WWS at AWP-Baltimore

Blue flyer promoting a WWS meet up at AWP. Saturday, March 7 at the Hyatt Regency. The WWS logo is in the left corner with "DMV Chapter."

2026 WWS CERTIFIED

The WWS CERTIFIED list was first created for AWP-Los Angeles in 2025 by WWS Board member, Noriko Nakada. Of the list’s inception she said, “In 2019, I walked into the book fair at AWP Portland and into complete overwhelm. The enormous convention space held presses big and large, writing programs both esteemed and unheard of and writers, agents, and publicists everywhere. The whole place was so big and white and male. I had no idea where I might feel welcomed, where my stories may find a home.” The goal was to find the spaces that illustrated a clear appreciation for diverse voices. She combed through the Bookfair list of exhibitors looking for two criteria: an editorial board, board of directors, or masthead that was at least 50% women and 50% POC.

Using these same criteria, WWS Board member, Ashton Cynthia Clarke has curated a new list for AWP-Baltimore. Below are 32 (11 more than last year!) literary magazines, journals, organizations, and writing programs that have at least 50% women and 50% POC on their mastheads and/or Boards. Check them out. Chat them up, and then, after AWP, submit your words.

  1. Abode Press – T627
  1. Aunt Lute Books – 1288
  1. Callaloo – T1160 
  1. Cave Canem – 1037
  1. Chestnut Review – 741 
  1. Clarkesworld Magazine – 442
  1. Columbia Journal – T1277  
  1. Gaudy Boy – T718 
  1. House of Amal – T512
  1. Host Publications – 1167 
  1. iō Literary Journal – T1289 
  1. Iska Press/Iskanchi Magazine – T720 
  1. Kelsey Street Press – 1280 
  1. Letras Latinas – 1072 
  1. Long River Review – T215 
  1. Macondo Writers Workshop – 418
  1. Mizna – 967 
  1. Nightboat Books – 1068 
  1. Obsidian: Literature & Arts in the African Diaspora – T211 
  1. Oye drum – 979 
  1. Oyster River Pages – 143
  1. Pinch at the University of Memphis – 428
  1. Prairie Schooner – 1067 
  1. Rhino – 1284
  1. Shō Poetry Journal – T605
  1. Tahoma Literary Review – 646
  1. Torch Literary Arts – 1264
  1. Transition Magazine – 967 
  1. University of Hawaii / Mānoa Journal – 517
  1. VONA (Voices of Our Nations Arts Foundation) – 523
  1. Wayne State University Press – 842 
  1. Wendy’s Subway – 1278 

WWS @ AWP GUIDE

Each year Women Who Submit puts together a guide of all places you can find our writers, partners, and friends. See below for a list of panels, readings, and meetups where our writers are featured and use this list catch up with likeminded folks.

WEDNESDAY, MARCH 4, 2026

READING: Wednesday Night Poetry

Location: Patterson Theater at Creative Alliance – 3134 Eastern Avenue, Baltimore, MD, 21224

Time: 6:30pm – 10:30pm

Features: Hosted by Kai Coggen and with readings by Ching-In Chen, Brenda Vaca, Dahlia Aguilar, Donna Spruijt-Metz, Xochitl-Julisa Bermejo, and many others. 

READING: 32 Poems | Barrelhouse | Smartish Pace

Location: United Methodist Church – 10 E Mount Vernon Place

Description: Start your AWP on Wednesday night at this historic former church with 32poems, Barrelhouse, and Smartish Pace a 5 min drive from AWP in beautiful Mt. Vernon. Part of the fun of this event is seeing inside an iconic historic space in Baltimore: a long-shuttered 19th-century church at the inception point of being reimagined and renovated for the future. It’s really beautiful, but it means the venue is not ADA accessible and has quirky bathrooms. Admission is free.

Features: Amy Raasch, Emma De Lisle, Erin O’Luanaigh, Grace Gilbert, and many others.

