WWS On the Town: Gathering of Latina Writers and LA Weekly Pitch Workshop

Five women sit on directors chairs facing an audience, each with a microphone in front of them

by Xochitl-Julisa Bermejo

Saturday, June 17th, The Latino Arts Network sponsored the very first Gathering of Latina Writers at Plaza de la Raza in Lincoln Heights. The Gathering was organized by LAN organizers, Rebecca Naverez and Tomas Benitez, along with Jessica Ceballos y Campbell and Iris de Anda. This was a free event that included four panels on genre bending, publishing, identity and community, lunch, and an award presentation to Trini Rodriguez of Tia Chucha Press. Many WWS members were in attendance including WWS organizers, Tisha Reichle, Ashley Perez, and me. Continue reading “WWS On the Town: Gathering of Latina Writers and LA Weekly Pitch Workshop”

The Long and Winding Road of Not Having All Your Eggs in One Basket

by Diane Sherlock

While working on my MFA at Antioch University, Los Angeles, I started my fourth novel, Wrestling Alligators. My primary mentors for the book were Rob Roberge (Liar: A Memoir, Crown 2016) and Gayle Brandeis (Fruitflesh: Seeds of Inspiration for Women Who Write, HaperOne 2004). I finished a first draft for my thesis project in May, 2009, and continued to polish it to the point where I was confident about sending it out to agents. At the time, my daughter was an assistant to a lit agent in Hollywood, and he read it and recommended an editor he’s worked with for many years. I sent it to her and she peppered me with hard questions about the material, pointing out that some of the imagery was in conflict. She was pessimistic about my solving those problems. That lit a fire under my inner “I’ll show you!” She recommended a big reorganization of the material, which ended up serving the book well. I walked a lot of miles in the hills near my place to figure out answers to her hardest questions and after a few weeks, I solved them. It was one of the best breakthroughs I’ve had. Even so, the Hollywood lit agent passed.

Undeterred, in no small part because I’d been through a lot of rejection with screenplays in Hollywood, I sent it out to about 100 agents. For the few agents who requested exclusivity, I set a time limit of 2-4 weeks, nothing open-ended. Mostly, I contacted dozens of agents at a time with simultaneous submissions. I received many requests for pages and many compliments about those pages. One agreed to represent me if I could get a publisher on board. This was sounding a lot like Hollywood: do the hard work, and we’ll close the deal for you.  Continue reading “The Long and Winding Road of Not Having All Your Eggs in One Basket”

On Getting Into The Huffington Post: Approach from Another Angle

by Alana Saltz

When I first started writing essays, I knew that I wanted to become a contributing blogger for The Huffington Post. It’s one of the largest and most trafficked publications in the world, providing an invaluable platform for a fledgling writer like myself.

But getting into HuffPo wasn’t as easy as I thought it would be. Unlike other publications I’ve managed to get my work in, it would take several attempts—as well as a few different tactics—to land that coveted “Contributing Blogger” title.

When I started submitting essays to The Huffington Post, I used my standard approach. I submitted an article, waited a few weeks, and then submitted another. When a few more weeks passed with no response, I tried one more time.

Each submission was sent to the same category, “Healthy Living,” because my writing at the time focused on mental health. And each time I submitted an article, I received no response whatsoever.

I realized that it was time to approach the situation from another angle. My mother happens to be a contributing blogger for HuffPo after getting connected with an editor through one of her contacts. I decided to try out the same approach and asked her to connect me with her editor. We exchanged a couple of emails, and the editor assured me that my articles were being passed on to the right people at “Healthy Living.” After two months of waiting, there was still absolutely no response.

I was ready to give up hope. I told myself that HuffPo wasn’t the right fit for me. They didn’t like my writing. I wasn’t marketable enough. I should just stop trying. I should give up.

But then I wrote an article that was different than the kinds of articles I’d been writing before. It was about the Netflix series, Orange is the New Black, and how the newest season dealt with the subject of depression. After getting the pitch rejected from Salon, I decided I might as well send it off to HuffPo because it seemed like it would be a good fit.

I chose “Entertainment” as my category for the post and sent it off at a Women Who Submit meeting without any expectations. A few days later, I received an email from an “Entertainment” editor informing me that my piece was going to be published. She sent me the information to set up my account, and I officially became a Huffington Post Contributing Blogger. I was absolutely thrilled.

Once my article, “What Orange is the New Black Gets Right About Depression,” was posted, I submitted an article that had previously been rejected by the “Healthy Living” section. To my surprise, it was also published a few days later…in the “Healthy Living” section. I’m now able to submit pretty much any article I want, and as a contributor, it goes right through.

The entire process from first submission to eventual publication took about eight months and six separate essay submissions. It would have been easy to give up on becoming a HuffPo contributor after any of these attempts and approaches failed. It took rethinking my approach and submitting a different kind of piece to a different set of editors to finally get published on the site.

The thing I’ve learned about getting published is that it’s not just about trying again and again. Persistence and patience aren’t always enough. Sometimes you need to switch gears and approach something from a new angle to get your foot in the door.


df212354-efee-4881-abea-b45c8267f03fAlana Saltz is a writer, freelance editor, and occasional ukulele rocker residing in Los Angeles. Her essays can be found in The Los Angeles Times, The Huffington Post, HelloGiggles, RoleReboot, The Manifest-Station, and more. You can visit her website at alanasaltz.com and follow her on Twitter @alanasaltz.