Breathe and Push: 5 Ways for Writers to Celebrate

One of the things I love most about our Women Who Submit community is the way we celebrate. We clap-up every submission and query at our parties and acknowledge our passes and publications in our virtual spaces. So during this season of celebration, let’s think about all of the ways we can close out the year celebrating our work and our risks and all the choices we make that move our creative work into the world. Here are five ways we can celebrate our writing lives this holiday season.

  1. Celebrate the words. Maybe it’s a line in a draft of a poem, or a nice holiday note. Maybe it’s a turn in a story, or maybe even a whole paragraph or chapter that works exactly the way we want. In those small, sacred moments when we feel like we actually get the words right, let’s celebrate them, even if we are the only ones reading them (so far).

  2. Celebrate brilliance in the works we read. Look at all of the amazing final drafts in the world! I am sometimes overwhelmed when I first walk into a bookstore or library. There are so many books, and I wonder where my own voice fits within all of the noise. Instead of hanging my head, I’m thankful for all of the books, and all of the poetry and essay collections I’ve read this year. These books have so much to teach if I read and learn from them. Instead of concerning myself with where my voice fits, I can celebrate books and know I am working to make space for more voices.

  3. Celebrate gifts of words. This holiday season, like most others, I gift favorite books that I’ve read in the past year and hope to talk with loved ones about them. Maybe it’s a personalized note or card aiming to thank or communicate an important thought. The written word allows us to connect with friends and family beyond the social media share or text message. Talking about ideas and stories allows for a different level of connection, the kind I strive for but struggle to create with even my dearest family and friends.

  4. Celebrate the accomplishments and write them down. All of the submissions, readings, conferences, residencies, late nights, early mornings, time at drafting, revising, editing, researching, responding, and risk-taking. It all takes so much, and most of us do this work while working and caretaking and living full and busy lives. So celebrate all of those ways we put our work and our words out there. For every reading or lecture we attended, for every opportunity or conversation we said yes to, or all of those times when we supported other writers and then grew as writers ourselves, cheers to all of that.

  5. Celebrate growth across time. It’s the end of a year and of a decade. There are best-of-lists for all things artistic and creative all around us, and it’s easy to get lost making sense of everyone else’s reflections. But this looking back doesn’t need to be public, it doesn’t need to be shared or written about, but it is worthwhile. You will see just how much work you have done over the past months and over the years. Celebrate it. Celebrate you and your artistry, and then let’s look forward to all you are becoming in 2020 and into this next decade.

Happy holidays to you all. I look forward to celebrating with you all in the new year and decade.

Noriko Nakada

Noriko Nakada writes, blogs, tweets, parents, and teaches middle school in Los Angeles. She is committed to writing thought-provoking creative non-fiction, fiction, and poetry. Publications include: Through Eyes Like Mine (2010), Overdue Apologies (2012), and I Tried (2019). Excerpts, essays, and poetry have appeared in Catapult, Meridian, Kartika, Hippocampus, Compose, Linden Avenue and elsewhere.

Cheers to 2019!

three women of color holding beers and standing in front of a graphic black and white mural

Dearest Writers,

As we come to the end of another year (and decade), I like to look back at all we’ve accomplished this year, and congratulate everyone for continuing to thrive when too many want us to disappear.

Firsts the firsts. The Kit Reed Travel Fund, thanks to a donation from Kit Reed’s surviving family members, made it possible for WWS to sponsor three writers of color to attend a workshop, residency, or conference of their choice with a small $340 grant meant to offset travel costs. In the spirit of Kit Reed’s prolific work and adventurous spirit, Sakae Manning attended the Summer Fishtrap Gathering of Writers in Oregon, Grace Lee attended Bread Loaf Writers Conference in Vermont, and Sibylla Nash attended Joya: AiR in Spain. We look forward to offering more grants in 2020.

Thanks to the tireless work of managing editors, Tisha Marie Reichle-Aguilera and Rachael Warecki, we had our first anthology, ACCOLADES, made it through it’s open call, selection process, and design, and will be ready for release in spring 2020. ACCOLADES was made possible by CCI Arts Investing in Tomorrow grant and is a celebration of our writers’ publications and awards over the last few years.

