Breathe and Push: Pushing Publishing at the AWP Book Fair: A Choose Your Own Adventure!

By Noriko Nakada

I’m heading to AWP again this year. Last year was my first because I had the chance to table for Jack Jones Literary Arts. I also listened in on panels, heard from writers I respect and admire, and tackled that book fair.

a table filling with books by Women Who Submit members and a WWS tote bag with the WWS logo displayed prominently.

The book fair is so overwhelming. All of those presses and programs and tables and books and writers. You could run into Jericho Brown wearing a flower crown, or Terese Marie Mailhot signing her memoir, or Wendy Ortiz browsing. In that overwhelm that is the AWP Book Fair, I was star-struck, and buying too many books, and stuck in my head as I wandered the aisles. I saw presses I’d sent work to who had passed. There were presses I’d never heard of. There were presses who’d published me. What did I have to say at these tables where my words were or were not welcome?

I felt lost, and small, so I found my way back to the Jack Jones table again and again. I only tabled there for a few hours over the course of the conference, but it was always a magnet pulling me, and it felt like my home base within that chaos. Even when I wasn’t tabling for them, every time I found myself in that fair, I’d walk by their table, visit with the staff or an author, ask if they needed anything, and help out before making my way to a lecture or panel.

Jack Jones isn’t at AWP this year, but I want to tackle that book fair in a way that feels healthy and productive. I don’t want to feel so lost and overwhelmed. So this is my AWP Book Fair action, and I invite any Women Who Submit members who are attending to join me in putting a little activism into your book fair wanderings.

1) Approach a press with one of our Women Who Submit postcards.

2) Present the card and introduce yourself. Explain a little about Women Who Submit, an organization which, as a response to the VIDA count, empowers women and nonbinary writers to submit their work for publication.

3) Choose your own adventure:

a friendly press: Thank the presses for doing their part to bring more gender equity into the publishing world. Maybe ask how they think they will do on the 2019 count, and what they plan to do to ensure continued equity in 2020. Ask about how they think they’re doing publishing women of color.

a press that is making gains: Acknowledge that the press has improved, but isn’t yet equitable. Ask if they are doing anything to ensure more equitable gains on the 2019 count or for 2020. Ask if they know about their racial representation and how they think they are doing/can do better.

a press that isn’t friendly to women: OK, only one of these is at AWP this year, but go ahead and let them know that they aren’t very equitable in their publishing of women and ask if they’re doing anything to change this. Ask how they might improve their representation of women of color.

a press that isn’t on the VIDA count list: There are so many of these! Ask them how many women editors they have, editors of color, queer editors? Are they actively recruiting marginalized voices? What are their strategies? Do they pay? Are they interested in hearing from our members? Particularly if there are women tabling, and specifically women of color, thank them for the work they are hopefully doing to ensure more equity in publishing.

4) Ask them to look for Women Who Submit members in their slush piles, and to be on the lookout for submissions during our Annual Submission Blitz in August!

5) Record your interaction. Did they seem receptive to WWS’s mission? Any names of editors or upcoming submission deadlines you should note? Will you send them work?

Press/Table Response to WWS Mission Editor Names* Any upcoming call for submissions Will you submit?
         
         
         
         
         

Please record your activism on this google form.

https://forms.gle/MNw1syCdMGbX87z49

It’s that simple! Make the most of your AWP!

Press designations from the 2018 VIDA Count: Book Fair location or N/A (not attending)

Friendly Presses

+60% women published
McSweeney’s: T1930
The Missouri Review: N/A
Prairie Schooner: 1668-1669
The Normal School: N/A
Pleiades: T2034
The Cincinnati Review: 1533, 1534


+50% women published
Tin House: 1635
Granta: N/A
Boston Review: N/A
Ninth Letter: 1532
Jubilat: N/A
Colorado Review: 1430
Conjunctions: N/A
Virginia Quarterly: 1129
Fence: 1751
n+1: T1321
The Believer: 1643-1644
New England Review: N/A
Kenyon Review: 1655

Getting Better: (made improvements >+5% in more equitable representation, but still not to 50%)
Poetry: 1457
The New Yorker: N/A
Gettysburg Review: 1135
Southwest Review: T259
Harvard Review: T1220

Male-Dominated Presses (less than 40% women represented)
The Times Literary Supplement: N/A
The Nation: N/A
The Threepenny Review: N/A
London Review of Books: N/A
The Atlantic: N/A
The New York Review of Books: 1058

Find us for WWS cards at the ACCOLADES Release Party on Thursday, March 5th from 4pm-7pm at La Botanica or at the ACCOLADES Book Signing on Friday, March 6th from 12pm-2pm at table Nosotrxs: More Than Books, 1038.

