Breathe and Push: Teaching While Breathless

Classroom boardBy Hazel Kight Witham

This year has been a breathless one. Lately a clutch of lines from a poem by Stevie Smith has played like a refrain:

Nobody heard him, the dead man,
But still he lay moaning:
I was much further out than you thought
And not waving but drowning.

I am, this year, much further out than I thought, and, it seems, nearly every day, I am adrift, no toe-touch in the murky depths I find myself, staring back at the shore of my life, not waving but drowning.

I spend each workday treading water in the high seas of California’s public education system. Not waving but drowning.

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Behind The Editor’s Desk: Dr. Raina J. León

By Lauren Eggert-Crowe

Dr. Raina J. León is editor of The Acentos Review, a quarterly literary and arts journal that promotes and publishes Latinx work, and which has featured the work of several Women Who Submit members.

On their website, the review lets writers know, “The Acentos Review publishes poetry, fiction, memoir, interviews, translations, and artwork by emerging and established Latinx writers and artists four times a year.  The LatinX community is international and so, too, do we pledge to represent that international community.  We welcome submissions in English, Spanish, Portuguese, a combination of two languages, as well as the use of indigenous languages.

“The debate may rage forever as to who or what constitutes Latinx art. Here, there is no such identity crisis. We are already here, writing the histories of our neighborhoods, following the traditions of our ancestors, as well as the poetic traditions that came before us. To paraphrase Baldwin, the poet’s task as historian is to keep the story new, even when the telling is costly. This is the aesthetic we foster at Acentos. It is always about the word, the work, and it all begins here.”

Dr. León is passionate and exuberant about her work as an editor and educator. I asked her some questions about her work at The Acentos Review.

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Learning Your Audience: The Benefits of Submitting to Literary Journals, Grants, and Residencies (Even If You Don’t Get In!)

1950s cinema audience with 3D glasses

For this week’s “Closing the Gap” article, I’m bringing back an oldie but goodie from 2016 written by our web designer and co-organizer, Rachael Warecki. Since writing this article, Rachael has continued to receive publications and acceptances to residencies such as Ragdale Foundation and Wellstone Center. Most recently, she won the 2017 Tiferet Prize in fiction.  I hope her advice on finding your audience through submission inspires you to join us this Saturday at our WWS New Member Orientation and Workshop in the Los Angeles Arts District. We will be submitting to journals, contests, residencies and fellowships in real time. If you are not in the L.A. area, please consider submitting with us remotely from the comfort your home and be sure to notify us Twitter, Facebook or Instagram when you hit send, so we can cheer you on! 

– Xochitl-Julisa Bermejo, Closing the Gap Editor

Learning Your Audience: The Benefits of Submitting to Literary Journals, Grants, and Residencies (Even If You Don’t Get In!)

by Rachael Warecki

Two years ago, I decided I needed to focus my submission process. I’d received acceptances from some wonderful journals, but I’m ambitious as hell and I wanted to take my writing and submission goals to the next level. Around the same time, I also decided to apply for grants and residencies, so I started to target my submissions and applications more strategically.

As I’ve written previously, this approach has had some success, mostly in the form of personal rejections. But the editorial notes and feedback have given me more than just warm, fuzzy feelings of validation—they’ve given me a better sense of my most receptive audience. In the two years since I decided to submit more strategically, I’ve discovered that my writing seems to appeal mostly to editors and directors who are women. The judges and editors who’ve written me the warmest rejections have identified as women or represented women-centric organizations, or both.

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This is No Joke: Humor Journals Worthy of Your Submissions

Writing Expenses Ledger

By Anita Gill

Recently, I came across Olga Kazan’s article from The Atlantic entitled “Plight of the Funny Female.” According to a mess of studies with smart people writing on notepads, women are not seen as funny.

Many women don’t consider themselves funny. Humor is for men. When going to a comedy club, you’ll see the mostly male line-up of comedians and one woman shoved in there so they seem inclusive.

Part of the problem is that men have made women think they aren’t funny. But according to Kazan’s article, men are more aggressive when it comes to being funny. They try and fail and try again. And with that, they have a higher success rate of scoring a laugh.

Gee, why does that sound familiar? Oh right! Because it’s the same thing men are doing in the publishing world.

As you probably already know, there are loads of literary journals available for your poetry, prose, and other creative media projects. But if you’re like me, and you occasionally write the snarky satiric piece, something that you feel deep down can’t be put out in the world, you may feel lost. It’s a bit more challenging to find a journal or website that showcases funny writing. The hits are old and contain several sites with broken links or closed journals.

It’s like nobody sees humor as quality writing here.

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WWS Chapter Roundup: March Publications

A wood plank table with black glasses, a pine cone, a book, typewriter, a journal, pen, and arranged in a semi-circle. There is a text box with the words "Chapter Roundup March" in the bottom center of the image.

As seen on our Join Us! page, Women Who Submit has chapters all across North America! These are just a sample of the work WWS members are getting published:
Publications from the San Francisco Chapter (2)
Lead : Rebecca Gomez Farrell

From L.S. Johnson’s short story, “Properties of Obligate Pearls,” in Issue 020 of New Haven Review:

“You have to know what to look for. Younger, definitely—stones from the elderly are heavy and black, decades of layers dulling the luster. No one wants the weight of a grandmother’s worries around their neck.”

From Ruth Crossman’s “An Election Year” short story in Issue 91 of Sparkle + Blink:

“First the guy from Motorhead dies. On New Year’s Eve the billboards on the venues say RIP Lemmy, and the metal heads hold wakes and mock funeral services in his honor. I’m not a metal head or anything, but it sets a tone.”

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