Another first in 2019 was our WWS Happy Hour at AWP hosted by our friends at Nucleus Portland where we featured 10 readers to a jovial crowd drinking beer and wine. Be sure to be on the look out for our 2020 AWP event, the ACCOLADES, a WWS Anthologly, Release Party on March 5th at La Botanica from 4pm-7pm .

We ended the year strong with one last first, our first crowd funding campaign, and thanks to the work and leadership of Lauren Eggert-Crowe and Ashley Perez we surpassed our funding goal! These funds were needed to match funds from a CAC Local Impact grant we received in 2019.

In 2019 we also hosted the following workshops and panels:

February: You Need a Website! A Practical Guide to the What, Why, and How of Building (or Strategically Updating) Your Author Website with Li Yun Alvarado

April: Poetry Submission Panel with Muriel Leung & Vickie Vertiz and moderated by Lauren Eggert-Crowe

June: Finding an Agent and What I Never Knew Until It Happened with Natashia Deón

August: Tier One Submission Strategies with Désirée Zamorano

October: Pay attention: attending and collaborating at the end slash beginning of the world with Rachel McLeod Kaminer and Rocío Carlos

But let’s not forget other highlights such a the 6th Annual Submission Blitz in September, where we encouraged our members to submit to tier one journals, an action inspired by Vida and the Vida count. We also made our 4th appearance at Lit Crawl LA, with “It’s a Book Party!” featuring new titles from members Jenise Miller, Carla Sameth, Colette Sartor, Micelle Brittan Rosado, and Noriko Nakada, and we featured at the Los Angeles reading series, Roar Shack, hosted by David Rocklin with readers Sakae Manning, Grace Lee, Sibylla Nash, Ryane Granados, Lituo Huang, Andy Anderegg, and Ann Faison.

And last but not least we can’t forget the 125 publications and awards celebrated on the WWS Publication Round Up in 2019, a list curated each month by the brilliant and tireless, Laura K. Warrell.

So with that, I thank you for all you did this year. I thank you for sharing space with me, and for continuing to champion your work and the work of other writers in our community. We do this together, and I look forward to another year of submission parties and publications with you!

Xochitl-Julisa Bermejo, Director of Women Who Submit

Writing on a Budget: Gratitude at the End of the Decade

By Lisbeth Coiman

As the end of the decade approaches, and in the spirit of the past Thanksgiving, I express gratitude for the gifts I enjoy and the people who have helped me in the process of setting roots in Los Angeles. When I count my gifts, I claim sanity, employment, community, and dancing.

manual typewriter and iPad with stickers and pins

Since I have battled with suicide ideation throughout my adult life mostly through medication and therapy, I am grateful every day I find the strength and motivation to pursue my goals. Staying alive requires the help of a therapist who speaks my native language and has patiently held my hand when separating from the man I have loved with wild passion and madness felt like peeling the skin off of my body.

Los Angeles, this crazy city of traffic jams, evictions, and homelessness, gave me a job I cherish serving a population I respect and admire. As an adult ESL teacher I have the privilege to introduce new immigrants to the English language and to the US culture – with all its wonders and dark chapters. Aware that this job does not pay my bills entirely, I have also found the support of NAMI LAC to employ me as an In Our Own Voice presenter, a program that fights the stigma against those of us who suffer from mental disorders. When that was not enough to provide for myself and my family in my homeland, I have also been fortunate to rely on my native language to further supplement my income with private tutoring. My work week extends to 50-60 hours, and yes, it feels like too much. Yet I am grateful for Mondays. when I know there is another full week ahead to continue my growth as a self-sustained woman in her mid 50s.

In La La La land I have been audience and participant of extraordinary literary events. Most of the people I come across in those events, with their “hmms” after a line of poetry, or a suggestion to submit, or encouragement, have paved the way for my growth as a writer. The World Stage, La Palabra, Rapp Saloon, Roar Shack, Why There Are Words, LA Expressions, The Exhibition Park Regional Library, Other Books LA, Libro Mobile, and Drunken Masters, and all the amazing writers and hosts of this great community have nourished my artistic spirit.

The South Bay Writing Group, a small and eclectic ensemble of women writers who meet once a week in a coffee shop in Redondo Beach, have become my sisters in writing. I look forward to meeting them once a week, when we briefly catch up on our lives, and fiercely critique each other’s work. They have seen me through divorce and depression, as I have seen them through death of parents, parental worries, and lately through cancer. I love them dearly and cannot be grateful enough for their support.

