these basic life facts in an effort to delude itself into thinking it is godhead. But It. Is. Not. Some needed to be reminded; some have never forgotten. With all that is going on in this country, in this state, in this city, in this house, in this body, paying attention to the stage of development and nurturing it is key. We are not godhead; we are Life and Death and everything in between.

Storytelling in Action: Quarantine Edition

In light of the current state of affairs surrounding the COVID-19 virus, I’ve opted to switch out my original idea for this month’s post for my personal take on self-isolation, self-quarantine, and social distancing during this pandemic. As someone who has been practicing all three for a while (for various reasons not to do with communicable diseases), I’m experiencing this shift in social consciousness along with everyone else, and have observations – not necessarily solutions – that I hope can be helpful. Because one of -if not the – biggest reason I’ve been drawn to writing/storytelling since I was old enough to read, was to add another (my) perspective to a larger conversation.

* * *

I saw the pictures before I experienced it myself – first in Twitter and Instagram feeds, then from a friend of mine who lives in the town just north of me. I’m single, without children or a partner, and have been dealing with a spinal disc protrusion / sciatica issues for the past six months, so I’ve not been able to be in a rush to get anything from anywhere.

Photo credit: Nadia Tedmori
Photo credit: Nadia Tedmori
Continue reading “Storytelling in Action: Quarantine Edition”

Storytelling in Action: the World of Audio

Still from Saturday Night Live January 25, 2020

by Ramona Pilar

About this Column:

When I was about to graduate form Graduate School, I realized I had no idea what I was supposed to do with an MFA in Creative Writing. 

I was born and raised in the second tier of Maslow’s Hierarchy of Needs, a survival mode of sorts: living moment to moment, reactive instead of proactive, ready to put out fires, real and imagined. That level of “readiness” without an actual crisis transformed into debilitating anxiety. I learned I lacked the mental space, energy, and experience to plan. Having that buffer is a type of privilege I’m only now learning to understand and practice. Hence going to grad school under the assumption that there were career answers there. They may have been, but I knew not where to look or what questions to ask of whom in order to build a career.

The initial intention was to teach, but the MFA program I attending didn’t really provide TA-ships or other teaching opportunities. Again, proactivity was not a strength I’d developed or a muscle I even knew I had; It was mythical.

At the end of it all, with fat debt and fatter doubts in my abilities, the time came to take my skills into the professional realm. I had just enough skills and aptitude in certain areas to be hyper-aware of how unqualified I was for everything remotely related to my interests and training.

I was a playwright, essayist, arts & film critic, and novice marketing/PR copywriter with no big-name bonafides and a drought of confidence. There was no “fake it ‘till you make it” for me. 

Continue reading “Storytelling in Action: the World of Audio”

Claps and Cheers: The Power of No

by Ramona Pilar, Editor Claps & Cheers

This past January, writer and cultural critic Roxane Gay made the decision to pull her upcoming book How to be Heard from publishing with TED Books, an imprint of Simon & Schuster.

Headshot of writer Roxane Gay in front of a black background
Noted author and “bad feminist,” Roxane Gay

The reason: not wanting to be published by the same publisher that would give Milo Yiannopolous, noted far-right writer and cultural instigator, a platform.

From a statement she gave to BuzzFeed News:

“I was supposed to turn the book in this month and I kept thinking about how egregious it is to give someone like Milo a platform for his blunt, inelegant hate and provocation. I just couldn’t bring myself to turn the book in. My editor emailed me last week and I kept staring at that email in my inbox and finally over the weekend I asked my agent to pull the book… I can’t in good conscience let them publish it while they also publish Milo.”

Continue reading “Claps and Cheers: The Power of No”

Claps and Cheers: To You, you artist, you.

by Ramona Pilar

In the first few dizzying days following the most recent presidential election and circus-level campaign season, I observed an array of reactions and emotions. I was not a Trump supporter and do not know of any close family members who were. I did not see pro-Trump propaganda in my newsfeed unless it was part of a satirical or critical news piece.

I was stunned at his winning the election, but not shocked. It is stunning that the country that I was born into would rather have a fratboy running the government and managing their future, but not surprising. Stunning in the way you can see a car crash happening in slow motion right before your car hits another, and you break, and airbags deploy, and you’re sitting with your mouth full of powder trying to determine if it’s one of those anxiety dreams or if the car accident you’ve been lucky enough to avoid for most of your adult life has finally happened.

I was stunned to see the profound misogyny, racism, classism, and xenophobia of this country become prevalent enough for those long unaffected by it to finally see it, to begin discussing it.

Continue reading “Claps and Cheers: To You, you artist, you.”

Awareness into Action

by Ramona Pilar

For many artists, creation takes the form of protest. They are tasked, chosen, or ignited somehow to use their mode of expression to make sense of incongruity/injustice and provide individual solutions to inherent systemic challenges, obstacles that became embedded into the status quo long before any of us were alive.

