Category: Closing the Gap

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Hedgebrook and Other Residency Resources

Black and white photo of six women sitting around a rectangular table

by Xochitl-Julisa Bermejo

This article was first published in July 2017. The current deadline for Hedgebrook 2019 residencies is Tuesday, July 24th. 

Hedgebrook’s 2018 Writer in Residence is now open. The deadline for applying is July 25th. Though there is a $30 application fee, rumor is you can request a fee waiver based on need, and if you are accepted, the stay–which includes room and board–is free of any cost aside from travel costs to Whidbey Island an hour outside of Seattle, Washington.

Hedgebrook is an all-female and female-identifying writing retreat. Writers stay in their own little cabin in the woods equipped with a desk and fisherman’s fireplace, and are given three meals-a-day, which includes a community dinner each night. No more than seven writers are on the premises at one time. One aspect that makes this residency highly sought out is Hedgbrook’s belief in radical hospitality. Some highlights of this include: menus catered to each writer’s specific food needs (and even the occasional favorite comfort food), fresh baked cookies daily, a well-loved garden writers are encouraged to pick flowers from for their desks, and absolutely no pressure to write. As someone who has experienced Hedgebrook, you and your writing will rarely feel so nurtured. Continue reading “Hedgebrook and Other Residency Resources”

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Santa Ana’s LibroMobile: More Than Just Books

A brunette woman leans against a mobile bookseller's cart. The sign above the cart states #libormobile.

By Sarah Rafael Garcia

When I first received the rusty, planter cart from my friend and local business owner Delilah Snell, she was explaining how to garden herbs and organic veggies. Meanwhile, I was envisioning a bookmobile and planting books in gente’s hands alongside the fruteros on La Calle Cuatro.

LibroMobile is a literary project I initiated in Santa Ana, California with support from Red Salmon Arts and Community Engagement. It integrates literature, free visual exhibits, year-round creative workshops and live readings. The actual LibroMobile (a repurposed gardening cart holding an inventory of diverse books) is not only mobile but also builds community and promotes literacy. As of January 2018, after a 9-month stint in a stairway, the retrofitted bookmobile resides in a warehouse on Calle Cuatro (off 4th & Spurgeon, back alley area), travels throughout Santa Ana visiting a variety of community-based events, and on Saturdays we provide free café de olla donated by Café Calacas. The design of the LibroMobile is a tribute to the iconic paletero carts or fruit vendors that are part of downtown Santa Ana. To hear or see a paletero or frutero cart builds cultural interests (from locals and visitors) to know that something authentic and familiar is being offered, and LibroMobile has achieved the same connections through relevant literature. Continue reading “Santa Ana’s LibroMobile: More Than Just Books”

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My 12-Year Love Affair

Brunette woman sitting at a white table signing a book. Vase with oranges and orange flowers.

It began 12 years ago, the concept for my poetry collection Orange Lady. It was 2006, that summer I had gone to VONA (Voices of Our Nation Arts Foundation) in San Francisco, where I had taken a writing workshop with Chris Abani. At VONA, I connected with writers who also lived in Los Angeles, and upon my return, through them, I learned about Ruth Forman’s poetry workshops. It was in these workshops held at Ruth’s home in Los Angeles surrounded by willow trees and included Tai Chi lessons taught by her that the poetry collection came to me. Ruth always showed immense compassion toward our writing process and lovingly gave us permission to just write. That permission to just write sparked this emotional surge in me, and I wrote without care or judgment, with pure reckless abandonment. It was in these workshops that I began compiling the poems that would ultimately become part of my first poetry collection Orange Lady. Continue reading “My 12-Year Love Affair”

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Learning Your Audience: The Benefits of Submitting to Literary Journals, Grants, and Residencies (Even If You Don’t Get In!)

1950s cinema audience with 3D glasses

For this week’s “Closing the Gap” article, I’m bringing back an oldie but goodie from 2016 written by our web designer and co-organizer, Rachael Warecki. Since writing this article, Rachael has continued to receive publications and acceptances to residencies such as Ragdale Foundation and Wellstone Center. Most recently, she won the 2017 Tiferet Prize in fiction.  I hope her advice on finding your audience through submission inspires you to join us this Saturday at our WWS New Member Orientation and Workshop in the Los Angeles Arts District. We will be submitting to journals, contests, residencies and fellowships in real time. If you are not in the L.A. area, please consider submitting with us remotely from the comfort your home and be sure to notify us Twitter, Facebook or Instagram when you hit send, so we can cheer you on! 

