October 2024 Publication Roundup

Hello everyone and happy November! The Women Who Submit members included in this post published their work in amazing places during October of 2024 (and three of our members heard about these wonderful opportunities either through WWS programming and/or another member, which is so great to see!).

I’ve included an excerpt from published pieces (if available), along with a link (if available) to where the pieces can be purchased and/or read in their entirety. Please take a moment to extend congratulations to our amazing members who had their work published this month, and happy submitting!

Please give a shoutout to Marya Summers for her poem “A Begrudging Nomad” being featured in Rise Up Review.

Every dawn is an invitation
to move on, every evening a surrender
to the rhythms that call to rest.
When I lived in foster homes, other
people decided when I moved,
who I lived with, whether I liked it
or not. The only thing truly fostered: a sense
of my own intrusion and impermanence,
a knack for packing light and quick.

Huge congratulations to Elizabeth Galoozis for her poem “Worn” being published in Thimble Literary Magazine!

When we buried you,
I didn’t know Jews don’t do
clothing after death,

or display bodies
without breath. You were buried
without your glasses.

Without shoes. Those clothes
are for the living, to guard
us from exposure.

Kudos to Michelle Otero for her publication of creative nonfiction piece “She Wants to Be a River” in the anthology collection Water Bodies: Love Letters to the Most Abundant Substance on Earth published by Torrey House Press. She published another creative nonfiction piece “In Search of Mexicans in Hollywood” in the anthology entitled Spark: Celebrities and our Decisive Moments with Chimera Projects.

Please join me in congratulating Laura Sturza for her latest publication of “90-Something Women Share the Secrets for a Long, Happy Life” in The Ethel.

Thelma introduced the film world’s first nonagenarian action hero. The movie’s star, June Squibb, age 94, brought an irrepressible character to life and captured the hearts of viewers of all ages, including this 63-year-old fan.

In the movie, Thelma is intent on reclaiming money she lost to a scam artist and takes her family, her friend and the audience on a low-speed chase through Los Angeles that has the thrills of a Mission Impossible film.

Thelma embodies the things I love most about my 98-year-old mom, Evelyn Sturza. Mom is adventurous, forthright, funny, optimistic, creative and has a never-give-up attitude. Like Thelma, my mom also believes she has no limits.

Big shoutout to Amanee Izhaq for her poem “The Stillness in September” appearing in The Markaz Review.

I remember the stillness in September
The whisper of a child on a swing
Back and forth
Back and forth
The North and South are one
Their shouts are eternal
The burial of a season
Ease is a long lost memory

The cemetery and majlis are one
Gone is the wind of laughter
The afterlife as cold as the dusk
What does the dove say to the cage after breaking its bones to escape?

Please join me in applauding Khamil Riley for participating in Tupelo Press’ 30/30 Project where she published 30 poems over 30 days.

Congratulations to Tisha Marie Reichle-Aguilera for her fiction piece “Tough as Faith” being published in the Cowboy Up anthology with WolfSinger Publications.

Big kudos to Diosa Xochiquetzacoatl whose poems “Brown” and “To the Daughter I Never Birthed” were chosen as a feature by the City of Los Angeles Department of Cultural Affairs in the Latino Heritage Month 2024 Calendar and Cultural Guide (see excerpt of the former poem below). Her book Conversaciones con los Difuntos / Conversations with the Dead has also been published with Desierto Mayor Editores!

Brown is the color of my eyes. Brown is the color of my skin.
Brown is the ground which I call home. Brown is the color of my seraphim.
As coffee is sweetened with creamer,
so too my pupils are sweetened by the sun.

Shoutout to Flint for her publication of her creative nonfiction piece “The Great Chicken God” in Muleskinner Journal.

The baby chick is the only non-chocolate thing in Finn’s Easter basket, and it’s awful what we did, and we knew it, kind of, when we were doing it, but we did it anyway, even though we didn’t mean it to turn out the way it did.

But The Great Chicken God saw. And like any God, The Great Chicken God is a terrible God. A good and terrible God.

