Writing English as a Polyglot

by Hong-My Basrai

When we finally left communist Vietnam, my father said: “Never look back.” His words had a finality to them. They stuck in my twenty-two-year-old mind, and so I began my never looking back process, starting with learning to communicate predominantly in English.

The acquisition and manipulation of languages were second nature to me. I had been doing it all my life—soaking up Vietnamese in the cradle, French in kindergarten, Chinese from classmates, English to survive, and Gujarati because I had married into a Gujarati Indian family.

Basic English had come to me easily enough. It was just a small step from uttering my first “thank you” to verbal fluency, then progressing fast from ESL writing class to English 1A composition. What was harder was learning to elevate my writing proficiency to a level suitable for a public audience. Since I had picked up English on the go, learning it by imitation, like a baby, with most words borrowed from my prior knowledge of French, I had to pay extra attention to spelling of similar words, particularly homophones like address and adresse, envelope and enveloppe, May and mai; false cognates, words that have similar spelling but different meanings, like infant and enfant, anniversary and anniversaire, song and son; and words of Latin and Greek roots like destroy and détruire, or abnormal and anormal, etc.  Continue reading “Writing English as a Polyglot”

Claiming a Corner of Woolf’s “Room of One’s Own”

by Cassandra Lane

“The thesis of A Room of One’s Own—women must have money and privacy in order to write with genius—is inevitably connected to questions of class,” Mary Gordon wrote in a 1981 forward to the book that comprises Virginia Woolf’s famous extended essay.

I read the book in early 2001, highlighting Woolf’s self-assured sentences in bright orange ink and writing in the margins with fervent scrawls. As an African-American woman who grew up poor yet still believed I had stories to tell, a voice that needed to be shared, and who desired, more than anything, to tell stories with brilliance, I certainly took issue with parts of Woolf’s argument. Whereas she insisted that one write calmly and without bringing attention to the self, my heart raged against social injustice; I wrote in first person. I was not wealthy or emotionally detached enough to be the kind of writer she described.  Continue reading “Claiming a Corner of Woolf’s “Room of One’s Own””

7 Practical tips for Writer Mamas

by Kate Maruyama

I’m a second generation writer mama. My mom raised 3 kids and 30 books, and it wasn’t a goal in life, but I ended up being a writer also. Same with having kids: it wasn’t a goal in life, but here I am, and not unhappily so. When writing is something at the heart of your existence, something you have to do, and you have kids, it’s a scramble, but you somehow make it work.

Don’t get me wrong. I twinge with jealousy when I read write-ups of enormously successful writing men who, with kids or not, have a little less interference. I remember an entire article about the very prolific, fantastic writer Haruki Murakami who spoke rhapsodically of his uninterrupted writing day wherein he exercised for three hours, had the space to be alone and think for several hours and wrote for eight hours straight. He glibly talks about giving yourself, the writer, time to think, to dream. He cautions new writers to keep things quiet.

Quiet! Ha. Continue reading “7 Practical tips for Writer Mamas”

May Submission Deadlines: 9 under $15

By Lisbeth Coiman

Here is our submission call list for May. Today I bring you five deadlines and five open calls all but one under $15. Polish your piece, submit, and track. Find support in your community to celebrate each other’s success, but make time to hold your writing buddies through rejections. Keep writing. Submit hard.

 1.Gloom Cupboard

Deadline: May 15, 2016

Submission Guidelines: 

http://gloomcupboard.com/https://gloomcupboard.com/submission-guidelines/ 

Reading fee: $3 Continue reading “May Submission Deadlines: 9 under $15”

Shine Brightly: On Literary Citizenship and Class

by Stephanie Abraham

Acting as a good literary citizen means participating in and taking responsibility for our literary communities. As writers, this means that in addition to promoting our own work, we share work by writers we admire; attend readings at independent bookstores; buy books written by local authors and look for opportunities to mentor. For most of us, literary citizenship is an extension of our everyday lives. It’s important to acknowledge the following three points, however, which often get left out of the conversation:

Community matters – and so do you.