THURSDAY, MARCH 5, 2026

PANEL: Somos Xicanas: Échale Tu Canto 

Location: Room 323, Level 300, Baltimore Convention Center

Time: 9:00am – 10:15am

Description: The X in Xicana is the vital confluence of past with future marked by our present voices. Eighty contemporary Xicana writers make up Somos Xicanas, an anthology that connects those represented with future generations in a call to liberate all. “Échale tu canto al viento, pa’ que llega más lejos,” writes editor Luz Schweig in the introduction. Join this panel with the anthology’s editor, publisher, and contributors to discuss from where those songs derive and just how far they can go.

Features: Dahlia Aguilar, Brenda Vaca, Xochitl-Julisa Bermejo, and Angela C Trudell Vasquez

PANEL: Writing Gender-Based Sexual Violence Is Difficult Enough, So How Do We Teach It?

Location: Room 329, Level 300, Baltimore Convention Center

Time: 9:00am – 10:15am

Description: Excavating the gritty literary landscape of sexual violence is scary. By sharing how we write our dark emotional terrains, this diverse panel of women will discuss how we create safe spaces to teach students ways to approach trauma such as rape, sexual harassment, and incest. What role do content warnings play? While acknowledging potential triggers and navigating Title IX requirements, how do we equip our students with the tools they need to overcome resistance, shame, and silence?

Features: Nicole Walker, Karen Michelle Otero, Brooke Champagne, Sue William Silverman, and Jill Christman

BOOK SIGNING: The Beginners by Heidi Kasa

Location: Pen Parentis booth, T734

Time: 9:00am – 10:00am

TABLING: Lauren Oertel

Location: T516

Time: Thursday-Saturday

Description: Support for writers, at every step of the process: generating, editing, and submitting for publication

PANEL: Building the House – The Importance of a Community for Muslim Writers + Sham

Location: Room 328, Level 300, Baltimore Convention Center

Time: 12:10pm – 1:25pm

Description: House of Amal is in its sixth year of community programming, teaching, mentorship, and publishing. Amid an uptick in global Islamophobia, it is vital to create spaces centered on both craft and community for aspiring Muslim writers who require a unique kind of mentorship. Bridging the overlap between the spiritual, literary, and artistic identities, House of Amal will share the lessons learned while crafting and recrafting our twelve-month Writing Residency curriculum and membership programming.

Features: Sara Bawany, Safiya Khan, Amal Kassir, and Salma Mohammad

PANEL: Writers of Bilad Al-Sham: A Reading for Palestine & Syria

Location: Room 301, Level 300, Baltimore Convention Center

Time: 1:45pm – 3:00pm

Description: Writing has remained an essential practice for Levantine peoples, even during times of war. Spoken word poets from Syria and Palestine will perform powerful political poems inspired by their personal and familial experiences with loss through war, genocide, and settler colonialism. They discuss the intersection of their Muslim and Levant identities and the impact of the diaspora on their poetry, and further, how this influences their teaching of both craft and writing identity at House of Amal.

Features: Sara Bawany, Salma Mohammad, Amal Kassir

READING: Butterflies Over Land: Voices and Visions Resisting Anti-Immigrant Terror

Location: Angie’s Seafood, 1727 E Pratt St, Baltimore, MD 21231

Time: 5:30pm – 7:00pm

Description: Butterflies Over Land is an anthology co-edited by Jen Cheng and Camille Hernandez. Readers will be reading from the book and other work.

Come enjoy the world premiere and book launch party of a new immigrant rights anthology BUTTERFLIES OVER LAND: Voices and Visions Resisting Anti-Immigrant Terror. This book includes a mix of genres, from poetry to nonfiction personal essays and short fiction. This off-site event offers a conversation about immigrant rights from Southern California and nationwide.

Features: Our guest readers include co-editors Jen Cheng and Camille Hernandez, with readers Pallavi Dhawan, Nancy Lynée Woo, Danez Smith, Saúl Hernández, Kevin Carson, Jalen Jones, Donato Martinez, and Sandy Yannone.

