This Makes up the Sky: Rain. Heather Romero-Kornblum

L.A. in the Rain

by Heather Romero-Kornblum

I never wanted my family to end

I remember how
hopeful
we moved the contents of my sonโ€™s life
I anticipated sharing with him again

I imagined him sleeping peacefully
in the sun-drenched room
looking out to hills

Instead, it rained into the apartment
The building hallways lined with buckets and cigarette butts

one of the cats did her business on his bed
as I was left alone

broken spine

too open

with holes that couldnโ€™t be patched

I thought LA was a desert
where I could leave everything outside


Heather Romero-Kornblum is a former academic researcher, returning to poetry after several near-death experiences due to Long Covid. She captures the crumbling of her marriage following her near-death experiences in Iโ€™Mย NOTย OVER YOU โ€“ the 2025 Four Feathers Press Chapbook Contest winner.ย She is published in multiple journals and anthologies. https://www.heatherkornbooks.com/


You can read the entire This Makes up the Sky series by visiting: https://womenwhosubmitlit.org/category/the-sky/

October 2025 Publication Roundup

The Women Who Submit members included in this post published their work in amazing places during October of 2025. Two of our committed members heard about their publication opportunity through WWS programming and/or another member.

Iโ€™ve included an excerpt from published pieces (if available), along with a link (if available) to where the pieces can be purchased and/or read in their entirety. Please take some time to celebrate yourself and your wonderful accomplishments. Thank you and happy submitting!

Congratulations to Olivia Sawatzki who published fiction piece “The Devil was passing out gift cards at the corner of Figueroa and Slauson” in Does It Have Pockets.

The IHOPยฎ was a big warm hug of brown linoleum. I felt instantly at peace there and could lose my mind in the mathematical swirling of the blue printed upholstery. I was a little nervous when it came time to pay for my Special Limited Time Offer which was a key-lime pie pancake so rich it made my teeth hurt. I explained the gift card away to Sheri, my waitress who looked uncannily like my Aunt Mary even wore the same perfume. I said Iโ€™m Not Sure if This Has Anything Left On It. I Can Check For You, she said and she whisked away my check and came back with a receipt and a pen. She said it would say on the bottom of my receipt and I looked and it said: $โˆž.

Kudos to Diosa Xochiquetzalcoatl who published “Out with the Old” and “To New Beginnings” in The Sand Canyon Review: Crafton Hills College’s Art and Literary Magazine, as well as “The Night My Forefathers and Foremothers Spoke” in Fresh Ink, the IE California Writers Club Newsletter. Her three poems “Just a Typical Day in Downtown LA in 1996,” “Como Comet / Like a Comet,” and “Noem-mames” appeared in the City of Los Angeles’ Latino Heritage Month 2025 Calendar and Cultural Guide (see excerpt of “Just a Typical Day in Downtown LA in 1996” below).

He was just
an 18-year-old kid
trying to do the right thing.

Un chilango
was drafted to war
by way of Mexico City.

He flew into LAX,
arrived at his tia’s
in Huntington Park.

Not a lick of English,
did this kid comprehend,
yet they sent him right on in.

Shoutout to Dilys Wyndham Thomas whose poem “a museum of waxwings” was featured in Chestnut Review. She also published fiction piece “Bellybutton Baby” in X-Ray Literary Magazine. See excerpt of the latter below:

I have this recurring nightmare in which I swim through amniotic fluid. Poppies litter the fluid, and a baby is lost somewhere amongst all the falling flowers, out of reach, beyond my thrashing hands. 

To keep the nightmare at bay, I lay awake in yet another hotel room, avoiding sleep. The man in bed with me has his back turned, constellations of freckles scattered on sunburnt skin. Itโ€™s obvious from the way his body teeters on the edge of the mattress that he has decided I am a one-night stand. I run my fingers along the map that is this new back, find a replica of Cassiopeia on his shoulder. I will remember his skin long after I have forgotten everything else about him. 

Slowly, I reach for the discarded condom on the floor, cup it in my palm. It is satisfyingly heavy. I tie another knot into the latex and slip out of bed.

Huge congratulations to Elline Lipkin whose poetry collection “Girl in a Forest” was recently released by Trio House Press.

Kudos to Xochitl-Julisa Bermejo whose creative nonfiction piece “How to Write a Love Poem” appeared in Cleaver Magazine.

My first poem was a love poem.