Continue reading “Shine Brightly: On Literary Citizenship and Class”

A WWS PUBLICATION ROUND UP FOR APRIL

A laptop computer with an article titled "Submissions Made Simple" on the screen and a stack of literary journals sits on top of the laptop base, titles facing out

April goes on record as the top month of the year thus far for WWS members receiving acceptances. The list is sure to inspire! Here is a brief look at the work published and awards won this month.

From Melissa Chadburn‘s “Who Gets to Break the Rules in America” on Jezebel:

Foster care, two weeks—that’s all I thought I was signed up for. But I wound up living in group homes and various foster placements throughout Los Angeles for the next four years. I call this portion of my adolescence The Time of The Rules.

Continue reading “A WWS PUBLICATION ROUND UP FOR APRIL”

Early Morning Optimism

by Linda DeMers Hummel

It’s late afternoon. I know lots of bloggers who are just getting started about this time. Not me. I’m an extreme early morning writer, a luxury I can afford now that I won’t wake up anyone as I make coffee and then tread up and down the wooden stairs in my bare feet for the second and third cup. As a writer, I’m full of myself in the mornings. You would be hard pressed to find someone quite so confident at 5 AM.

But in these hours, as the light is leaving on what was a cool and cloudy day, I’m faced with the usual thought: I will never, ever be able to think of anything good to write ever again.

Continue reading “Early Morning Optimism”

Writing about Difficult Topics: Bringing Dark Corners into the Light

by Carla Sameth

“Bringing dark corners into the light sometimes is very painful and debilitating, but sometimes you have to do it.” Gerda Govine Ituarte

Sometimes you can’t help but do it…go into the room naked. Writing saved my life and writing has almost driven me mad. “They” say, show don’t tell, but sometimes you have to do both. In December 28, 2009, just before the news stories started to break in a substantial way about the culture of violence within the LA County Sheriff’s department (LACSD), a LACSD deputy broke my nose and something inside of me broke as I squatted in my own blood on the platform of the Highland Park Metro station. Three years later, I wrote about this in my cover story in the Pasadena Weekly, “One Day on the Gold Line”.

Continue reading “Writing about Difficult Topics: Bringing Dark Corners into the Light”

Submitting on a Budget: Network

by Lisbeth Coiman

Where writing has become a self-employment enterprise, tracking expenses is vital for the emergent writer struggling to build her brand. Conferences, books, subscriptions, writing courses, memberships, tracking sites, and submission fees all add up quickly to a limited writing budget.

Arguably, artists can create great work without ever attending conferences, reading peers’ books, or participating in workshops, but writing great pieces is only one step in the process of getting published. Unless the emergent writer enjoys the benefit of a well-connected literary circle, a consistent flow of submissions to literary journals, contests, and online magazines is the only road to publication. Gaining access to information about submission calls takes up most of the money set aside to submit work. For that reason, submitting to publications on a regular basis on a shoestring requires a well thought submission plan.

Continue reading “Submitting on a Budget: Network”

The Animal In Us

by Melissa Chadburn and Lauren Eggert-Crowe

One December night in Culver City, I, Melissa Chadburn, was talking to Lauren Eggert-Crowe about Kate Gale’s Huff Po missive about AWP’s inclusion and Carol Muske-Dukes’ defense of said article. Lauren said she’d wanted to write a response but it takes her time to write these things. I suggested we collaborate on a response to be read aloud at a Red Hen Press event. So on Thursday April 7th, rather than read the essay that Red Hen published in the Los Angeles Review, I read this:

MC:
I used to live in a group home. I used to wander the streets looking into people’s dining rooms with the worst kind of ache. I used to stand around with teenage boys on the street corner waiting for the stoplight to change color. I used to hitch rides through the Palisades to go to my group home for girls by the ocean. I used to worry about gonorrhea and feel like I was the worst piece of shit alive. I used to pat my mother’s hair between my hands like hamburger meat. I used to practice kissing girls by kissing the back of my hand or kissing my own shoulder just to see what my skin tasted like. I used to do graffiti on government issued desks waiting for my name to be called. I used to long to belong to a world of the ordinary.

Continue reading “The Animal In Us”