The Women Who Submit blog is now OPEN for submissions for our bi-monthly publication.
We are currently accepting personal essays, articles, and poetry for This Makes up the Sky: A Year of Looking Upward.
What we’re looking for:
For this year’s blog series, This Makes up the Sky: A Year of Looking Upward, we’ve created six unique themes to tell the complete story of our sky. We’re looking for work that disrupts our everyday gaze, turning the familiar upwards and outwards. Send us your poetry, flash fiction, or brief essays that explore these themes through fresh angles – whether it’s a poem about the secret language of starlings, a story that lives in the space between the sight or sound of a drop of rain or in the absence of color in weather, or an essay that maps the geography of a recurring dream. We’re particularly drawn to pieces that find unexpected entry points [or exits]. Your work might examine the physics of a cloud formation, the cloud that sat above you on one of your firsts, the folklore of weather patterns, the literal mathematics of bird flight or the sociology of shared skies. It could touch the surface or be deeply personal. Above all, we seek writing that might help us see differently, all at once — something that makes the sky feel both vast and intimate at once.
We hope these themes [prompts] might instigate some intentional reimagining that by the end of the year might allow us all to reimagine the sky as a collective space of being and becoming.
Themes to submit under:
Dreams: Always just above the surface
Submissions Due by February 28th (extended to March 7)
For March & April publication
Send us your poetry, flash fiction, or brief essays that explore your DREAMS. It can be those moments when dream-logic bleeds into daylight, when the ordinary transforms into something just slightly unordinary, and those future moments when reality becomes so much better than what we see today. Send us your work that captures the peculiar clarity of dreams: the way a childhood home might spiral into the outside, how dream-time bends like light through water, or how recurring dreams mark their own distinct geography in our minds. Your work might examine the neuroscience of REM sleep, chronicle the mythology of falling dreams, map the precise moment when a dream becomes morning, or it might examine the potential you can feel on the tip of your tongue. Whether you’re exploring the mathematics of dream patterns or the deeply personal landscape of a single, unforgettable dream or potential, we want to read work that makes the familiar strange and the strange familiar. We want to read work that sings your dream.
Birds: Witnessing the mathematics of flight, of song, of movement…
Submissions Due by April 25
For May & June publication
Send us your poetry, flash fiction, or brief essays that explore BIRDS in all their glorious, known and unknown complexities. We want work that peeks into those moments when a flock transforms what we see into new territory, when a single song breaks the morning into remembering, when migration patterns map themselves onto your geography. Work that captures the preciseness of flight: the way wings cut through air or how the presence of birds marks territories in our urban (or rural) spaces. Your story, essay, or poem might delve into the biomechanics of how or why the bird flies, tell the story of the red-shouldered hawk, document the exact moment you counted the fifth mockingbird on the bird day trail, or it might share your connection to the ancient language of bird song. Whether your words lean into physics or document the way you watched a nest appear outside your window, we want to read work that takes flight. Every single pun intended.
Weather: Documenting the systems that animate unwritten rules
Submissions Due by June 27
For July & August publication
Clouds: Investigating shifting narratives
Submissions Due by August 22
For September & October publication
Rain: Contemplating precipitation in all its forms
Submissions Due by October 24
For November & December publication
Murmuration: The architecture of collective flight
Submissions Due by December 19
For January publication
We publish on the first and third Monday of each month. Mostly.
For a glimpse of what we’ve published in the past, check out our previous blog series’: Intersect edited by Thea Pueschel, Breathe and Push edited by Noriko Nakada, Writing on a Budget edited by Lisbeth Coiman, Story Telling in Action edited by Romona Pilar Gonzales, and Closing the Gap, edited by Xochitl-Julisa Bermejo.
SUBMISSION GUIDELINES
The WWS blog accepts original, unpublished pieces no more than 2,000 words.
- Work should be 12 Times New Roman, double spaced (single-spaced for poetry) with one-inch margins
- Email the piece as an attached .doc or .docx. If images are included, please do not send attachments (we’ll ask for them if the piece is accepted).
- Include a short cover letter in the body of the email that states how you heard of Women Who Submit, your genre, where you reside, and a short 50-word bio.
- Simultaneous submissions under more than one theme are accepted. You can submit to any themes throughout the year, as long as the decline has not passed.
- Send to the Managing Editor, Jessica Ceballos y Campbell at blog@womenwhosubmitlit.org with the theme you are submitting under and the word “Submission” in the subject line. e.g.: “Dreams Submission”, “Rain Submission”
- Contributors whose work is accepted will receive $75 per piece, upon publication.
*Note: As an editor & publisher, Jessica Ceballos y Campbell disengages from writing that perpetuates violence through racist, xenophobic, classist, sexist, misogynistic, ageist, ableist, homophobic, and/or transphobic ideologies.
Jessica Ceballos y Campbell, Blog Managing Editor (she/they), is a writer, content strategist, publisher, and advocate whose work has been published in numerous anthologies and journals and three chapbooks: Gent/Re De Place Ing (2016), End of the Road (2017), and Facilitating Spaces 101: A Manual for equitable Arts Programming (2018), and has produced a ton of literary events throughout LA. She lives with her husband, seven-year-old, and their gato in Los Angeles, where she runs a small press and where she is ever-attempting to work on Happiest Place on Earth, her poetry contribution to conversations around memory, place, and belonging, inspired by a trip to Disneyland while in the foster system. www.jessicaceballos.com