Intersect: How to Fill Canoe-Sized Shoes

By Angela M. Franklin

Have you ever asked yourself if you’ve lost your mind after accepting a challenge or saying yes to new duties–knowing your plate of responsibilities is already overflowing? Can I get an amen out there from the faithfully over-committed? Some of y’all know exactly what I mean.

In August, I stepped up to fill the canoe-sized shoes that Alix Pham left. She is our former tireless Westside Chapter leader, who left to pursue personal projects. Like many of us, I was content to watch her superwoman work ethic from the sidelines, marveling at how she didn’t seem to break a sweat. I mean, that woman did some of everything, and truth be told, even watching her work was tiring.  

I thank and commend Alix for the four years she devoted to our chapter and to WWS overall. Under her leadership, I was inspired to participate more in public readings, submit to various residences and conferences for poets. The best part of her goading challenged me to explore poetry forms like writing sestinas.  

Adding the Chapter Lead hat to my other writerly commitments demands excellence. With the new hat, I bring a wide range of professional and artistic writing experiences. I received the Eloise Klein Healy scholarship to attend Antioch University Los Angeles (AULA). After graduating in 2020, I continued learning. I am an alumna of the Community of Writers Summer Poetry Program, Cave Canem, Voices of Our Nation, Hurston/Wright Summer Writing Program, and others. Success in these writing programs was spawned and nurtured by a professional career, which lay the foundation for setting and reaching goals. Retiring after nearly 30 years of service from the City of Los Angeles, as a public information officer for LAX, the Bureaus of Engineering, and Sanitation, and as a budget analyst for the Department of Water and Power, I began in earnest writing a memoir and two books of poetry– sharing much of my experience as a woman living long enough to overcome racism, sexism, and now ageism. This seasoned citizen is silent no more!

Now that I’ve grabbed Alix’s baton, I plan to Flo Jo my way to publishing victory. I’m carrying on her tradition of informing and equipping members. For the first meeting in my new role, I invited Alexis Rhone Fancher, editor, poet, and photographer extraordinaire, who shared tips and frank talk on submitting one’s work. 

The plucky poet did not disappoint with a delivery that eclipsed the usual submission spiel. Regaling members on what it takes to grab editors’ attention, Alexis delved into what does and does not work in the publishing arena. Attitude is everything. “If you think you’re not good enough, you’re probably right,” she offered.  

If you are suffering from rejection blues, Alexis offered consolation saying, “Each no is one step closer to a yes.As a former editor, she had little patience for weak writing. She challenged, “Where’s your blood on the page? What risks are you taking?   Her take-no-prisoner approach admonished, “Nobody wants to read your held back”(your embarrassed-looking-bad-on the page, stuff we tend to hide). Prior to Alexis’s stern advice, I have never heard the slam-dunk statement of “looking good in your poems is the kiss of death.”

Who knew? 

Alexis has an open invitation to return for a second visit to share more with us, from her belt-notched experiences of 200 published poems, 29 Push Cart nominations, 10 books of poetry, and 12 years of literary editing. 

I hope you’ll join me as we blaze new trails on our collective literary journeys!  

Onward!

Angela M. Franklin’s latest work Stay in My Corner will be published in Transformation: A Women Who Submit Anthology, December 2023; essay The Wrath of Conk, was published in June 2023, in the anthology These Black Bodies Are…published by Inlandia Institute. She holds an MFA from AULA. Her poems and essays are published in several anthologies and online publications.

Highlight on WWS-NYC: An Interview with Chapter Lead, Kirsten Major

Seven women in an office, seated around a square table, each with a laptop, smiling

Women Who Submit: How would you describe your city and your local literary
community?

Kirsten Major: New York is a big-little city. We are 8 million in number, but the literary scene is small–everyone is about 1 person away from everyone else. Sharing air with literary giants is not uncommon. The five boroughs, plus Jersey City, plus Long Island reading scene is endless. My fantasy day job would be to be the Bill Cunningham of the literati, on my bike every night with a camera around my neck, on my way to a reading somewhere to take pictures of my world.

WWS: How did you hear of Women Who Submit, and why were you drawn to start a WWS chapter in your area?

KM: It just gets so. Darned. Hard. To keep putting yourself out there. Leland Cheuk, who wrote The Misadventures of Sulliver Pong, has written about this beautifully, persevering in the face of unstinting rejection. And also, it is mighty easy to have dedicated writing time co-opted by sending my work out if I haven’t in a while. Above all, it’s lonely. I am pretty active on Twitter so one day I put it out there, “Is there any one who knows if there are submissions parties? Is this a thing?” And someone sent me the WWS Twitter handle and I thought, that’s for me. It was absolutely key that Ashaki Jackson, co-founder, had a training session, coached me about attracting people and then worked her own NYC-based network of poets at Cave Canem,to help me get started. The national organization has supported me at every level and that keeps me going. Continue reading “Highlight on WWS-NYC: An Interview with Chapter Lead, Kirsten Major”