You can also catch WWS members all over AWP. Here is our AWP San Antonio guide.

headshot of racially ambiguous writer Noriko Nakada

Noriko Nakada writes, blogs, tweets, parents, and teaches middle school in Los Angeles. Publications include: Through Eyes Like Mine (2010), Overdue Apologies (2012), and I Tried (2019). Excerpts, essays, and poetry have appeared in Catapult, Meridian, Kartika, Hippocampus, Compose, Linden Avenue and elsewhere.

Breathe and Push: Tracking Destruction and Fighting the Power

protest postcards from California

By Noriko Nakada

It’s been three years. We have been living with a white supremacist, rapist, corrupt reality TV star at the head of our government for three long years. What does this do to a woman? A woman of color? An ally? An artist?

protest postcards from California

We knew he was white supremacist: housing discrimination, condemning the exonerated five, blocking Native American casinos, denying Obama’s citizenship, and over the past three years, he’s confirmed this by building a wall, instituting a travel ban, carrying out thousands of inhumane family separations, denying asylum, and calling white supremacists very good people.

We knew he was a sexual predator before, but his court appointments threatened my reproductive rights, threatened affordable health care, threatened my autonomy.

The gas-lighting continues. The lies and constant barrage of bad news make it hard to breathe because the air is so toxic. It’s hard to keep pushing when the Senate and the Republican Party continue to legitimize unlawful conduct. It’s hard when there are kids in cages and the earth is on fire and our rights are suddenly up for negotiation.

But what other options do we have? Opt out? Leave? Or do we follow the news, keep watching even when it’s hard, and push back with our thoughts, our actions, our words, our money (if we have any after “tax cuts”)?

Two kids hold signs protesting family separation.

During the National Book Awards in January of 2017, Colson Whitehead gave this advice: “Be kind, make art, and fight the power.” I repeat this on those toughest days. I remind those struggling around me: we are worthy, we matter, and those most at-risk matter. Our art matters, and hate cannot win.

My kids were in diapers at the start of this presidency, but they have grown up over the past three years. 45 has only grown more vicious and cruel. My youngest only knows a world under this president, and my oldest knows we protest. They also know how to be kind and to make art. They know it’s hard work to fight the power.

It’s been three years, and with hope and more work, next year things will be different. We look toward hope and a future of healing and redemption. We look to make art that restores, and we keep fighting.  

author image of Noriko Nakada

Noriko Nakada writes, blogs, tweets, parents, and teaches middle school in Los Angeles. Publications include: Through Eyes Like Mine (2010), Overdue Apologies (2012), and I Tried (2019). Excerpts, essays, and poetry have appeared in Catapult, Meridian, Kartika, Hippocampus, Compose, Linden Avenue and elsewhere.

Breathe and Push: 5 Ways for Writers to Celebrate

One of the things I love most about our Women Who Submit community is the way we celebrate. We clap-up every submission and query at our parties and acknowledge our passes and publications in our virtual spaces. So during this season of celebration, let’s think about all of the ways we can close out the year celebrating our work and our risks and all the choices we make that move our creative work into the world. Here are five ways we can celebrate our writing lives this holiday season.

  1. Celebrate the words. Maybe it’s a line in a draft of a poem, or a nice holiday note. Maybe it’s a turn in a story, or maybe even a whole paragraph or chapter that works exactly the way we want. In those small, sacred moments when we feel like we actually get the words right, let’s celebrate them, even if we are the only ones reading them (so far).

