Breathe to Pivot

by Thea Pueschel

I know we’re still in the midst of a pandemic, but I am pulling my mask down, letting everyone see my fine lines. I am here to confess. My heart is beating fast, my breath shallow because what I am going to say breaks the two cardinal rules of my house growing up. Don’t let people know your business. Don’t let people know your struggle. I take a deep breath. I doom scroll, to hide. I know it’s pointless; I breathe to pivot and share.

The pandemic has hit all of us hard. It has peeled back several layers of national delusion reminding us that the only exceptional aspects of America are our crumbling infrastructure, racism and the corporate profit over people ethos.

My story is like others and admitting it fills me with a bit of shame. I am one of the 2.2 million women that fell out of the workforce this past year. Writing this makes it feel more real, and from firsthand experience, I have to say it feels gross. In 2020, I made less money than I did when I was in my mid-teens. The least amount I have ever made as an adult. 

I have/had a wellness practice for over a decade. When the pandemic hit, I canceled my corporate yoga teaching gigs for safety. When the CDC announced in-person sessions were no longer safe, I canceled those too. After a few weeks, and the realization that the pandemic wasn’t going anywhere, I attempted to move my private yoga and hypnotherapy clients online. Only a few were willing, the rest wanted to wait the pandemic out. I had to cancel a meditation teacher training and issue refunds. My income slowly dwindled to near nothing.

Relief filled me when the state of California stated that there would be Pandemic Unemployment Assistance for sole proprietors. The EDD granted me PUA. However, when I received my paperwork, something was amiss; it said that I made zero dollars in 2019, and I would start receiving my payment of zero dollars by a specified date. I spent several months attempting to get through to fix it and called over twelve hundred times just to be subjected to a constant loop of messages moving me from one area to another. I never broke through not even to leave a message and gave up.

Luckily, my overhead and costs of operating a business dissolved too. Unlike many of my friends with small businesses, I wasn’t stuck in a lease or needing to figure out if I could keep employees on. My practice was mobile. I don’t have children and my mortgage payment is low. Even though it has been a struggle, my husband still had a career, and we could tighten our budget and breathe to pivot. I know even though I’ve experienced hardship, I also have privilege. 

Even with fewer responsibilities, I was caught in the maelstrom. The world was out of control, people were dying, businesses shuttered, and work dried up. I applied for essential worker jobs, but my lack of experience in that sector and educational overqualification blocked me from positions. I sat and thought about what I could do. I couldn’t fight the tide so I yield and write. I breathe and pivot.

I had dreamt of writing a novel or creating a collection of short stories, but that was a fantasy filled with false starts and stops. As Paulo Coelho wrote in The Alchemist, “People are afraid to pursue their most important dreams, because they feel they don’t deserve them, or they’ll be unable to achieve them.” For me it was the latter. I wanted to, but I didn’t think I could write that much. Being able to create a substantive body of work seemed outside my reach and capacity. This past year, I leaned into the writing community.

The pandemic taught me humility and how to ask for help. It also taught me I can be a prolific writer. Currently, my historical novel is four chapters away from completion; I have over 100 short stories, fifty poems, and ten personal essays all created within the past twelve months. I also received a contract to write ESL readers in November, of which I have had twenty published. I applied to an MFA program, because if not now, when? It surprises me that my fingers are attached to my hands at this point. 

Though I have generated a large body of work this past year, it was primarily possible because of the literary citizenship of others and opportunities that arose out of crisis. Women Who Submit, my writing buddies, my accountability partners, and my critique circle have all been instrumental in this time. I have applied for scholarships for writing programs, grants and fellowships. I won an award, was paid to write, and received funding. The writing community, especially the members of WWS, have been an invaluable resource with feedback, advice, and moral support. 

 In the words of Maya Angelou, “My mission in life is not merely to survive, but to thrive; and to do so with some passion, some compassion, some humor, and some style.” With gratitude, hope, and determination, I have been able to breathe, to pivot fully into my writing practice.

Thea Pueschel is a writer, multi-media artist, and the winner of the TAEM 2020 Flash Fiction Summer Contest. Thea enjoys exploring the dark with light and the light with dark and a firm believer that without the shadow art and literature has less soul. 

Breathe and Push: When Just Breathing Is Enough

By Noriko Nakada

I’m showing up today, y’all, but I’m exhausted. From working my own day job. From parenting my two kids. From breathing on the flames of a writing career I’m hoping will someday generate more than a couple of flickers from hot coals. I’m exhausted from the news. The devastating bad news. The possibly good news. The potential for what might come soon, might come later, might not come at all.

Knock on wood if you’re with me.

I’ve been watching lots of tv to escape and see the world right now. One of my late-summer guilty pleasures is Hard Knocks. It’s an HBO Sports production following an NFL camp throughout the preseason. I’ve been watching for years, even though I’ve written off the NFL #IStandWithKap. This season, Coach Gruden of the Raiders does this thing where he says, “Knock on wood if you’re with me.” When he says this, the players rap on the tables around them and it’s a cosign for whatever he’s said.

I started using this in my classes. “So, the author here is clearly unreliable. Knock on wood if you’re with me.” It works. My middle school students knock on wood. Or they don’t, but at least a few do and it always wakes up the room for a few seconds.

Knock on wood if you’re with me.

So, tonight I’m going to breathe. On this warm fall night that still feels like summer, I’ll put a few words on the page, close my eyes to the news cycles spinning, kiss my kids goodnight, and breathe. In the morning there will be a fresh day, a new page to write, new headlines to unpack, another school day for my students and my children, and sometimes it is enough to just breathe. And the next day, the next week, the next month there will be endless opportunities to push, but tonight, breathing is all I’ve got.

via GIPHY

Knock on wood if you’re with me.

Noriko NakadaNoriko Nakada is the editor of the Breathe and Push column. She writes, blogs, tweets, and parents in Los Angeles. She is committed to writing thought-provoking creative non-fiction, fiction, and poetry.