WWS at AWP Los Angeles

WWS @ AWP GUIDE

It’s almost time! LA will play host to the iconic writer’s conference, AWP from March 26 – 29th, 2025. So many panels, readings, and off-site gatherings, it’s a lot for a group not especially known as extroverts. I’m looking at you, fellow writers. But don’t worry, we’ve got you covered.

We’ve put together a list to help you connect with other members of Women Who Submit. It’s a way for you to support old friends and to make new friends. There are a ton of events featuring members. Check them out below. From book signings to readings to moderating, WWS will be representing at AWP.

Here are a few tips to help you get the most out of the conference.

First, we know you want to do all the things. So many sights to be seen, but remember you can’t do it all and to give yourself grace. Plan the events you want to attend and be sure to schedule some downtime in between. If you need to chill out, rooms 506 and 507 in the convention center are designated quiet spaces. Hit up room 511C if you need low lighting.

Second, stay hydrated, bring snacks, and for the love of all things holy, wear comfortable shoes. Bonus points, dress in layers because you never know what the air conditioning temps will be like. The days will be long, so pack a phone charger.

Third, have fun and be inspired! So inspired, maybe, that you will be ready to meet up on Sunday, March 30 for a WWS Submit All party (see below).

Anywho, enjoy and hope to see you at the conference!

By Sibylla Nash, Inaugural Kit Reed Travel Fund Recipient

WEDNESDAY, MARCH 26, 2025

6:00 pm 

READING: Tia Chucha Poetry Reading, Resistance & Revival

Location: LA Plaza de Cultura y Artes, 501 N Main St., Los Angeles, CA 90012

Description: Join us for an unforgettable evening of powerful words and vibrant voices, a celebration of Los Angeles-based Latine poets who carry the legacy of resilience, identity, and cultural renaissance. This event brings together poets from the city that inspires them with resistance, justice, and action.

Poets: Xochitl-Julisa Bermejo, Luivette Resto, Matt Sedillo, Jose Hernandez Diaz, William Archila, Angelina Sáenz, Melinda Palacio, Vickie Vértiz, Antonieta Villamil, Luis J. Rodriguez, Hosts: Rey M. Rodríguez and Jorge H. Rodríguez

Free

6:45 pm – 8:00 pm

READING: Love + Community: an AWP offsite reading with donations for LA fire relief

Location: Location: 1642, 1642 West Temple Street Los Angeles, CA 90026

Description: Seven literary luminaries perform their creative nonfiction work, at this benefit reading for LA fire relief. Audience donations on the night will go towards six local authors from the literary organization Women Who Submit, who lost their homes in the recent fires.

Speakers: Vanessa Angélica Villarreal (Magical Realism), Annie Liontas (Sex With a Brain Injury), Shze-Hui Tjoa (The Story Game), Grace Loh Prasad (The Translator’s Daughter), Jackson Bliss (Dream Pop Origami), and Minelle Mahtani (May It Have a Happy Ending). Hosted by Katie Lee Ellison, organizer of the Nonfiction for No Reason Series.

THURSDAY, MARCH 27, 2025

9:00 am – 10:00 am

SIGNING: BREAKING PATTERN & STORIES ALL OUR OWN

Location: Inlandia Booth T1018, Los Angeles Convention Center

Description: Tisha Marie Reichle-Aguilera will be signing her books Stories All Our Own and Breaking Pattern.

9:00 am – 10:15 am

PANEL: Disrupting the Composition Classroom: Strategies from BIPOC Creatives

Location: Room 408B, Level Two, Los Angeles Convention Center

Description: How can creative writers bring their expertise to the composition classroom? This panel will discuss how women of color/genderqueer creative writers challenge “traditional” white supremacist frameworks in college-level composition courses.

Panelists:  Moderator: Cynthia Guardado  Presenter: Bridgette Bianca Presenter: Arielle Jones  Presenter: Michelle Brittan Rosado  Presenter: Simona Supekar

10 am – 11 am

BOOK SIGNING & READING: Diosa Xochiquetzalcóatl

Location: Booth T3358 Círculo de poetas and Writers Booth, Los Angeles Convention Center

Description: Conversaciones con los difuntos / Conversations with the Dead is Diosa Xochiquetzacóatl’s 5th poetry collection, her first fully bilingual book, and first collection to be published and artisanally handcrafted in Mexico by Editorial Desierto Mayor.

10:35 am – 11:50 am

PANEL: Rewriting LA: Literature from the Modern Working Class

Location: Room 408A, Level Two, Los Angeles Convention Center

Description: This multigenre, intergenerational panel focuses on a working-class literary Los Angeles that makes the glint possible, tasking us to rewrite our city’s imaginings or get written out. Through fiction, poetry, screenwriting, and nonfiction, these writers craft a diverse, gritty, tangled city, capturing the complex interchanges of Los Angeles’s cultural and social history.

Panelists:  Moderator: Vickie Vertiz  Presenter: Steve Gutierrez  Presenter: Joelle Mendoza  Presenter: Jenise Miller  Presenter: Tanzila Ahmed

12:10 pm – 1:25 pm

PANEL: Combining Community & Mentorship to Help Build a Screenwriting Career

Location: Room 402AB, Level Two, Los Angeles Convention Center

Description: This panel will discuss how emerging TV writers and screenwriters can establish a community of writers, producers, development executives, managers, and agents who can support and mentor them throughout their careers.

Panelists: Moderator: Colette Sartor  Presenter: Eirene Donohue  Presenter: Winnie Kemp  Presenter: Lisanne Sartor  Presenter: Patrick Tobin

12:10 pm – 1:25 pm

PANEL: Getting Out of Our Own Way”: Cultivating a Sustainable Writing Practice

Location: Room 515A, Los Angeles Convention Center, Level Two

Description: How can writers cultivate a sustainable creative practice while paying the bills, growing a career, and accounting for domestic responsibilities? Award-winning authors with multiple books and diverse lived experiences discuss their ongoing journeys to do so—while also taking into consideration the roles of culture and institutions—as well as their best advice for tending to the mental, physical, and spiritual aspects of the writing life.

Panelists: Presenter: Amanda Churchill  Moderator: Lorinda Toledo  Presenter: Karen Connelly  Presenter: Janet Fitch  Presenter: Reyna Grande

11:00 am – 12:30 pm

BOOK SIGNING: West of the Santa Ana and Other Sacred Places by Diosa Xochiquetzalcóatl

Location:  Riot of Roses Booth 1235

12:30 pm – 1:30 pm

BOOK SIGNING: An Accidental Pilgrim, a memoir in prose and verse by Maria Caponi

Location: Booth 319, Atmosphere Press, Los Angeles Convention Center

1:30 pm – 3:30 pm

READING: Círculo de poetas and Writers Reading

Location: Beyond Baroque  Literary Arts Center, 681 Venice Blvd., Venice, CA 90291

Description: Diosa Xochiquetzalcóatl along with other Círculo members, will be reading from their work during this event.

Free

1:45 pm – 3:00 pm

POETRY READING: Celebrating the Golden State: A Reading by Poets Laureate from California

Location: Concourse Hall 153 ABC, Level One, Convention Center

Description: What do a queer undocumented immigrant, a former packinghouse worker, an organizer around issues of extrajudicial killings of Black people, a Korean adoptee, and a lawyer by training have in common? They are all poets laureate from various parts of California. These poets celebrate California but also challenge positions of power and privilege. The laureates will discuss their roles, read from their books, and engage in a Q&A with the audience.

Speakers:  Moderator: Lee Herrick  Presenter: Tongo Eisen-Martin  Presenter: Yosimar Reyes  Presenter: Joseph Rios  Presenter: Lynne Thompson

3:20 pm – 4:35 pm

PANEL: Remembering What Is Vanishing: Poets on Ecology, History & Race

Location: Room 408A, Level Two, Los Angeles Convention Center

Description: This panel explores aspects of erasure, evanescence, and loss, as in the erasure of one’s identity and subjectivity through racial and historical lenses, as in the extinction of 150 species in an average day, and how poets can “knock on silence,” in the words of Chinese poet Lu Ji, so as to give voice to those rubbed out by ideology, history, and time, to reach across the void instead of staring into it and becoming monsters.

Panelists: Moderator: Tony Barnstone  Presenter: Angie Estes  Presenter: Mark Irwin  Presenter: Douglas Manuel  Presenter: Lynne Thompson

5:00 pm – 7:00 pm

READING: Storyknife AWP Reading & Gathering

Location: First Draft DTLA, 1230 S Olive St., DTLA

Description: Storyknife will hold an AWP Offsite reading and gathering at First Draft in Los Angeles.

Speakers: Rowena Alegria, Jasmin An, and more StoryKnife alumnae.

Free

5:30 pm – 7:30 pm

READING: Mouthfeel Press AWP Offsite Reading

Location: The Treehouse at Freehand Hotel, 416 W 8th St, Los Angeles, CA 90014

Description: Come and meet our amazing authors and enjoy a relaxing evening with us. This reading is curated with Green Writers Press.

Speakers: Xochitl-Julisa Bermejo, Anthony Huerta Velasuez, Chim Sher Ting, Reverie Koniecki, Jen Yanez-Alaniz

6:00 pm

30ñera: 30 Years of the Macondo Writers Workshop

Location: LA Plaza de Cultura y Artes, 501 N Main St, Los Angeles 90012

Description: Come celebrate the launch of our 30ñera: Thirty Years of the Macondo Writers Workshop in Los Angeles! The night will be filled with poetry, stories, and the spirit of Macondo, accompanied by light refreshments and snacks. Bring your friends and celebrate with us as we honor 30 years of the workshop LA style!
Speakers: Monica Palacios, Pat Alderete, Camilo Loaiza Bonilla, Ofelia Montelongo, Lori Anaya, Amelia Montes, Jonathan Ayala, Melissa Hidalgo, Natalia Treviño, Denise Tolan, René Colato Lainez, Lesley Téllez, Mona Alvarado Frazier, Adela Najarro, Sebha Sanwar, Karina Muñiz-Pagán, Jennifer Nguyen, Alex Espinoza


6:00 pm – 8:00 pm
FUNDRAISER:
The Offing’s 10th Birthday and LA Fire Recovery Fundraiser
Location: The Institute of Contemporary Art (ICA-LA), 1717 East 7th Street Los Angeles, CA 90021
Description:
Come celebrate a decade of creativity, community, and culture. Join us for birthday cake, a toast, and the release of The Offing’s anniversary anthology! We will donate all proceeds from our $5 ticket sales to rebuilding the Palisades Public Library and repopulating books burned in Pasadena Unified School District libraries.
Cost $5 – $20

7:00

Celebrate 10 Years of Expo at AWP!

Location: Truly LA, 216 S. Alameda St., Los Angeles, CA 90012

Description: Exposition Review is turning 10! You are officially invited to Expo’s in-person, off-site, literary citizenship extravaganza. Let’s party, seltzer-style!

Free

7:00pm

Poetry at the Gate of Memory

Location: Japanese American National Museum, 100 North Central Avenue

Los Angeles, CA 90012

Description: Join poets Brynn Saito and traci kato-kiriyama for a reading celebrating the forthcoming April 2025 release of The Gate of Memory: Poems by Descendants of Nikkei Wartime Incarceration. Edited by Saito and Brandon Shimoda, this poetry anthology explores the afterlife of the historical yet enduring injustice of World War II–era prisons and camps. Featured readers include David Mura, Heather Nagami, Mia Ayumi Malhotra, James Fujinami Moore, and others, with a special tribute to poet, educator, and activist Amy Uyematsu and Claire Kageyama-Ramakrishnan.