  2. Celebrate brilliance in the works we read. Look at all of the amazing final drafts in the world! I am sometimes overwhelmed when I first walk into a bookstore or library. There are so many books, and I wonder where my own voice fits within all of the noise. Instead of hanging my head, I’m thankful for all of the books, and all of the poetry and essay collections I’ve read this year. These books have so much to teach if I read and learn from them. Instead of concerning myself with where my voice fits, I can celebrate books and know I am working to make space for more voices.

  3. Celebrate gifts of words. This holiday season, like most others, I gift favorite books that I’ve read in the past year and hope to talk with loved ones about them. Maybe it’s a personalized note or card aiming to thank or communicate an important thought. The written word allows us to connect with friends and family beyond the social media share or text message. Talking about ideas and stories allows for a different level of connection, the kind I strive for but struggle to create with even my dearest family and friends.

  4. Celebrate the accomplishments and write them down. All of the submissions, readings, conferences, residencies, late nights, early mornings, time at drafting, revising, editing, researching, responding, and risk-taking. It all takes so much, and most of us do this work while working and caretaking and living full and busy lives. So celebrate all of those ways we put our work and our words out there. For every reading or lecture we attended, for every opportunity or conversation we said yes to, or all of those times when we supported other writers and then grew as writers ourselves, cheers to all of that.

  5. Celebrate growth across time. It’s the end of a year and of a decade. There are best-of-lists for all things artistic and creative all around us, and it’s easy to get lost making sense of everyone else’s reflections. But this looking back doesn’t need to be public, it doesn’t need to be shared or written about, but it is worthwhile. You will see just how much work you have done over the past months and over the years. Celebrate it. Celebrate you and your artistry, and then let’s look forward to all you are becoming in 2020 and into this next decade.

Happy holidays to you all. I look forward to celebrating with you all in the new year and decade.

Noriko Nakada

Noriko Nakada writes, blogs, tweets, parents, and teaches middle school in Los Angeles. She is committed to writing thought-provoking creative non-fiction, fiction, and poetry. Publications include: Through Eyes Like Mine (2010), Overdue Apologies (2012), and I Tried (2019). Excerpts, essays, and poetry have appeared in Catapult, Meridian, Kartika, Hippocampus, Compose, Linden Avenue and elsewhere.

Breathe and Push: Taking Attendance

The sky held smoke from a brush fire burning in the valley, even though our submission party was being held in a business park transformed into a college campus in Culver City. As hard as it was to show up on this Saturday morning, we were there.

Women Who Submit workshop with Rocio Carlos and Rachel McLeod.

It was hot, even for October in Southern California, so the title of Rocio Carlos and Rachel McLeod’s workshop, “Pay Attention: Attending and Collaborating at the End Slash Beginning of the World” pulsed with urgency.

We walked through glass doors, down carpeted hallways, and into an air conditioned classroom. We brought life with us. Writers breathed into the space, offered snacks, hauled metal water bottles, laptops, notebooks, and pens. Rocio and Rachel scattered pieces of greenery across tables. Cuttings of sage, lavender, rosemary, and citrus welcomed us. We pressed leaves between fingers, brought the outside in, and as more writers filtered in, the smoke of the weekend lifted.

Rocio and Rachel, the collaborative authors of Attendance, shared their process with us: their attending to the world; Rocio to flora, Rachel to fauna, and to all of the overlapping spaces. They paid attention. That Saturday morning, for a collection of moments, we collaborated with them. We shared their process, by attending together, paying attention, breathing in air, and taking care. It was not the kind of self-care Rachel described as being important so we can be more effective workers, but a mindfulness that connects us with one another, that helps us create connection even if the world is ending slash beginning.

We wrote together. We shared our names, and some flora and fauna. We wrote. We walked and breathed in one another’s work, and then we wrote again. We took attendance. Rocio and Rachel illuminated a bit of their process, and then sold all of their copies of Attendance.

Women Who Submit Leadership with Rocio and Rachel.
WWS Leadership with Rocio and Rachel: taking attendance.

As we stand at the end slash beginning of the world, it can be tempting to bury our heads in the ground, but this workshop reminded us to look, to lift our heads to the weather and take the pulse of everything around us: to take attendance and take care. It was exactly the way we all needed to spent a few moments on a hot fall day before getting to the business of submitting.