To write a love poem, one must be brave enough to speak directly to a โ€œyou.โ€ Itโ€™s not easy work. It takes vulnerability and the threat of humiliation. Society likes to say that such endeavors are trivial, childish, and girlish. bell hooks writes in About Love: โ€œWhenever a single woman over forty brings up the topic of love, again and again the assumption, rooted in sexist thinking, is that she is โ€˜desperateโ€™ for a man.โ€ When I was teen, all my poems were about boys and heartbreak. When I became a โ€œserious poet,โ€ my inner critic said such things were silly. It didnโ€™t stop me from writing them, but I did worry, why would anyone care?

*Feature image credit to Margaret Gallagher*

This Makes Up the Sky: Clouds. Isabel Grey

How clouds are made

by Isabel Grey

For Byron F. Aspaas

In a time where Berndnaut Smilde can make clouds 
inside, ephemeral art in cathedrals and coal mines, 
 
like the heavens reclined     I’m reminded of how clouds are made 
sky-high. Clouds are made with the sighs of birds, 
 
their response to sunrise and sunsets and the power to forget 
the land below them, even if only for a little while. 
 
Clouds are made when nearby plateaus are leveled 
by the wind blown from another time, not yesterday 
 
or tomorrow. Clouds are made 
by the braiding of tears shed by a forgotten bride 
 
and the first laughter she makes at her new lover’s smile. 
Clouds are made during the silence that comes after 

we’ve passed into the eye of depression’s storm. 
Clouds are made when we drive too fast 
 
over dirt roads in our excitement to return home. 
Clouds are made in that tome online 
 
full of old photographs and notes to self. 

Clouds are made from the fist-fulls of ash 
 
we scatter in our late loved one’s honor. 
Clouds are made by grey matter, 
 
forming nimbuses of rumination 
that shade our heads like awnings. 
 
Clouds are made when fog yawns 
and retreats back up to bed. 

Clouds are made as the moon 
waves away stars like horse flies. 
 
Clouds are sent, special-made 
by the sun for our protection. 
 
Clouds repent for their lightning spent
with a performance of iridescence 
 
the color like soap bubbles washing away 
thunder’s echoing refrain. 
 
Clouds are shaped by the cookie cutters 
of angels, baked at temperatures of repeating numbers. 
 
Clouds are made to mislead each other: 
it’s just a few miles up ahead, trust me!

Clouds are made to house the castles

we’ll retreat to after this.

Clouds are made as stepping-stones 
for the gods and goddesses. 
 
Clouds are made by Mother Nature to use as pillows
and for the Nephologist’s bliss.


Isabel Grey holds an MFA in Creative Writing from Western Colorado University. She is an assistant editor at Terrain.org. Her work can be found at Twenty Bellows, new words {press}, and elsewhere. 


You can read the entire This Makes up the Sky series by visiting: https://womenwhosubmitlit.org/category/the-sky/

This Makes Up the Sky: Clouds. Karineh Mahdessian

Clouds

by Karineh Mahdessian

I am asked to write about clouds
and all I can do is think of the bombs that missed our home
that by the grace of prayers we survived the plane rides through continents 
that we arrived here safely
where now I see students who are scared of masked strangers tearing families apart.

But in this place 
they are protected or at least thatโ€™s what we tell them 
here, we have cloud wall papers that post job opportunities so these students can help already over-worked and under-slept parents 
these students who are expected to be guardians of siblings and translator for uncles and aunts, are just children, caught up in high school gossip and sweetheart dances. 

I am asked to write about clouds
and all I can do is think of Katie who earned her wings too soon,
sitting on the fluffiest cloud, with mis-matched socks, reading a book 
while I am here among students letting them know their rightsโ€”that their body means their choice, that No is a complete sentence. 
That one day we will all be free.  


Karineh Mahdessian loves hard, reads books and eats tacos! 


You can read the entire This Makes up the Sky series by visiting: https://womenwhosubmitlit.org/category/the-sky/

September 2025 Publication Roundup

The Women Who Submit members included in this post published their work in amazing places during September of 2025. Four of our committed members heard about an opportunity through WWS programming and/or another member.

Iโ€™ve included an excerpt from published pieces (if available), along with a link (if available) to where the pieces can be purchased and/or read in their entirety. Please take some time to celebrate yourself and your wonderful accomplishments. Thank you and happy submitting!

Congratulations to Dilys Wyndham Thomas whose poem “Titan[ic]” was published in Mslexia Magazine‘s 107th issue.