READING: Green Writers Press Reading 

Location: Angeli’s Pizzeria, 413 S High Street, Baltimore

Time: 5:30PM – 7:30PM

Description: We are really excited to introduce you all to our new poets and Joel Long‘s essay collection! Please join us in Baltimore for our #AWP26 offsite reading. Angeli’s is a short walk from the convention center and a chance to relax and enjoy great food in Baltimore’s Little Italy. We have reserved this great area all to ourselves, which is fully accessible.

Features: Krissy Kludt, Holly Johnsen, Natalya Sukhonos, VA Smith, and Joel Long

READING: Alice James Books & Persea Books Off-site AWP Poetry Reading

Location: Chesapeake Wine Company – 2400 Boston Street, suite 112

Time: 6:00pm – 7:45pm

Description: Join Alice James and Persea for a fabu offsite reading at the lovely Chesapeake Wine Company on Thursday March 5th, beginning at 6pm. Free appetizers, cash bar, and many memorable poems from new/recent books from both presses!

Features: Michelle Peñaloza, Carey Salerno, Cecily Parks, Elizabeth Bradfield, and others.

READING: Macondo Offsite Reading 

Location: Guest House by Good Neighbor – 3827 Falls Rd, Baltimore, MD 21211

Time: 7:00pm

Description: Macondo Writers Workshop comes to #AWP26 Baltimore on Thursday, March 5th at 7 p.m. for a night of readings with amazing Macondistas.

Features: Dahlia Aguilar, Pat Alderete, Jennifer Nguyen, Ofelia Mongelongo, and more

FRIDAY, MARCH 6, 2026

PANEL: Words from the Deep, Dark Woods: Using Fairy Tales as Foil & Fuse

Location: Room 315, Level 300, Baltimore Convention Center

Time: 9:00am – 10:15am

Description: As cultural touchstones, fairy tales and myths provide fertile creative ground. Leveraging their known settings, characters, and story arcs, writers can slip into ekphrasis, persona, narrative, and more. This panel will offer examples and prompts from poets and prose writers of diverse cultural backgrounds who have used tales and myths to process grief; explore emigration and culture; and question gender, power, and neurodivergence, while using the familiar as a palimpsest to write something new.

Features: Emily Perez, Oliver de la Paz, Kate Bernheimer, and Jessica Q. Stark, and Elline Lipkin

PANEL: Poetry Community Leaders: A Letras Latinas Reading and Discussion

Location: Ballroom II, Baltimore Convention Center, Level 400

Time: 10:35am – 11:50am

Description: When you are active in your local literary community, how do you carve out time to maintain a writing practice? After reading from their work, the poet laureate of Wisconsin, the cofounder of a vibrant reading series in Philadelphia, and the executive director of a community-based literary organization in California will share insights on the challenges of balancing their artistic practice while also serving their local communities.

Features:  Raina Leon, Brenda Cardenas, Karla Cordero, and Cloud Delfina Cardona

PANEL: Beyond the Literary Reading: Performance as Possibility & Community

Location: Room 318-319, Level 300, Baltimore Convention Center

Time: 10:35am – 11:50am

Description: Moving off the page and through the body, five multigenre writers activate possibilities for witness, solidarity, and transformation through performance. The panel celebrates performance as a vital leap from the public literary reading, a meeting of form and content that builds community through practices of ritual, generative discomfort, and care. Panelists within and outside the academy will share and discuss their work to provoke writers toward expansive, liberatory creative practices.

Features: Crystal Odelle, Ching-In Chen, Gabrielle Civil, Joss Barton, and Ali Gali

PANEL: Staging Resistance: Black Social Justice Novels from Page to Stage

Location: Room 315, Level 300, Baltimore Convention Center

Time: 12:10pm – 1:25pm

Description: It is imperative that our social justice novels live anew on stage. This panel explores the stage adaptation of Keenan Norris’s award-winning novel The Confession of Copeland Cane, examining social realism as an enduring genre and the systemic inequities limiting such works by Black authors. Featuring authors, playwrights, and educators and casting audience members as “spect-actors,” this panel will model the transformative power of collective performance in bringing social justice narratives from page to stage.