You can view this workshop stream on the WWS Facebook page. You can support Rocio and Rachel’s collaborative work by purchasing Attendance.

Noriko Nakada

Noriko Nakada is the editor of the Breathe and Push column. She writes, blogs, tweets, and parents in Los Angeles. She is committed to writing thought-provoking creative non-fiction, fiction, and poetry.

Breathe and Push: When Just Breathing Is Enough

By Noriko Nakada

I’m showing up today, y’all, but I’m exhausted. From working my own day job. From parenting my two kids. From breathing on the flames of a writing career I’m hoping will someday generate more than a couple of flickers from hot coals. I’m exhausted from the news. The devastating bad news. The possibly good news. The potential for what might come soon, might come later, might not come at all.

Knock on wood if you’re with me.

I’ve been watching lots of tv to escape and see the world right now. One of my late-summer guilty pleasures is Hard Knocks. It’s an HBO Sports production following an NFL camp throughout the preseason. I’ve been watching for years, even though I’ve written off the NFL #IStandWithKap. This season, Coach Gruden of the Raiders does this thing where he says, “Knock on wood if you’re with me.” When he says this, the players rap on the tables around them and it’s a cosign for whatever he’s said.

I started using this in my classes. “So, the author here is clearly unreliable. Knock on wood if you’re with me.” It works. My middle school students knock on wood. Or they don’t, but at least a few do and it always wakes up the room for a few seconds.

Knock on wood if you’re with me.

So, tonight I’m going to breathe. On this warm fall night that still feels like summer, I’ll put a few words on the page, close my eyes to the news cycles spinning, kiss my kids goodnight, and breathe. In the morning there will be a fresh day, a new page to write, new headlines to unpack, another school day for my students and my children, and sometimes it is enough to just breathe. And the next day, the next week, the next month there will be endless opportunities to push, but tonight, breathing is all I’ve got.

via GIPHY

Knock on wood if you’re with me.

Noriko NakadaNoriko Nakada is the editor of the Breathe and Push column. She writes, blogs, tweets, and parents in Los Angeles. She is committed to writing thought-provoking creative non-fiction, fiction, and poetry.

Breathe and Push: Stay Cool and Keep Writing

photograph of protest signs reading "End Family Separation" and "We should never separate kids from their families" along with paper cranes.

By Noriko Nakada

It’s summer again, and I’m doing my best to keep writing. I imagine we all are.

It’s summer again; three years since police killed Alton Sterling and Philando Castille. I was wrecked that summer, and had to do something, so I marched through the streets of Los Angeles with Black Lives Matter and learned to say their names. 

It’s summer again; two years since white nationalists marched in Charlottesville leaving me speechless, unsure of what to tell my young children, my nieces and nephews, and my students about people who hate them.

It’s summer again; a year since the faces of children separated from their families showed up on my feed, and the voices of children in cages transformed my dreams into night terrors.

This summer, my daughter and I stood at another protest of concentration camps for children separated at the border, and she looked up to me and asked, “They’re still doing it? They’re still keeping kids in cages?”

There have been rough news cycles during other seasons, but these past few summers have felt particularly tough. As we breathe in another heat wave in America, I urge you to keep pushing. Push your stories and voices of humanity into conversations crowded with hate and vitriol. Here are a few spaces where editors look to give voice to our times.

The Rising Phoenix Review published an issue Disarm: A Themed issue Responding to Mass Shootings in America. Regarding their publishing philosophy: “Our team is deeply committed to curating a diverse publication. We encourage writers from marginalized communities to submit to Rising Phoenix Review. Our team earnestly desires to breakdown barriers for writers and readers in marginalized communities.  We strive to make our platform a safe space for all. Our publication is open to all poets, regardless of race, age, gender, sexual orientation, nationality, or religious affiliation.”

The Santa Fe Writers Project Quarterly published an abortion ban protest issue this month and they are champions of “books, writing, and writers. With over 35 titles published since 2005, we’ve unflinchingly adapted to the changing world of publishing and we challenge the norms by embracing short stories, novellas, translations, reprints, and the avante garde. We maintain two exciting imprints – Alan Squire Publishing, specializing in boutique books and poetry, and 2040 Books, a press devoted to featuring ethnic authors and promoting diverse literature.”