No other community has had a more significant impact in my development as an writer in the last five years than Women Who Submit. I met them on my first week in LA in the summer of 2014 and have been involved with them ever since. Despite my limited participation in this organization, Women Who Submit has become a great resource to find potential publication for my writing. I am not only grateful, but also proud to know the extraordinary founders and the leadership team.

But what brings me joy is dancing. When I dance, I smile and in doing so my brain produces the endorphins I need to feel good. I have danced since I was a child, but never paid attention to style or form. LA Salsa dancing scene is glamorous and flamboyant, and it’s been hard to learn so much sophistication. But I have talented and patient instructors, who celebrate my life’s events even when I still cannot gather enough friends for a party. They offer me so much fun on the hours I steal from my many responsibilities.

With only a few weeks left to the end of the year, I just wish that one day not far into the future, I can shed some of my financial constraints and dedicate myself entirely to pursue a career as a writer. And when I do so, I will do it as a part of the South Bay Writing Group, Women Who Submit, and the LA writing community as a whole. Then I will dance of joy.


Lisbeth Coiman is an emerging, bilingual writer wandering the immigration path from Venezuela to Canada to the US. She has performed any available job from maid to college administrator, and adult teacher. Her work has been published in Hip Mama, the Literary Kitchen, YAY LA, Nailed Magazine, Entropy, and RabidOak. She was also featured in the Listen to Your Mother Show in 2015. In her self-published memoir, I Asked the Blue Heron (Nov 2017), Coiman celebrates female friendship while exploring issues of child abuse, mental disorder, and her own journey as an immigrant.

A WWS Publication Roundup for November

A laptop computer with an article titled "Submissions Made Simple" on the screen and a stack of literary journals sits on top of the laptop base, titles facing out

As 2019 comes to a close, we are excited to share another great roundup of publications from Women Who Submit members. Congratulations!

From Désirée Zamorano‘s “Our Collective History: An Interview with Michael Nava” at the Los Angeles Review of Books:

MICHAEL NAVA: It’s a very common story. I’m about to turn 65. I’ve been out since I was 17. I’ve had hundreds of conversations as a gay man and realize that Bill’s story is just not that uncommon. I think it’s changed a little since 1971, where the opening is set. It has improved for the LGBTQ community in those intervening 40-plus years, so I have some emotional distance from the rawness of the story. That’s what protects me from not being able to write about it.

Also from Désirée, “Scarification” at Acentos Review:

One evening in July, in San Antonio, a group of us fled the stiff air conditioning of our rooms and gathered  impulsively at the outdoor seating of the college dorm at Texas A & M University. People brought beer, bottles of Topo Chica water, bottles of wine. Others brought hummus, potato chips, brownies. I glanced around the crowd of mostly women, and wondered, how many novels, memoirs, chapbooks, essays, present and future, did we all represent?

Congrats to Deborah Edler Brown who had two poems published in poeticdiversity, one of which, “Buddhi” was nominated for a Pushcart Prize! From “Buddhi”:

I know my wings when they show up
I feel their heft on my scapula,
on the wingspan between shoulder blades
I feel their stretch and the shadow
they draw across the ground. 

From “We’re Losing Generations of Family History Because We Don’t Share Our Stories” by Rachael Rifkin‘s at Good Housekeeping:

Most people don’t know much about their family history. This is because people usually don’t become interested in genealogy until they’re in their 50s and 60s, when they have more time to reflect on their family identity. The problem is that by that time, their grandparents and parents have often already passed away or are unable to recount their stories.

From Lisbeth Coiman‘s “El Guaire” at Acentos Review:

Before born,
El Guaire provided Caracas
With fresh water streaming down from tributaries.

Citizens proud of
First source of constant energy
In the subcontinent.

Congratulations to Helena Lipstadt whose poem, “First Light June, was published in A Dangerous New World: Maine Voices on the Climate Crisis!

Congratulations to Bonnie S. Kaplan who had two poems published in the Northridge Review!

Congratulations to Tanya Ko Hong whose book, The War Still Within, was published at KYSO Flash!

Congratulations to Romaine Washington whose poems “Br’er Boombox,” “Childman in the Motherland, Saguaro,” and “All-American Pastime,” were published in Cholla Needles 36!