Please join me in congratulating Noriko Nakada for her poems “MONSTER MAKERS” and “Tarot Eclipse” being featured in The Rising Phoenix Review. See an excerpt of the former poem below:

we keep putting genocide together
as if these words could ever make sense
aid posing as trap

flour and blood
pour from trucks idling
near invisible borders

massacre disguised as justice
transforms humanitarian into terrorist
shatters peace

Congrats to Hazel Kight Witham whose poem “Father Light” appeared in Issue 47 of Bellevue Literary Review.

Kudos to Carla Sameth whose San Gabriel Valley Poetry Collage assembled from Nextdoor posts by residents of Altadena and Pasadena, CA was featured in the latest issue of American Poets Magazine.

Lastly, please join me in giving a shoutout to Joy Notoma for her fiction piece “Uncle Jimmy” being published in Ploughshares Fall ’24 Longform Issue.

*Feature image credit to Margaret Gallagher*

September 2024 Publication Roundup

🌰 As with the beginning of a new season, there are new publications to share! 🍂 The WWS members included in this post published their work in amazing places during September of 2024. I’ve included an excerpt from published pieces (if available), along with a link (if available) to where the pieces can be purchased and/or read in their entirety.

Please take a moment to extend congratulations to our wonderful members who had their work published this month, and happy submitting!

Huge congratulations to Laura Sturza for her humor/opinion piece “Cats Are Ready to Cast Their Votes for Kamala Harris” published in Medium and her story “Pedal Power” published in Unfolding: A Market Street Writers Anthology. See excerpt of the former below:

Our cats are frustrated that they have previously been denied the right to support a candidate who will advocate for their rights as members of an interspecies family. While Republican candidates have yet to comment on the sanctity of interspecies families like ours, I think their position can be guessed. On the other hand, Harris is an animal rights advocate endorsed by the Humane Society. Walz’s interspecies family includes orange tabby Afton, who is prepared to move to the vice-presidential mansion.

Big shoutout to Désirée Zamorano for her latest novel Dispossessed and a blog post for the novel entitled “Peeling Away Decades of Whitewashing Our History: On the Writing of the Novel, Dispossessed” in La Bloga (see below for an excerpt). What a huge accomplishment!

From the 1930s to the 1950s an estimated 2 million people, Mexican Americans and Mexican nationals, were expelled from this country. Few of us know about this essential American history. The famous line, “A single death is a tragedy, million deaths is a statistic,” informed me that that’s how our history would have to be portrayed, through the life of someone buffeted and impacted by this historical event. I kept waiting for someone to write that novel. I looked around and waited some more. I waited long enough to realize that someone was me.

Please join me in congratulating Rachael Rifkin for the publication of her article “Non-Nuclear Families — Out of Necessity — Are Sought After, and on the Rise” in Good Housekeeping.

Amidst changes in the economy, urbanization, immigration, caregiving burnout, rising loneliness and marriage and reproduction rates, however, there’s been a shift away from the self-reliant nuclear family as the center for family life. In fact, there is no one predominant family form anymore. Instead, people are returning to the idea of having a strong support network and living with or near the people we’re closest with, just like we did for most of humanity. In fact, it’s become such a ubiquitous desire that if you’re having a conversation with someone of millennial age or younger, it’s only a matter of time before they wistfully bring up their dream of getting a plot of land with their friends and living in a more communal way.

Kudos to Monica Cure for translating and publishing three poems by Adela Greceanu in Romanian poetry anthology Cigarettes Until Tomorrow and in The Dial. Excerpt from “Goose” below:

Words are also a province
when it comes to the lively meanings beneath them,
meanings unimaginable there, above.
However
tartine, quasi-unfamiliar, and to handle a relationship
are words spoken with such power
that they yanked up from underneath them
a meaning that made them synonyms.
Though only for me, to be fair.

Please give a shout out to Deirdre Hennings whose poem “Life after Transplant” (among others) was featured in Volume 17:Issue 2 of Ars Medica.

I cringe when the car peels out
I’d rather not be here
you’re so moody again, so often angry now—

Kudos to Diana Radovan for publishing her creative nonfiction piece “Oh, My Friend, How Is Your Blue?” in Humans of the World.

I’m on my way to the Berchtesgaden National Park. It is Friday afternoon and between seasons. The trees still have red, old leaves. Winter catches me on the way. A snow blizzard takes over the roads, slowing all the cars down.