Queen Mob’s Tea House published a special issue titled: “Where Are the Children” responding to the border crisis and treatment of refugee families. They are “an international online literary journal dedicated to writing, art, criticism—weird, serious, gorgeous, cross genre, spell conjuring, rant inducing work. We’re committed to creating an online platform that melds the social with the creative. A platform that speaks to your cravings, fantasies and heartbreaks; your daydreams from your lunch break; your good and bad choices; your contradictions; your process.”

Stay cool out there, writers, and keep submitting.

Noriko Nakada is the editor of the Breathe and Push column. She writes, blogs, tweets, and parents in Los Angeles. She is committed to writing thought-provoking creative non-fiction, fiction, and poetry.

Tsuru for Solidarity

multi-colored folded origami crane on a flat, black surface.

By Noriko Nakada

Read and bear witness. Retweet the tweets. Repost the images. Fold a crane. Fold another. And another.

Remember Sadako, the first story I heard, or read, about folding cranes. A girl who loved to run and play, an innocent victim of nuclear war who got leukemia years after the bombs were dropped. She folded cranes. One thousand and you get your wish. She didn’t make it to a thousand. The cranes she folded didn’t save her.

Fold cranes and attempt to make clean creases, to give energy and thoughts and wishes to children. Innocent victims again. This time they are in cages. This time they are separated from their families. Treated like animals. Criminals.

My sister-in-law folded 1000 cranes for her wedding. I contributed 200 to the cause. She had all 1000 of those gold folded origami cranes and assembled in a beautiful framed tsuri in the shape of the Nakada Kanji. In the rice field.

I once folded cranes at a table at the Deschutes County Fair in Oregon. I think we were protesting death squads in El Salvador, or the murder of a priest in Nicaragua, or the disappeared in Guatemala. Maybe it was later, and we were protesting nuclear weapons testing, or the first Iraq war, or acknowledging the anniversaries of Hiroshima or Nagasaki. I taught nice white folks in Central Oregon who had never met anyone Japanese, who couldn’t believe my dad had been incarcerated as a child during World War II. “Well, that sure doesn’t sound very ‘Merican.”

It was. It is. America is all the truths we hold to be self-evident: the good and the bad. The ugly. We are a country built by people taken by force, built by people brought by force and forced to build this nation. This history is in the bones of the body of our nation.

We are a country who takes Native children from their families. We exclude immigrants from certain countries and embrace immigrants from another. We incarcerate whole families during times of war and turn refugees away and sentence them to death. We drop nuclear weapons on entire cities, take sides in civil wars, go to battle in the name of democracy, fight against communism, ensure our people have access to oil and resources and markets all for America and the pursuit of happiness.

We elect men who enslave, who father enslaved children, who rape, who murder, who who who.

So, today I fold. I teach friends to fold. I teach my daughter to fold and while we fold we think about the ways we can push back against all that is wrong. Push, y’all, and keep pushing. 

Check out Tsuru for Solidarity on Facebook, Twitter, and Instagram to find ways you can help push back. 


Noriko Nakada HeadshotNoriko Nakada is a public school teacher and the editor of the Breathe and Push column. She writes, blogs, tweets, and parents in Los Angeles. She is committed to writing thought-provoking creative non-fiction, fiction, and poetry.

Breathe and Push: Threatened Abortion

 I didn’t realize I was pregnant until we were moving out of the duplex and into our new condo. After a long day of hauling boxes, I collapsed on the new hardwood floors and tried to understand my exhaustion. It was a new kind of tired—like I couldn’t get up off the floor—and I tried to remember the last time I had my period. That was when I asked my partner to pick up a test. It was New Year’s Eve.

It was the two of us with our puppy and a + sign that told us there was a baby on the way. The condo was new with white walls and no history. It was the height of the real estate bubble, and we believed we were settling into a fresh new start, and our little family was sprouting new life.

Image of the author lying on the floor next to a brown dog.

So, if you believe a pregnancy is the universe’s way of telling you to stay with someone, to work through things; what exactly is the universe trying to tell you if you miscarry?