Features: Tommy Mouton, Deborah Mouton, Toni Ann Johnson, Keenan Norris, and Timmia DeRoy

BOOK SIGNING: Elline Lipkin

Location: Trio House Press Booth, #1148

Time: 12:00pm – 1:00pm 

READING: Where Our Voices Meet

Location: Baltimore Brewhouse 511 W Pratt St, Baltimore, MD 21201

Time: 2:00pm – 3:30pm

Description: There are moments when stories are not just read but truly shared. Where Our Voices Meet is one of those moments. Each poet carries their own rhythm and lived experience, and each voice reflects a different way of seeing the world. When they come together in the same space, something meaningful happens.

Features: Stella the Poet, Peter Lechuga, Hope Cerna, Jefferey Martin, Cherice Cameron, Donato Martinez, and Erica Castro

BOOK SIGNING: The Beginners by Heidi Kasa

Location: Digging Press booth, T138

Time: 2:00pm – 3:00pm

SATURDAY, MARCH 7, 2026

PANEL: Towards Text: Alternate Gateways Into Writing 

Location: Baltimore Convention Center – Room: 308, Level 300

Time: 10:15am – 11:30am

Description: Writer’s block is a perpetual problem. Confronted with an ominous blank page, what is a writer to do? This craft panel explores the ways in which creative practices outside of writing—film, painting, dance, and performance—can bring us deeper into writing. Books are not born from vacuum. The panel seeks to uncover how engagement with media outside of text can, in fact, be a powerful gateway into writing books and beyond. A presentation of each writer’s work concludes the craft panel.

Features: Cathy Linh Che, Elisabeth Houston, Serena Chopra, Jackie Wang, and Gabrielle Civil

PANEL: It’s Not Okay

Location: Bookfair Stage, Hall A-D, Level 100, Baltimore Convention Center

Time: 12:10 PM – 1:25 PM EST

Description: “It’s Not Okay” is a poetry event featuring powerful voices speaking out against injustice. These poets will share work about the impact of immigration policies on families, the violence in Gaza, and the pain and frustration so many are feeling. Poets will read about the injustices of our current administration in order to bring light and connect with the audience regarding these issues. Published poets: Cherice Cameron, Peter Lechuga, Clara Roque-Wagner, Erica Castro, and Jeffery Martin.

Features: Peter Lechuga, Jeffrey Martin, Cherice Cameron, and Erica Lopez

READING: Political Passionate Personal: FlowerSong Press Poetry Reading & Book Party 

Location: Wet City Brewing, 223 W Chase Street, Baltimore, MD 21201

Time: 2:00pm – 4:00pm

Description: A reading celebrating FlowerSong Press authors. 

Features: John Compton, Tatian Figueroa Ramirez, Eddie Vega, Michelle Otero, Luivette Resto, Sarah Browning, Natalia Treviño, Genevieve Betts, and Joseph Ross

MEETUP: Gathering for Women Who Submit @ AWP 

Location: Hyatt Regency Lobby Area – 300 Light St, Baltimore, MD 21202

Time: 5:00pm – 7:00pm

Description: Hosted by the WWS-DMV chapter, come and meet up with other Women Who Submit members throughout the nation and the world. Say hello, debrief with other writers on your conference experience, and share publication goals! 

Blue flyer promoting a WWS meet up at AWP. Saturday, March 7 at the Hyatt Regency. The WWS logo is in the left corner with "DMV Chapter."
Screenshot

READING: Coast to Coast in Changing the World

Location: Mystique Barrel Brewing – 912 Washington Blvd. Baltimore, MD 21230

Time: 5:30pm – 7:30pm

Description: Join Daxson Publishing for an essential after hours reading exploring liberation in a changing landscape. Featuring a diverse lineup of West Coast voices, this event explores the intersection of identity, geography, and the navigation of a rapidly changing world.

