A WWS PUBLICATION ROUND UP FOR OCTOBER

A laptop computer with an article titled "Submissions Made Simple" on the screen and a stack of literary journals sits on top of the laptop base, titles facing out

The slight autumnal chill in the air hasn’t stopped Women Who Submit from sending their work into the world. Congratulations to all who were published in October.

From “Grabbing Pussy, Flipping the Script” by Tammy Delatorre at The Manifest-Station:

You said you grabbed women by their pussies. At first, I wanted to understand the mechanics of it. It implies a woman has a handle down there, something around which you can get your fingers; as if the pussy were the first body part to reach for, rather than a woman’s hand to shake out of respect, or her arms to embrace in friendship.

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Promotion and Creativity

A few months ago I gave a TED talk. Although I am used to public speaking and performance, speaking from a memorized script that was supposed to sound extemporized in a packed ballroom under hot lights brought performance to a new level of intensity. This experience was exhilarating, and adrenaline-twitchy nerve-wracking in a way that an independent studio dance concert or an academic keynote is not. Despite the surge of nerves that made my knees shake and my mouth feel taut, despite the fast-slow pace that accompanies production of any kind and makes it feel like the performance will never happen and then like it passed too quickly, I felt satisfied and in control up on that small stage. I was prepared, ready to be up in front of this audience, even if it had taken a ridiculous number of redrafts to whittle the content of a book down to eight minutes of talking.

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Claps and Cheers: When the Student is Ready, the Teacher Appears

by Jesse Bliss

Mentorship is an integral part of developing as an artist. We can be mentored officially, through mentorship programs or by merely engaging and asking a respected professional for guidance. And there are unofficial mentors who come into our lives when we most need the encouragement of someone who’s embarked on a journey we’ve just begun. They are powerful presences who impact the course of our lives and we cherish them for as long as we can.

Writer, educator, and mentor Jesse Bliss recently lost her mentor Linda Lowry. This Claps and Cheers is Bliss’s homage to her late mentor. – Ramona Pilar, Ed.

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Actor and Mentor Linda Lowry

It was a typically windy, cold to-the-bone yet electric San Francisco night. I was a 20 year-old walking up Market Street around the corner from the Tenderloin District where I lived next door to a Thai restaurant. Next to that was a known location for sex solicitation. I often cruised toward the train gripping the handle of a knife. The danger in that hood was not gangs, but unpredictable drug-induced violence. I had just left Sacramento and all that was trying to keep me from my dreams, and had shown up in the Golden Gate city with nothing more than a bag and a friend, ready to discover my soul as a professional artist.

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Public Notebook to Book: An Interview with Wendy C. Ortiz

Saturday December 3, 2016 Wendy C. Ortiz will lead the 3rd installment in the WWS Fall Workshop Series: Public Notebook to Book. Ortiz is the author of two memoirs, Excavation (Future Tense Books, 2014) and Hollywood Notebook (Writ Large Press, 2015) and has her third book, Bruja, being release October 31, 2016 from Civil Coping Mechanisms.

Ortiz has used journals and public notebooks throughout her career. In fact, “Hollywood Notebook, a prose poem-ish memoir, and Bruja, a dreamoir, both began as public notebooks and eventually found their way to becoming print books,” and in her workshop, Ortiz will share strategies for keeping a notebook and how to shape it into a piece of writing intended for an audience.

But first, Ortiz, who has been a contest judge for Blue Mesa Review, and a reader for Hedgebrook and Poets & Writers California Writers Exchange, among others, shares her thoughts on confidence, submission, and community.

Women Who Submit: How have Notebooks been in important to your work?

Wendy C. Ortiz: I’ve been carrying notebooks all my life and still do, whether it’s a physical notebook meant for a specific subject or my phone’s Notes app. Notebooks and journals have always been a necessary part of my work.

WWS: When did you choose to take your writing seriously, and what or who helped you in that pursuit? Continue reading “Public Notebook to Book: An Interview with Wendy C. Ortiz”

On Movement and Writing: An Interview with Jay O’Shea

Saturday, November 5th  Jay O’Shea, a martial artist and Dance Studies professor at UCLA, will be leading the second workshop in the WWS Fall Workshop Series: On Movement and Writing with Jay O’Shea. She recently offered a Ted Talk on the benefits of physical play and games with a focus on process versus winning, and of course fun.

With a unique point of view, O’Shea’s workshop is sure to shift participants’ stories and characters from the mind to their hands and feet. As O’Shea describes, “In this workshop, we treat movement as central, seeing it as a place where character, narrative arcs, and imagery can emerge in a different, sometimes more vivid, way than they do through dialogue and description.”

O’Shea writes fiction, non-fiction, and academic pieces, and below she shares with our WWS community some strategies for revision, submission, and rejection.

WOMEN WHO SUBMIT: How has movement been in important to your work?

JAY O’SHEA: Like most writers, I’ve always been a scribbler, and I couldn’t say when I started writing. I’ve also always had a physical practice: dance, yoga, rock climbing, martial arts. I spent much of my young adult life trying to figure out whether I most wanted to write or to dance. I found a way to join my passions, becoming a dance scholar and writing about dance in its historical, cultural, and political contexts. Only after finishing my PhD did I realize that I was different from other academics in that writing was not only a means to an end but a craft that I cared deeply about in itself.

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