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Jesse Bliss, educator, writer, and activist, created the chapbook I Love Myself Golden to, in her words, “cultivate self-love and respect in the young women she encounters in the [juvenile] halls.” Bliss has been leading creative writing workshops within the juvenile hall system in Los Angeles for upwards of 10 years. Through her experiences she became impassioned and has since dedicated her work as an artist  to advocate against the Prison Industrial Complex. She was compelled to create this book to address young, incarcerated women who are, in this society, of the most invisible and vulnerable populations.

The book itself was created as the result of a workshop series she developed through InsideOUT Writers and was supported with a grant from Poets & Writers. It is intended as “a love letter, speaking piercingly to all young women in and outside of physical bars.”

Through the years of working with this community and hearing the girls ask questions such as how to give birth, Bliss was moved to create something to give to them,  but she didn’t know exactly what. “What to Expect When You’re Expecting… [would be] totally insulting to them. That’s for upper and middle class people.” Bliss drew on her experience creating chapbooks through her creative writing class at Inner City Arts to craft I Love Myself Golden for this one, specific demographic. “Because it’s been in my heart for so many years, I already [knew] what it should look like… I feel like a lot of us don’t do these types of things because there’s no time, there’s no money. So my first thought was, ‘How can I make this succinct, and how can I make it to size for them, and who can I find that can illustrate it that will really appeal to these girls?’”

Enter Alfie Ebojo, aka Alfie Numeric, a brilliant artist and writer based in the Los Angeles area. Her artwork has a surreal whimsical aesthetic overlying a weighted gravitas in the subject and composition, reminiscent of Mark Ryden and Margaret Keane. “There’s beauty and pain coupled together [in her work]… There’s young women of color… expressing their pain in a way that also shows strength and beauty…”

IMG_4406 “’For the strength of the Pack is the Wolf, and the strength of the Wolf is the Pack.’ A head nod to Rudyard.” – 2011 Acrylics on wood

While the initial aim of the chapbook was inspired by the young women who had questions around motherhood (some of whom were soon to be new mothers themselves), the scope expanded. “I realized it couldn’t just be for those girls; it had to be for all the girls because they were all susceptible to the same circumstance, of pregnancy…it was all connected. It was not separate. The same things needed to be said to the girls who were not pregnant…I feel like all young women in our society are targeted to think and believe that we’re not worth anything because it’s a big money maker: ‘You’re not pretty enough. Your size isn’t right…’ By empowering girls, they’re taught that there’s other options.”

The Roots and Wings Project, founded by Bliss, is a “politically charged, socially transformative theatre company that brings attention to truth and provides stage and space for stories of the unnamed, unspoken and misunderstood through theatrical innovation and multi-media collaboration.” Having written and produced theater for most of her career, this chapbook marks an expansion to other forms of writing. “Theater is my #1 vantage point as an artist, but I’ve always written poetry…Since the time my daughter’s been born, I’ve been noticing that I really should let my work live on the page…and [let other forms of writing] open up a new world for me.”

Bliss, along with partner Peter Woods and publisher Mark Gonzalez have organized an event inspired by the chapbook, which is not so much a chapbook release as it is a platform for “elevation, transformation, conversation,” with the book itself as a catalyst. The event will be held at Espacio 1839, a collectively-run boutique, art gallery and radio station located down the street from Central Juvenile Hall, where some of the workshops took place.

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Activism and self-determination can have a wide breadth of incarnations; some manifestations emerge in the form of dedicated, tenacious protest. Some inspire individuals to take on the vocation of creation, conjuring, crafting and bringing into existence the very needed thing that hadn’t yet materialized, that was waiting for that one particular voice and vessel to bring into this realm. Hechiceras and hechiceros del arte, mediums who produce the work that affects, inspires, ignites and heals.


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Ramona Pilar is a writer, performer, emotional fluffer and native Californian. She is currently working on a collection of essays entitled “Darth Vader Abandoned his Daughter and Other Thoughts Along The Heroine’s Journey.” She can occasionally be found troubadouring with her band The Raveens.

 

 

Jesse Bliss is a playwright, director, producer, actress, poet and veteran arts educator with her work produced around the world at venues such as the United Nations, Edinburgh Festival, Lincoln Heights Jail, S.P.A.R.C at the Old Jail in Venice, The Last Bookstore, The Rosenthal Theater at Inner-City Arts, Casa 0101 Theater, Theatre of Note, Occidental College, UCSC, UCLA, and California Institute of Integral Studies to name a few. She has taught and created curriculum for Center Theatre Group, The Geffen, Inner-City Arts, Unusual Suspects, J.U.I.C.E. and Inside OUT Writers among others. She is a featured artist in Kate Crash’s LA WOMEN and in Yahoo News’ SHINE Documentaries. Ms. Bliss is a grant recipient from the Flourish Foundation and recently from POETS and WRITERS for writing workshops for incarcerated girls inspiring her chapbook I LOVE MYSELF GOLDEN. Jesse is Co-Producer of KPFK 90.7’s THINK OUTSIDE THE CAGE. She is Founder and Artistic Director of The Roots and Wings Project. www.therootsandwingsproject.com.