– Xochitl-Julisa Bermejo, Closing the Gap Editor

Learning Your Audience: The Benefits of Submitting to Literary Journals, Grants, and Residencies (Even If You Don’t Get In!)

by Rachael Warecki

Two years ago, I decided I needed to focus my submission process. I’d received acceptances from some wonderful journals, but I’m ambitious as hell and I wanted to take my writing and submission goals to the next level. Around the same time, I also decided to apply for grants and residencies, so I started to target my submissions and applications more strategically.

As I’ve written previously, this approach has had some success, mostly in the form of personal rejections. But the editorial notes and feedback have given me more than just warm, fuzzy feelings of validation—they’ve given me a better sense of my most receptive audience. In the two years since I decided to submit more strategically, I’ve discovered that my writing seems to appeal mostly to editors and directors who are women. The judges and editors who’ve written me the warmest rejections have identified as women or represented women-centric organizations, or both.

Continue reading “Learning Your Audience: The Benefits of Submitting to Literary Journals, Grants, and Residencies (Even If You Don’t Get In!)”

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Poem-a-Day as Practice

A tree with pink blooms next to a suburban sidewalk covered in shadows on a sunny day.

by Xochitl-Julisa Bermejo

I am not a morning pages poet, nor am I a write everyday poet. To write every day, or close to every day, is something I have to work at, and by work I mean, it takes trickery. It takes a challenge like Poem-A-Day that happens every April for National Poetry Month. If you’ve never heard of this event, it’s similar to National Novel Writing Month—commonly known as NaNoWriMo—in September but without the cute name. For the month of April, in celebration of NPM, poets around the country and even the world, challenge themselves to write one new poem a day for 30 days. To help, many websites and journals give daily writing prompts. Many are free and some take a subscription. But here’s the thing, you don’t have to wait for April to challenge yourself, and to be honest, I have never successfully accomplished writing 30 poems in 30 days in April, and to be even more honest, I’ve only tried once, maybe twice.

Continue reading “Poem-a-Day as Practice”

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Our Voices: Adopted People of Color

by Julayne Lee

Several years ago I attended a conference in Minnesota with overseas adopted Koreans. One of the evening events was a spoken word and poetry showcase featuring only adopted Korean artists. I had been to several poetry readings but this was the first one where our perspectives and experiences were centered. My friend who had gone to poetry readings with me leaned over and said, “This is for us.” It was special, unique and amplified our voices and lives.

I moved to Los Angeles a few years ago and participated in Writ Large Press’ first #90for90. When I heard they would host #90X90LA again in 2017, I knew I wanted to curate an event, and I wanted it to center adopted people of color. On a very hot Saturday afternoon in September, we gathered at Cielo gallery, and I hosted Our Voices: A Reading & Discussion with Adoptees of Color. We believe it to be the first ever poetry reading by adopted POC in Los Angeles, which featured Lynne Thompson, Dr. Michael Datcher and Yun-Sook Navarre. I had let the poets know they could read anything adoption related or not but the majority of what they chose to share was about adoption. It was a powerful experience for the poets and the audience, some of whom identify as adopted POC. For some, it was their first time being in an adoptee-centered environment. Continue reading “Our Voices: Adopted People of Color”

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7 Ways for Women Writers to Make 2018 a Stronger, Kinder, More Kick-Ass Year

by Danielle Mitchell

Tip 1:

Make new friends. Surround yourself with good people digitally & physically. You can make friends on social media by interacting through comments and re-tweets, you can make new friends IRL by attending a workshop, or asking an acquaintance you admire out for coffee. I’ve reached an age where I’ve begun to think making new friends is close to impossible, or at least improbable. But it only takes one new exciting connection to renew your faith in friendships. Open yourself to making that connection.

Continue reading “7 Ways for Women Writers to Make 2018 a Stronger, Kinder, More Kick-Ass Year”

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December’s WWS New Member Orientation and Tips for Self-Care

by Xochitl-Julisa Bermejo

unnamed-1
Andrea Gutierrez has been published in make/shift, Mujeres de Maiz, Bitch, Huizache, On She Goes, and has previously edited for make/shift, Drunken Boat, and Los Angeles Review of Books.