Free

FRIDAY, MARCH 28, 2025

9:00 am – 10:15 am

PANEL: Beauty of the Unwanted: Exploring the New Literary Terrain of California

Location: Room 404AB, Level Two, Los Angeles Convention Center

Description: This panel represents distinct literary voices of several contemporary essayists from California who are drawn to re-envisioning “the spirit of a place” in ways that challenge and fulfill the literary imagination.

Panelists: Presenter: Ruth Nolan  Moderator: Carribean Fragoza  Presenter: Melissa Hidalgo  Presenter: Jenise Miller

10:35 am – 11:50 am

PANEL: Can I Write That? At the Crossroads of Social Change & Conscious Language

Location: Room 503, Level Two, Los Angeles Convention Center

Description: This session investigates how we can adopt inclusive, socially responsible approaches to creative projects. Presenters steeped in how writing inspires change will explore creative freedom and cultural sensitivity.

Panelists: Moderator: Stephanie Lenox  Presenter: Kavita Das  Presenter: Sonya Huber  Presenter: Paisley Rekdal  Presenter: Karen Yin

10:35 am – 11:50 am

PANEL: A Desert Full of Color: Creating & Supporting BIPOC Spaces in LA

Location: Room 411, Los Angeles Convention Center, Level Two

Description: Can a handful of established institutions serve the communities of a sprawling desert properly? Should BIPOC talent and labor be used to fight for access to PWI, or are we better served by creating and building our own spaces? Four writers, publishers, teachers, and community builders from the Los Angeles area discuss who benefits from inclusion into historically white spaces and whose work gets co-opted and ultimately wasted when BIPOC communities don’t build their own institutions.

Panelists: Hiram Sims, Peter Woods, Romeo Guzman, Sarah-Rafael Garcia, traci kato-kiriyama, moderated by Chiwan Choi

1:00 pm – 2:00 pm

SIGNING: BREAKING PATTERN & STORIES ALL OUR OWN

Location: Inlandia Booth T1018, Los Angeles Convention Center

Description: Tisha Marie Reichle-Aguyilera will be signing her books Stories All Our Own and Breaking Pattern.

1:45 pm – 3:00 pm

PANEL: Alchemizing Belonging Outside of Academia: Writers Creating Careers Without MFAs

Location: Concourse Hall 152, Level One, Los Angeles Convention Center

Description: This panel features cross-genre authors of color as they examine how to navigate the publishing industry on their own terms while alchemizing a code of belonging.

Panelists: Moderator: Camille Hernandez  Presenter: Elontra Hall  Presenter: Camari Hawkins  Presenter: Heidi Lepe

1:45 pm – 3:00 pm

PANEL: Making the Cut: What Judging Story Collection Contests Taught Us

Location: Room 404AB, Los Angeles Convention Center, Level Two

Description: The panel—which includes editors, reviewers, professors, and scholars—offers insight and advice for those working on or trying to publish story collections; trend observations; and thoughts on how and why reading for the contest altered their own work.

Panelists: Moderator: Lori Ostlund  Presenter: Jenny Shank  Presenter: Hasanthika Sirisena  Presenter: Michael Wang  Presenter: Toni Ann Johnson

1:45 pm – 3:00 pm

PANEL: The Ghosts That Haunt Us

Location: Room 502A, Level Two, Los Angeles Convention Center
Description: How can hauntings be used to illustrate larger human stories? How can our own personal hauntings create and inspire stories that will haunt readers? From cities haunted by displacement and erasure, to haunted battlefields, to family ghost stories, five writers discuss how hauntings, real and metaphorical, have inspired their poetry and fiction.
Panelists: Presenter: Xochitl Bermejo  Moderator: Kate Maruyama  Presenter: Latoya Jordan  Presenter: Tanzila Ahmed  Presenter: Chiwan Choi

2:00 pm – 3:00 pm

SIGNING: Andy Anderegg Signs PLUM

Location: Los Angeles Convention Center, Hub City Booth #730

5:30 pm – 7:00 pm

READING: House Party, a Tin House Prose Reading
Location: Other Books, Comics, and Zines, 2006 East Cesar E Chavez Avenue Los Angeles, CA 90033
Description:
Come hear nine authors from Tin House perform “lightning readings” in fiction and nonfiction! Author chats and a book-signing session available afterwards.
Speakers: Alisa Alering (Smothermoss), Myriam J.A. Chancy (Village Weavers), Talia Lakshmi Kolluri (What We Fed to the Manticore), Cleo Qian (LET’S GO LET’S GO LET’S GO), Shze-Hui Tjoa (The Story Game: A Memoir), Lena Valencia (Mystery Lights), Elissa Washuta (White Magic), Jane Wong (Meet Me Tonight in Atlantic City), and Ghassan Zeineddine (Dearborn)

7:00 pm – 8:30 pm

OPEN MIC: We Write, We Rise: An L.A. Community Open Mic

Location: Echo Park Writing Lab, 1714 W Sunset Blvd, Los Angeles, CA 90026

Description: This event welcomes all 826LA community members, Angelenos, and visiting writers to engage with us during this pivotal moment. Whether you want to perform or simply listen, all are welcome to be part of this gathering.

Free

7:00pm – 10pm

Host Publications Presents Poetics of Liberation: Reading & Community Gathering

Location: The Count’s Den1039 South Olive Street Los Angeles, CA 90015

Description: Poetics of Liberation is an intersectional feminist reading and community gathering celebrating radical and queer writers whose work inspires social transformation. Hosted at The Count’s Den—a stunning, vampiresque theater in the heart of Downtown Los Angeles.

Speakers: Amanda Johnston, heidi andrea restrepo rhodes, mónica teresa ortiz, m. mick powell, Lily Someson, Stephanie Niu, Cloud Delfina Cardona, Jae Nichelle, Tala Khanmalek, Ari Kelly, Em Palughi, and Anel I. Flores

8:00 pm – 10:00 pm

Unruly Bodies: A Community Reading

Location: Pieter Performance Space, 2701 North Broadway Los Angeles, CA 90031

Description: “All of us live in unruly bodies that we’re all trying to take care of as best we can.” —Roxane Gay Readers will share a story about their relationship with a body that refuses to act “as it should.” In a world that controls and punishes bodies that are queer, trans, disabled, mad, sick, fat, and/or racialized, how can we begin to celebrate our unruly bodies?

Speakers: Amanda Choo Quan, Arianne Ayu Alizio, Ashna Ali, Carolyn Collado, Fariha Roisin, Kai Cheng Thom, Lupita Limón Corrales, Margeaux Feldman, Raechel Anne Jolie, Tamar Bresge

Cost: $12.51 – $28.52

SATURDAY, MARCH 29, 2025

9:00am – 10:15am

Panel: Filipino Women Writing Nonfiction
Location: Room 511AB, Level Two, Los Angeles Convention Center

Description: What craft techniques, including storytelling styles from our own culture, can we utilize to write into and around truth(s)? How can nonfiction subvert or defy expectations imposed on us as women and nonbinary people in underrepresented communities? Filipino women and femme nonfiction writers discuss the complexities and nuances of sharing their experiences, while confronting the uncomfortable truths of a culture that hasn’t always looked favorably on the act of public disclosure.

Speakers: Jen Palmares Meadows, Anna Cabe, Melissa Chadburn, Laurel Flores Fantauzzo, and Anna Cabe

10:00 am – 11 am

SIGNING: BREAKING PATTERN & STORIES ALL OUR OWN

Location: WWS/Macondo: booth 1027

Description: Tisha Marie Reichle-Aguyilera will be signing her books Stories All Our Own and Breaking Pattern.

10:35 am – 11:50 am

Poetry Reading: The Defiance of Pink Poetry Books

Location: Room 405, Level Two, Los Angeles Convention Center

Description: Celebrating titles that feature the color pink on their covers, poets will read work that highlights the intersections of gender, sexuality, race, and identity, and discuss how pink came to be a prominent element of their book, and what the color means to them and their writing.

Speakers:  Presenter: Chen Chen  Moderator: Xochitl Bermejo  Presenter: Anatalia Vallez  Presenter: Zefyr Lisowski  Presenter: Cathy Linh Che

10:35 am – 11:50 am

Panel: Family Secrets: A Storyteller’s Bounty, or Curse?

Location: Room 403B, Level Two, Los Angeles Convention Center

Description: In this panel, five award-winning fiction and nonfiction authors and screenwriters discuss the perils and rewards of writing around family secrets.

Panelists:  Moderator: Aimee Liu  Presenter: David Francis  Presenter: Elle Johnson  Presenter: Toni Ann Johnson  Presenter: Colette Sartor

1:00 pm – 2:00 pm

BOOK SIGNING: An Accidental Pilgrim, a memoir in prose and verse by Maria Caponi

Location: Booth 319, Atmosphere Press, Los Angeles Convention Center

1:45 pm – 3:00 pm

PANEL: Out In Public: 5 LGBTQ+ Poets On Writing At One Of The Oldest Pride Parades

Location: Room 411, level 2, Los Angeles Convention Center

Description: These five poets representing LA’s diverse identities, including city poet laureates, examine queer community organizing through poetry. This combination discussion panel and reading will pair poems exploring poetry’s ability to hold space where trauma is prevalent and joy and delight are desperately needed.

Panelists: Moderator: Brian Sonia-Wallace  Presenter: Jireh Deng  Presenter: Jose Rios  Presenter: Carla Sameth  Presenter: Victor Yates

1:45 pm – 3:00 pm

PANEL: Strength in Numbers: Southern California Women & Femme Organizers in Action

Location: Room 515B, Level Two, Los Angeles Convention Center

Description: Our panelists will offer insights on literary activism, identity complexities, collaboration pitfalls, and best practices. We hope to acknowledge the work of women and femmes and ignite a new cohort of community leaders, hosts, teaching artists, and organizers.

Panelists:  Presenter: bridgette bianca  Presenter: Danielle Mitchell  Moderator: Kelsey Bryan-Zwick  Presenter: Natalie Graham  Presenter: Jessica Wilson

3:20 pm – 4:35 pm

PANEL: Dwelling in Possibility: How Libraries Can Help Your Writing Career

Location: Room 410, Level Two, LA Convention Center

Descriptions: This multigenre panel of writer-librarians will share their knowledge, strategies, and best practices for how writers can connect with libraries and librarians for research, community, workshops, and book promotions.

Panelists: Moderator: Elizabeth Galoozis  Presenter: Lisa Eve Cheby  Presenter: Cybele García Kohel  Presenter: Lauren Salerno

3:20 pm – 4:35 pm

PANEL: What You’ve Heard Isn’t True: Crafting New Salvadoran Myths & Futurities

Location: LA Convention Center, Room 405, Level Two

Description: Contemporary writers of the Salvadoran diaspora use the speculative—the imaginative—to parse through the urgent sociopolitical issues affecting the US and El Salvador. If much of El Salvador’s past was documented by outsiders, its future will be written by these speculative writers and their contemporaries.

Panelists: Presenter: Ruben Reyes Jr.  Moderator: Janel Pineda  Presenter: Gina María Balibrera  Presenter: Leticia Hernández-Linares  Presenter: Reyes Ramirez

3:20 pm – 4:35 pm

PANEL: Writing with/about Unruly Bodies

Location: LA Convention Center, Level 2, Room 515B

Description: What does it mean to write about and from an unruly body? In a world that controls and punishes bodies that are queer, trans, disabled, mad, sick, fat, and/or racialized, writing about our unruly bodies can be an act of resistance—but that act can come at a cost. How do we write about our unruly bodies in a way that supports our flourishing? Is such a practice possible, and if not, what is needed to make it so?