Kudos to Elizabeth Galoozis who published the poems “I keep falling asleep in the motherland” and “they made us” in Santa Fe Literary Review. See excerpt of the former below:

I came into this world
landlocked.
They pulled me out
by the same ankles
the sea now circles,
pushes my feet
to the edge of the land
I came from.
The waves tug at my blood,

lulling me,
slowing me,
whispering

why
would you
ever
leave.

Shoutout to Maria Caponi whose poem “I Am Not a Good Tourist” was featured in the City of Manhattan’s Older Adults Program September Newsletter.

I donโ€™t like guided tours
Iโ€™m not a joiner or a follower
Iโ€™m not good with large groups
Iโ€™m not a regular person


I want to pause, linger, drift,
where others march in lockstep
and
I want to keep going,
where others want to stay

Huge congratulations to Louise Moore who published a poetry collection entitled Poems to the Muses: To All The Women I have loved and Will love.

Kudos to Vibiana Aparicio-Chamberlin whose poem “As Mexican as a Nopal” was announced as a short list finalist for the 2025 Four Feathers Press Chapbook Prize. Her poem “Mother and Child From Gaza” also appeared in the 2025 Southern California Haiku Study Group Anthology.

Shoutout to Azalea Aguilar whose poem “Last Seen in Oakland Park” was featured in Somos En Escrito Magazine. She also published “My Father and I Meet for Coffee to Discuss War” in Liebestraum Review and “Sun in Your Eyes” with South Broadway Press. Excerpt of the latter is available below:

is he coming or going
slamming of a screen door
angry or rushed
in or out
her or him
idling in front of a fridge
hunger or thirst
boredom or pleasure
is it the beginning or the end
I tell her I canโ€™t
remember
a time before

Kudos to Carla Rachel Sameth for her publication of the poems “Everything Here Is Broken,” “A Magpie Soars Across the Sky,” “The Darkest Water,” “Like My Skater Son” and “Ghazal of the 3 PM Wall,” in Cholla Needles 105. Excerpt of the latter available below:

They asked me,ย What do you do when you hit the 3 PM wall?
I donโ€™t know but I canโ€™t even remember the age of my baby.
ย 
It was after a faux rave, a celebration for a movie about a rave.
A 2 AM breakfast, the question came at me, I was a sage with a baby.
ย 
Iโ€™ll be up by 5 AM, I said, uncertain if Iโ€™d be nursing or playing.
All I knew is that I had six never-born, a raging ex-husband, and one baby.
ย 
What do you do when you hit the wall?ย they laughed the question again.
Strangely awake, what happens after being up all night, I was a rampage, a baby.

Shoutout to Michelle Otero who poem “Birthright” was featured in American Poetry Review. She also published the memoir piece “Stepson, I have been writing to you in my head since we metโ€ฆ” in Letters to Our Children: an Anthology.

Lastly, congratulations to publisher Brenda Vaca and all the contributors of Riot of Roses Publishing House’s new anthology Xicanxfuturism: Gritos for Tomorrow Codex I.

*Feature image credit to Margaret Gallagher*

This Makes Up the Sky: Light. Elisabeth Contreras-Moran

A reciprocity of rituals

By Elisabeth Contreras-Moran

Early morning sun yellows a grey mist that lifts up to the window ledge, sending shafts of weak sunlight into their kitchen as he stands at the deep sink and fills the kettle.  The kettle is moved to its base, its lever gently pushed, as he walks to the cupboard.  Out of the cupboard comes her most colorful jarrito, which he warms under running water, adding two teaspoons of sugar to the bottom; she prefers sweetness to bitterness. Setting a well-used single serve coffee filter on top of the mugโ€™s mouth, he meticulously measures a level scoop of her cinnamon cafรฉ de olla.  When the kettle softly sings its readiness to add to the reverence of this ritual, he pours the water over the scented grounds and waits patiently for the water to trickle down and for cinnamon and sweet coffee aromas to fill the air.  The light in the room silently shifts upwards while he bides seconds.  Opening the refrigerator to get the glass cream bottle their milkman delivered that morning, he hums quietly.  When the water from the coffee filter has emptied, he removes it and adds just enough cream to make a beautiful shade of brown, stirring so softly.  He pads into another room on socked feet to place this lovingly prepared liquid in front of her.  She is sitting at her desk, writing, as is her morning ritual.  Wordlessly, she sips, closes her eyes, smiles wistfully as he pads away to start his day. When the light in the kitchen has shifted again, to full sunlight or rain, when the mists have disappeared or reappeared, when the sun has lowered on the other side of the house, she will take her great grandmotherโ€™s cast iron pan, hold it carefully in two hands, warm it over moderate heat, and lovingly lift from the kitchen stores a meal to nourish.  The meal is served at their old oak table, set with plates and utensils, glasses and wine.  He will close his eyes, breathe in the scent of cumin, garlic, chillies and family history and then smile at her as she sits across from him, with her own plate too.  The sun will set, the shadows will lengthen and consume, but they will not notice.