Features: Cherice Cameron, Donator Martinez, Erica Castro, Jeffery Martin, Hope Cerna, Peter Lechuga, and Stella the Poet

Book Review: Through the Screen

By VK Lynne

Review: Once Removed by Colette Sartor

I first met Colette Sartor in 2020. She was sitting in her backyard, adjusting her glasses and announcing, in the middle of a women’s writing meeting, that she had a sourdough bread to check.  I was smitten.

Of course, whether my admiration translated through the portal of Zoom is anyone’s guess, but she became a friend through those Women Who Submit check-ins, and then later through the pages of her enchanting book, Once Removed.

The pink/peach cover of Colette Sartor's short story collection, Once Removed, with the purple silhouette of a woman standing with her hands in the pockets of her a-line dress.

Colette’s writing is much like the woman herself: No nonsense, yet sensitive; incisive, yet gentle. She was one of the first in the group to listen to my music and tell everyone else to do the same, and when I told her that I planned to read her book in order to write a review, she briskly popped a copy in the mail before I could object.

There is always that one person, when you join a new group, who you gravitate toward to find your footing. I had joined Women Who Submit perhaps a year before the COVID-19 pandemic, but had not really felt like a concrete part of the community, until the meetings became virtual and weekly.

That first morning, as I scanned the boxes, something about the woman with the half-smile, long dark hair and knowing eyeglasses settled my nervousness, and gave me the courage to return, Saturday after Saturday.

So of course, I really wanted her book to be good. There are few things worse than building something or someone up in your head, only for the idol to come crashing down from the pedestal once the statue is exposed as mere stone.

Fortunately, as I turned page after page of the short story collection, it became clear that it was not a gilt facade, but a solid golden cathedral.

Each story is discrete, yet all the tales are connected. In this way, Colette acknowledges that there is dignity and value in our starring roles in our individual life stories, while gently reminding us that we are also a supporting characters in many others’.

As the stories describe various women’s journeys, and losses they suffer along the way, it becomes a book that commiserates and comforts its reader. We are all struggling, we are all succeeding and failing, and while our tragedies are to be honored, they should not isolate us in despair- for we are not alone.

Colette deftly stitches the pieces of each life’s fabric together into a bittersweet tapestry that reveals its glorious pattern gradually, beautifully, until the final page, when the entire work is thrown into the light to take your breath away.

Once Removed is one of the very few books I’ve read that left me greedily turning back to the beginning immediately upon completion to walk the path again. More slowly this time, I began to notice the sweet harbingers, the dangerous forebodings, and the profound lessons strewn along the way.

The Saturday after I finished reading, I logged on to Zoom and saw Colette propped in her bed, a smile curling up one side of her face, and I longed to climb through the screen to hug her in gratitude for the experience that is her book. Ruefully, I knew that even if we’d been face to face at that time, we still could not have embraced, because we were still in the plague of distance.

So instead, I wrote this down. Colette, for me, your book served as a reparative to that isolation. It brings its reader edification and visibility and empathy. It offers perspective, healing, and wisdom…and not a small amount of joy.

Thank you.

Image of author and musician VK Lynne with bright pink hair and wear a black hat and and jacket with a gray fluff color.

VK Lynne is a writer and musician from Los Angeles, and a 2015 recipient of the Jentel Foundation Artist Residency Program Award for writing. She penned the award-winning web series ‘Trading on 15’, and authored the novels ‘Even Solomon’ and ‘A Pook is Born.’ Her two poetry volumes, ‘Crisis’ and ‘Revelation,’ make up the audiobook ‘The Release and Reclamation of Victoria Kerygma.’

Her writing has been published in the LA Poet Society’s Anthology “Los Angeles Poets For Justice: A Document for the People”, Image Curve, The Elephant Journal, GEM Magazine, and Guitar Girls Magazine.

July 2021 Publication Roundup

It’s hard to believe we’ve made it past the midway point of 2021, but here we are, close to turning the corner into Fall.