Panelists: Moderator: Margeaux Feldman  Presenter: Amanda Choo Quan  Presenter: Carolyn Collado  Presenter: Fariha Roisin  Presenter: Kai Cheng Thom

5:30 pm – 7:30 pm

READING: WAWOG-LA: New York War Crimes Reading and Discussion

Location: Espacio 1839, 1839 1st St, Los Angeles, CA 90033

Description: Join us for a community reading and discussion across all 15 issues of the New York War Crimes during Association of Writers & Writing Programs (AWP) week.

*Accessibility notes: Masks are required for this event. Masks will be provided for those without one at the event.

Limited metered street parking is available. Espacio is one block away from the A-line. (formerly Gold line) Mariachi Plaza metro station.

Free but (if you can) please bring cash for donations.

6:00 pm – 7:30 pm

SIGNING: Inlandia Books Road Show

Location: Beyond Baroque 681 Venice Blvd. Venice, CA 90291

Description: Close out your stay in L.A. with an event at the iconic Beyond Baroque with the Inlandia Books Road Show! Inlandia Books authors will share their work and you can meet and mingle and pick up signed copies of their books. Doors open at 5:30 pm and the event will begin promptly at 6 pm.

Speakers: Will Barnes, Elizabeth Cantwell, Lewis deSoto, Tiffany Elliott, Ellen Estilai, Elizabeth Galoozis, Stephanie Barbé Hammer, Jennifer MacKenzie, and Angelica Maria Barraza Tran. Emceed by Cati Porter.

Free

7:00 pm – 8:00 pm

READING: AWP offsite reading for LA fire relief: “Love + Community”

Location: Bar Franca, 438 Main Street Los Angeles, CA 90013

Description: A star-studded lineup of local poets read their life-giving work, in conjunction with the LA-based literary journal Exposition Review. Audience donations on the night will go towards 3 organizations aiding with fire relief: World Central Kitchen, Octavia’s Bookshelf, and the Tongva Nation Eaton Wildfire Recovery Fund. Author signings and chats afterwards.

Free

SUNDAY, MARCH 30, 2025

1:00 pm – 4:00 pm

SUBMISSION DRIVE: WWS SUBMIT ALL

Location: Figat7th Food Court, 925 W. 8th St. DTLA

Description: In celebration of the AWP Writers Conference being in Los Angeles, and with support from the California Arts Council, WWS is hosting an in-person submission drive. Join us with your computer, your list of journals and open calls gathered from the AWP Book Fair, and your drive to “hit send”!


WWS CERTIFIED AT THE 2025 AWP LOS ANGELES BOOK FAIR

In 2019, I walked into the book fair at AWP Portland and into complete overwhelm. The enormous convention space held presses big and large, writing programs both esteemed and unheard of and writers, agents, and publicists everywhere. The whole place was so big and white and male. I had no idea where I might feel welcome me, where my stories my find a home.

So, for those of you heading to AWP LA, here are 21 WWS vetted presses tabling at the book fair. They show an appreciation for diverse voices in their spaces by having at least 50% women and 50% POC on their mastheads. Check them out. Chat them up, and then, after AWP, submit your words.

By Noriko Nakada, WWS Board Member

1.     Abode Press – T848

2.     Chestnut Review – 1035

3.     Guernica – T352

4.     Host Publications – 628

5.     In-Na-Po – 904

6.     Inlandia Institute – T1018

7.     iō Literary Journal – T206

8.     June Road Press – T318

9.     Kaya Press at the Asian/American Book Fair – 637, 639, and 641

10.  Literary Namjooning – T905

11.  Macondo Writers Workshop – 1027

12.  Mizna – 355

13.  Mouthfeel Press – 635

14.  Obsidian: Literature & Arts in the African Diaspora – T366

15.  Santa Fe Writers Project – 563

16.  Spectrum Literary Journal – T1149

17.  Sundress Publications – T227

18.  VONA – 857

19.  Wayne State University Press – 529

20.  We Are Urban Haiku – 1049

21.  Yellow Arrow Publishing – T949

For more resources, be sure to visit Women Who Submit at Booth 1027!

SUBMIT 1: WWS Submission Drive & Fundraiser

Saturday, September 14, 2024 Women Who Submit (WWS) hosts our 11th annual SUBMIT 1 Submission Drive & Fundraiser. This marks the one day a year we encourage woman-identifying and nonbinary writers across the globe to send one of their most beloved pieces of writing to tier one journals as one community. 

As an act of solidarity, SUBMIT 1 dares to connect marginalized writers to top tier editors and publishers, widening the spectrum of voices reaching audiences and influencing arts and culture across the world. And you can help! 

HOW TO PARTICIPATE:

1. Before September 14th, study this list of “Top Ranked Journals of 2024” with current open calls to find a good fit for your work. BE SURE TO READ AND FOLLOW THE GUIDELINES. 

2. On September 14th, submit one of your most beloved pieces of writing to at least one tier one magazine from wherever you are in the world at any time of day.

3. Join one of the following SUBMIT 1 Meetups to submit as a community: 

WWS-Los Angeles
Saturday, September 14, 2024, 11am-2pm
Highland Park Brewing: 1220 N Spring St, Los Angeles, CA 90012
Bring computers and money for beer and snacks
Masks recommended & provided
Contact: Xochitl-Julisa Bermejo (admin@womenwhosubmtilit.org)

WWS-Long Beach
Saturday, September 14, 2024 10am-12pm
The Hangar at LBX: 4150 McGowen St, Long Beach, CA 90808
Contact: Lucy Rodriguez-Hanley (lucy@lulustuff.com)

WWS-West Los Angeles
Saturday, September 14, 2024, 2pm-4pm 
West Hollywood Library: 625 N. San Vicente Blvd, West Hollywood
Contact: Angela Franklin (afrankone@gmail.com)

WWS-Bay Area
Saturday, September 14, 2024, 1-3pm
Yerba Buena Center for the Arts, 701 Mission Street, San Francisco, CA 94104
Contact: wwsl.bay.area@gmail.com

WWS-Austin, TX
Saturday, September 14, 2024 at 9:30am
Central market Cafe, Austin, TX
Contact: Ramona Reeves (ramona.reeves@gmail.com)

4. Tag @WomenWhoSubmit on Twitter (or X) and Instagram and use the hashtag #SUBMIT1, to share when you’ve submitted, so we can celebrate with you! 

5. After submitting, log your submissions with THIS FORM to help WWS track how many submissions were sent out as a community. 

HOW TO SUPPORT: 

In conjunction with SUBMIT 1, WWS is raising $5,000 to support projects like purchasing new technical equipment to ensure our hybrid workshops and panels are offering the best quality of online programming making professional development accessible to any writer in need and growing writers funds to help more writers offset the costs of starting and maintaining a writing career. 

By donating to the SUBMIT 1 Submission Drive & Fundraiser, and by sharing the fundraiser link and flier on social media and with your communities, you help spread the word on WWS’s mission to push the needle in publishing toward equity and inclusion as one

DONATE HERE!

Your support also allows WWS to continue to provide the following free services: 

WWS HISTORY: 

Inspired by the 2009 VIDA Count from VIDA, Women in Literary Arts, which published quantitative evidence illustrating the dearth of women’s voices in top tier publications, Women Who Submit was founded in 2011 to empower women writers to submit work for publication and help change those numbers. In September 2014, a group of writers gathered at Hermosillo Bar in Highland Park, CA for a day of beers, cheers, and literary submissions. It was the first time we called on our WWS community to submit to tier-one literary journals en masse as a nod to the original VIDA Count. SUBMIT 1 continues today as an annual event and call to action for equity and wider representation in publishing with submission drives hosted at public places across Los Angeles. From 2020-2023, we moved our annual gathering to the @WomenWhoSubmit Instagram, and this year we return to a focus on public meetups with online support. 

Eight women with laptops sit on either side of a long table, smiling at the camera
1st Annual Submission Drive – September, 2014

WWS Chapters – A Farewell & Welcome

Women Who Submit is proud to serve woman-identifying and nonbinary writers across the nation and the world through our Chapters program. Started in 2017 by cofounder, Ashaki M. Jackson, WWS Chapters has continued to grow under the leadership of Chapters Director, Ryane Granados with support from Chapters Liaison and WWS-Long Beach Chapter Lead, Lucy Rodriguez-Hanley. We thank Ryane and Lucy for their last four years of service. Together they have been essential in making WWS resources available and accessible to countless writers and community members.

Women Who Submit is excited to share that Ryane Granados’ first book, The Aves, won the 2023 Leapfrog Global Fiction Prize and is slated for publication in fall 2024! As she takes on this new chapter in her writing career, she bids farewell to WWS Chapters. WWS thanks Ryane for her commitment and grace and sends many claps and cheers for what’s to come! As we like to say in orientation, once a WWS member, always a WWS member!

Women Who Submit is proud to welcome our new Chapters Team! We happily announce as Chapters Director, our former Chapters Liaison, Lucy Rodriguez-Hanley, and introduce as Chapters Liaison, WWS member and collaborator, Thea Pueschel.

Please read below for a farewell message from Ryane and an introduction from Lucy and Thea.

Literary Play Cousins: A Farewell Message From Ryane Granados:

Black woman writers sitting in the sun, with her hand to her cheek and a smile on her face.

Recently my inquisitive middle son asked me why he had so many cousins. I only have one sister, so when I married my husband, I was drawn to his familial bonds that came with multiple siblings through biology and marriage. In addition to the cousins who carry the same surname, my son also has the privilege of play cousins. These enduring connections defined my childhood, and in turn they are enriching his. Play cousins are a mainstay in the Black community and they are bonds born from chosen family. These relationships transcend ancestral ties and date back to slavery when families were often torn apart. In my son’s case, his play cousins are the kids of our closest friends. The arrangement is best described as a braid with a group of threads crossing over and under each other into one. 

This same braided image comes to mind when I think of my role as Chapters Director for Women Who Submit. I accepted the role at a crossroads both professionally and personally. I had stepped down from a tenured teaching position to manage the medical needs of another one of my children, and I found myself in search of an identity that encompassed retired professor, overwhelmed mom, artist, activist, author, and hopeful community builder. This braid had a lot of threads, but what it was missing was the cultural continuity of close-knit networks. This is what I liken the development of our WWS chapters to be. Expanding our organizational reach was a worthy endeavor, but for me, it wasn’t purely altruistic. In all sincerity, I was in search of literary play cousins and as our chapters grew, I found them. In New Chapter Lead Orientations, I would often joke about the idea of meeting chapter leads all across the globe; a kindred connection of cousins with the shared mission of encouraging women and non-binary writers to submit their work for publication. 

I am grateful for my time as Chapters Director and after 4 plus years and 35 plus chapters, I find myself at a new crossroads. My gratitude for this journey is matched only by my appreciation for the partnership formed with my longtime Chapters Liaison, Lucy Rodriguez-Hanley. In the ongoing spirit of leadership development, another unexpected byproduct of WWS, I am excited to hand over the role of Chapters Director to Lucy. Additionally, she will be working in collaboration with Thea Pueschel, our new Chapters Liaison. Together they are exceptionally suited to help usher the chapters direction of Women Who Submit into a new and exciting season. 