Congratulations to Mareshah “MJ” Jackson whose story, “Too Nice,” was published at the Citadel!

Behind The Editor’s Desk: Jennifer Acker

WWS organizer Tisha Marie Reichle-Aguilera recently introduced me to Jennifer Acker, Editor in Chief of The Common. So much more than a literary journal, “The Common is a literary organization whose mission is to deepen our individual and collective sense of place.” Besides their online publishing and two annual print issues, The Common also hosts readings and conversations, and partners with schools, libraries and museums to promote literary engagement and create community. We are obviously all about that here at Women Who Submit. They also do leadership development with the next generation by hosting a literary publishing internship and participating in classroom programs.

Continue reading “Behind The Editor’s Desk: Jennifer Acker”

A WWS Publication Roundup for October

A laptop computer with an article titled "Submissions Made Simple" on the screen and a stack of literary journals sits on top of the laptop base, titles facing out

October has shaped up to be one of the busiest months for WWS publications! Congratulations to all the women who were published in October.

From Ryane Nicole Granados‘ “Home-Schooling Away from Home” at LA Parent:

Picture a child working on lessons at the kitchen table and you’ve pictured just a tiny sliver of the home-schooling landscape in SoCal.

From “Mimesis” by Maylin Tu at Exposition Review:

I have decided to become my father, to put on his body like a second skin.

I practice rolling my head back and forth around on my neck, like a bobblehead. I put my hands on my hips and shake one finger up and down in front of me. My face tightens into an exaggerated grimace as my finger picks up speed.

From Laura Warrell‘s “I Gave Up on Love, and It Was One of the Best Decisions I Ever Made” at Huffington Post:

At the end of our date in August 2018, Justin escorted me to my car, where he nervously kissed me. When I kissed him back, he cheered, pumping his fists in the air like he’d won something. I walked from the curb to my car, and when I turned around, he was watching me, beaming.

From “documents of light” by Helena Lipstadt at About Place Journal:

when the knock comes on the door
what do we take with us?

do we carry everything in one thin suitcase?
are we walking are we running?

From “The Coyotes of India Street” by Whitney Easton at Animal:

I wake to the sound of yipping in the night. Yipping turns to howling and a chorus of coyote song ensues, echoing throughout the ravine below. My chihuahua perks his ears to stand guard. The pitch and frequency intensify as more join in.

From Mia Nakaji Monnier What My Name Says about Who I Am” at Zora:

I became Mia Nakaji Monnier in college. I didn’t change my name so much as reveal more of it. While I’d always gone by Mia Monnier before then, the rest of my name appeared on all of my official documents: Mia Gabrielle Nakaji Monnier, a combination of Japanese and French, reflecting both of my parents. In college, I learned that my face alone rarely said enough about who I was.

From Lisbeth Coiman‘s “De Mujer a Mujer” at Lady/Liberty/Lit:

To Venezuela.

Mujer, I talk to you without hair on my tongue
As clear as this blue sky over our heads
Here is a mojito
Take a sip
I don’t have a drawer inside to hold unspoken truths

From “Prayer for a Sunday Morning” by Deborah Edler Brown at Pittsburgh Post-Gazette:

Divine wisdom,
Please show me how

To breathe
When the smell of hatred
Is hot and dank against my cheek

From Lindsey Skillen‘s “Labor Day” at Cosmonauts Avenue:

I’m not the kind of woman who would participate in a threesome, which is exactly why I went. I’m lately trying to be a different sort of woman—one who can pull off an edgy haircut. A sort of Brooklyn-blonde pageboy kind of haircut. I’m Jean Seberg from Breathless in my mind.

From “We are our own Multitude: Los Angeles’ Black Panamanian Community” by Jenise Miller at Boom California:

On a Saturday morning in late October, public workers in downtown Los Angeles block off the stretch of Broadway from Olympic Boulevard to Hill Street. Around 10 am, a crowd gathers, donned in blue and red garments, shirts embroidered with mola, white polleras with bright-colored pom-poms, or Panama flags draped across their backs, to celebrate the Annual Panamanian Independence Day Parade. 

From “An Immigrant Mom’s Push for Understanding” by Tanya Ko Hong at LA Parent:

My children bring magic into my life. However, there is no map to navigate being a parent in a multicultural society, especially when you are an immigrant parent.