It was the beginning of February and the gloom of winter that never usually settles into LA, settled into LA. I was nearing the end of my first trimester. This was confirmed at an appointment with my OBGYN. I was relieved to be happy, to know that I wanted to have kids. I asked the doctor about the drinking I did over Thanksgiving, before I had any idea I was pregnant. Her response: “There’s nothing you can do about it now. Don’t beat yourself up about it. Make sure you’re taking a prenatal vitamin and stop drinking/smoking.”

But I couldn’t stop thinking about the bacchanalia that was that Thanksgiving. It was the year our friend was dating the wine maker and at our Friendsgiving we drank. We Drank. And there was lots of second hand smoke. We ate so much delicious food and we drank some of tastiest wines, but now I couldn’t help but wonder the impact those three days of gluttony might have had on the baby.

So, when I saw spotting toward the end of that first trimester, and then the spotting got worse, I called my friend who was also a doctor, and he told me to go to the emergency room.

Atop the exam room table, the lab tech searched, searched, searched inside me for a heartbeat and he found nothing, nothing, nothing. It was over.

The Urgent Care doctor said I could choose a D & C or allow my body to take care of it on its own. Either way, I already had my next prenatal appointment scheduled; I could decide then. My discharge papers from Urgent Care said “Threatened Abortion.” Abortion. Not miscarriage, abortion. The issue suddenly came into new, sharper focus, because if abortion was murder, I had just killed my baby. The injustice of the loss and this loaded term overwhelmed me. As my partner drove me home, I started to grieve. I had already imagined the timing of this baby, had imagined the future of our family, but I also breathed with relief. Maybe we weren’t ready. Maybe this pregnancy wasn’t meant to be.

When I got home, I looked up threatened abortion: vaginal bleeding when the diagnostic for a spontaneous abortion has not been met. Spontaneous abortion: miscarriage, pregnancy loss. These are all the pregnancies that aren’t meant to be. Despite what anti-abortion activists want this word to mean, pregnancy loss is loss. Abortion is a pregnancy that isn’t meant to be.

That was twelve years ago. I can do the math in my head. I can tell you how old that baby might be, and friends I have who have experienced any of the many types of pregnancy loss hold that math in their bodies.

As abortion access and rights are systematically stripped away from women all over our country, I think of my unplanned pregnancy. I remember my threatened abortion and how sick I was for months after, but when so much was out of my control, I still had a choice. Our country protects that choice, and we will continue to fight for it, for all women.

We are women and non binary creatives. We write our own stories and control every word on the page. We maintain our narratives and we will breathe and push the stories we choose to tell into the world. We choose our words, our bodies, and our lives.

Noriko Nakada, a racially ambiguous writer's headshot

Noriko Nakada is a public school teacher and the editor of the Breathe and Push column. She writes, blogs, tweets, and parents in Los Angeles. She is committed to writing thought-provoking creative non-fiction, fiction, and poetry.



Breathe and Push: Attending the AWP You Want to Create

by Noriko Nakada

Ever since I first became aware of the AWP conference, I have avoided attending. Part of my avoidance had to do with my MFA experience. I attended Antioch University LA’s low residency program from 2003-2005 where I worked with amazing mentors and created bonds with talented writers, but like most MFA programs, it had/has a diversity problem. I sought out what diversity did exist in the program, and super-appreciated that Terrence Hayes was our commencement speaker, but I wasn’t brave enough to leave my MFA like Kima Jones did and wrote about in her “Flood Is Water” piece for Poets and Writers.

Throughout the program, I found residencies stressful, and when I glanced through the schedule of lectures and readings, most topics weren’t for me. I realize now, I was suffering from MFA-so-white, so-male, so-straight, so fiction-valuing, so I avoided AWP. I imagined it would be a fun-house mirror of my MFA experience. I also dislike crowds and paying fees for professional organizations/ conferences. I didn’t even go to AWP or its associated events when it was in LA. Yeah. I just never wanted to go.

But 15 years later, a small tweet from Jack Jones Literary Arts asking for volunteers to table for them, and a post from Women Who Submit asking for a roll call of members attending, I got myself there.