As for me, I am stepping down to focus once again on family, professional commitments, and the launch of my forthcoming novella. I am also stepping out with an identity fortified by my braided connections and my multitude of literary play cousins. In my season as Chapters Director, I was given as much as I gave, and I hope that my interactions will leave a lasting impression on our ground-breaking artistic community. 

In Solidarity, 

Ryane Nicole Granados 

Outgoing WWS Chapters Director

WWS Member

Welcome

Q & A with the Chapters Team: Introducing Chapters Director, Lucy Rodriguez-Hanley and Chapters Liaison, Thea Pueschel

How and when did you first hear about Women Who Submit and how did you first become involved?

head shot of writer Lucy Rodriguez-Handley

LUCY RODRIGUEZ-HANLEY: In 2013 I took a memoir workshop with writer/editor Seth Fischer. He encouraged the women in the class to join Women Who Submit. At the time, I had no idea the positive impact this community would have in my life. I’ve gotten published by my sheroes; Vanessa Martir, Reyna Grande and Myriam Gurba. I have benefited from mentorship and a myriad of resources that have helped develop my voice as a writer. I have two young children and have found solidarity with other moms in the community. The people I’ve met have become favorite people and/or the most fantastic friends.

THEA PUESCHEL: I first heard about WWS from the Airing out Your Dirty Laundry Workshop I took at the 1888 Center in Orange, CA. The facilitator asked me if I had been submitting my work. I responded maybe once or twice a year just to validate that I am not a literary writer. She told me I needed to join the WWS. This was before the Lockdown times, and so I had to wait 6 months to attend an in-person orientation. The first time I submitted with WWS was May 11, 2019, according to Submittable.

What excites you about working with WWS Chapters?

LRH: I love community building and encouraging women and nonbinary writers to submit their work to publications. I am an optimist, every month I see the change this organization is making when our members get published, even the rejections count. Facilitating opportunities, spreading our mission and sharing resources with our chapters, like our upcoming 2024 Summer Workshops or soliciting submissions to our anthology or grants is very gratifying.  

TP: Helping others facilitate the magic of bringing more voices to the literary landscape.

What is something you wish people knew or understood about the WWS Chapters?

LRH: A chapter can be as simple as two writers getting together to submit their work to publications. You don’t need big numbers to be a successful chapter. As a Chapter Lead your sole duty is to host the gathering and cheer submissions on (most of us clap when a submission has gone out). You are not there to read someone’s work, facilitate a workshop or provide feedback. You can have multiple people leading a chapter, you can also have multiple chapters in the same region (Los Angeles and the Bay area both have multiple chapters).

TP: Each WWS chapter is a support network. A net to catch us when we get those hard-hitting rejections. A cheering squad for when we get those hard-won yeses. An audience to clap when we put our big kid chonies on and submit. For those of us humans that have come up as creative lone wolves for years and decades because we may not have the creative connections or known how to maneuver the literary world the WWS Chapters offer support. A village for us to walk on our two legs, to transform from lone wolf creatives to writers with a community. I think additionally, it’s such an important space particularly for those of us who grew up working class without connections whether we were the first generation to go to college or were bitten by the creative bug without formal education. WWS chapters bring experience, and resources.

Not all WWS Chapters are the same, but they are all worthwhile and community based.

If someone was interested in starting a chapter in their area, how might they begin that process and what does it look like?

LRH: If possible, I suggest attending a meeting to make sure it is something you want to take on. Ask yourself why you want to lead a chapter and what you’d like to gain from the experience. Do you want to lead alone or co-lead with one or two people? The process is simple, after filling out an application, we schedule an orientation where we share information, resources and best practices about the organization and the submission process. We also have a social media manager that can help you spread the word when you are ready to launch your chapter.

TP: It’s pretty easy peasy… 1. Check the WWS website for orientation dates, 2. Follow the direction and guidelines on the WWS website and submit your packet of interest to start a WWS Chapter, 3. Patiently wait while we analyze the materials, 4. Once you get your invite attend a WWS orientation, 5. Ask us questions!

We’re all writers and creatives first at WWS, what are you working on these days? Do you have any exciting news to share?

LRH: I am writing 500 words per day. The last six months have been hard for me on the creative front. I started a writing challenge this month led by fellow mom and WWS member, LiYun Alvarado. It’s a lot of shitty first drafts but I’m writing again! The goal is to get back to my memoir in May. I’m really happy about this and celebrating every day that I write a new page.

TP: Right now, I am in the process of having rehearsals for two plays that I am directing for the Short + Sweet Hollywood 10-minute play festival. I haven’t directed in a decade, so I am extremely excited about this.

In 2021, I had a solo exhibition of mixed media work at the Center in Orange. I realized that once the triptych of large format paintings stood next to each other I wasn’t pleased with how they looked. Separate I felt that the intention was clear, but when the series was lined up, I realized they just didn’t work. I like the foundation of the original paintings but feel that more is missing than my desired effect which is about displacement. I’ve been in the process of making smaller concept mockups and playing with color and design in my studio.

Monday, June 17th 6pm-7:30pm I am leading a FREE workshop Discovering Your Subconscious Thematic at the Cerritos Library in the Skylight Room. It’s a journey of personal discovery for writers. It provides a safe space to sift through the stories that attract us and analyze our own work. By discovering our personal theme, we are able to connect on a deeper level with our own work and create more generative flow.

TRANSFORMATION: A Women Who Submit Anthology

Join Women Who Submit in celebrating the publication of our third anthology, TRANSFORMATION! Thanks to the work of Managing Editors, Ryane Granados and Noriko Nakada, Advising Editor, Tisha Marie Reichle-Aguilera, eight Genre Editors, Lorinda Toledo, Erin Anadkat, Flint, Laura Sturza, Luivette Resto, Hazel Kight Witham, Aruni Wijesinghe, Lucy Rodriguez-Hanley, and publisher Nikia Chaney and Jamii Publishing, our third anthology features poetry, fiction, creative nonfiction, and drama from 42 women and nonbinary writers from around the world.

“Given these perilous times of great global and local humanitarian
failures, cruel objectives cemented by morally repugnant mindsets,
and given the history of violence which has proven all too
predictable, I know my words may appear hugely insufficient in
protecting the most vulnerable, may prove never to be enough to
diminish the sorrow and suffering of others, and yet as a writer,
I continue to write.”

Inspired by these words by Helena Maria Viramontes, shared at her AWP 2020 keynote address, Women Who Submit’s third anthology, TRANSFORMATION, centers work that speaks to the ways writers and other artists can promote change in the world.

To order a copy, visit our partner and bookseller, Libromobile.

TRANSFORMATION BOOK RELEASE PARTY WITH WEHO ARTS

Saturday April 13, 2024, 2pm-5pm

Plummer Park: 7377 Santa Monica Blvd, West Hollywood, CA 90046, at the Great Hall patio

Readings by liz gonzález, Erika Ayón, Lisa Cheby, Sandy Yang, Aruni Wijesinghe, and Monona Wali

Hosted by Angela Franklin

Music by DJ Langosta

And now with a welcome from special guest, WeHo Poet Laureate, Jen Cheng.

The party will include snacks, book cake, and expo of LA literary orgs and booksellers.

This is a free event and open to all!

WWS at AWP Kansas City Guide

The Association of Writers and Writing Programs (AWP) Conference is next week, and Women Who Submit is here to help you maneuver through the mayhem. If you’re unfamiliar with the AWP conference, it is the largest writers conference in the nation that lasts four days. It’s typically in the winter, and it moves around the country each year. Next year, AWP 2025 will be in Los Angeles! We’re already thinking about what fun event we can do to celebrate.

If you are attending AWP Kansas City, WWS hopes to help you with a list of events from our members as well as from writers, presses, schools, and orgs we love and support. Look through the listing and find the folks you’d like to link up with. My favorite thing to do at AWP is attend a couple of panels featuring my friends. It’s always nice to support your community, and seeing friendly faces at the front of the room is calming. Plus, I know I’ll never be disappointed (there’s a reason they’re my friends).

If the bookfair is where you like to spend your time, be sure to visit Women Who Submit at the Kaya Press table #838. We will be selling copies of our newest anthology TRANSFORMATION, Thursday, Friday, and Saturday from 9am-12pm. Come say hi!

A quick list of dos:

Drink water

Carry snacks

Take breaks outside the convention center

Say yes to invitations to coffee, lunch, or dinner

Support friends

WEDNESDAY, FEBRUARY 7, 2024

PANEL: Embracing the Body: A Journey of Illness and Celebration

9:00 am to 10:00 am

Virtual

Panelists: Maria Maloney, Carolina Monsiváis, Elisa Garza, Katherine Hoerth, Laura Cesarco Eglin

Description: Throughout our lives, we encounter various health challenges and gender expectations on our bodies that test our physical and emotional well-being. However, there is beauty to be found in celebrating our bodies. This panel of poets shares and discusses poetry of resilience and celebration of our bodies to find meaning and perspective. The panel explores the transformative power of writing that honors the courage it takes to embrace the diversity of our bodies.

This virtual event was prerecorded. It will be available to watch on-demand online starting on Wednesday, February 7, 2024 through Thursday, March 7, 2024.

THURSDAY, FEBRUARY 8, 2024

PANEL: Navigating Stormy Waters: Telling your tales when they’re hard to tell

9:00 AM – 10:15 AM

Room 2209, Kansas City Convention Center, Street Level

Panelists: Juanita Mantz, Toni Ann Johnson, Hannah Sward, Nikia Chaney, and Laurie Markvart will read from their work and discuss writing about difficult topics based on themselves and their families.

Description: How do you write your tale with compassion and love when it is a hard story to tell? These five writers will read from their works of memoir and autobiographical fiction touching on their own stories and their family stories of addiction, mental illness, trauma, neglect, and chaos. After, they will talk about how they were able to navigate the choppy waters of truth telling in their books, and how they use their voices for change and to highlight their own stories of redemption and forgiveness.

PANEL: Sin Fronteras: Navigating, Representing, and Publishing Latine Authors

9:00 AM – 10:15 AM

Room 2215A, Kansas City Convention Center, Street Level

Panelists: Viktoria Valenzuela, Cloud Delfina Cardona, Carlos Espinoza, Maria Maloney, Edward Vidaurre 

Description: As the United States continues to diversify, state legislatures advance bills that target people of color and the LGBTQ+ community. Publishing is one of the only industries that gives a truer representation of the richly complex Latine populations in the U.S. and their contribution to culture, history, and literary landscape. This panel of independent publishers from the U.S.-Mexico border discusses the importance of publishing Latine, including LGBTQ+ Latine authors in Texas and the U.S..

PANEL: Speaking Mosaics: Hybrid Narratives & the Prism of Identity

9:00 AM – 10:15 AM

Room 2504AB, Kansas City Convention Center, Level 2

Panelists: Marissa Landrigan, Rajiv Mohabir, Monica Prince, Adriana Es Ramirez, Caitlyn Hunter

Description: Accustomed to wielding multiple perspectives, many BIPOC, queer, and neurodivergent writers are drawn to fragmented or hybrid forms: multimodal cross-genre mosaics of personal experience, and cultural, social, political, or natural history. Our panelists work across poetry, performance, nonfiction, and folklore, and will explore the craft and challenges of fragmented forms, offering inspiration and motivation to embrace hybridity as a way to claim space for historically marginalized communities.