Our next WWS New Member Orientation and Submission Party is set for Saturday, December 9th from 10am-2pm at 5481 Santa Monica Blvd 90029. We will begin at 10am with a one-hour workshop on self-care from WWS member and chingona, Andrea Gutierrez, who recently co-led a workshop on self-care at the 2017 Thinking Its Presence conference at the Poetry Center in Tucson, AZ. The workshop will be followed by breakout sessions from 11am-11:30am for a WWS orientation for new members and goal setting for current members. We will be submitting in real time from 11:30am-2pm. If you are looking for places to submit, check out this list of current open calls from Entropy.

New this month, we are gifting up to $200 worth of individual grants to WWS members to help offset the burden of submission fees thanks to the Center for Cultural Innovation selecting WWS for an Investing in Tomorrow grant. Submission fee grants will be given in $25 and $50 amounts and will be based on need. These grants are for current members, but don’t worry, to become a member, all you have to do is show up. New members will be eligible for a grant at our next public meeting in February.

Continue reading “December’s WWS New Member Orientation and Tips for Self-Care”

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A Repost: The Fabulous 40

Back at the end of 2015, WWS organizer, Tisha Marie Reichle, curated this fantastic list of 40 feminist journals to support and submit to in 2016. Since we are coming to the end of 2017, why not challenge yourself to hit up a couple of these markets before the new year? Check out these journals that didn’t make it on to our first list–Gigantic Sequence, Lady/Liberty/Lit, Mothers Always Write, VIDA, Women in Literary Arts, and What Fresh Witch is This–and be sure to share any new journals we missed in the comments! 

NPG x126136; Jackie Collins; Joan Collins by Terry O'Neill
by Terry O’Neill, bromide fibre print, 1970s

The Fabulous 40: Sister Journals to Read, Support, and Submit to in 2016

by Tisha Reichle

When setting your reading and writing goals for 2016, consider the work being done by other women writers and editors – people like you! Think about subscribing to one or more of the journals listed below. Make a conscious effort to read print and online journals edited/curated by women writers. Submit your work regularly to the journals and magazines that address themes you are writing about. As we move towards being more responsible literary citizens in the upcoming year, keep our sister writers in mind. (Information below is edited from each journal/magazine website information.)

If there are publications that have not been included on this list, please add a brief description and a link in the comments below so others can learn about it and we can update our information.

13th Moon: A Feminist Literary Magazine
Founded in 1973 in the ferment of early second wave feminism, as a home for women writers and their readers. Because the surrounding culture has tended to erase women writers from history, their work has needed rediscovery, preservation and its own dedicated space each generation. Continue reading “A Repost: The Fabulous 40”

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Ten Kind Suggestions for Being a Literary Citizen

by Xochitl-Julisa Bermejo

1. Read

The most important way to contribute to a community of writers is to read their writing. Buy and read the books and journals of those around you, those you admire, those who you wish to work with, those you call friend or wish to call friend. Of course, we can’t buy every book, but if you can’t buy it, then borrow it from a friend or the library (And by the way, support your local libraries! They do important work for the community’s children and families). We are writers; it’s what we do; it’s what we work for. Show your appreciation for others by knowing their work.

2. Share

Beast Meridian, Vanessa Angélica Villareal's book of poems, sits on top of outstretched legs lounging on a couch

Use social media to share what you’ve been reading and help promote other writers’ work, readings, or events. I like to post photos of my current reads to Twitter and Instagram with #amreading and tag the author if I can. As someone whose first book debuted a year ago, I know it gives me all the warm, happy feels to see my book in a reader’s hands on social media, and I want to give that feeling back. Also, it helps promote their work and possibly gain them more readers and followers. I also like to share photos of events I’m at, especially if they are women, women of color, and writers of color centric events because we need to be archiving more. I think it’s important to capture these moments, and say, yes, these writers were here; their work is important; you should know these writers.

It costs nothing to share what you’re reading or the events you’re attending on social media, so why not give freely and widely? Continue reading “Ten Kind Suggestions for Being a Literary Citizen”