A WWS Publication Roundup for June

A laptop computer with an article titled "Submissions Made Simple" on the screen and a stack of literary journals sits on top of the laptop base, titles facing out

A little publishing sunshine in the midst of June Gloom. Congratulations to all the Women Who Submit who had work published this month!

From Noriko Nakada‘s  “Swing” at Thread:

The violence contained within the motion of that bat would have made more sense if he took to our world with his bat, shattering the silence and destroying the façade of sanity. In that chaos, I might have understood the kind of crazy that came home with my brother from the hospital. Instead, there was the whirl of metal cutting through thin mountain air and the rhythmic rush of his breath.

From “Passenger” by Lituo Huang at JMWW:

It was the third day. Things had begun to unravel. We’d slept poorly, and both of us had missed our breakfasts and bowel movements. I watched Ripley feel his stubble as he drove, his unwashed hand brushing over the bristles that peppered the broken vessels on his round cheeks. At eleven a.m., the shimmer already rose two feet off the road. The car’s A/C was dying, blinking its green and orange lights and spewing air the temperature of a fever.

From Arlene Schindler‘s “From Russia with Love” at purple clover.:

In a world where smart women make foolish choices, I said yes when my friend Heather told me she had a guy for me.

At dinner in a Japanese restaurant, Jim, a Sam Waterston lookalike, only had eyes for me. To be honest, I wasn’t particularly taken with him. He had a bushy, unkempt beard and pink sweater that looked like a hand-me-down. But his deep, seductive newscaster’s voice slowly began to draw me in.

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Breathe and Push: Writing While Momming

A table set up with a laptop for writingBy Jamie Asaye FitzGerald

Your identity as a writer doesn’t disappear once the responsibility of children come into your life. In fact, your identity as a writer may take on a more obvious shape, form and demand, and may give you the strength you need to deal with the challenges of being a parent.

There will be days filled with the joy and plenitude of childrearing, and days when you might feel like being a parent is, to put it bluntly, one of the nine circles of hell. As hard as it is to find the time to write, your refuge can be the page. Even if you can only write for fifteen minutes each day or fifteen minutes each week, that writing could be your lifeline—that writing could save you.

When you have a baby, you really have to take baby steps. For a baby, those first steps are huge. For a parent-writer, those baby steps to keep the writing life alive are equally huge. Give yourself credit for even the smallest effort.

To preserve your writer self, you will have to fight against forces that might not consider, value or acknowledge that part of you. These forces may be closer to you than you realize. They may even be your own loved ones. If you have a partner, you may have to contend with working things out with that person. They might be 100% supportive or 98% supportive or not supportive enough. The reality is that you will need their support and understanding.

If they’ve committed to being with you, they’ve committed to being with an artist—and an artist has needs. Getting your partner on board with you will make things much easier. Sometimes they just need to be reminded who you are and what you need.

Fighting for a writing life also means asserting it as a priority in small, achievable ways. Any parent knows that if you wait until the end of the day, after other responsibilities are taken care of, you will have very little left to offer the page—let alone the energy to brush your own teeth. If possible, write first, before you do the thousand things required of you each week, even if that means you write for just five or fifteen minutes.

I’ve found my best sustaining resources have been scheduled group activities. The literary submission parties held by Women-Who-Submit have been great ways for me to block out time to devote to my writing life and get work out into the world. I can tell my partner on this day and time, I will be away. It’s a scheduled event—it’s legit, concrete, with a beginning and an end.

On top of having time blocked out in advance, the meetings transform preparing submissions, a difficult and painstaking task for the uber self-critical writer, into a positive and uplifting experience when done in community. As Pat Schneider, in her book Writing Alone and With Others, counsels: “Find and keep in contact with other writer/artists who can provide you with an intimate community of support, give you honest critical response, strengthen you, and encourage your work.”

From time to time, I also participate in a writing accountability group called The Grind. Participants write something every day for a month and email it to an assigned group. For a time-pressed parent, this arrangement works for me. There is no comment, no critiquing, just the doing of the writing. The Grind got me in the habit of approaching writing as I do brushing my teeth—it’s just something one does every day. Forming the habit was the achievement. I found myself jonesing to write each morning like jonesing for that first cup of coffee.

I don’t always write every day, but now I know I can, and I know that jotting down any thought I may have at any moment could turn into something down the road. As a parent, you’re being pulled in many directions at once. It can be hard to concentrate. You won’t remember that pithy thought later. Record it on your phone. Jot it on a receipt. Throw it in your purse. You’ll stumble across it when you fish out a tissue for your snot-nosed kid, and it may become a poem, story or book!

Writing while momming is playing the long game. Everyone tells you your kids will grow up so fast. As writers, it often seems like that’s not the case. But it does help to put things in perspective when you can accept the limitations of your present circumstances while remembering that it won’t always be this way. Things change. Children grow up.