BOOK SIGNING: Incantation: Love Poems for Battle Sites (Mouthfeel Press 2023) by Xochitl-Julisa Bermejo

10:00 AM – 11:00 AM

Mouthfeel Press Booth #3021

PANEL: Decolonizing American Literature: The Goals, Challenges, and Strategies of Writers

10:35 AM – 11:50 AM

Room 2502A, Kansas City Convention Center, Level 2

Panelists: GEMINI WAHHAJ, Sehba Sarwar, Oindrila Mukherjee, Namrata Poddar

Description: Four writers will discuss decolonizing American literature through the examples of literary works in the colonial languages of English and French from Black, brown, and Asian writers across the world, as well as literature in Indian languages, including Urdu and Bengali. Panelists will discuss the goals of decolonial anglophone literature and consider the challenges and strategies of writers confronting imperial patterns in American Literature.

PANEL: Getting Non-Writers to Write: Teaching Outside of the English Department

12:10 PM – 1:25 PM

Room 2103A, Kansas City Convention Center, Street Level

Panelists: Melisa Cahnmann-Taylor, Deb Olin Unferth, Elline Lipkin, Mihaela Moscaliuc, and Iris Jamahl Dunkle

Description: “I’m not good at writing,” “I don’t know what to write,” and “My English isn’t good enough”—working with creative writers outside English departments requires shifts in expectations, approaches, and consciousness. This panel gathers those working in a variety of nontraditional settings: libraries, prisons, hospitals, and teacher certification programs. Each panelist addresses challenges they’ve encountered and strategies for success to teach with courage, creativity, and care.

PANEL: Poets Against Walls: An Anthology/Handbook for Writing Past the Checkpoints

1:45 PM – 3:00 PM

Room 2215C, Kansas City Convention Center, Street Level

Panelists: Cesar De Leon, Sehba Sarwar, Emmy Perez, Carolina Monsivais, Celina Gomez

Description: Poets Against Walls anthology/handbook features poetry and hybrid writings from the geopolitical spaces of the borderlands, along with a history of the collective’s social actions, discussions on craft, and writing prompts. In addition to reading short selections of their work and speaking on the value of writing directly about communities under attack, panelists will provide tips and strategies for writing what some may feel dissuaded from in workshop spaces: crafting work for social change.

PANEL: Reproductive Writes: Writing About Reproductive Choice, Loss, and Justice

3:20 PM – 4:35 PM

Room 2105, Kansas City Convention Center, Street Level

Panelists: Jacqui Morton, Erika Meitner, Carla Sameth, Maria Novotny, Robin Silbergleid

Description: How do writers use poetry and nonfiction to explore reproductive choice, health, and loss? What are the unique challenges and risks raised in the act of writing about reproductive topics, including infertility, miscarriage, and abortion? How does the stigma of discussing the intimate emotional and bodily aspects of reproduction carry over to the page? How do these issues change across genre? Writers with a range of experiences and backgrounds will read from their work and engage these issues.

PANEL: To Keep or Not to Keep: Shifting Models in the Post-Pandemic Workshop

3:20 PM – 4:35 PM

Room 2104B, Kansas City Convention Center, Street Level

Panelists: Sarah A Chavez, Ever Jones, Ching-In Chen, Rochelle Hurt

Description: This panel explores inclusive innovations in creative writing workshop learned from remote instruction during the pandemic. Since “getting back to normal,” an assumption has been made that we can and should return to previous pedagogical models. But should we? Has the traditional workshop model successfully served the growing diversity in classrooms? From varied subject positions and range of courses taught, panelists will elaborate on ways that workshop practices can and have shifted toward equity.

READING: TRANSFORMATION: A Women Who Submit Anthology – AWP Release Reading

3:30 PM – 4:30 PM

Kansas City Central Library: 14 West 10th Street Kansas City, MO 64105

Room: “The Vault”

Featuring Lisa Allen (WWS-KC), Xochitl-Julisa Bermejo, Carly Marie DeMento, Toni Ann Johnson, Noriko Nakada, and Nancy Lynée Woo

READING: Host Publications proudly presents “A Feminist Reading at AWP Kansas City’’ 

7:00 PM – 9:00 PM

BLK + BRWN.: 104 1/2 W 39th St, Kansas City, MO 64111

Featured readers: Stephanie Niu, m. mick powell, mónica teresa ortiz, cloud deflina cardona, Bianca Alyssa Pérez, lily someson, Ae Hee Lee, Jae Nichelle, and Ashley-Devon Williamston.

Description: Host Publications proudly presents “A Feminist Reading at AWP Kansas City’’ featuring nine women & non-binary authors. A special opportunity to celebrate our 2023/2024 chapbooks, threesome in the last Toyota Celica and Survived By at the independently owned Kansas City Bookstore BLK+BRWN.

READING: AWP Offsite Reading with Co•Im•Press, Green Writers Press, Mouthfeel Press, and Noemi Press

7:30 PM – 9:30 PM

Café Corazón: 110 Southwest Blvd

READING: Macondo Open Mic

8:00 PM – 10:00 PM

Mattie Rhodes Cultural Center: 1701 Jarboe St, Kansas City, MO 64108

FRIDAY, FEBRUARY 9, 2024

BOOK SIGNING: Breaking Pattern (Inlandia Books 2023) by Tisha Marie Reichle-Aguilera & Incantation: Love Poems for Battle Sites (Mouthfeel Press 2023) by Xochitl-Julisa Bermejo

10:00 AM – 10:30 AM

Letras Latinas Table #830

PANEL: Should I Just Give Up?

12:10 PM – 1:25 PM

Room 2215A, Kansas City Convention Center, Street Level

Panelists: Michelle Otero, Anel Flores, Xochitl-Julisa Bermejo, Jackie Cuevas, Tisha Marie Reichle-Aguilera

Description: These Chicana/x feminist poets, memoirists, artists, administrators, and professors have invested a collective ninety years on projects that lingered long past their anticipated finish dates. Because we represent communities whose stories might not otherwise be heard, the writing process can be especially daunting. We’ll talk about how we got it done, the communities that supported us, how we handled rejection, how we navigated this long relationship, or how we finally let go and moved on.

BOOK SIGNING: Catastrophic Molting by Amy Shimshon-Santo

1:00 PM – 2:00 PM

FlowerSong Press, Booth #T1051

Panel: Beyond Borderlands: Celebrating Essential Latinx Poetry from Texas Presses

3:20 PM – 4:35 PM

Room 2104B, Kansas City Convention Center, Street Level

Panelists: Xochitl-Julisa Bermejo, Luivette Resto, Adrian Cepeda, Vincent Cooper, and Edward Vidaurre

Description: FlowerSong Press and Mouthfeel Press are just a small representation of the Latinx-owned independent presses creating vibrant work in the Borderlands. Both founded in Texas, these presses publish new, emerging, and established writers who’ve historically gone underrepresented, but whose words hold the power of resilience and transformation. This poetry reading celebrates contemporary Latinx poets and their books of struggle, truth, and hope as a call to elevate diverse voices and spread cultura.

PANEL: Too Small For the Patriarchy: Getting Girlhood Stories Past the Gatekeepers

3:20 PM – 4:35 PM

Room 3501 EF, Kansas City Convention Center, Level 3

Panelists: Chaiti Sen, Toni Ann Johnson, Rose Smith, Magdalena Bartkowska, and Natalia Sylvester

Description: Who has the right to grow up in American literature? On this panel, authors discuss the joys, challenges, and importance of writing and publishing diverse narratives about American girlhoods. Getting these stories past the gatekeepers, who often misunderstand and reject them for being “too quiet” or “too small,” requires courage and persistence. When our own inner critics tell us such stories don’t truly matter, how do we push beyond our doubt and continue writing on a path to publication?

PANEL: Transformation: Creating Change Through Collaboration

3:20 PM – 4:35 PM

Room 2104A, Kansas City Convention Center, Street Level

Panelists: Noriko Nakada, Tisha Marie Reichle-Aguilera, Nikia Chaney, Sarah Rafael Garcia, Ryane Nicole Granados

Description: Inspired by Helena Maria Viramontes’s AWP 2020 keynote address, Women Who Submit’s third anthology, TRANSFORMATION, centers work that speaks to the ways writers and other artists can promote change in the world. By focusing on generosity and collaboration, shared leadership and mentorship, and inclusive partnerships, panelists discuss how Women Who Submit makes this change a reality not just in the writing they publish but in the ways they edit, publish, and promote their writers.

READING: A Dozen Nothing AWP Offsite Reading

5:00 PM – 7:00 PM

Vulpes Bastille: 1737 Locust St, Kansas City, MO 64108

READING: FlowerSong AWP Offsite Reading

6:05 PM

Habitat Contemporary: 2012 Baltimore Avenue

Featured readers: César de León, Amy Shimshon-Santo, Michelle Otero, and Eddie Vega.

Description: Friday, February 9, FlowerSong Press will be teaming up with CavanKerry Press, Acre Books, and Perugia Press for an AWP 2024 offsite reading at Habitat Contemporary. A big shout out to Dimitri Reyes for putting this together.

SATURDAY, FEBRUARY 10, 2024

PANEL: Una Mujer Peligrosa: Celebrating the Queer Work and Life of tatiana de la tierra

9:00 AM – 10:15 AM

Room 2104B, Kansas City Convention Center, Street Level

Panelists: Olga Garcia, Karleen Pendelton Jimenez, Amelia María de la Luz Montes, Myriam Gurba

Description: tatiana de la tierra (1961–2012) was a Latina lesbian writer and trailblazer. In the nineties, she cofounded Esto No Tiene Nombre and Conomoción magazines featuring Latina lesbians in the United States and abroad. She later authored her iconic For the Hard Ones: A Lesbian Phenomenology. In 2022, Redonda y radical: antología poética de tatiana de la tierra was published in Colombia (Sincronía Press). This panel features some of tatiana’s literary coconspirators to discuss her dangerously delicious life and works.

PANEL: Be Gay, Do Crime: Teaching Queer and Trans Poetics in Dangerous Times

10:35 AM – 11:50 AM

Room 2103A, Kansas City Convention Center, Street Level

Panelists: Meg Day, Oliver Bendorf, Donika Kelly, Ching-In Chen, Melissa Crowe

Description: Given our nation’s latest investment in suppressing both bodies and books, what is at stake—newly, historically—in the teaching of queer and trans poetics? Five seasoned poet-educators, working inside the classroom, libraries, and community centers, gather to discuss navigating threats on the poems they teach, the poems they make, and the bodies they occupy as they do both. Panelists will offer experiential commentary and strategies for protecting, generating, and sustaining queer and trans people and poems.

PANEL: Keeping It Lit: Nurturing a Literary Journal Program at Two-Year Colleges

10:35 AM – 11:50 AM

Room 2211, Kansas City Convention Center, Street Level

Panelists: James Ducat, Melissa Ford Lucken, Mary Lannon, Phoebe Reeves

Description: This panel explores ways to shepherd a community college literary magazine with diverse, high-risk, low-income students. Topics of discussion include: staff recruitment, pedagogy, editing, layout, budget, advertising, submissions, course credit, and technological tools. The panelists reflect on obstacles—some common, some unique—and equity-minded solutions. Faculty advisors share experiences producing print and online student journals and fostering a vibrant literary community.