In the weeks leading up to the conference, I heard from writers who struggled at AWPs in the past. They gave advice for making the most of the conference, and I listened. And then I cast a spell over myself to be positive (while still critical) within my AWP experience. My first test came in the form of a LONG registration line. A long, white line. But I stayed inside my little spell and quietly observed the AWP happening around me.

The line moved quickly, and I signed in, but they didn’t have my badge. A volunteer there told me the organization who registered me must have printed it. Okay. So instead of lingering inside that chaos, I got to seek out Jack Jones. I pushed my way onto the floor of the book fair and at the end of a brilliant red carpet, there was Kima setting up the JJLA table. She welcomed me with a hug, introduced me to her staff, passed on my badge, and then I created the AWP I wanted to attend. I went to panels with women and writers of color talking about issues I wanted to think about and readings by writers I admired and wanted to hear.

A few weeks have passed, and I don’t know if I’ll ever attend AWP again. I know there were other versions of AWP happening in Portland last month, but my AWP was fierce writer-activists creating the literary world they want and demanding better from the community that exists. We all need and deserve more from the literary community: we have work to do, so for now, I’ll stay writing.

Noriko Nakada, a racially ambiguous writer's headshot

Noriko Nakada is a public school teacher and the editor of the Breathe and Push column. She writes, blogs, tweets, and parents in Los Angeles. She is committed to writing thought-provoking creative non-fiction, fiction, and poetry.

Breathe and Push: Getting Through Winter

By Noriko Nakada

When I moved to Los Angeles and escaped Oregon over 25 years ago, I wasn’t just trying to escape the cloudy, dark, rainy, snowy winters. I was also escaping the homogeneity of the white, Christian majority that dominates the Pacific Northwest.

The diversity of LA has kept me here for decades, and the weather is a welcome bonus. I gained sunny skies, temperate winters, and long summers that even sneak summery days into winter, spring, and fall.

But this year, with wet like we haven’t seen in a long while, and a cold snap that gripped the southland so tight it even sent a few flurries down into the foothills, I was reminded of my fragile mental state on cold, dark days.

Shoes in show

When the dark of winter sinks in, even in sunny Southern California, I feel like sleeping, hibernating, pulling to covers tighter and longer and keeping my eyes closed to the world. I forget to exercise, to write, to eat green things, and sometimes I even forget to breathe. I wish for a snow day, and dream that, for just a minute, I live somewhere with snow. I feel like I would trade away my entire LA life for a single day off.

I should no longer be surprised when I find myself swallowed in this slothful seasonal state. But each year, it takes three, or four, or five weeks for me to realize what’s happening, that I’ve come off the rails, that I’m stuck in first gear, that even though my foot is on the pedal and I’m flooring it, I can only go so fast, and I’m probably doing real harm to my engine.

Thankfully, spring is here. The days are stretching longer and I am at the page, putting words down, one after the other. Yes, I’m still hitting snooze, and eating cake and French fries whenever I can. I’m not writing or reading as much as I would like, but I am going to be gentle on my winter-hating self.

a boy and girl on a baseball infield
A boy and a girl ready to play some ball. It must be spring.

I will breathe. I will get a column out into the world. I will revise and resubmit some poems and essays. I will watch my kids hitting baseballs and softballs into a blue sky. I will go for a run. I will even get up to Portland for AWP and when I’m there, I will engage with the writing world. I will, somehow, welcome spring.

As writers flock to rainy, gloomy Portland, I hope we can all shake off the winter that might still be clinging. And if you can’t, at least know you are not alone. Depression and seasonal affective disorder are real. Please take care of yourselves as we all crane our necks toward spring. Find the wildflower fields, the cherry blossoms, the sun shining bright for a little bit longer each day. But if it is all too much, please listen to the small voice that knows when you might need some help. Listen to that voice and reach out if you need it, because we need you.

Here are some resources for those struggling with depression.

Noriko Nakada, a racially ambiguous writer's headshot

Noriko Nakada is a public school teacher and the editor of the Breathe and Push column. She writes, blogs, tweets, and parents in Los Angeles. She is committed to writing thought-provoking creative non-fiction, fiction, and poetry.