An Introduction to This Makes up the Sky: A Year of Looking Upward

“Look up” is what I hear myself telling our seven year old almost every day. They say it could help us avoid text-neck. More importantly, there’s something grounding about witnessing the endlessness above us, how it holds space for both chaos and calm, for both the known and unknowable, and room for possibility. And every seven-year old should experience endlessness every so often.

Welcome to This Makes up the Sky: A Year of Looking Upward

I’m excited to introduce myself to you as the newest Women Who Submit Blog Managing Editor. In the months prior to submitting my proposal for this series, I spent some time thinking of ways to continue writing while the world continues to erupt. I thought about the sky and how everything it holds is connected by that very thing, that perfect relationship of gravity and orbital motion. And when I came up with the series, I thought about what it means to create a shared space where writers can explore their own relationship with what the sky holds. The sky, in all its iterations, offers us a universal connection point—as simple as it sounds—we’re all under it, all witnessing its changes, all carrying our own interpretations.

Over the coming year, we’ll explore six themes that together tell the story of our shared sky. We’ll begin with Dreams – those just-above-the-surface visions that shape our understanding of what’s possible. From there, we’ll witness the mathematics of flight through Birds, explore the systems that animate unwritten rules in Weather, investigate the always shifting narratives of Clouds, contemplate precipitation in all its forms through Rain, and finally, we’ll discover the architecture of collective movement in Murmurations. For each theme (except Murmurations), we’ll publish four pieces that approach the subject from different angles, different genres, different perspectives – creating a mosaic of how we understand and experience these elements that make up our sky. 

As a publisher, I consider myself lucky to have been able to approach anthology curation as a form of collective meaning-making. It’s a practice that might begin in what feels like a selfish place – this desire to reach out, to gather stories, to make sense of the world through perspective. But what comes of it is always so much more, I mean, isn’t this why we write and read and create and…all of it? Research has consistently shown that engaging with art and creative expression provides tangible, memorable real-life benefits for our emotional and psychological wellbeing. When we write about our experiences, when we share our perspectives, we’re not just creating sentences and paragraphs—we’re participating in one or more forms of collective healing. Studies show that we’re activating multiple brain regions and circuits, fostering neural connections that support regulation and cognitive resilience. In times when the world shows its horrendousness, a slight turn toward reflection and creative expression becomes essential.

I truly hope you enjoy reading each piece throughout the year, and the collective sum. And for those interested in submitting work, please read through the submission guidelines. I look forward to reading your work—your poems, your flash fiction, your essays, your hybrid forms. Each submission is a way of mapping the world around and above us, of making sense of both the physical and metaphysical. Through your words, we’ll build a constellation of perspectives, a year-long exploration of how we understand, imagine, and inhabit the space above us. 

Looking Forward,
Jessica Ceballos y Campbell

Photo of Jessica Ceballos y Campbell sitting legs crossed in the hall of the Salk Institute.

Jessica Ceballos y Campbell, Blog Managing Editor (she/they), is a writer, content strategist, publisher, and advocate whose work has been published in numerous anthologies and journals and three chapbooks: Gent/Re De Place Ing (2016), End of the Road (2017), and Facilitating Spaces 101: A Manual for equitable Arts Programming (2018), and has produced a ton of literary events throughout LA. She lives with her husband, seven-year-old, and their gato in Los Angeles, where she runs a small press and where she is ever-attempting to work on Happiest Place on Earth, her poetry contribution to conversations around memory, place, and belonging, inspired by a trip to Disneyland while in the foster system. www.jessicaceballos.com

January 2025 Publication Roundup

The Women Who Submit members included in this post published their work in amazing places during January of 2025, and four of our members heard about these opportunities through WWS programming and/or another member. We appreciate everyone’s commitment to sharing and celebrating their work, especially during these difficult times for our beloved Los Angeles. Thank you and happy submitting!