PANEL: Beyond Zoom: Building Vibrant Literary Communities in a New Hybrid Era

12:10 PM – 1:25 PM

Room 2104B, Kansas City Convention Center, Street Level

Panelists: Karina Muñiz-Pagán, Minal Hajratwala, Randy Winston, Maceo Nafisah Cabrera-Estevez, & Juanita E. Mantz (JEM)

Description: Community is essential to a writer’s growth, but what do you do when spaces are inhospitable to your community? Build your own! These innovative authors share how they’ve built thriving programs for diverse NYC fiction writers, global Muslim writers, women/nonbinary writers, domestic workers, and BIPOC+ authors. We share strategies and tools to empower anyone eager to create a nurturing space that centers writers of color, language justice, disability justice, and voices at the intersections.

TABLES & BOOTHS

Antioch University Los Angeles #825

Cave Canem Foundation, Inc. #719

Copper Canyon Press #1223, #1225

Feminist Press #737

FlowerSong Press #T1051

Kaya / Women Who Submit / Blaft #838

Kundiman #1330

Letras Latinas #830

Mouthfeel Press #3021

Noemi Press #1449

Santa Fe Writers Project #3124

Sundress Publications | Sundress Academy for the Arts | Best of the Net Anthology #1111

UCLA Extension Writers Program #831

SUBMIT 1: 10th Annual Submission Drive

SUBMIT 1 is the one day out of the year WWS encourages woman-identifying and non-binary writers across the globe to send one of their most beloved pieces of writing to tier-one journals as one community. This is an act of solidarity, not only with our writers, but with editors and publishers as well. SUBMIT 1 dares to connect the literary publishing community as a whole.

Promotions flyer for 2023 SUBMIT 1. Big green #1 foam hand in the middle surrounded by the tag line: one community, one day, one submission at a time.

September 2014 was the first time we called on our WWS community to submit to tier-one literary journals en masse. Inspired by the 2009 VIDA Count from VIDA, Women in Literary Arts, which published quantitative evidence of the dearth of women’s voices in top tier publications, this submission drive became our annual call to action for equity and wider representation in publishing. In 2014, a group of writers gathered at Hermosillo Bar in Highland Park, CA for a day of beers, cheers, and literary submissions. Since then, we’ve hosted an annual submission drive at public places across Los Angeles, but when the pandemic hit in 2020, we pushed to think of a creative solution to gathering, and the @WomenWhoSubmit Instagram Live programming was born.

Eight women with laptops sit on either side of a long table, smiling at the camera
1st Annual Submission Drive – September, 2014

WWS is excited to announce that our 10th annual SUBMIT 1 will be hybrid! Join us on Instagram Live @WomenWhoSubmit for special one-hour hosts from 9am-9pm or in-person at Pocha LA in Highland Park from 2pm-5pm. You can find us on the back patio with live hosts Tisha Marie Reichle-Aguilera and Ryane Nicole Granados. We thank Pocha LA for hosting us!

How to Participate:

1. Before September 9th, study THIS LIST of “Top Ranked Journals of 2023” with current open calls to find a good fit for your work. Links to guidelines are included. BE SURE TO READ AND FOLLOW THE GUIDELINES. 

2. On September 9th, submit one of your most beloved pieces of writing to at least one tier one magazine from wherever you are in the world at any time of day.

3. Notify us on Twitter or IG. Be sure to tag us @womenwhosubmit, so we can celebrate you with lots of claps, cheers, and funny gifs.

4. Hang with us on IG Live at @WomenWhoSubmit from 9am to 9pm PACIFIC for a full day special guests, support, and resources. Here is where you can ask WWS members for tips on submitting, get encouragement, or receive LIVE claps for when you hit send.

SUBMIT 1 IG Live Schedule (all times are PACIFIC):

9am-10am: Xochitl-Julisa Bermejo (@xochitljulisa), WWS Director 

10am-11am: Joy Notoma (@joywriteshermedicine), WWS-Europe Chapter Lead 

11am-12pm: Carrie Finch, WWS-Bay Area Chapter Lead 

12pm-1pm: Lunch break!

1pm-2pm: Luivette Resto (@lulubell.96), Board Member, LIVE from Tia Chucha’s Centro Cultura (@tiachuchas)

2pm-3pm: Melissa Chadburn (@mchadburn), WWS Board Member

3pm-4pm: Kate Maruyama (@katemaruyama), Board Member interviewing WritLarge Projects (@writlargeprojects)

4pm-5pm: Cocktail hour with live check-ins from Pocha LA (@pocha_losangeles)

5pm-6pm: Dinner break!

6pm-7pm: Jane Muschenenetz & Karla Cordero (@karlaflaka13), WWS-San Diego Chapter Leads 

7pm-8pm: Lucy Rodriguez-Hanley (@lucyrodriguezhanley), WWS-Long Beach Chapter Lead & WWS Chapter Liaison

8pm-9pm: Traci Kato-Kiriyama (@traciakemi1) LIVE from Little Tokyo

5. After submitting, fill out THIS FORM to help us track how many submissions were sent out, which will help us in our continued mission towards gender parity and wider representation of marginalized voices in literary publishing.

How to Support:

If you don’t plan to submit with us, but would like to support our efforts, please consider making a donation at our Paypal account in the name of your favorite WWS member or underrepresented writer.

DONATE HERE!

SUBMIT 1 Budget:

Submit 1 Coordinator – $500

IG Coordinator – $500

IG Guest Speakers – $1,350 (9 people x $150)

La Pocha Live Hosts – $500 (2 people x $250)

Refreshments – $350

Stickers, signs, and materials – $300

Total – $3,500

WWS at AWP Seattle Guide

A graphic flyer with turqois background and the words "WWS at AWP" over what looks like a white poster. And a sillouette of five women in different colors.

The Association of Writers and Writing Programs (AWP) Conference is just days away. People may have even started packing and scrolling Yelp for the best Seattle eats. Whether you go to the AWP Conference to promote your latest title, to catch up with friends, or to fangirl on your favorite author, between the panels, bookfair, and evening events there is enough for everyone. And if you’re like us and get overwhelmed by too many options, let WWS help you narrow down where to spend your time and money. Below is a list of events where you can find WWS members and some of our allies. Stop by one of these places and say hi!

THURSDAY, MARCH 9

PANEL: Too Small to Fail: The Indie Press Prerogative in Advancing Diverse Voices

10:35 AM – 11:50 AM

Rooms 431-432, Summit Building, Seattle Convention Center, Level 4

Panelists: Krishna Narayanamurti, Marcus Clayton, Viva Padilla, AJ Urquidi, Amanda Orozco

Description: The Western US is one of the world’s most diverse regions, but the literary scene remains a “mainly white room.” In what ways is it the duty of West Coast indie journals and micro presses to find and publish writing that upends the norms of institutional gatekeeping? LA-based editors from sin cesar (formerly Dryland) and Indicia discuss their experiments with equity, intersectionality, and digital collaboration to publish crucial work that challenges hidden biases of audiences and the editors themselves.

Signature Room, Summit Building, Seattle Convention Center, Level 5

Panelists: Julayne Lee, Xochitl-Julisa Bermejo, Angela Franklin, Janice Sapigao, Amanda Galvan Huynh

Description: Have you ever applied for a fellowship, residency, or grant and wondered if your application has what it takes to be a top contender? This is a rare chance to hear from a diverse group of authors who’ve served on selection committees for state and national grants as well as fellowships and residencies. You will gain a better understanding of what judges are looking for, what goes into the selection process and how you might identify which fellowships, residencies, and grants are the best fit.

PANEL: Minding the Gaps and Mining Landscape in Linked Short Story Collections

1:45 PM – 3:00 PM

Rooms 343-344, Summit Building, Seattle Convention Center, Level 3

Panelists: Toni Ann Johnson, Ramona Reeves, Rion Amilcar Scott, Leslie Pietryzk

Descrition: Linked short story collections have become more popular, perhaps in part because of their hybrid nature. They can employ recurring themes, characters, and settings to situate readers in worlds that move beyond the borders of many short stories while stopping short of the breadth and propulsion of a novel. Minding the gaps, or the spaces, is key in writing linked story collections. How does space function between and within linked collections, and what stories does one choose to tell and why?

READING: WWS Happy Hour & Community Mic Hosted by Noriko Nakada

4:00 PM – 6:00 PM

Clock-Out Lounge: 4864 Beacon Ave S, Seattle, WA 98108

Features: Suhasini Yeeda, Carla Sameth, Elizabeth Galoozis, Jamie Asaye Fitzgerald, Sakae Manning, Alixen Pham, Maria Caponi, Michelle Otero, Amy Shimhon-Santo, Jane Muschenetz.

READING: Storyknife AWP Reading & Gathering

5-7 pm

Vermillion Gallery & Bar, 1508 11th Ave

Features: Rowena Alegria, Jasmin An, Sandra Beasley, Jan Beatty, Kim Blaeser, Ching-in Chen, Lydia Conklin, Rebeca Flores, Minda Honey, Amanda Galvan Huynh, Casandra Lopez, Zenique Gardner Perry and others.

READING: #AWPSeattle Off-site Reading

6 pm

Seattle Public Library

Description: Join Veliz Books, Noemi Press, and BOA Editions at the beautiful Seattle Public Library for an in-person reading featuring 10 writers.

READING: Queerly Beloved: An Evening with Foglifter Press

7:00 PM

Corvus and Company, 601 Broadway E, Seattle, WA 98102, USA

ASL interpretation and live-streaming provided

Features: Michal ‘MJ’ Jones, author of HOOD VACATIONS, Joy Priest, author of HORSEPOWER, Miah Jeffra, author of American Gospel, Kazim Ali, author of Inquisition, Dior Stephens, author of CRUEL/CRUEL, Xan Phillips, author of Hull

READING: Nightboat Books Reading 

9:00 PM

The Rendezvous Theatre: 2322 2nd Ave, Seattle, WA 98121

Features: Allison Cobb, Andrew Abi-Karam, Dior J. Stephens, Douglas A. Martin, Emily Lee Luan, Gillian Conoley, Gillian Osborne, imogen xtian smith, Janice Lobo Sapigao, Joyelle McSweeney, Kay Gabrial, Kevin Holden, Lindsay Turner, Ronaldo V. Wilson, Rosie Stockton, Samiya Bashir, Tiff Dressen, Wo Chan

FRIDAY, MARCH 10

Panel: Inlandia social justice literature reading 

10:35 AM – 11:45 AM

Bookfair Stage, Sponsored by the Dramatists Guild, Exhibit Hall 1 & 2, Summit Building

Panelists: Nikia Chaney, James Coats, Stephanie Barbé Hammer, Juanita E. Mantz, & Cati Porter

Description: Inland Southern California, aka Inlandia, is a sprawling geographic region, the logistics capital of the west, and one of the few majority-minority regions. As writers, we have a responsibility to take an active role in addressing the most pressing social justice issues of our time. Listen to works confronting issues of LBTQ rights, racial inequities, the criminal injustice system, mental health discrimination, and more.

BOOK SIGNING: Imagine Us, The Swarm with Muriel Leung

12 PM PST

Nightboat Books Table: 1024

PANEL: Languages of Belonging: Transcending Borders in Life and on the Page

1:45 PM – 3:00 PM

443-444, Summit Building, Seattle Convention Center, Level 4

Panelists: Sehba Sarwar, Torsa Ghosal, Emmy Pérez, Tameka Latrece Cage Conley, Gemini Wahhaj

Description: Five women writers of color incorporate personal and global histories—of India, Pakistan, and the Netherlands, and within the U.S., California, Louisiana, and the Texas-Mexico border—into their prose, poetry, and hybrid texts. Each writer will discuss her process of transcending literal and figurative borders separating nations, generations, and identities. How do we resolve the conflicts that arise from having histories in multiple places? Where are we traveling from and to in our writing?

