This Makes Up the Sky: Light. Elisabeth Contreras-Moran

A reciprocity of rituals

By Elisabeth Contreras-Moran

Early morning sun yellows a grey mist that lifts up to the window ledge, sending shafts of weak sunlight into their kitchen as he stands at the deep sink and fills the kettle.  The kettle is moved to its base, its lever gently pushed, as he walks to the cupboard.  Out of the cupboard comes her most colorful jarrito, which he warms under running water, adding two teaspoons of sugar to the bottom; she prefers sweetness to bitterness. Setting a well-used single serve coffee filter on top of the mugโ€™s mouth, he meticulously measures a level scoop of her cinnamon cafรฉ de olla.  When the kettle softly sings its readiness to add to the reverence of this ritual, he pours the water over the scented grounds and waits patiently for the water to trickle down and for cinnamon and sweet coffee aromas to fill the air.  The light in the room silently shifts upwards while he bides seconds.  Opening the refrigerator to get the glass cream bottle their milkman delivered that morning, he hums quietly.  When the water from the coffee filter has emptied, he removes it and adds just enough cream to make a beautiful shade of brown, stirring so softly.  He pads into another room on socked feet to place this lovingly prepared liquid in front of her.  She is sitting at her desk, writing, as is her morning ritual.  Wordlessly, she sips, closes her eyes, smiles wistfully as he pads away to start his day. When the light in the kitchen has shifted again, to full sunlight or rain, when the mists have disappeared or reappeared, when the sun has lowered on the other side of the house, she will take her great grandmotherโ€™s cast iron pan, hold it carefully in two hands, warm it over moderate heat, and lovingly lift from the kitchen stores a meal to nourish.  The meal is served at their old oak table, set with plates and utensils, glasses and wine.  He will close his eyes, breathe in the scent of cumin, garlic, chillies and family history and then smile at her as she sits across from him, with her own plate too.  The sun will set, the shadows will lengthen and consume, but they will not notice.


Elisabeth Contreras-Moran is a Xicana environmental scientist turned poet. She has an undergraduate degree from Princeton University and further science degrees from CUNY.  Currently living in England, she creates at night, when the world is quiet. Her poetry has been in Litro Magazine, Moss Puppy Magazine, Equinox, The Ascentos Review and the Somos Xicanas anthology from Riot of Roses Press.


You can read the entire This Makes up the Sky series by visiting: https://womenwhosubmitlit.org/category/the-sky/

This Makes Up the Sky: Light. Melba Morel

Light Finds Me Anyway

By Melba Morel 

I have hidden
in houses with thick curtains,
slept through sunrises
on purpose,
and called it survival.

I have dimmed myself
to match the shadows
in someone elseโ€™s room,
forgetting that I was born
a soft blaze.

But stillโ€”
light finds me.

It slips through the cracks
of my resistance,
paints my eyelids golden
before I even wake,
reminding me
Iโ€™m still here.

Light doesnโ€™t ask
for permission.
It arrives,
regardless.
It shows me
what I didnโ€™t want to seeโ€”
and what Iโ€™d forgotten
to celebrate.

Even the body glows
from the inside.
Even grief
throws a reflection.

And maybe
thatโ€™s the lesson:

Some part of us
always remembers
how to shine
back.


Melba Morel is an author and poet based in South Florida. Her work explores grief, identity, and healing through the lens of nature, memory, and personal transformation. She is the author of Unplanted Yet Flourishing: A Poetic Journey Through Infertility, Loss & Healing and founder of Poetic Nectar Collective.


You can read the entire This Makes up the Sky series by visiting: https://womenwhosubmitlit.org/category/the-sky/

This Makes Up the Sky: Light. Jennifer Germano

Moonscape: A Memory

by Jennifer Germano

I walk to the end of the butte just as Grandmother Moon begins to rise over the mountains. She is a glorious orb cresting the horizon. As she rises, the barren desert landscape comes alive around me, like another realm illuminated by her phosphorescence. Long eared jackrabbits scatter wildly amongst the glowing sagebrush, searching for shadows in which to hide. Raising my arms skyward, I draw her down, rejoicing in her tenderness and grace. In a short time she will fade into eclipse, but for now she fills the sky with the ripeness of her belly and covers the landscape in ethereal light.

Two owls scream with haunting cries which deflect and echo off the looming cliffs, their enormous wings bearing them from one hunt to the next. They too feel the power of the moon. A third plummets upon its prey with a screech that pierces the night. There is no longer a cover of darkness under which to shield the little ones. A pack of coyotes cry and yip and sing, a mournful chorus in the otherworldly light. And as Moon rises higher in the sky, the mountains and cliffs beneath her seem to rise as well. There is great magic in her fullness; it is the magic of light.

I lower myself onto the asphalt, my back resting against my front tire, wrapped tightly in a woolen shawl. The eclipse has begun and I fall into the dreamy space of in-between, surrendering to a feeling of timelessness as the moon begins to disappear. Her shadowing mirrors my own repetitive journey into the darkness and then once again into the light.

This night is mine and I sit within the inky blackness by myself, watching, waiting, winter lying upon my shoulders, cold and crisp, until Grandmother reappears in the sky. I leave her with a prayer and a bow, holding the vision of her journey so closely in my heart.