Congratulations to Diana Love for having two poems published at Kelp Journal! From “Thrown Back in the Surf:”

Before the sense of self
there must be some surroundings.
In my green blue days of youth
the Valley was a smog-wrapped bubble,
a satellite apart, a cushion-edged suburban haze

Congratulations to Peggy Dobreer for having her poetry published in Aeolian Harp Series, Vo. 5!

Congratulations to Désirée Zamorano whose story “Bobby’s Leave 1968” was published in ¡PA’QUE TU LO SEPAS! edited by Angel Luis Colón!

Congratulations to Liz Harmer whose story, “Decisive Action,” was published at PRISM International!

Breathe and Push: Taking Attendance

The sky held smoke from a brush fire burning in the valley, even though our submission party was being held in a business park transformed into a college campus in Culver City. As hard as it was to show up on this Saturday morning, we were there.

Women Who Submit workshop with Rocio Carlos and Rachel McLeod.

It was hot, even for October in Southern California, so the title of Rocio Carlos and Rachel McLeod’s workshop, “Pay Attention: Attending and Collaborating at the End Slash Beginning of the World” pulsed with urgency.

We walked through glass doors, down carpeted hallways, and into an air conditioned classroom. We brought life with us. Writers breathed into the space, offered snacks, hauled metal water bottles, laptops, notebooks, and pens. Rocio and Rachel scattered pieces of greenery across tables. Cuttings of sage, lavender, rosemary, and citrus welcomed us. We pressed leaves between fingers, brought the outside in, and as more writers filtered in, the smoke of the weekend lifted.

Rocio and Rachel, the collaborative authors of Attendance, shared their process with us: their attending to the world; Rocio to flora, Rachel to fauna, and to all of the overlapping spaces. They paid attention. That Saturday morning, for a collection of moments, we collaborated with them. We shared their process, by attending together, paying attention, breathing in air, and taking care. It was not the kind of self-care Rachel described as being important so we can be more effective workers, but a mindfulness that connects us with one another, that helps us create connection even if the world is ending slash beginning.

We wrote together. We shared our names, and some flora and fauna. We wrote. We walked and breathed in one another’s work, and then we wrote again. We took attendance. Rocio and Rachel illuminated a bit of their process, and then sold all of their copies of Attendance.

Women Who Submit Leadership with Rocio and Rachel.
WWS Leadership with Rocio and Rachel: taking attendance.

As we stand at the end slash beginning of the world, it can be tempting to bury our heads in the ground, but this workshop reminded us to look, to lift our heads to the weather and take the pulse of everything around us: to take attendance and take care. It was exactly the way we all needed to spent a few moments on a hot fall day before getting to the business of submitting.

You can view this workshop stream on the WWS Facebook page. You can support Rocio and Rachel’s collaborative work by purchasing Attendance.

Noriko Nakada

Noriko Nakada is the editor of the Breathe and Push column. She writes, blogs, tweets, and parents in Los Angeles. She is committed to writing thought-provoking creative non-fiction, fiction, and poetry.

Behind the Editor’s Desk: Erin Elizabeth Smith

This is a reprint from an interview we did three years ago with Sundress Publications editor in chief Erin Elizabeth Smith. Sundress Publications donated two book bundles to our current Indiegogo campaign!

For the past sixteen years, Sundress Publications has been publishing chapbooks and full-length collections (including WWS co-founder Xochitl-Julisa Bermejo’s debut collection Posada: Offerings of Witness and Refuge), as well as hosting online journals and the Best of the Net Anthology. Managing Editor Erin Elizabeth Smith answered a few WWS questions about being an editor, and what makes Sundress unique.

How did you get started with Sundress?

I founded Sundress in 2000 to serve as an umbrella site for a number of online journals, including Stirring, Samsara, and several others. We still maintain this sisterhood of lit journals by hosting or promoting journals including Stirring (under new management) Rogue Agent, Pretty Owl Poetry, Wicked Alice, and cahoodaloodaling. In 2006, we began the Best of the Net anthology in order to promote the work publishing in online venues.

We began publishing chapbooks in 2003, but after our first three, we realized that we weren’t ready to give the time and finances needed to properly publish and promote books. It wasn’t until 2011 that we really decided to jump into print publishing. We started slowly, understanding that it was going to be a learning process and also understanding that we needed to build our reputation as a consistent and engaged publisher. We now publish seven print books a year along with our e-chapbook series. We also have three imprints, our journals, the Best of the Net, the Gone Dark Archives, and much more! Continue reading “Behind the Editor’s Desk: Erin Elizabeth Smith”

How is Women Who Submit Intentional About Intersectionality?