Room 337, Summit Building, Seattle Convention Center, Level 3

Panelists: Catalina Marie Cantú, Erica Reid, Leona Sevick, Diana Raptosh, CMarie Fuhrman

Description: What if you were paired with a conserved land for a year to visit and create three poems inspired by place and preservation? In this panel, five diverse, emerging, and established poets from east, central, and northwest regions will share their writing process and poems. Their protected lands ranged from protected habitats, sanctuaries, farms, and ranches, to ecosystems and wilderness preserves. Their poetry and the methodologies used to create their poems will challenge and inspire you.

PANEL: BIPOC Women/Nonbinary Writers Cultivating Community and Safe Writing Spaces

1:45 PM – 3:00 PM

Seattle Convention Center, Level 3, Room 327

Panelists: Xochitl-Julisa Bermejo (she/her), Janaka Bowman Lewis, PhD (she/her), LaCoya Katoe Gessesse (she/her), and Mahtem Shiferraw (she/her), Sakae Manning (they/them)

Description: Panelists share modes and methods towards creating safe space through considering intention as liberatory groundwork for BIPOC women and nonbinary writers, creating intersectional spaces beyond physical boundaries, identifying and becoming part of a writing community, and understanding how intergenerational racial and gender-based trauma impacts amplifying our own work. Join Janaka Bowman-Lewis, PhD, LaCoya Katoe Gessesse, and Mahtem Shiferraw, as we navigate writing and sustaining writing communities.

READING: Feminist Press Presents: Readings by Louise Meriwether First Book Prize Winners

3:20 PM – 4:35 PM

Room 430, Summit Building, Seattle Convention Center, Level 4

Panelists: YZ Chin, Cassandra Lane, Claudia D. Hernández, Melissa Valentine, Annell Lopez

Description: The Louise Meriwether First Book Prize seeks to honor the groundbreaking legacy of Meriwether’s Daddy Was a Number Runner by creating debut publication opportunities for women and nonbinary authors of color. The 2022 winner of the prize will be joined by past winners YZ Chin, Claudia D. Hernández, Melissa Valentine, and Cassandra Lane to read from their work, including a reading from the 2022 Prize winner’s manuscript in progress.

READING: Macondo Writers Meetup & Readings

5:00 PM – 7:00 PM

Anxestral Gallery, 1302 5th Ave, Seattle, WA 98101

READING: Antioch’s MFA: A Night of Reading Hosted by Tim Cummings

5:30 PM – 7:30 PM

Graduate Hotel: 4507 Brooklyn Ave NE, Seattle, WA 98105

Features: Jazmine Aluma, Andrea Auten, Semaj Saint Garbutt, Guadalupe Garcia McCall, Diana Hardy, Scott LaMascus, Malia Márquez, Ari Rosenschein, Kim Sabin, Mireya Vela 

READING: Anaphora Arts & Pacific University Oregon Reading

6:00 PM – 8:00 PM

Little Saigon Creative, 1227 S. Weller St, Suite A, Seattle, WA 98144

Reading: Sundress Publications Reading

7:00 PM – 9:00 PM

Old Stove Brewing Co 600 W. Nickerson St. Queen Anne Seattle, WA 98119

Features: Barbara Fant, Kimberly Ann Priest, Stacey Balkun, Atena Nassar, jason b. Crawford, Sunni Wilkinson, Nicole Arocho Hernández, Amanda Galvan Huynh, Cynthia Guardado, Dani Putney, Donna Vorreyer

READING: Texas Review/DIAGRAM/Apogee Reading

7:30 PM

Alley Mic: 1922 Post Alley, Seattle, WA 98101

Features: Katie Jean Shinkle, Ginger Ko, PJ Carlisle, Ander Monson featuring Ananda Lima, Bryan Byrdlong, Angela Penaredondo, Mihee Kim, Tim Jones-Yelvington, Caridad Moro-Gronlier, Kanika Agrawal, Elizabeth Gonzales James, Danielle Pafunda, Jennifer Sperry Steinorth, Dao Strom, Eric Burger, and more.

READING: AWP ’23 Offsite: Coffee House Press, Feminist Press, and The Rumpus

7:30 PM – 10:00 PM PST

Structure Cellars 3861 1st Avenue South Seattle, WA 98134

$14.88 – $23.45

Features: Courtney Faye Taylor (CONCENTRATE), Eleni Sikelianos (YOUR KINGDOM, WHAT I KNEW, MAKE YOURSELF HAPPY), Joe Vallese (IT CAME FROM THE CLOSET), Marcelo Hernandez Castillo (CHILDREN OF THE LAND, CENZONTLE, DULCE), Tom Comitta (THE NATURE BOOK, 〇, AIRPORT NOVELLA), YZ Chin (THE AGE OF GOODBYES, EDGE CASE, THOUGH I GET HOME)

SATURDAY, MARCH 11

PANEL: Beyond Writing Well: Making Space for Professional Development in the Workshop

12:10 PM – 1:25 PM

Room 447-448, Summit Building, Seattle Convention Center, Level 4

Panelists: Kathie Bergquist, Sheree L. Greer, & Sarah Browning

Description: While developing writing skills is justifiably central to workshop practice, students often emerge from the workshop with little practical knowledge of the praxis and processes necessary for establishing a viable writing career. Professional development can and should be an important component of creative writing workshops. This discussion will feature strategies and exercises you can easily integrate into your workshop to better prepare your students for the professional life of a writer. 

PANEL: Double-Dipping? You Bet! Promote Your Book with Short Articles and Literary Essays

12:10 PM to 1:25 PM

Rooms 431-432, Summit Building, Seattle Convention Center, Level 4

Panelists: Melissa Hart, Juanita Mantz Pelaez, George Estreich, Tanya Ward Goodman, Andrea Ross

Description: What if we told you that instead of spending thousands on a publicist, you could promote your books and find your ideal readers while building your writing portfolio and earning a paycheck? In this panel, we’ll talk about how we’ve perfected the art of identifying key themes and topics in our published books and writing about them for newspapers, magazines, and literary journals. We’ll teach you how to do the same with personal essays, book reviews, profiles, how-to pieces, and feature articles.

BOOK SIGNING: Light Skin Gone to Waste with Toni Ann Johnson

1:00 PM

University of Georgia Press: 928

PANEL: The ART of Infertility: Writing About Reproductive Choice, Loss, and Family

3:20 PM – 4:35 PM

Rooms 431-432, Summit Building, Seattle Convention Center, Level 4

Panelists: Jennifer Berney, Robin Silbergleid, Carla Sameth, Cheryl Klein, Krys Malcolm Belc

Description: How do infertility memoirs rewrite the dominant family narrative? How do they grapple with issues of gender, sexuality, race, and the body? Reading from published memoirs about infertility, miscarriage, reproductive choice, and queer family building, panelists explore the emotional, practical, and legal complexities of infertility and family building outside cisgender and heteronuclear families, such as in vitro fertilization, third party reproduction, blended families, and adoption.

TABLES

Antioch University Los Angeles – 807

Apogee Press – T1203

CALYX, Inc. – T128

Cave Canem Foundation, Inc. – 929

Feminist Press – T405

Kaya Press – 1309

Kundiman – 728

Lambda Literary – 908

Mouthfeel Press – T1122

Nightboat Books – 1024

Santa Fe Writers Project (SFWP) – 1202 (Monica Prince will be selling advanced copies of her next book, Roadmap: A Choreopoem, along with other authors. Come say hi!)

Sundress Publications – T500

University of Georgia Press – 928

World Stage Press – 1309

SUBMIT 1: 9th Annual WWS Submission Drive

SUBMIT 1 is the one day out of the year WWS encourages women and nonbinary writers across the globe to send one of their most beloved pieces of writing to one top tier journal as one community. This is an act of solidarity, not only with our writers, but with editors and publishers as well. SUBMIT 1 dares to connect the literary publishing community as a whole. 

Black event flyer with "Submit" in green. Green circle at the center with a purple "1" at its center.

In its 9th year, thanks to an Impact Project grant from the California Arts Council and the support of our fiscal sponsor, Avenue 50 Studio, WWS has expanded this event into the WWS Summer Series. This program includes the Summer Writers Workshop in July, the Submission conference in August, and Submit 1 in September. 

The submission drive was created in 2014 for WWS’s five-year anniversary and to honor Vida, Women in Literary Arts, and the Vida Count. It was the 2009 Vida Count that inspired the co-founding of Women Who Submit in 2011. While the event celebrates our history and the importance of gender equity in literary publishing, over the years, we’ve questioned if we were doing enough to help prepare our writers to send their work to the top journals of the nation and world. 

The WWS Summer Series is our answer to this question. In July, 36 writers were given the opportunity to participate in month-long workshops with our faculty, Melissa Chadburn (CNF), Muriel Leung (Poetry), and Colette Sartor (Fiction). In August, over 150 writers registered for the Submission Conference, a one-day, online event that featured 18 writing professionals sharing their best tips and strategies (For recordings of the 2022 panels with closed captions visit the WWS Youtube page.). So then, SUBMIT 1 is not only an act of solidarity, but an act of faith in our writers and the writing process. 

How to Participate:

1. Before September 10th, study THIS LIST of “Top Ranked Journals of 2022” with current open calls to find a good fit for your work. Links to guidelines are included. BE SURE TO READ AND FOLLOW THE GUIDELINES. 

2. On September 10th, submit one of your most beloved pieces of writing to at least one tier one magazine from wherever you are in the world at any time of day.

3. Notify us on Twitter or IG. Be sure to tag us @womenwhosubmit, so we can celebrate you with lots of claps, cheers, and funny gifs.

4. Hang with us on IG Live at @WomenWhoSubmit from 7am to 10pm PACIFIC for a full day special guests, support, and resources. Here is where you can ask WWS members for tips on submitting, get encouragement, or receive LIVE claps for when you hit send.

SUBMIT 1 IG Live Schedule (all times are PACIFIC):

7am-8am: Xochitl-Julisa Bermejo (@xochitljulisa), WWS Director 

8am-9am: Joy Notoma (@joywriteshermedicine), WWS-Europe Lead 

12pm-1pm: pm Suhasini Yeeda (@suhasiniwrites), WWS-LA Member 

2pm-3pm: Toni Ann Johnson (@treeladytoniann), WWS Board Member 

3pm-4pm: Desiree R. Kannel (@rwwrites), San Antonio Lead 

5pm-6pm: Lituo Huang (@thelmerfudd), WWS-LA Member 

6pm-7pm: Jessica Ceballos y Campbell (@alternativefield), WWS Board Member 

8pm-9pm: Lucy Rodriguez-Hanley (@lucyrodriguezhanley), WWS-Long Beach Lead 

9pm-10pm: Juanita E. Mantz Pelaez (@lifeofjem1), WWS-Inland Empire Member

5. After submitting, fill out THIS FORM to help us track how many submissions were sent out, which will help us in our continued mission towards gender parity and wider representation of marginalized voices in literary publishing.

Submission Drive Origins:

After the first VIDA Count was published in 2009 illustrating the dearth of women’s voices in tier one publications, members of VIDA, Women in Literary Arts, began asking the editors of these journals why they thought the numbers were unbalanced. The most common answer was women don’t submit as often as men. In response, Women Who Submit and the monthly submission party was created in 2011 to support women and nonbinary writers in submitting their work for publication in order to raise the number of such voices coming across editors’ desks.

