Writing on a Budget: The Cost of Self-Promotion

By Lisbeth Coiman

Self-promotion is a full-time job. Large publishing companies have entire PR teams to promote an author’s work. If the writer signs with a small press the weight of promotion falls on the author who can chose one of three options. A. Do not promote at all. Bring the book into the world and allow the universe to do its thing.  B. Hire the services of a PR company which can go anywhere from $1800 to $3000. C. Blow your own horn and blow loud. 

Bird eating a butterfly with book title
Available at FLP

After all, books are like children. We conceive them. We care for them when they are gestating. But once they are born, it is our responsibility as word artists to nurture their growth. I am proud of all my children: the two human and the three books. As much as I have been/am a committed mother, I refuse to just put a book out and abandon it to its luck. 

The cost associated with self-promotion can skyrocket. It will cost a couple of hundred dollars to learn to design a website. Li Yun Alvarado does an excellent job. There are fees associated to purchasing and keeping a domain. You will need a few author pics to use for submissions, events, and social media graphics. At minimum that would be another $250. Melissa Johnson offers budget sensitive photo shoots.

Then there is the issue of advertising on social media platforms. Pay anywhere from $15 to $30 to boost a post. Pay fees to store graphics in Planoly or any other social media friendly archive. There is also the opportunity of paying somebody just for the task of posting on social media, which is not cost effective but can take time off your shoulders. I have temporary hired designers to do this for me, but only for short periods of time. Camari Hawkins and JT have helped me design graphic concepts and update my website. Graphics must meet social media constrains, which will require fees if you want a sophisticated job.

In the end, the only low-cost option is a DIY approach. My choice is always to go for the most basic. But even when spending the minimum, the time spent in advertising your forthcoming or just released book takes a toll on the individual. I do not wish to exhaust my readers with a mile long to-do list of items required for a book release campaign. Know that it requires hours of careful planning. These include but are not limited to: writing press releases, sending letters, contacting reading series, calling radio stations, organizing events, contacting libraries, getting a zoom account, purchasing your own books to sign to readers, writing emails back and forth, designing graphics for social media and cross posting everywhere possible to avoid boosting fees, or updating a website that is far from perfect. It is unpaid time in a long process that can last a whole year leaving even the most committed writer with no space to develop new content. 

Don’t get me wrong. It is gratifying too. I feel proud knowing that I have done this on my own, with the help of friends who retweet/repost, or encourage me, or offer their venues to host an event, or simply offer fresh ideas. Even when three people show up for an event, I am happy to know that I reached new readers, and they are now aware of my work as a poet.

I am nowhere close to be an established writer even when I can no longer claim to be emerging. But in the last five years, I have worked day and night learning, writing, and making myself known. Yes, I am grateful for all the support I have received along the way from the extraordinary talented community of Women Who Submit and others in LA for they have have welcome me and my craft. But I thank me first for the hard work I put raising my babies. 


headshot of Lisbeth CoimanLisbeth Coiman is an author, poet, educator, cultural worker, and rezandera born in Venezuela. Coiman’s wanderlust spirit landed her to three countries—from her birthplace to Canada, and finally the USA, where she self-published her first book, I Asked the Blue Heron: A Memoir (2017). She dedicated her bilingual poetry collection, Uprising / Alzamiento, Finishing Line Press( Sept. 2021) to her homeland, Venezuela. An avid hiker, and teacher of English as a Second Language, Coiman lives in Los Angeles, CA.

2018 Report and What’s to Come in 2019

A woman standing before a room of women writers speaking.

In 2018, WWS hosted five public career development workshops led by local professionals, which were livestreamed and archived on our public Facebook page. At these free, public events we orientated 66 new members into our community and granted nearly $900 to existing members to help with submission fees. In September, we hosted our 5th Annual Submission Blitz at The Faculty Bar in East Hollywood where those in attendance racked up 35 total submissions in four hours.

On our blog, we celebrated 131 publications and awards in our monthly WWS Publication Roundup edited by Laura K. Warrell, and we brought two new series: “Breathe & Push,” essays focused on the strength and space to breathe through bleak circumstances and push our creative works into the world, edited by Noriko Nakada, and “Writing on Budget” edited by Lisbeth Coiman. Nakada also published the original essay, “Why LAUSD Teachers Might Strike” on our site, and we are happy to support LA teachers. Another piece of advocacy we are proud of is, “WWS statement against the Trump Administration’s racist immigration policy,” a collective piece led by blog editor and leadership team member, Lauren Eggert-Crowe.

On our leadership team, we wished farewell to long-time team member, Ramona Pilar Gonzales who is taking a step back from WWS planning to focus on her career goals, and we welcomed two new members, Noriko Nakada and Ryane Granados.

Black and white photo of three women sitting in a lounge and in mid discussion.
Kit Reed facilitating a writing workshop at Wesleyan University.

In 2019, we have many exciting things in store starting with the announcement of The Kit Reed Travel Fund for Women-Identifying & Non-Binary Writers of Color. Two $340 grants will be awarded in 2019 to writers seeking advancement through participation in a conference, workshop or residency. Kit Reed was a prolific novelist and short story writer who advocated for her marginalized students, colleagues, and writer friends. This fund was made possible by a donation from Reed’s family in honor of her work as a writer, feminist, professor, and mentor. 

Our first ever, anthology is also in the works. More details on the open call to come at AWP19 where we are hosting a WWS Happy Hour on Thursday, March 28th at Nucleus Portland from 3pm-6pm.

Lastly, be sure to join us for our WWS Workshop & New Member Orientation series beginning Saturday, February 9, 2019 at 10am with “You Need a Website! A Practical Guide to the What, Why, and How of Building (or Strategically Updating) Your Author Website” with Li Yun Alvarado.

If you would like to support our programming and help fund speaker honorariums and submission fee grants, you can now donate here.

From the WWS Leadership Team: Xochitl-Julisa Bermejo, Lauren Eggert-Crowe, Ryane Granados, Ashaki M. Jackson, Noriko Nakada, Ashley Perez, Tisha Marie Reichle-Aguilera, and Rachael Warecki.

A WWS Publication Roundup for January

A laptop computer with an article titled "Submissions Made Simple" on the screen and a stack of literary journals sits on top of the laptop base, titles facing out

The year in publications has gotten off to a great start for Women Who Submit! Congratulations to everyone who had work published in January.

From Soleil David‘s “Seoul in October” at Cleaver:

If I could be anywhere
………..in the Fall
it would be Korea

walking rubberized pavement
………..to the top of Namsan Tower
surprised by snow in October

From Melissa Chadburn‘s “The Wounded Parts of People” at Shondaland:

Nobody needs to warn me about the wounded parts of people. There was that time I worked at a Level 12 residential treatment center for adolescent boys. It was called Mid-Valley Youth Center — a home for boys who stopped smelling like children. Some of us were fooled by this change in scent, by the wild sprites of hair off their face. Some days, we thought they were men. Their crude gestures, or refusals to eat, or to follow direction — we thought we were in a power struggle with them. Some judges even forgot they were boys, and gave them sterner sentences in places for men. The deal was, they could do more time at the treatment center with less restrictions, or less time at juvenile hall. Continue reading “A WWS Publication Roundup for January”