The WWS Fall Workshop Series

Women Who Submit is excited to hold its first workshop series with three LA-based professional poets and writers who will share personal writing and accountability tools for success in order to help writers craft their next poem, essay, or story and build confidence in their own process. This workshop series offers an opportunity for people of all genders, genres and skill levels to gain practical take-aways from three of Los Angeles’ most fresh and exciting WWS authors and work with an organization dedicated to growing a socially conscious and diverse community focused on supporting women and nonbinary writers in the pursuit of equal representation in publishing and writing programs.

The Women Who Submit Fall Workshop Series, in partnership with PEN Center USA and Avenue 50 Studios, is a not-for-profit event created as a fundraiser for future WWS programming, events, and conference presentations. It is open to people of all genders, orientations, and creeds.

On Silence in Poetry with Ashaki M. Jackson
Saturday, October 1, 2016
10am-1pm at PEN Center USA
Tickets: $80 regular / $60 WWS & PEN

On Writing and Movement with Jay O’Shea
Saturday, November 5, 2016
10am-1pm at PEN Center USA
Tickets: $80 regular / $60 WWS & PEN

From Public Notebook to Book with Wendy C. Ortiz
Saturday, December 3, 2016
10am-1pm at PEN Center USA
Tickets: $80 regular / $60 WWS & PEN

Each workshop, led by a WWS member, leans into their own particular approach to developing work from inception to execution. A $200 ($150 for PEN and WWS members) discount is available for purchasing all three workshops.
Continue reading “The WWS Fall Workshop Series”

A WWS PUBLICATION ROUND UP FOR JULY

A laptop computer with an article titled "Submissions Made Simple" on the screen and a stack of literary journals sits on top of the laptop base, titles facing out

The summer has not slowed down the members of Women Who Submit who have accumulated yet another impressive list of literary awards and publication acceptances.

Lauren Eggert-Crowe had three poems published in Angels Flight Literary West. From “Never Shop Thirsty:”

My heart is a hole I want
to stuff with bread

so I go to our Trader
Joe’s for the first time

since you left. Rearranged
shelves are enough to bring it on.

Continue reading “A WWS PUBLICATION ROUND UP FOR JULY”

Claps and Cheers: Aya de Leon interviewed by Toni Ann Johnson

The first time I saw Aya was during graduate school at Antioch University Los Angeles. I noticed her immediately because she’s taller than most (while I’m shorter than most), and she has beautiful, long dreadlocks. Her intelligence, however (she’s a Harvard graduate), was the attribute that would remind me of who she was once we left campus and communicated from our respective locations for the rest of the semester. (Ours was a “low-residency” program.) During online conferences I’d read her posts and think: Oh yeah, that’s Aya, the really smart woman.

 

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Aya de Leon – Author – Activist – Faculty – Mom – Really Smart Woman

Continue reading “Claps and Cheers: Aya de Leon interviewed by Toni Ann Johnson”

Women Who Submit Stands with #BlackLivesMatter: Resources for Awareness, Unity and Healing

Women Who Submit stands in solidarity with the #blacklivesmatter movement as we work for equality and visibility of not just women writers but all marginalized people. As we each individually and as a collective search for ways to help the movement, we share the following collection of articles, interviews, poems and videos that we have found helpful in this dark time. We hope you find them helpful too. Continue reading “Women Who Submit Stands with #BlackLivesMatter: Resources for Awareness, Unity and Healing”

A WWS PUBLICATION ROUND UP FOR JUNE

A laptop computer with an article titled "Submissions Made Simple" on the screen and a stack of literary journals sits on top of the laptop base, titles facing out

The summer has gotten off to a pub-tastic start! Congratulations to all the women who have had work accepted or published in June.

From Alana Saltz‘s “How ASMR Videos Help Me Cope with My Anxiety” on Bustle:

Until six months ago, I’d never heard of ASMR. All I knew was that I had a fondness for particular sounds and voices. When people spoke to me kindly and softly, it eased some of the symptoms that came with my anxiety disorder. Certain accents and tones made my body feel tingly and calm.

Continue reading “A WWS PUBLICATION ROUND UP FOR JUNE”

Writing English as a Polyglot

by Hong-My Basrai

When we finally left communist Vietnam, my father said: “Never look back.” His words had a finality to them. They stuck in my twenty-two-year-old mind, and so I began my never looking back process, starting with learning to communicate predominantly in English.