There is no reason why you should throw in the writing towel just because you have children to take care of, but you will need to accept the limitations placed upon you if you want to be an effective parent AND remain connected to your writing self. You have to feed your writer self and care for it to avoid despair and bitterness.

Moreover, your attentiveness to yourself as an artist is setting an example for your children, and especially for young girls, that in addition to being a mother, you are also your own person, with your own hopes and dreams, needs and desires. Following through on those needs, dreams, and desires is not selfish or taking time away from your kids. It’s good parenting.

author Jamie Say FitzgeraldJamie Asaye FitzGerald is a Los Angeles-based poet from Hawaii. Her poems have appeared in the American Poetry Review, Works & Days, Poetry Daily, Mom Egg Review, and elsewhere. She earned an MFA in poetry from San Diego State University and a BA in English/Creative Writing from the University of Southern California where she received an Academy of American Poets College Prize and the Edward Moses Poetry Prize. She is also the mother of two young daughters and enjoys playing piano in the evenings as they run in circles around the couch.

Behind the Editor’s Desk: Nikia Chaney

by Lauren Eggert-Crowe

As you may know, Women Who Submit received our first grant last year from the Center for Cultural Innovation. One of our projects for this grant is to compile an anthology of work submitted and published through our bimonthly submission parties. This anthology will be published by Jamii, an independent press in San Bernardino that focuses on writing by women of color who are active in the community. In light of that, we’d like to reprint last year’s interview with Jamii editor Nikia Chaney:

Early in 2017, Women Who Submit invited Nikia Chaney to one of our submission parties. It was the beginning of the year, so the room was packed with writers excited and motivated to accomplish their goals and renew their commitments to good work. We hung posterboard on the wall with goals like “Submit to Residencies,” “Get Paid For Work,” “Finish a Project,” and “Activist Writing.” We each scrawled our names in marker underneath the goals that spoke to us. Still buzzing from the spirit of the Women’s March and the inspiration of powerful intersectional feminist leaders, many of us were eager to connect our creative work to community building. Nikia Chaney, of Jamii Publishing, led new and seasoned WWS members in a great discussion about starting collaborative projects like a press or a journal, and how to best involve the community in the artistic process.

It’s safe to say Nikia knows a lot about goal setting. Jamii, an independent press based in San Bernardino, beautifully lays out its vision, mission, and goal: “Our mission at Jamii Publishing is to foster the communion of artists from all genres, foster growth in the artistic world, and to bring these arts to the community.  We strive to work with artists who are already active in the community as well as those who have a desire to reach outside of their comfort zone and share their art with the larger world. We want to gift books to these dedicated people and help them in turn help others.”

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Santa Ana’s LibroMobile: More Than Just Books

A brunette woman leans against a mobile bookseller's cart. The sign above the cart states #libormobile.

By Sarah Rafael Garcia

When I first received the rusty, planter cart from my friend and local business owner Delilah Snell, she was explaining how to garden herbs and organic veggies. Meanwhile, I was envisioning a bookmobile and planting books in gente’s hands alongside the fruteros on La Calle Cuatro.

LibroMobile is a literary project I initiated in Santa Ana, California with support from Red Salmon Arts and Community Engagement. It integrates literature, free visual exhibits, year-round creative workshops and live readings. The actual LibroMobile (a repurposed gardening cart holding an inventory of diverse books) is not only mobile but also builds community and promotes literacy. As of January 2018, after a 9-month stint in a stairway, the retrofitted bookmobile resides in a warehouse on Calle Cuatro (off 4th & Spurgeon, back alley area), travels throughout Santa Ana visiting a variety of community-based events, and on Saturdays we provide free café de olla donated by Café Calacas. The design of the LibroMobile is a tribute to the iconic paletero carts or fruit vendors that are part of downtown Santa Ana. To hear or see a paletero or frutero cart builds cultural interests (from locals and visitors) to know that something authentic and familiar is being offered, and LibroMobile has achieved the same connections through relevant literature. Continue reading “Santa Ana’s LibroMobile: More Than Just Books”

Four Contests and Belgian Lager

The emerging writer opens her refrigerator door, reaching blindly for the green bottle of Belgian lager. She lets the chilled bottle ground her in the comfort of her own kitchen. The old cabinet drawer refuses her access to the bottle opener. Undisturbed by the small inconvenience, she places the bottle lid at the edge of the kitchen counter and smacks it with her fist.

Vintage typewriter with mechanical pencils and reading glasses

The cold bottle rim touches the writer’s lips. She lets out a sigh of pleasure as the beer soothes her throat, hoarse from teaching all day. Then, she heads to her desk, where a few more hours of work await.
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