Elisabeth Contreras-Moran is a Xicana environmental scientist turned poet. She has an undergraduate degree from Princeton University and further science degrees from CUNY.  Currently living in England, she creates at night, when the world is quiet. Her poetry has been in Litro Magazine, Moss Puppy Magazine, Equinox, The Ascentos Review and the Somos Xicanas anthology from Riot of Roses Press.


You can read the entire This Makes up the Sky series by visiting: https://womenwhosubmitlit.org/category/the-sky/

This Makes Up the Sky: Light. Melba Morel

Light Finds Me Anyway

By Melba Morel 

I have hidden
in houses with thick curtains,
slept through sunrises
on purpose,
and called it survival.

I have dimmed myself
to match the shadows
in someone elseโ€™s room,
forgetting that I was born
a soft blaze.

But stillโ€”
light finds me.

It slips through the cracks
of my resistance,
paints my eyelids golden
before I even wake,
reminding me
Iโ€™m still here.

Light doesnโ€™t ask
for permission.
It arrives,
regardless.
It shows me
what I didnโ€™t want to seeโ€”
and what Iโ€™d forgotten
to celebrate.

Even the body glows
from the inside.
Even grief
throws a reflection.

And maybe
thatโ€™s the lesson:

Some part of us
always remembers
how to shine
back.


Melba Morel is an author and poet based in South Florida. Her work explores grief, identity, and healing through the lens of nature, memory, and personal transformation. She is the author of Unplanted Yet Flourishing: A Poetic Journey Through Infertility, Loss & Healing and founder of Poetic Nectar Collective.


You can read the entire This Makes up the Sky series by visiting: https://womenwhosubmitlit.org/category/the-sky/

This Makes Up the Sky: Light. Jennifer Germano

Moonscape: A Memory

by Jennifer Germano

I walk to the end of the butte just as Grandmother Moon begins to rise over the mountains. She is a glorious orb cresting the horizon. As she rises, the barren desert landscape comes alive around me, like another realm illuminated by her phosphorescence. Long eared jackrabbits scatter wildly amongst the glowing sagebrush, searching for shadows in which to hide. Raising my arms skyward, I draw her down, rejoicing in her tenderness and grace. In a short time she will fade into eclipse, but for now she fills the sky with the ripeness of her belly and covers the landscape in ethereal light.

Two owls scream with haunting cries which deflect and echo off the looming cliffs, their enormous wings bearing them from one hunt to the next. They too feel the power of the moon. A third plummets upon its prey with a screech that pierces the night. There is no longer a cover of darkness under which to shield the little ones. A pack of coyotes cry and yip and sing, a mournful chorus in the otherworldly light. And as Moon rises higher in the sky, the mountains and cliffs beneath her seem to rise as well. There is great magic in her fullness; it is the magic of light.

I lower myself onto the asphalt, my back resting against my front tire, wrapped tightly in a woolen shawl. The eclipse has begun and I fall into the dreamy space of in-between, surrendering to a feeling of timelessness as the moon begins to disappear. Her shadowing mirrors my own repetitive journey into the darkness and then once again into the light.

This night is mine and I sit within the inky blackness by myself, watching, waiting, winter lying upon my shoulders, cold and crisp, until Grandmother reappears in the sky. I leave her with a prayer and a bow, holding the vision of her journey so closely in my heart.


Jennifer Germano, storyteller & poet, draws her inspiration from nature and from her own relationships and spiritual journey. Dreamer, stargazer, firewalker. Weaver of words. Believer of magick, she wanders between the deserts of southern Ca and the mountains of northern New Mexico.