I’m stuck at the top of a mountain road in the middle of a snowstorm, just 10 km before my final destination of the day in Berchtesgaden National Park.

Let’s give a big congratulations to Jesenia Chavez whose poem “Pictures of You” was featured in the Latino Book Review Magazine.

I wonder what my grandfather’s hands were like,
Playing clarinete, what did he sound like?
Where did he practice? What were his botas and
huaraches like?

How did the músicos travel from town to town?
On horseback, on foot?
How did you request them?

Please join me in giving a shoutout to Dilys Wyndham Thomas whose poem “a ghazal for Doggerland” was picked up by Ink Sweat & Tears (see excerpt below). She also published her poems “Channel Seascape” and “still lives” in The Passionfruit Review.

we walk through the exhibition hall lost
amongst water-logged bones, a sunk haul lost

grave-deep underwater, newly unearthed
as North-Sea fishing boats treasure-trawl lost

Congratulations to Heather Pegas who published fiction piece “I Did Not Die” in Weird Lit Magazine.

Since he’s been gone, she has dodged thirty-seven calls from her sister and been forced to answer eighteen. Gloria, her astrologer friend, has called twenty-two times, been spoken to twelve. For twenty-nine meals in a row she’s eaten a lump of cottage cheese with a handful of Goldfish crackers on top. She has gone through thirty cartons of Tillamook ice cream, but only nine liters of vodka. It has been ninety-two days since he’d gone, so she considers this restraint.

On one of those days, she made it to the gym and swam four complete laps before the weight of her body sank her. She’d come home and thumbed through thirteen old copies of The New Yorker. Why were they even still here? 

Kudos to Stephanie Yu whose fiction piece “A Knock at the Door” was picked up by Wigleaf.

Larry and Susan are sitting arms folded at opposite ends of the couch when their elderly neighbor knocks at the door. She is holding a measuring cup and asks if they have some flour for an apple cake she is making. Susan takes the cup, sifts the flour, taking care not to leave air pockets. Larry makes terse conversation with their neighbor at the front door, his fingers tightening reflexively against the knob whenever she leans forward to speak. Weeks later, their neighbor slips while getting out of the shower and dies. Susan will discover her when she checks on her three days later, having noticed the smell.

Last and certainly not least, please join me in giving a resounding congrats to Ronna Magy who published her poem “Distance” in The Cost of Our Baggage Anthology from Gnashing Teeth Publishing.

At least three of our members published in September heard about these opportunities through Women Who Submit. Thank you for your wonderful community and encouragement! Happy Fall! 🎃

*Feature image credit to Margaret Gallagher*

August 2024 Publication Roundup

The WWS members included in this post published their work in amazing places during  August of 2024. I’ve included an excerpt from published pieces (if available), along with a link (if available) to where the pieces can be purchased and/or read in their entirety.

Please take a moment to extend congratulations to our wonderful members who had their work published this month, and happy submitting!

Huge kudos to Donna Spruijt-Metz for her poem “Crow Comes Back” being featured in the latest issue of the Alaska Quarterly Review.

Please join me in congratulating Lisa Eve Cheby for her publication of a review of Xochitl-Julisa Bermejo’s second poetry collection Incantation: Love Poems for Battle Sites at Terrain.org.

Bermejo reminds us each joy, each life celebrated is fragile. She refuses to let us forget that Black and Brown bodies, even in their joy, are always under threat by oppressive colonialist systems—and individuals acting in service to those systems—that seek to erase these people, including women, children, immigrants, and anyone who does not conform to colonialist, patriarchal, racist narratives. More importantly, Bermejo depicts the richness of the lives behind the litany of the names in news reports, names too easily anonymized and dehumanized. 

Lastly, we have Dilys Wyndham Thomas whose poem “as you light up” was featured in Scooter Literary Magazine ‘s 18th issue entitled “Nightlife.”

Everyone included in this monthly publication round up found out about these opportunities either through another WWS member or our programming. Thank you all for this extraordinary and sustaining literary community! Stay cool for this last bit of summer.

*Feature image credit to Margaret Gallagher*