The acquisition and manipulation of languages were second nature to me. I had been doing it all my life—soaking up Vietnamese in the cradle, French in kindergarten, Chinese from classmates, English to survive, and Gujarati because I had married into a Gujarati Indian family.

Basic English had come to me easily enough. It was just a small step from uttering my first “thank you” to verbal fluency, then progressing fast from ESL writing class to English 1A composition. What was harder was learning to elevate my writing proficiency to a level suitable for a public audience. Since I had picked up English on the go, learning it by imitation, like a baby, with most words borrowed from my prior knowledge of French, I had to pay extra attention to spelling of similar words, particularly homophones like address and adresse, envelope and enveloppe, May and mai; false cognates, words that have similar spelling but different meanings, like infant and enfant, anniversary and anniversaire, song and son; and words of Latin and Greek roots like destroy and détruire, or abnormal and anormal, etc.  Continue reading “Writing English as a Polyglot”

May Submission Deadlines: 9 under $15

By Lisbeth Coiman

Here is our submission call list for May. Today I bring you five deadlines and five open calls all but one under $15. Polish your piece, submit, and track. Find support in your community to celebrate each other’s success, but make time to hold your writing buddies through rejections. Keep writing. Submit hard.

 1.Gloom Cupboard

Deadline: May 15, 2016

Submission Guidelines: 

http://gloomcupboard.com/https://gloomcupboard.com/submission-guidelines/ 

Reading fee: $3 Continue reading “May Submission Deadlines: 9 under $15”

The Animal In Us

by Melissa Chadburn and Lauren Eggert-Crowe

One December night in Culver City, I, Melissa Chadburn, was talking to Lauren Eggert-Crowe about Kate Gale’s Huff Po missive about AWP’s inclusion and Carol Muske-Dukes’ defense of said article. Lauren said she’d wanted to write a response but it takes her time to write these things. I suggested we collaborate on a response to be read aloud at a Red Hen Press event. So on Thursday April 7th, rather than read the essay that Red Hen published in the Los Angeles Review, I read this:

MC:
I used to live in a group home. I used to wander the streets looking into people’s dining rooms with the worst kind of ache. I used to stand around with teenage boys on the street corner waiting for the stoplight to change color. I used to hitch rides through the Palisades to go to my group home for girls by the ocean. I used to worry about gonorrhea and feel like I was the worst piece of shit alive. I used to pat my mother’s hair between my hands like hamburger meat. I used to practice kissing girls by kissing the back of my hand or kissing my own shoulder just to see what my skin tasted like. I used to do graffiti on government issued desks waiting for my name to be called. I used to long to belong to a world of the ordinary.

Continue reading “The Animal In Us”

Ten Small Presses Under $25

IMG_2016By Lisbeth Coiman

As if you didn’t gather enough information at the AWP, here is a bit more, a short list of publications to send your best work to. This time I rounded up ten small presses names with their contact information and a short review. They all have open reading periods. They all do exceptional work at bringing emergent voices on print.

1. 2Leaf Press
Reading Period: Opening date January 1.
Submission Guidelines
What They Like: NY-based nonprofit that promotes literature and literacy. They look for new voices, and produce quality work in a wide variety of genres by culturally diverse authors. Focus on literary fiction and cultural non-fiction.

2. Alternative Book Press
Reading Period: Not listed
Submission Guidelines
What they like: They are looking for work that can stand time, not just for a sale hit.

3. Cinco Puntos Press
Reading Period: Not listed
Submission Guidelines
What They Like: Although they have a focus on the US / Mexico border region, they also publish great writers from other parts of the countries with stories located in other settings. Submission starts with a phone call.