Meanwhile, our determined members have continued to send their beautiful, provocative, insightful work into the world and publish it. This month we’re celebrating the WWS members whose work was published during July 2021. I’ve included an excerpt from their published pieces (if available) or a blurb if the publication is a book, and a link (if available) to where the pieces can be purchased and/or read in their entirety.

Let’s celebrate our members who published in July!

Continue reading “July 2021 Publication Roundup”

June Publication Roundup

We’re headed into the sweltering heat of summer, which sometimes can wilt the resolve to do anything. Not our members. They’re still sending out their work and getting it published in wonderful outlets.

This month we’re celebrating the WWS members whose work was published during June 2021. I’ve included an excerpt from their published pieces (if available) and a link (if available) to where the pieces can be purchased and/or read in their entirety.

Congratulations to our members who published in June!

Continue reading “June Publication Roundup”

May Publication Roundup

As we near the end of Spring and the midpoint of 2021, our WWS members continue to thrive in the publishing world. May was an especially productive publication month for our members. I’ve included in this publication roundup an excerpt from the published pieces (if available) of members who published this month and a link (if available) to where the pieces can be purchased and/or read in their entirety.

Congratulations to all those in WWS who published work during the month of May!

Continue reading “May Publication Roundup”

Cheers to 2019!

three women of color holding beers and standing in front of a graphic black and white mural

Dearest Writers,

As we come to the end of another year (and decade), I like to look back at all we’ve accomplished this year, and congratulate everyone for continuing to thrive when too many want us to disappear.

Firsts the firsts. The Kit Reed Travel Fund, thanks to a donation from Kit Reed’s surviving family members, made it possible for WWS to sponsor three writers of color to attend a workshop, residency, or conference of their choice with a small $340 grant meant to offset travel costs. In the spirit of Kit Reed’s prolific work and adventurous spirit, Sakae Manning attended the Summer Fishtrap Gathering of Writers in Oregon, Grace Lee attended Bread Loaf Writers Conference in Vermont, and Sibylla Nash attended Joya: AiR in Spain. We look forward to offering more grants in 2020.

Thanks to the tireless work of managing editors, Tisha Marie Reichle-Aguilera and Rachael Warecki, we had our first anthology, ACCOLADES, made it through it’s open call, selection process, and design, and will be ready for release in spring 2020. ACCOLADES was made possible by CCI Arts Investing in Tomorrow grant and is a celebration of our writers’ publications and awards over the last few years.

Another first in 2019 was our WWS Happy Hour at AWP hosted by our friends at Nucleus Portland where we featured 10 readers to a jovial crowd drinking beer and wine. Be sure to be on the look out for our 2020 AWP event, the ACCOLADES, a WWS Anthologly, Release Party on March 5th at La Botanica from 4pm-7pm .

We ended the year strong with one last first, our first crowd funding campaign, and thanks to the work and leadership of Lauren Eggert-Crowe and Ashley Perez we surpassed our funding goal! These funds were needed to match funds from a CAC Local Impact grant we received in 2019.

In 2019 we also hosted the following workshops and panels:

February: You Need a Website! A Practical Guide to the What, Why, and How of Building (or Strategically Updating) Your Author Website with Li Yun Alvarado

April: Poetry Submission Panel with Muriel Leung & Vickie Vertiz and moderated by Lauren Eggert-Crowe

June: Finding an Agent and What I Never Knew Until It Happened with Natashia Deón

August: Tier One Submission Strategies with Désirée Zamorano

October: Pay attention: attending and collaborating at the end slash beginning of the world with Rachel McLeod Kaminer and Rocío Carlos

But let’s not forget other highlights such a the 6th Annual Submission Blitz in September, where we encouraged our members to submit to tier one journals, an action inspired by Vida and the Vida count. We also made our 4th appearance at Lit Crawl LA, with “It’s a Book Party!” featuring new titles from members Jenise Miller, Carla Sameth, Colette Sartor, Micelle Brittan Rosado, and Noriko Nakada, and we featured at the Los Angeles reading series, Roar Shack, hosted by David Rocklin with readers Sakae Manning, Grace Lee, Sibylla Nash, Ryane Granados, Lituo Huang, Andy Anderegg, and Ann Faison.