Multi-colored flyer with the words, Intentional Intersectionality

by Xochitl-Julisa Bermejo

When I first received an invitation to speak on a panel at a Lambda Litfest event called “Intentional Intersectionality,” I passed the invitation on to the rest of the Women Who Submit leadership team. These type of invitations often pay, and they’re an opportunity to not only raise WWS’s visibility but also the visibility whomever is speaking on behalf of the org, so opening them to the whole team is our regular practice. Plus, we don’t ever want one person to appear as the sole voice of Women Who Submit.

With no one else available, I almost passed because as someone who identifies as a straight, cis woman I didn’t want to take up space meant for another, but the organizers felt strongly about having Women Who Submit represented as a space for change, so I said yes.

Before the event organizers Cody Sisco, Rachelle Yousuf, and Sakae Manning, invited the readers and panelists to a planning meeting where we saw the space, a presentation room at The Armory Center for the Arts in Pasadena, and then walked to a cafe to discuss logistics, intentions, and possible panel questions. In this planning meeting, Sakae looked over at me and asked, “How does Women Who Submit create intersectional spaces?”

Group of 10 writers, organizers, and community advocates sitting on a stairwell.
Intentional Intersectionality: A Reading and Discussion Amplifying Queer Voices at Armory for the Arts From left-right, front Row: Roxana Preciado, Eugene Owens, Sakae Manning, BA Williams Middle row: Reuben Tihi Hayslett, Xochitl-Julisa Bermejo, Cody Sisco Back row: Evan Kleekamp, Rachelle Yousuf, Dan Lopez

It was a question I should have been prepared for since intersectional was in the name, and I’d been invited to be on the panel as a creator of such spaces, but suddenly sitting with the other talented and passionate readers and organizers, still figuring out how I could best serve this event, I was stumped.

It wasn’t until an hour later, on the walk back to my car, that I started to formulate a reply. I let Sakae know I now had an answer, and she let me know such was the purpose of the pre-panel meet up. I was relieved, but on the night of the event the question never came up. So now, I share it here with you.

Every Person is a Resource

At our bi-monthly meet ups, we invite local, professional writers to share their expertise with our community in one-hour workshops. We seek to curate speakers that reflect the marginalized communities we want to empower such as women of color, queer writers, non-binary and trans writers, disabled writers, mothers and caretakers, and working class writers. Speakers have presented on topics such as building an author website, finding an agent, and strategies for submitting to contests and tier one journals.

Six times a year, we invite a person to speak on a subject of their expertise, but at each of these workshops, we believe all people in the room are a resource. Often when someone asks a question at our workshops, the answer is group sourced. By honoring the worth of each writer’s knowledge and experience, we raise each other up.

Over the summer, I attended a week-long writers’ workshop where in one session a big, fancy east coast book editor asked a small group of us if we had questions for him. The way he conducted this Q&A made me feel like a child forced to listen to her adult teacher. But I wasn’t a child, and he wasn’t a teacher, but an editor with a capitalistic agenda.

When the discussion got to the difference between self-publishing, indie, and big business publishing, I didn’t agree with his response, and thought back to the writers I’d met in WWS who had found success in these varying spaces. I remembered our WWS workshops too and wished to speak, but instead I stood up and walked out on the conversation because it wasn’t a space that cared for my voice.

My hope is that since we’ve done away with this kind of elitism people will feel welcomed to stay and be apart of the conversation.

Accessibility

Some barriers we consider when planning our meetings are physical capacity, mental health, financial ability, and family obligations. To ensure that people facing such barriers can still reach our resources, we hold our public meet-ups at the Exposition Park Regional Public Library (when space allows). This location is central, close to the train and major bus lines, has handicapped and free parking, and is wheelchair accessible. We also Facebook Live our one-hour workshops for those who find themselves homebound, and all workshops and resources are FREE!

Failures are Accomplishments

Every month we have a “Rejection Brag,” a closed forum for our members, where writers can post the journals, contests, and other opportunities that chose to pass on their work. In this brag we celebrate each NO as a proof of the work each of writer is doing to advocate for her/their work. In a capitalist society, we’re taught that failure is shameful and a sign of not being able to cut it, but at WWS we’ve flipped that narrative, and use failure as a tool for advancement and community building.