4. C&R Press
Reading Period: Now accepting
Submission Guidelines
Reading fee: $25
What They Like: They are interested in supporting authors whose thoughtful and imaginative contribution to contemporary literature deserved recognition and support.
5. Diversion Press
Reading Period: Opens May 1
Submission Guidelines 
Reading fee: 0
What They Like: Academic non-fiction, slice of life, how-to, history, and other non-fiction works. They also publish a poetry anthology and sponsor a poetry contest.
6. Outpost19
Reading Period: Not listed
Submission Guidelines
Reading fee: 0
What They Like: Looks for innovative projects and provocative reading. Uses submittable.
7. Pink Fish Press
Reading Period: Not listed
Submission Guidelines
Reading fee: $0
What They Like: Try to destroy the stigma of “poor quality work” that accompanies independent authors. They believe in talented voices, and gifted writers are the forefront of popular culture. Isn’t that nice?
8. Red Hen Press
Reading Period: Open till September
Submission Guidelines
Reading fee: $20
What They Like: Red Hen Press is committed to publishing work of literary excellence, supporting diversity, and promoting literacy in our local schools. They seek a community of readers and writers who are actively engaged in the essential human practice known as literature.
9. Wild Embers Press
Reading Period: Not listed
Submission Guidelines
Reading fee: $0
What They Like: Looking for experimental stories of love and liberation from marginalized place in all genres, fiction, creative non fiction, and poetry. Welcomes art included with narratives. Query via email at wildemberseditor@gmail.com. Only PDF files.

10. Willowbooks
Reading Period: Open from April 1 to September 1
Submission Guidelines
Reading fee: $0
What They Like: Their mission is to develop, publish, and promote writers typically underrepresented in the market, and the reading period is open to all writers from diverse cultural backgrounds.



Headshot 2Lisbeth Coiman is a bilingual writer standing (unbalanced) on a blurred line between fiction and memoir. She has wandered the immigration path from Venezuela to Canada, to the US, and now lives in Oakland. Her upcoming memoir The Shattered Mirror celebrates friendship among women and draws attention on child abuse and mental illness. She also writes short fiction and poetry, and blogs “irregularly” at www.gingerbreadwoman.org

The Power of the Post-It: Writing My Life into Existence

by Li Yun Alvarado

“PhD by 33”

Those were the words I scrawled on a yellow post-it note shortly after beginning my doctoral coursework. At the time, the fact that the phrase rhymed felt significant, as if the rhyming meant my five year deadline was somehow meant to be.

I was twenty-eight when I began, and even though five years to complete the coursework, comprehensive exams, a proposal and dissertation was an ambitious goal, I believed it was attainable, so I wrote “PhD by 33” on that post-it and stuck it prominently above my desk. That post-it was only the first of a collection of messages that decorated the area I came to call my “dissertation station.”

“Shitty First Draft!” proclaimed another post-it, making reference to Anne Lamott’s advice that all great writing begins with a shitty first draft.

“What Must Get Done Will Get Done” — a mantra I picked up from a high school friend also made an appearance on my wall. I had used that phrase for over a decade to psyche myself up before long nights of paper writing during high school, college, and graduate school.

After reading Writing Your Dissertation in Fifteen Minutes a Day by Joan Bolker, I posted several quotes from that book on my wall as well:

“Living (and writing) well is the best revenge”

“First you make a mess, then you clean it up”

“Not every single word of this can be garbage”

“Writing is probably the best cure for a scared writer”

“Create and Care for Your Writing Addiction”

“Don’t cry over spilt milk, or unwritten pages”

“Write one day at a time”

“WRITE FIRST!”

“The best dissertation is a DONE dissertation”

One of my favorite post-its came from an unexpected source: the last line from Cristina Yang’s final monologue on the TV show Grey’s Anatomy: “Assume it will be Brilliant.”

I’m not unique in my use of post-its to motivate and inspire. On the TV show Being Mary Jane, Gabrielle Union’s character Mary Jane displays meaningful quotes and affirmations on yellow post-its all over her home—even on her head board.

Chicana feminist-poet-scholar Gloria Anzaldúa wrote her ambitions on “candle affirmations,” circular pieces of paper on which she wrote personal, professional, spiritual, and writing aspirations. Presumably after writing these affirmations, she’d place a candle on top of the paper, set her intention, and light the candle. You can find Anzaldúa’s candle affirmations at her archive at UT Austin (Box 5 Folder 5).

Most recently, a page full of affirmations were found in one of novelist Octavia Butler’s notebooks. “I shall be a bestselling writer,” she begins. “This is my life. I write bestselling novels,” she continues. Her aspirations are not limited to her own success either. She affirms, “I will help poor black youngsters broaden their horizons. I will help poor black youngsters go to college.” One powerful phrase that she repeats is: “So be it! See to it!”