And last but not least we can’t forget the 125 publications and awards celebrated on the WWS Publication Round Up in 2019, a list curated each month by the brilliant and tireless, Laura K. Warrell.

So with that, I thank you for all you did this year. I thank you for sharing space with me, and for continuing to champion your work and the work of other writers in our community. We do this together, and I look forward to another year of submission parties and publications with you!

Xochitl-Julisa Bermejo, Director of Women Who Submit

Breathe and Push: Writing While Momming

A table set up with a laptop for writingBy Jamie Asaye FitzGerald

Your identity as a writer doesn’t disappear once the responsibility of children come into your life. In fact, your identity as a writer may take on a more obvious shape, form and demand, and may give you the strength you need to deal with the challenges of being a parent.

There will be days filled with the joy and plenitude of childrearing, and days when you might feel like being a parent is, to put it bluntly, one of the nine circles of hell. As hard as it is to find the time to write, your refuge can be the page. Even if you can only write for fifteen minutes each day or fifteen minutes each week, that writing could be your lifeline—that writing could save you.

When you have a baby, you really have to take baby steps. For a baby, those first steps are huge. For a parent-writer, those baby steps to keep the writing life alive are equally huge. Give yourself credit for even the smallest effort.

To preserve your writer self, you will have to fight against forces that might not consider, value or acknowledge that part of you. These forces may be closer to you than you realize. They may even be your own loved ones. If you have a partner, you may have to contend with working things out with that person. They might be 100% supportive or 98% supportive or not supportive enough. The reality is that you will need their support and understanding.

If they’ve committed to being with you, they’ve committed to being with an artist—and an artist has needs. Getting your partner on board with you will make things much easier. Sometimes they just need to be reminded who you are and what you need.

Fighting for a writing life also means asserting it as a priority in small, achievable ways. Any parent knows that if you wait until the end of the day, after other responsibilities are taken care of, you will have very little left to offer the page—let alone the energy to brush your own teeth. If possible, write first, before you do the thousand things required of you each week, even if that means you write for just five or fifteen minutes.

I’ve found my best sustaining resources have been scheduled group activities. The literary submission parties held by Women-Who-Submit have been great ways for me to block out time to devote to my writing life and get work out into the world. I can tell my partner on this day and time, I will be away. It’s a scheduled event—it’s legit, concrete, with a beginning and an end.

On top of having time blocked out in advance, the meetings transform preparing submissions, a difficult and painstaking task for the uber self-critical writer, into a positive and uplifting experience when done in community. As Pat Schneider, in her book Writing Alone and With Others, counsels: “Find and keep in contact with other writer/artists who can provide you with an intimate community of support, give you honest critical response, strengthen you, and encourage your work.”

From time to time, I also participate in a writing accountability group called The Grind. Participants write something every day for a month and email it to an assigned group. For a time-pressed parent, this arrangement works for me. There is no comment, no critiquing, just the doing of the writing. The Grind got me in the habit of approaching writing as I do brushing my teeth—it’s just something one does every day. Forming the habit was the achievement. I found myself jonesing to write each morning like jonesing for that first cup of coffee.

I don’t always write every day, but now I know I can, and I know that jotting down any thought I may have at any moment could turn into something down the road. As a parent, you’re being pulled in many directions at once. It can be hard to concentrate. You won’t remember that pithy thought later. Record it on your phone. Jot it on a receipt. Throw it in your purse. You’ll stumble across it when you fish out a tissue for your snot-nosed kid, and it may become a poem, story or book!

Writing while momming is playing the long game. Everyone tells you your kids will grow up so fast. As writers, it often seems like that’s not the case. But it does help to put things in perspective when you can accept the limitations of your present circumstances while remembering that it won’t always be this way. Things change. Children grow up.

