We hope this roundup finds you and your loved ones healthy and safe! To ease the stress of these unsettling times, please enjoy this lengthy and exciting list of publications from Women Who Submit members. Congrats to all!
To begin, we’d like to invite you to check out Accolades: A Women Who Submit Anthology that includes writing from Women Who Submit members!
Congratulations to Aruni Wijesinghe, whose poem “Revlon Super Lustrous Lipstick, Crème Color #640, Blackberry: Part I and Part II,” was published in Making Up: Poems!
From Anita Gill‘s “What We Can’t Do: A Father and Daughter’s List” at Citron Review:
On that trip, I would ask you for the millionth time why you never taught me your native tongue and your answer would be the same, “What use would it have been?”
Also from Anita, “Coronavirus Forced Me Home from Spain Where I Was a Fulbright Scholar,” at the Baltimore Sun:
On March 12th, I woke up in my apartment in Spain to discover the president of the United States had announced a ban of all travel between the U.S. and Europe on account of the ever-growing cases of coronavirus patients.
From Kate Maruyama‘s “Not Yet” at Barren Magazine:
This was my fault. I wasn’t paying attention when his arm went around my throat. I tried a back kick, an elbow to the ribs, I tried to turn to face him. But I couldn’t move. I visualized a knee strike to his head—but apparently all of those years watching my boy do karate and jujitsu didn’t pay off, because I blacked out.
Congratulations to Bonnie S. Kaplan who had a piece published in Closet Cases – Queers On What We Wear edited by Megan Volpert!
Congrats to Tanya Ko Hong who had three poems published in Cultural Weekly. From “Yang Kong Ju”:
Koreans called her
Yang kalbo
Yankee’s whore
Korean men say
No thanks—
even though it’s free
Check out this interview of Tanya and this book in which Tanya’s work is featured!
From “Parenting Through An Apocalypse” by Liz Harmer at The Walrus:
The day we got the keys to our new house in California, the so-called Holy Fire was blazing a few kilometres away. The sky rusted a kind of brownish orange, and on the piled boxes and half-dismantled furniture on the patio of our newly purchased home, ashes collected lightly, like dry snow. I had not been sleeping well and did not appreciate this omen.
Congrats to Helena Lipstadt who had her poem, “First Light June,” published in Undeniable: Alternating Current Press!
From Lituo Huang‘s “My Beautiful Sister” at VIDA:
My beautiful sister is eating a slice of watermelon. It tastes so good she shows me the whites of her eyes.
My slice is old. All the cells have gone dark.
My slice is old, I say.
Also from Lituo, “DO NOT CONTACT YOUR EX DURING THE PANDEMIC,” at Bitter Melon:
Do not call and ask him to hold your hand at the end of the world.
Do not email him to get your things back.
Do not drive by his house, slash his tires, slash your wrists.
Do not confess.
Also from Lituo, “My Small Press Writing Day,” at my (small press) writing day:
My writing day begins at 4:00 a.m., or sometimes 5:00 a.m., or 6:00 a.m., or 7:00 a.m., or 8:00 a.m., when I wake up with anxiety. The first writing I do is in a notebook where I write down when I went to bed. When I woke up. If and when I fell back asleep and woke up again. How tired I am.
From Angela M. Sanchez‘s “Bucking the Danger of a Single Story with the Power of a Multitude – A Review of Tales from La Vida: a Latinx Comics Anthology,” at solrad:
A single story, fortunately, is not what readers get in Tales from La Vida: A Latinx Comics Anthology. Edited by Dr. Frederick Luis Aldama, Distinguished Professor at The Ohio State University, Tales from La Vida offers a panorama of Latinx narratives, featuring seventy unique vignettes and over eighty contributors. With eye-catching artwork, some pieces harken to fotonovelas (Leighanna Hidalgo, Fernando Balderas Rodriguez) while others, like Zeke Peña’s fleshy heart pulsing with nopales, are stand-alone striking.
Congratulations to Li Yun Alvarado whose poem, “Hechizo Para Congelar,” was published in Accolades: A Women Who Submit Anthology!
Noriko Nakada writes, blogs, tweets, parents, and teaches middle school in Los Angeles. Publications include: Through Eyes Like Mine (2010), Overdue Apologies (2012), and I Tried (2019). Excerpts, essays, and poetry have appeared in Catapult, Meridian, Kartika, Hippocampus, Compose, Linden Avenue and elsewhere.
