A WWS Publication Roundup for January

A laptop computer with an article titled "Submissions Made Simple" on the screen and a stack of literary journals sits on top of the laptop base, titles facing out

The year in publications has gotten off to a great start for Women Who Submit! Congratulations to everyone who had work published in January.

From Soleil David‘s “Seoul in October” at Cleaver:

If I could be anywhere
………..in the Fall
it would be Korea

walking rubberized pavement
………..to the top of Namsan Tower
surprised by snow in October

From Melissa Chadburn‘s “The Wounded Parts of People” at Shondaland:

Nobody needs to warn me about the wounded parts of people. There was that time I worked at a Level 12 residential treatment center for adolescent boys. It was called Mid-Valley Youth Center — a home for boys who stopped smelling like children. Some of us were fooled by this change in scent, by the wild sprites of hair off their face. Some days, we thought they were men. Their crude gestures, or refusals to eat, or to follow direction — we thought we were in a power struggle with them. Some judges even forgot they were boys, and gave them sterner sentences in places for men. The deal was, they could do more time at the treatment center with less restrictions, or less time at juvenile hall. Continue reading “A WWS Publication Roundup for January”

Behind The Editor’s Desk: Muriel Leung

by Lauren Eggert-Crowe

Our main priority at Women Who Submit is uplifting the voices of writers who are historically marginalized in arts and letters. We believe in practicing Kimberlé Crenshaw’s theory of intersectionality, which means we look beyond gender discrimination and work for the liberation of women who are at the intersections of various oppressive systems of power, such as white supremacy & anti-Black racism, homophobia, classism, and ableism. We value racial justice and economic justice as an essential part of our mission to center the art and literature of the most underserved and overlooked writers.

That’s why we love journals like Apogee, a beautiful online/print magazine that prioritizes writers of color. From their Mission Statement:

Apogee is a journal of literature and art that engages with identity politics, including but not limited to: race, gender, sexuality, class, ability, and intersectional identities. We are a biannual print publication featuring fiction, nonfiction, poetry, and visual art. Our goals are twofold: to publish fresh work that interrogates the status quo, and to provide a platform for underrepresented voices, prioritizing artists and writers of color.

The word “apogee” denotes the point in an object’s orbit that is farthest from the center. Our mission combines literary aesthetic with political activism. We believe that by elevating underrepresented literary voices we can effect real change: change in readers’ attitudes, change in writers’ positions in literature, and broader change in society.

Continue reading “Behind The Editor’s Desk: Muriel Leung”

7 Ways for Women Writers to Make 2018 a Stronger, Kinder, More Kick-Ass Year

by Danielle Mitchell

Tip 1:

Make new friends. Surround yourself with good people digitally & physically. You can make friends on social media by interacting through comments and re-tweets, you can make new friends IRL by attending a workshop, or asking an acquaintance you admire out for coffee. I’ve reached an age where I’ve begun to think making new friends is close to impossible, or at least improbable. But it only takes one new exciting connection to renew your faith in friendships. Open yourself to making that connection.

Continue reading “7 Ways for Women Writers to Make 2018 a Stronger, Kinder, More Kick-Ass Year”

A WWS PUBLICATION ROUND UP FOR DECEMBER

A laptop computer with an article titled "Submissions Made Simple" on the screen and a stack of literary journals sits on top of the laptop base, titles facing out

As we say goodbye to 2017, we share one final round of applause to the women who were published in December.

From Anna Graham Hunter‘s “I Publicly Accused of Harassment. Take It From Me, It’s Not Easy to Report Sexual Misconduct” at the Los Angeles Times:

Judging from an avalanche of think pieces, my friend’s concerns are common — many believe the pendulum is swinging too far in the accusers’ direction, or that the #MeToo movement is becoming a witch hunt. But the process of bringing sexual harassment stories to light is still a tedious mess.

From Marya Summers‘ “Where Wind Belongs” at Tiferet:

I am named for the wind, which is driven to discover cracks and stir emptiness. Wind ventures wherever it can, slides into places people have forgotten. It shakes, scatters, uncovers, and upturns. It is equally fond of blackness and brilliance. If there is space to be filled, wind will work its way there. A wistful breeze blows when wind dreams of settling down.

From “The Human Cost of the Ghost Economy” by Melissa Chadburn at Longreads:

There is a story about an invisible hand that guides the free market. There is a story about ghosts. There is a story about a ghost economy. The distance between the main employer, the company that hires the temp agency, and the worker who fulfills these gigs, allows for the same type of casual cruelty that is exchanged between people who meet on online dating apps.

From Mahin Ibrahim‘s “How I Used My Hijab to Hide – And Why I Don’t Anymore” at Narratively:

This was no American locker room. Instead of women changing, we walked straight into a group of Turkish women in a circle, dancing, clapping their hands, and shaking everything Allah gave them. One woman yodeled while another clucked her tongue, in what seemed like a festive femininity dance. The women were of all shapes and ages. Some had the build of sumo wrestlers, others resembled tiny fairies.

All were completely naked.

From Noriko Nakada‘s “Open Gym” at East Jasmine Review:

A Saturday afternoon. I was running up and down a court with girls from my high school basketball team. It felt good to be there, on a court in our small town’s Mormon temple’s open gym. But we could feel the end too. Graduation was right around the corner, and after years of playing hoops together, we knew this could be our last chance to share a court. We didn’t let them break the girls up. We knew how pick up games worked. Most of the time guys ignore girls on their teams, never pass to you or let you bring the ball up the court. They probably thought we’d be easy prey, so when we said we wanted to play together, they agreed.

From “Ode to the Man inside and the Letter he will not get because he was transferred to a new prison on Tuesday last” by Hazel Kight Witham at The Rising Phoenix Review:

He who they said did
what he did not do

He who lost world and life and home
myth of freedom too

From Ryane Nicole Granados‘ “Why We All Need a Parenting Village” at LA Parent:

My need for a parenting village became clear when I found myself sitting in my son’s school valet line belting out the lyrics to Barbara Streisand’s “People.” The chorus of horns behind me was drowned out by my off-key karaoke: “People who need people are the luckiest people in the world!” I was sleep deprived, coming off a slew of stressful doctor appointments for my middle son, and I had decided it was best that I pick up in valet since I had worn the same shirt for three days in a row.

Congratulations to Li Yun Alvarado whose poem, “Poe Park,” was published in Asterix Journal‘s December issue!

Congratulations to Carla Sameth whose essay, “Stand Up Mom,” was published in Brain Teen 2018!

Happy New Year and Happy Publishing!