Jennifer Germano, storyteller & poet, draws her inspiration from nature and from her own relationships and spiritual journey. Dreamer, stargazer, firewalker. Weaver of words. Believer of magick, she wanders between the deserts of southern Ca and the mountains of northern New Mexico.




You can read the entire This Makes up the Sky series by visiting: https://womenwhosubmitlit.org/category/the-sky/

This Makes Up the Sky: Light. Elizabeth Iannaci

NO COINCIDENCE

by Elizabeth Iannaci

This afternoon the sky is pure blue,
though I know the color of space
is bottomless black punctuated
by stars & sunlight. Edges beyond
the Oort cloud, where not even static can exist,
are frayed. Physicists compare this
to a bubble, while mystics say galaxies
resemble bubbles that rise in a glass
of sparkling wine, popping
when their time is up. Theorists predict that
one day instruments will measure emotions
moving through space, images of energiesโ€”
iridescent spheres (not unlike bubbles)
bonding together in clusters
so dim theyโ€™re almost invisible.
I donโ€™t believe in coincidence.
Last night I dreamed I floated inside
one of those globes. I saw more clearly
than I could ever perceive with my eyes:
oceans, cresting, swelling,
each drop revealing endless fractals
of seas; I envisioned in every grain
of sand, the mountain that fathered it;
in any tree, the cycle: seed, stem, bud,
blossom, then the wilt and decay
becoming new soil, anxious for the acorn
the squirrel forgets. I awoke to a siren of light
splitting the shutterโ€™s slats with song.

Elizabeth Iannaci is a widely-published, SoCal poet whose work appeared recently in Women in A Golden State, Midwestern Miscellany, Interlitq, etc,Her latest chapbook is The Virgin Turtle Light Show: Spring, 1968 (Latitude 34 Press). Elizabeth is partially sighted, which may account for her preference for paisley over polka dots.


You can read the entire This Makes up the Sky series by visiting: https://womenwhosubmitlit.org/category/the-sky/

August 2025 Publication Roundup

The Women Who Submit members included in this post published their work in amazing places during August of 2025.ย Four of our committed members heard about an opportunity through WWS programming and/or another member.

Iโ€™ve included an excerpt from published pieces (if available), along with a link (if available) to where the pieces can be purchased and/or read in their entirety. Please take some time to celebrate yourself and your wonderful accomplishments this last stretch of summer. Thank you and happy submitting!

Congratulations to Tanzila Ahmed whose creative nonfiction piece “Eavesdropping as a Solidarity Tactic” was published in the imprint We Are Civic Media by Northwestern University Press.

Big kudos to Donna Spruijt-Metz whose poetry collection Wu Wei Eats an Egg was published with Ben Yehuda Press.

Shoutout to Dinah Berland whose poem “Between the Lines” was featured in Van Spuk Art Books.

Congratulations to Amy Raasch whose poem “Broken Sonnet for the Phone Call I Didn’t Pick Up” was featured in Tahoma Literary Review (see excerpt below). Her poem “ontology of llorando” was also announced as a winner in Sonora Review‘s Noise Contest, and her poem “Ornament” was selected as a finalist for The Florida Review 2025 Editorโ€™s Award for Poetry.

I heard Leonard Cohenโ€™s โ€œHallelujahโ€ sung
in Spanish at a funeral last week, twice โ€”
Processional and Communion. Stained glass shook
loose & boomeranged rose-gold sharps into tall-boned
Jesus till he swayed between stone femurs
like a receiver in a phone booth waiting
for his last phone call from God. Your last call
went to voicemail, then you hung up on yourself.

Kudos to Vibiana Aparicio-Chamberlin whose chapbook As Mexican as a Nopal was selected as a shortlist finalist in Four Feather Press’ Chapbook Prize.

Shoutout to Dรฉsirรฉe Zamorano whose novel The Amado Women was republished with Lee & Low Books.

Congratulations to Lisa Eve Cheby whose poem “Witnessing” appeared in Cultural Daily.

last night I dreamt I was interrogated by I.C.E.

they knew about how I ghosted Esteban after one date, about the small, behind the scenes disputes
in our non-profit writersโ€™ group of women who refuse to submit.

I only wanted to imagine a world of liberation and joy,
not how to integrate the mundane with the horrific.

on the 4th of July with the day laborers in the Home Depot parking lot
we ate mango and piรฑa cream paletas from Salโ€™s cart.

Kudos to Heather Pegas whose creative nonfiction piece “Family Lore: A Semi-History” was featured in The Muleskinner Journal.

Maybe Connie made her special soup at the diner, maybe she saves one bowl to bring home.

Perhaps she intends it for her father, or maybe she was keeping it for herself after shopping, vacuuming, washing, drying and folding the family laundry. My beautiful aunt, the one they only half-jokingly call โ€œthe maid,โ€ puts her soup in the icebox, I imagine, saving it for later.

It is not to be. Her brothers come home all at once, and they encounter the soup.

I want that, says George, the eldest. Iโ€™m going to eat it.

Not so fast, says Manny, the second son, muscling in. I want it too.

And lastly, shoutout to Dilys Wyndham Thomas whose poem entitled “Titan[ic]” was published in Mslexia Magazine’s 107th Issue.

*Feature image credit to Margaret Gallagher*