There is no reason why you should throw in the writing towel just because you have children to take care of, but you will need to accept the limitations placed upon you if you want to be an effective parent AND remain connected to your writing self. You have to feed your writer self and care for it to avoid despair and bitterness.

Moreover, your attentiveness to yourself as an artist is setting an example for your children, and especially for young girls, that in addition to being a mother, you are also your own person, with your own hopes and dreams, needs and desires. Following through on those needs, dreams, and desires is not selfish or taking time away from your kids. It’s good parenting.

author Jamie Say FitzgeraldJamie Asaye FitzGerald is a Los Angeles-based poet from Hawaii. Her poems have appeared in the American Poetry Review, Works & Days, Poetry Daily, Mom Egg Review, and elsewhere. She earned an MFA in poetry from San Diego State University and a BA in English/Creative Writing from the University of Southern California where she received an Academy of American Poets College Prize and the Edward Moses Poetry Prize. She is also the mother of two young daughters and enjoys playing piano in the evenings as they run in circles around the couch.

Goodwill and Gratitude: Twelve Years with Poets & Writers

13 writers sit around four folding tables fit together, facing the camera, smiling

by Jamie Asaye FitzGerald

For the last twelve years, I’ve worked for Poets & Writers, Inc. Founded by Galen Williams in New York City in 1970, and guided for over thirty years by the steady hand of executive director Elliot Figman, P&W is the nation’s largest nonprofit organization serving creative writers. Its mission is to foster the professional development of poets and writers, to promote communication throughout the literary community, and to help create an environment in which literature can be appreciated by the widest possible public.

I was hired as a program assistant in 2005, and have directed the California branch office of P&W and its Readings & Workshops (West) grant program for the past three years with the help of program coordinator and fellow poet Brandi M. Spaethe. I didn’t understand at the beginning how foundational the organization’s mission and key values of service, inclusivity, integrity, and excellence were, but over the years these tenets have seeped into my bones and informed my work and my life. I consider my time at P&W as post-post-graduate work—my unofficial PhD in literary community.

Continue reading “Goodwill and Gratitude: Twelve Years with Poets & Writers”

Highlight on WWS-Long Beach, CA: An Interview with Chapter Leads Desiree Kannel and Rachael Rifkin

Four women with laptops sit around a table with a pink flower centerpiece, smiling

How would you describe your city and your local literary community?

We like to say that Long Beach is a “little ‘big’ city.” We have a big and diverse population and lots of very different communities. In fact, LB was named one of the most diverse cities in the US according to the last census. A fact we are very proud of.

LB has a lot going on in the literary world. It isn’t hard to find a poetry reading, someone doing a book launch, or even a critique group. Independent businesses like coffee shops and bookstores like to support LB writers and welcome small groups to do events such as readings or workshops. Continue reading “Highlight on WWS-Long Beach, CA: An Interview with Chapter Leads Desiree Kannel and Rachael Rifkin”

The Animal In Us

by Melissa Chadburn and Lauren Eggert-Crowe

One December night in Culver City, I, Melissa Chadburn, was talking to Lauren Eggert-Crowe about Kate Gale’s Huff Po missive about AWP’s inclusion and Carol Muske-Dukes’ defense of said article. Lauren said she’d wanted to write a response but it takes her time to write these things. I suggested we collaborate on a response to be read aloud at a Red Hen Press event. So on Thursday April 7th, rather than read the essay that Red Hen published in the Los Angeles Review, I read this:

MC:
I used to live in a group home. I used to wander the streets looking into people’s dining rooms with the worst kind of ache. I used to stand around with teenage boys on the street corner waiting for the stoplight to change color. I used to hitch rides through the Palisades to go to my group home for girls by the ocean. I used to worry about gonorrhea and feel like I was the worst piece of shit alive. I used to pat my mother’s hair between my hands like hamburger meat. I used to practice kissing girls by kissing the back of my hand or kissing my own shoulder just to see what my skin tasted like. I used to do graffiti on government issued desks waiting for my name to be called. I used to long to belong to a world of the ordinary.

Continue reading “The Animal In Us”