Our annual submission drive is a call to writers to submit their well-crafted and cared for work en masse to tier-one literary journals that historically have shown gender disparities in their publications. It is a call to action. Our first WWS submission drive was in September 2014 at Hermosillo Bar in Highland Park, CA.

Asking “What If” – A Love Letter to Fellow Emerging Writers

In 2021, I was admitted to workshops and received fellowships with Tin House, Macondo, VONA, and the Authentic Voices program via the National Women’s Book Association, my poems and essays were accepted for publication in various venues, and I completed the first full draft of my creative nonfiction manuscript. I somehow did this while surviving a pandemic, working from home with no childcare, and being a single parent/teacher/everything to a fifth grader who was distance learning. And as we shift to a “new normal” this fall, I am still exhausted. There is still so much that is unsaid and unfelt. And yet, I remain hopeful that many of us will retain our virtual communities of care, including our writing communities. That is the way that I survived.

When the world panicked in March 2020, I had nowhere to go but online. I joined Women Who Submit and began attending the weekly Saturday meetings. At first, I doubted whether I truly belonged there because I had internalized the belief that I had to “prove” myself as a writer with external accomplishments, such as publications or awards. But I slowly learned to challenge my mindset. At WWS, rejection letters became “motivation letters” and we applauded each other for writing and for not writing, for trying and for not trying, for hitting “submit” or for not hitting submit. And then we did it all over again. I learned that everything matters, no matter how small, and it opened up something new in me. I had something to say. I filled multiple journals. I started scribbling poems on the backs of receipts again. I began to remember my childhood dream of being a published author. What if?

Asking “what if” led me to have a relationship with my writing, which is to say that I began to have more of a relationship with myself. The page is where I found the fullness of myself. And I claimed myself as a writer while the world was on fire. It felt both marvelous and terrifying. Did I really have the luxury or the audacity or the confidence to be a writer? Yes and yes and yes. I am a writer simply because I say I am.

And yet, no one ever does anything alone. Not even writers. Especially writers. When I drafted my first statements for fellowship applications, the words felt clunky and odd. I didn’t know what I was doing. I feared that I would never be selected for the fellowship. I didn’t even know what I wanted to say. But I asked for help anyway because support will always move us closer to our goals. And once I finally crafted one fellowship application that seemed strong, it was easier to tailor it and apply to more workshops and fellowships. At the same time, life happens, and I didn’t worry much if a deadline for a certain opportunity passed. I did what I could at the time and I am okay with it because there will always be more chances.

The first fellowship that I completed was the Authentic Voices program with the National Women’s Book Association (NWBA). Directed by the NWBA President, Natalie Obando, my cohort and I met over the course of four months with her and other guests, including a six-weel writing workshop with the wonderful writer Mireya Vela. As someone without an MFA, I am still learning about so much, and the fellowship taught me about the business of publishing, the art of writing and revising, querying, and other concrete tools that will help me as an emerging writer. It also felt almost surreal to be in a BIPOC-only space where we could understand each other without explaining or censoring ourselves or our writing. And while institutional racism and other forms of inequities remain embedded in traditional publishing, programs like Authentic Voices make me hopeful that more change is coming.

The next workshop was the Tin House summer workshop. At the final happy hour meeting, a fellow participant said that it felt like an entire semester compressed into one week, and I wholeheartedly agree. I was pleasantly surprised that most of the Tin House faculty were BIPOC and they were privileged in the programming for the talks and lectures. However, I did not anticipate how grueling the schedule would be. Each day had over 12 hours of live programming. While all the talks and lectures were recorded, I made arrangements with my job to attend Tin House and so I wanted to use all the time that I could that week. I had meetings with a literary agent and editor, both women of color, who were honest about institutional racism in the publishing industry but encouraging. For the workshop portion, I was both inspired and a bit intimidated to work with the incredible Jaquira Diaz. My cohort and I talked with her about ghosts, speculative nonfiction, and what it means to write into the complexities of our lives. More than anything, Jaquira taught me that anything is possible, including our dreams.

My final workshop was the Macondo writers workshop. While the Macondo schedule was not as time-intensive as Tin House, it also felt rigorous. I was delighted to work with Daisy Hernandez who challenged us to consider space and place in our writing. My cohort and I wrote about mothering, beds, science, childhood homes, hopefulness, and helplessness. I also read a short excerpt of a personal essay during the Macondo open mic which felt like an accomplishment to me because I have not participated in many readings. And yet, at Macondo, the new Macondistas were welcomed with open arms and I felt a sense of belonging. Of all my fellowships so far, Macondo feels the most sentimental to me because I worked with the Chicana feminist writer and Macondista, Carla Trujillo, as an undergraduate. And Macondo’s founder, Chicana writer Sandra Cisneros, was the first book that I ever read that was written by a Chicana. With Macondo, I felt more certain than ever that I am not simply a fan of writers, but I am a writer too.

Even a year ago, I never would have dreamed of having any of these experiences, but here I am. For my fellow emerging writers, don’t give up and remember these phrases.

  1. No means next. I learned this phrase from my friend, Yvette Martinez-Vu, who uses this phrase to help motivate her students. When I submitted to a Tin House workshop for the first time, my application was declined. But when the next round opened up, I applied again and was accepted. No means next, not never. If a venue says no, apply again or somewhere else. Don’t stop.
  2. Your pace is the right pace. What if you did not write today, this week, this month, this year? Or perhaps even many years? It is okay. Whether or not you put pen to paper, you are still a writer, no matter what. Release the guilt and stress. The page will always welcome you back when it’s the right time for you and only you. Your pace is yours.
  3. Ask for help. This one still feels difficult for me even today because asking for help can sometimes mean exposing your vulnerabilities and insecurities. And yet, building relationships with others in the writing community means that there are always friendly folks who are willing to help you with feedback, support, or advice. It is okay to ask for help. In fact, it is necessary. And then the best part is that we can pay it forward by helping the ones coming up after us.
  4. Don’t compare and despair. It is normal to feel jealous, doubtful, or insecure when we compare ourselves to other writers who seem to have all the dream publications, awards, fellowships, book deals, etc. Feel those feelings and then let them go. There’s more than enough for us all and what’s meant for you will not pass you up. And remember, no one else’s success will ever diminish the inherent value of your work.
  5. Lay a brick a day. I saw this phrase in a meme and I immediately loved it. The little things do add up. Even if you write just one sentence a day, it matters. 
  6. The magic is in the mess. Marvel in the mess and then marvel some more because that’s where the magic happens. Stay with the discomfort and the doubts. The right words will come, I promise.

Remember, your writing is worthy. But, even more important than that, you yourself are worthy.

With love,

Cecilia Caballero

Cecilia Caballero is an Afro-Chicana single mother, poet, creative nonfiction writer, teaching artist, speaker, and educator based in Los Angeles. Cecilia is a founding member of the Chicana M(other)work collective and she is co-editor of the book The Chicana Motherwork Anthology: Porque Sin Madres No Hay Revolución (University of Arizona Press 2019). As a teaching artist, Cecilia designs and facilitates poetry workshops for BIPOC folks to cultivate more spaces of healing and social justice. She has been invited to give workshops and talks at numerous institutions and organizations such as UCLA, UC Berkeley, San Diego State University, East Los Angeles College, the University of Arizona, Parenting for Liberation, and more. Cecilia’s prose and poetry is published or forthcoming in Dryland Magazine, Star*Line Magazine, The Nasiona, Raising Mothers, The Acentos Review, Chicana/Latina Studies, Gathering: A Women Who Submit Anthology, and more. Find her on Twitter @la_sangre_llama

SUBMIT 1: 8th Annual WWS Submission Drive

In years past, we’d called this annual event the “Submission Blitz,” reappropriating a destructive term in pursuit of gender parity and wider representation of marginalized voices in literary publishing. But as the last 20 years has brought unbearable violence punctuated by recent catastrophic times, we at WWS thought it was time for a new direction and outlook.

SUBMIT 1 is the one day out of the year WWS encourages women and nonbinary writers across the globe to send out at least one of their top pieces to one top tier journal as one community. This is no longer about bombarding editors’ desks and slush piles.

SUBMIT 1 is an act of solidarity and faith in our own voices and communities.

WWS hosts quarterly workshops and panels to help demystify the submission process and provide professional development to the writers. One of my personal favorites was “Strategies for Submitting to Contest” in 2016 with Tammy Delatorre, winner of the 2015 Slippery Elm Prose Prize and 2015 Peyton Prize.

On that day she advised us to send our best work, the pieces we loved, the ones we had to see in the world, our absolute favorites. This was an aha moment for me.

If I want an editor to love my work and champion it in their pages, I have to love it first. If I want to turn the heads of the readers at the top journals, the work I send should be top shelf quality.

This year, in our 8th installment of this literary submission drive, I invite you choose one piece of writing, your best and most beloved piece, and do the work of sending it to at least one top journal (Or five!). And when it’s rejected (because chances are it will be), send it out again, and then again, offering as many editors as possible the privilege of reading your work, until you finally find it the right home.

This isn’t an attack. This is an act of love.

How to Participate:

1. Before September 18th, study THIS LIST of “Top Ranked Journals of 2021” with current open calls to find a good fit for your work. Links to guidelines are included.

2. On September 18th, submit one of your best pieces of writing to at least one tier one magazine from where ever you are in the world at any time of day.

3. Notify us on Facebook, Twitter, or IG. Be sure to tag us @womenwhosubmit, so we can celebrate you with lots of claps, cheers, and funny gifs.

4. Hang with us on IG Live at @WomenWhoSubmit from 7am to midnight for a full day special guests, support, and resources. Here is where you can ask WWS members for tips on submitting, get encouragement, or receive LIVE claps for when you hit send.

7am-8am: Xochitl-Julisa Bermejo (@xochitljulisa) & Lauren Eggert-Crowe (@dazzlecamouflage)

8am-9am: Elizabeth R. Straight

9am-10am: Cybele Garcia Kohel (@cybelegk)

10am-11am: OFFLINE

11am-12pm: Alix Pham (@alixenpham)

12pm-1pm: Thea Pueschel (@theapueschelofficial)

1pm-2pm: Suhasini Yeeda

2pm-3 pm: OFFLINE

3pm-4pm: Toni Ann Johnson (@treeladytoniann)

4pm-5pm: traci kato-kiriyama (@traciakemi1)

5pm-6pm: Deborah Edler-Brown

6pm-7pm: OFFLINE

7pm-8pm: Cassandra Lane (@cassandra.lane71)

8pm-9pm: Lucy Rodriguez-Hanley (@lucyrodriguezhanley)

9pm-10pm: Becca Gomez Farrell (@theGourmez)

5. After submitting, fill out THIS FORM to help us track how many submissions were sent out, which will help us in our continued mission towards gender parity and wider representation of marginalized voices in literary publishing.

Submission Drive Origins:

After the first VIDA Count was published in 2009 illustrating the dearth of women’s voices in tier one publications, members of VIDA, Women in Literary Arts, began asking the editors of these journals why they thought the numbers were unbalanced. The most common answer was women don’t submit as often as men. In response, Women Who Submit and the monthly submission party was created in 2011 to support women and nonbinary writers in submitting their work for publication in order to raise the number of such voices coming across editors’ desks.

Our annual submission drive is a call to writers to submit their well-crafted and cared for work en masse to tier-one literary journals that historically have shown gender disparities in their publications. It is a call to action. Our first WWS submission drive was in September 2014 at Hermosillo Bar in Highland Park, CA.