News of Butler’s page of affirmations circulated like wildfire among my friends’ FB pages. Her words alongside her successful career acted as an example of the power of clear and precise envisioning. As the title of one Blavity article proclaims, “Octavia Butler’s Personal Journal Shows the Author Literally Wrote Her Life Into Existence.” I think it is that idea of writing oneself into existence that resonated so powerfully with us writers because so many of us are trying to do exactly that.

Butler’s affirmations reminded me of another post-it I stuck on the wall above my desk while dissertating: “Dr. Alvarado.” I wrote the title “Dr.” beside my name long before my dissertation was done as if to say, “So be it! See to it!”

These examples, combined with my own experiences creating vision boards and posting advice and affirmations around my home, have made me a true believer in the power of the post-it, or, more accurately, the power of clearly articulated aspirations, affirmations, and images posted prominently in our living and working spaces. I’ve come to believe that these post-its, lists, candle affirmations, and vision boards can function as powerful aids in attaining our hearts’ deepest desires—as writers, artists, and even as human beings.

So, did I achieve my goal of “PhD by 33”? No. That was a crazy goal!

But by my 34th birthday in October of 2014, my committee and I had agreed that I would be ready to defend my dissertation that spring — the first person in my cohort to do so. Having the “PhD by 33” stretch goal made me stay focused on making steady progress on my doctoral work even when life got in the way (losing a friend and a grandparent; having my brother, sister-in-law, and infant/toddler nephew as roommates; finding a (benign) tumor on my breast; teaching and grading (ugh!); embracing a long distance romance turned cross-country move turned marriage; planning a wedding in Puerto Rico from California; and buying a first home—to name just a few examples). During those six years, I pushed myself and pushed my committee to support me on my forward progress, so that I could not only finish, but finish quickly.

When it became obvious that “PhD by 33” wasn’t going to happen, I let myself off the hook. I crossed out 33 and wrote in 34. Finishing by 33 was never the point; finishing was the point. By pushing myself to make that 33 “deadline,” I was a lot closer to the ultimate goal by my 34th birthday than I might have been otherwise.

Post-PhD, my writing related post-its remain above my desk, along with some new additions, like a picture of Idris Elba asking “Shouldn’t you be writing?” Yes, Idris, yes I should be.

The post-it that replaced “PhD by 33”?

“5 Books & 2 Babies by 45!”

0a30ce95-d370-4e46-a66f-8b6eee7f6ebdI’m giving myself ten years to focus my efforts on “Books & Babies.” I even created one of my elaborate vision boards filled with cut-outs from Poets and Writers and parenting magazines evoking the parent/writer life.

Will I make these things happen? Sure. Why not? I don’t know. What I do know is that if I don’t try to make them happen, then they most certainly won’t.

A few months after writing “5 Books & 2 Babies by 45!” on a post-it, a poetry manuscript I’ve played around with and submitted in various forms for about nine years was finally picked up. That chapbook, Words or Water, is now available for pre-order from Finishing Line Press (book #1). The summer after I earned that PhD, I wrote a picture book manuscript, submitted it to a contest with Lee & Low Books and won second place. I have faith that it will be published one day (book #2). As we speak, I’m compiling poems for a full-length manuscript I hope to start submitting next fall (book #3). My husband and I are enjoying trying for baby #1. I’d say that’s not too shabby for my first year of “5 Books and 2 Babies by 45.”

In the end, clearly articulating what I really want—in writing— helps keep me focused and striving. I write towards those goals, and I submit towards those hopes, and I think of new projects with those aspirations in mind, and I make love open to those dreams. And I move forward. And I write my life into existence.


 

836a7816-6944-43db-9d60-c4da48346a59Li Yun Alvarado is the author of Words or Water and Nuyorico, CA. A poet and scholar, her work has appeared or is forthcoming in Wise Latinas: Writers on Higher Education; The Acentos Review; and PMS Poemmemoirstory among others. She recently received the Lee & Low New Voices Honor, and in 2012 she received an honorable mention for The Andrés Montoya Poetry Prize. She is currently the Senior Poetry Editor for Kweli Journal and is an alumna of VONA/Voices Writing Workshop and AROHO. She holds a BA in Spanish and sociology from Yale University and an MA and PhD in English from Fordham University. Li Yun is a native New Yorker living in Long Beach, California who takes frequent trips to Salinas, Puerto Rico to visit la familia. You can order her new book and learn more about Li Yun on Facebook and at www.liyunalvarado.com.