Claps and Cheers: Jessica Piazza and Poetry Has Value

by Xochitl-Julisa Bermejo

Does poetryvirginia-woolf have value? This is a question all poets have asked themselves in the dark of night when they think no one is listening. Shakespeare killed his poets or likened them to lunatics in his plays and Virginia Woolf wrote in A Room of One’s Own, “[The world] does not ask people to write poems and novels and histories; it does not need them. It does not care…Naturally, it will not pay for what it does not want,” so how do we move forward when seemingly no one values our work?

Poet Jessica Piazza, inspired by Dena Rash Guzman’s personal challenge to send her poetry to paying markets in 2015, began the Poetry Has Value project. Here Piazza explores questions about the value of poetry by writing about her experience in submitting to only paying markets, creating a spreadsheet and public resource of Poetry Journals that Pay (which includes submission fees, open reading periods, and average response times), and interviewing editors from these paying journals. Her interview series has most recently included interviews with Kelly Davio, poetry editor of Tahoma Literary Review and Barbara Westwood Diehl, senior founding editor of The Baltimore Review.

Over the last couple of years, I have been working on finding a publisher for my full-length manuscript, and more than once, I have had my guts ripped out from my body and slapped across a table when an editor told me, “We don’t publish poetry anymore. It doesn’t make money.” I questioned the point and value of my work, but thanks to Piazza I now have a place to go to quiet those dark fears.

Besides creating a remarkable resource, one of the best aspects of Piazza’s project is how earnest she is in her journey. As she says in the introduction to her interview with Tim Green, editor of Rattle, “writing these blog posts…has helped me explain more clearly and more precisely my own point of view…which, to be fair, is still developing and always growing.” It’s the exploration that I love, and that she is so open and honest with her findings, makes her worthy of much appreciation.

BLOG LAUNCH 2015!

Women Who Submit has had one robust year so far! We’ve been featured in Poets & Writers, Arts Collide and Lunch Ticket, and have been invited panelists/workshop leads at the L.A. Writer’s Conference, UC Irvine’s School of Humanities, About . . . Production’s Post-Salon Series, and at our alma mater Antioch University, LA.

And now, we’re blogging!

We’ll be posting weekly digests of the calls for submissions from our Facebook Page as well as info on our upcoming events, workshops and submission parties, digital press clippings about and by the WWS players, and photo evidence of all the scandalous WWS happenings (and snacks)!

But wait! There’s MORE NEWS: Women Who Submit is getting into the receiving game and we want to hear from YOU! From our Submit . . . to Us! page:

We are looking for nonfiction pieces written by women for women that are instructive, supportive and celebratory, and in the tradition of chisme often shared at our submission parties. Who recently won a major award? What journal has changed its editorial team? How did you get over your anxiety of submitting?

We are looking for advice, reviews, recommendations, interviews, and questions in the following categories:

Submission in Review: reviews and recommendations of literary journals, fellowships, residencies, current open calls, and contests

Closing the Gap: practical submission strategies, holistic exercises, or personal reflections on the battle for self-confidence

Behind the Editor’s Desk: interviews with editors and publishers

Claps and Cheers: celebrating women’s organizations and individual women making strides around the world

Dear Submission Mistress:  submission advice based  on your submitted questions

It’s exciting times over here at WWS Headquarters. Share the joys of submission with us, yourself, your friends and colleagues et al.!