Culture of Sharing

WWS shares everything: journals, spreadsheet templates, cover letter samples, snacks, submission calls, and even chisme (insider knowledge of literary markets, institutions, and orgs). Any resource we have is for the greater community. As I said at the beginning, even speaking engagements are shared. In a capitalistic society, it’s believed that only a few can succeed, but we reject this scarcity model. There are enough opportunities for all, and one person’s win is everyone’s win.

In the end, these are a few strategies we use for building spaces with intentionality, but we have areas for growth. And if you see a way WWS can be more intersectional, please share. We’re listening!

Our next free, public workshop is this Saturday, October 12th at Antioch University Los Angeles. “Pay attention: attending and collaborating at the end slash beginning of the world” with Rachel McLeod Kaminer and Rocío Carlos begins at 10am.

A WWS Publication Roundup for September

A laptop computer with an article titled "Submissions Made Simple" on the screen and a stack of literary journals sits on top of the laptop base, titles facing out

The leaves are turning as the writers from Women Who Submit continue to get their words into the world. Congratulations to all the women who were published in September!

From Erika Schikel‘s review of Patti Smith’s memoir Year of the Monkey at Book & Film Globe:

It begins on the first morning of 2016, at the Dream Inn in Santa Cruz. Patti has just played a gig at the Fillmore, celebrated her birthday, and visited Sandy, a lifelong friend who has suffered a brain aneurysm and lies unconscious in the hospital. She wanders outside the motel and takes a Polaroid of its googie sign and says to it, “Thanks, Dream Motel.”

From Ja’net Danielo‘s “The Fact of Things” at Frontier Poetry:

I am staring out the bus
window, watching
trees spin green
down a suburban
street. I am looking
for poetry in the blur
of leaves, in the lavender-
blue smear of jacarandas,
which is to say, I am
trying to hold something
without touching it

From “Venus” by Lituo Huang at goodbaad:

I am hungry for you, brown girl.
Spider-like you crawl,
your eyes are milk.
Do not gaze upward with your mouth
open, red.

Also from Lituo, “I Knew a Cat Once” at Recenter Press:

I knew a cat once.
Kitten-yellow
eyes it had.
Egg yolks against the edge of its tongue
purled with hooks
split and released daylight
onto a cooling plate.

From “I Do Not Know Where the Children Are” by Désirée Zamorano at the Los Angeles Review of Books:

I do not know where the children are. I do not know where their parents are. I do not know how our government supports this horror. I do not know what I can do.

Also from Désirée , “Angel Luis Colon: On Writing Violence” at CrimeReads:

My first loves were horror and literary fiction. Being a kid from the Bronx it never really struck me that you could write about the Bronx. I don’t know why; I imagine because when things are too close to home you just don’t see them from that perspective. When I really discovered the newer wave of crime fiction in the last ten years, I got exposed to that from places like Beat to a Pulp, Needle Magazine. So it’s kind of funny to realize, oh, people like this? I can write stories about this?

From Margo McCall‘s “Riverbed” at Pomona Valley Review:

Carrie’s last client of the day was a surprise, although she already sensed that
after a few more weeks in this job, nothing would surprise her. As she viewed the
latest personification of human need slumped in the worn chair beyond her desk,
she saw a guy her own age—and not bad looking either.

Congratulations to Jenise Miller who had two poems published at Cultural Weekly! From “Dolphins:”

Yolanda “Yo-Yo”
Whitaker whipped crimped,
blonde braids and bragged
the earrings I wear are called dolphins
and I became bigger

From Tisha Marie Reichle-Aguilera‘s “Swirling Debris” at Citron Review:

She stands on the corner, only one young man next to her.
His headphone bass vibrates the air.
The signal changes to walk.

Congratulations to Helena Lipstadt whose poem, “Everybody Knows” was published at Free State Review!

Congratulations to Lindsey Skillen whose story, “Labor Day,” was published at Cosmonauts Review!

Congratulations to Colette Sartor whose story collection, Once Removed, debuted this season!

Congratulations to Desiree Kannel whose story, “Running Man” was published in Running Wild Press’ Anthology of Stories!