You can read the entire This Makes up the Sky series by visiting: https://womenwhosubmitlit.org/category/the-sky/

This Makes Up the Sky: Light. Elizabeth Iannaci

NO COINCIDENCE

by Elizabeth Iannaci

This afternoon the sky is pure blue,
though I know the color of space
is bottomless black punctuated
by stars & sunlight. Edges beyond
the Oort cloud, where not even static can exist,
are frayed. Physicists compare this
to a bubble, while mystics say galaxies
resemble bubbles that rise in a glass
of sparkling wine, popping
when their time is up. Theorists predict that
one day instruments will measure emotions
moving through space, images of energiesโ€”
iridescent spheres (not unlike bubbles)
bonding together in clusters
so dim theyโ€™re almost invisible.
I donโ€™t believe in coincidence.
Last night I dreamed I floated inside
one of those globes. I saw more clearly
than I could ever perceive with my eyes:
oceans, cresting, swelling,
each drop revealing endless fractals
of seas; I envisioned in every grain
of sand, the mountain that fathered it;
in any tree, the cycle: seed, stem, bud,
blossom, then the wilt and decay
becoming new soil, anxious for the acorn
the squirrel forgets. I awoke to a siren of light
splitting the shutterโ€™s slats with song.

Elizabeth Iannaci is a widely-published, SoCal poet whose work appeared recently in Women in A Golden State, Midwestern Miscellany, Interlitq, etc,Her latest chapbook is The Virgin Turtle Light Show: Spring, 1968 (Latitude 34 Press). Elizabeth is partially sighted, which may account for her preference for paisley over polka dots.


You can read the entire This Makes up the Sky series by visiting: https://womenwhosubmitlit.org/category/the-sky/

August 2025 Publication Roundup

The Women Who Submit members included in this post published their work in amazing places during August of 2025.ย Four of our committed members heard about an opportunity through WWS programming and/or another member.

Iโ€™ve included an excerpt from published pieces (if available), along with a link (if available) to where the pieces can be purchased and/or read in their entirety. Please take some time to celebrate yourself and your wonderful accomplishments this last stretch of summer. Thank you and happy submitting!

Congratulations to Tanzila Ahmed whose creative nonfiction piece “Eavesdropping as a Solidarity Tactic” was published in the imprint We Are Civic Media by Northwestern University Press.

Big kudos to Donna Spruijt-Metz whose poetry collection Wu Wei Eats an Egg was published with Ben Yehuda Press.

Shoutout to Dinah Berland whose poem “Between the Lines” was featured in Van Spuk Art Books.

Congratulations to Amy Raasch whose poem “Broken Sonnet for the Phone Call I Didn’t Pick Up” was featured in Tahoma Literary Review (see excerpt below). Her poem “ontology of llorando” was also announced as a winner in Sonora Review‘s Noise Contest, and her poem “Ornament” was selected as a finalist for The Florida Review 2025 Editorโ€™s Award for Poetry.

I heard Leonard Cohenโ€™s โ€œHallelujahโ€ sung
in Spanish at a funeral last week, twice โ€”
Processional and Communion. Stained glass shook
loose & boomeranged rose-gold sharps into tall-boned
Jesus till he swayed between stone femurs
like a receiver in a phone booth waiting
for his last phone call from God. Your last call
went to voicemail, then you hung up on yourself.

Kudos to Vibiana Aparicio-Chamberlin whose chapbook As Mexican as a Nopal was selected as a shortlist finalist in Four Feather Press’ Chapbook Prize.

Shoutout to Dรฉsirรฉe Zamorano whose novel The Amado Women was republished with Lee & Low Books.

Congratulations to Lisa Eve Cheby whose poem “Witnessing” appeared in Cultural Daily.

last night I dreamt I was interrogated by I.C.E.

they knew about how I ghosted Esteban after one date, about the small, behind the scenes disputes
in our non-profit writersโ€™ group of women who refuse to submit.

I only wanted to imagine a world of liberation and joy,
not how to integrate the mundane with the horrific.

on the 4th of July with the day laborers in the Home Depot parking lot
we ate mango and piรฑa cream paletas from Salโ€™s cart.

Kudos to Heather Pegas whose creative nonfiction piece “Family Lore: A Semi-History” was featured in The Muleskinner Journal.

Maybe Connie made her special soup at the diner, maybe she saves one bowl to bring home.

Perhaps she intends it for her father, or maybe she was keeping it for herself after shopping, vacuuming, washing, drying and folding the family laundry. My beautiful aunt, the one they only half-jokingly call โ€œthe maid,โ€ puts her soup in the icebox, I imagine, saving it for later.

It is not to be. Her brothers come home all at once, and they encounter the soup.

I want that, says George, the eldest. Iโ€™m going to eat it.

Not so fast, says Manny, the second son, muscling in. I want it too.

And lastly, shoutout to Dilys Wyndham Thomas whose poem entitled “Titan[ic]” was published in Mslexia Magazine’s 107th Issue.

*Feature image credit to Margaret Gallagher*