I’ve included an excerpt from published pieces (if available), along with a link (if available) to where the pieces can be purchased and/or read in their entirety. Please take a moment to extend congratulations to our members who had their work published this month.

First up, let’s give a congratulations to Michelle Smith whose poem “Morning Decks & Decorum” was published with Four Feathers Press through their Saturday Afternoon Poetry Blogspot series (excerpt available below). She also published a poem entitled “Brightness” in Southern California Shadows with Four Feathers Press.

Fresh cut blades

of green grass stacked

on yards like neighborhood

houses. Awakens my olfactory

senses. Feeling

squishiness of the piled

high hill dancing in spring

coolness between my toes.

Big kudos to Ronna Magy for her publication of poems “Snow Globe” with Silver Birch Press (see excerpt below) and “Free Love” in Dionne’s Story, Volume IV Anthology with Carlow University Press.

between grandmother’s knobby fingers
brown coin-purse
frayed zipper
thread-bare days.
post second war
she counts bus quarters.
rations tickets for coffee sugar butter whole milk

we’re riding Detroit’s Woodward trolley.
downtown electricity
crackling Christmas lines
yellow car clanging
squeals to a stop.

Please give a shoutout to Dilys Wyndham Thomas whose poem “Elegy” was given a Pushcart Prize nomination by journal Rust and Moth, where it initially appeared in their Spring 2024 issue.

You will not appear in obituaries:
cells and the universe colliding,
contracting into an embryo, a whole
half with me since before I was born.
But they said this body could not keep you safe,
so I carved your name into my bones,
swallowed a pill that made a grave of my womb.

Congratulations to Yvette Siegert who translated five poems by Amanda Libertad and fiction piece “The Devil Knows My Name” by Jacinta Escudos from their original Spanish, which both appeared in Fence (the latter of which is shown below).

The Devil tells me everything

He comes to see me every day. He talks a lot. He tells me stories from every country in the world. About how human beings struggle and how they fear Evil, about how they spend their lives making up excuses so that they can give in to temptation and so be on good terms with both God and the Devil.

He tells me that he was once a charming prince, a man of flesh and bone like everyone else. Elegant and intelligent. Handsome. Wonderful. To such an extent that God chose him to become his favorite angel.  

 “But,” he says, “the problem is that I can’t stand taking orders from anyone.”

Big shoutout to Sibylla Nash who had an essay “It Happened To Me: I Almost Brought Home the Wrong Baby” featured in Another Jane Pratt Thing’s Substack blog.

Please give a congratulations to Marya Summers for publishing her poem “The Congregation” with Pensive Journal in their ninth issue.

Kudos to Ruby Hansen Murray for their poem “White Hair Memorial” which appeared in the Winter 2025 issue of Michigan Quarterly Review. She also published another poem “Devotion” in Elysium Review (see excerpt below).

For years, in the women’s rest room at Dismal Nitch,
a bouquet of wild flowers,
white honeyed verbena, stalks of grass.

How small things stitch the fabric of our lives,
river gray toward shore, the ridge beyond.

Shoutout to Jenise Miller whose article “How The Murals of Elliott Pinkney Captured the Creative Energy of Compton and Beyond” was featured in PBS SoCal.

At schools, churches, art centers, auto shops, health centers, and in neighborhoods, artist Elliott Pinkney painted bold swaths of color and every shade of brown reflected in the community. The murals he designed across Compton in the summers of 1977 and 1978 mirrored the creative energy and consciousness of the city. His art extended into Watts, South Central, Long Beach, Carson, Lynwood, and Berlin, Germany, in over 90* murals across 50 different sites, many of which involved a total of over 200 local youth (*multiple murals painted at one site were counted as individual murals; in a career that spanned over 50 years, this total was likely higher).

Lastly, please give a kudos to Diosa Xochiquetzalcoatl who published a poem entitled “Mojada” with FLUP and Venas Abiertas Editor Popular.

*Feature image credit to Margaret Gallagher*